This fourth volume in the European Festival Studies, 1450-1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns - from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.

The recent works of talented interior designers at twenty Decorator Showhouse events around the country revealed in 330 striking color photos. Interior designers, assisted by avid volunteers, transform rooms at historical houses into works of art. Created to astound the public and contribute to charitable causes, these designers create masterworks of interior design. In this volume, you will tour the showhouses without the crowds, moving methodically through the showhouses room-by-room, lingering over every detail just as long as you like. Once your head is full of inspiration, you may turn to the lists of participating designers and additional Showhouse events taking place across the nation. For anyone passionate about interior design, this is one book that will be returned to again and again.

Time Frames provides a reconnaissance on the conservation rules and current protection policies of more than 100 countries, with particular attention to the emerging nations and twentieth-century architecture. The contributions illustrate the critical issues related to architectural listings, with a brief history of national approaches, a linkography and a short bibliography. The book also provides a short critical lexicography, with 12 papers written by scholars and experts including topics on identities, heritages, conservation, memories and the economy. By examining the methods used to designate building as heritage sites across the continents, this book provides a comprehensive overview of current protection policies of twentieth-century architecture as well as the role of architectural history.

The Seven Wonders of the Ancient World have had a lasting impact upon the intellectual landscape of the post-classical world. As well as provoking historical debate and reflection, they have proved an enduring yardstick by which succeeding generations have measured the architectural and cultural accomplishments of their own eras. Focusing particularly upon the Renaissance and Baroque periods, this book looks at how the Wonders of the World were represented in art, architecture and sculpture, and the ways that European courts could evoke them as a useful image of power. Within this artistic culture, special attention is paid to the recreations and constructions generated between the fifteenth and eighteenth centuries in the sphere of ephemeral art, especially those linked to court celebrations in the principal European states. This approach provides a framework to analyse and evaluate the claims of other European Renaissance and Baroque architecture to Wonder status, an approach bolstered by the use of the Palace of El Escorial as a case study of a modern 'Eighth Wonder'.

By the end of Queen Victoria's reign, factories had become an inescapable part of the townscape, their chimneys dominating urban views while their labourers filled the streets, coming and going between work and home. This book is concerned with the architecture, planning and design of those factories that were part of the second wave of the industrial revolution. The book's geographical range encompasses the whole of the British Isles while its time span covers the Victorian and Edwardian eras, 1837- 1910, and the period leading up to the First World War. It also looks back to earlier buildings and gives some consideration to the interwar years and beyond, including the fate of our factory heritage in the twenty-first century. Factories, not surprisingly given their early working conditions, have had a bad press. It is sometimes forgotten that they were often the centres of thriving local communities, while their physical presence and wonderfully varied buildings enlivened our towns and cities. It is time for a new look at factory architecture.

Villard's Legacy is in memory of the celebrated iconoclastic historian, Jean Gimpel, and represents a fundamental contribution to the new AVISTA series with Ashgate Publishing. AVISTA was the brainchild of Gimpel, a genius at making the right people meet to advance knowledge through a confluence of ideas drawn equally from the practical and scholarly domains. Sixteen papers and a tribute to Gimpel underscore this confluence of technology, science and art within medieval culture. Appropriately, six papers offer new interpretations on aspects of Villard de Honnecourt's portfolio, which Gimpel rightly recognized and promoted as a unique and precious record of pre-modern technology and culture. This thirteenth-century manuscript is now known to a wider public as the earliest testimony left by a master builder in Gothic Europe. Of particular significance, for the first time in eight centuries, a Compagnon du Devoir, initiated in the same oral tradition as Villard, opens the door to interpreting these remarkable drawings. Three papers address previously ignored aspects in the construction of French and English Gothic churches, from the engineering of aerodynamic spires, to the elastic materials of vault webbing, to the social conventions of formal design. Three other contributors treat essential elements of a broader technological culture, such as the horse harness and the minting of coins, as well as the applicability of medieval technology to the modern world, in particular third world countries, a project pioneered by Gimpel. Four papers conclude the volume by treating the sciences of measure and their cultural expression in medieval Europe, embracing both the concepts of space and time, geometry as a mathematical discipline, and the graphic expression of scientific data. These interdisciplinary studies are comprehensive in chronological and geographic range, extending from the 8th to 15th centuries, from Ireland across Europe.

Nikolaus Pevsner was one of the most important and influential art historians of the twentieth century. He opened up new areas of enquiry in the history of art, revolutionising architectural studies in England and playing a key role in establishing the discipline of design history. Through his lectures and broadcasts, as well as the remarkable volumes in The Buildings of England series which made him a household name, he did much to encourage greater interest in, and understanding of, art and architecture among a wide public. This wide-ranging collection of essays, based on papers delivered at the conference held at Birkbeck in celebration of the centenary of Pevsner's birth, offers the first sustained critical assessment of Pevsner's achievements. With contributions by leading international scholars, the volume brings together a wealth of new material on Pevsner and his intellectual background, both in Germany in the late 1920s and 1930s and in England, particularly in the 1940s and 1950s.

This book directly addresses the major planning debate of our time - the delivery and quality of new housing development. As pressure for new housing development in England increases, a widespread desire to improve the design of the resulting residential environments becomes evermore apparent with increasing condemnation of the standard products of the volume housebuilders. In recent years central government has come to accept the need to deliver higher quality living environments, and the important role of the planning system in helping to raise design standards. Housing Design Quality focuses on this role and in particular on how the various policy instruments available to public authorities can be used in a positive manner to deliver higher quality residential developments.

With photos that span 150 years, Boston Then and Now shows how the largest city in New England has adapted to change as it has grown. Many of the key places in the Revolutionary struggle are featured in the book, including Boston Harbor, Paul Revere's house and Dorchester Heights, from where George Washington threatened the British garrison. The book shows how the Big Dig has transformed the city, which despite the march of the 21st century has managed to preserve a large part of its remarkable history. Sites include: Boston Light, USS Constitution, Bunker Hill Monument, Old North Church, Charles Street Jail, Scollay Square, Union Oyster House, Quincy Market, Faneuil Hall, Dock Square, Old State House, Massachusetts State House, Boston Common, Old South Meeting House, Long Wharf, South Station, Liberty Tree Site, Copley Square, Boston Public Library, Museum of Fine Arts, Fenway Park, Kenmore Square and Cyclorama.

Renzo Piano rose to international prominence with his co-design of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft such iconic cultural spaces as the Modern Wing of the Art Institute of Chicago and, more recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In London, the Piano touch has also transformed the skyline with the Shard. At the age of 84, the Italian maestro retains all of his enthusiasm and kindness-and his recent roster is more impressive than ever. As he confided to the author, "I think at a certain age, one can discover that there is what the French call the 'fil rouge,' a kind of red thread that relates one building to another over time. In my case, I believe it is about lightness and the art of building." From freshly built museums in Athens and Santander; ongoing works in Lisbon, London, Toronto, and Geneva; to such humanitarian projects as the Emergency Children's Surgical Hospital in Entebbe, Uganda, and the Children's Hospice in Bologna, Italy, Piano's career is a thrilling journey through the beauty and very essence of architecture. Based on the massive XXL monograph, this widely updated edition brings the architect's definitive career overview to an accessible format and is illustrated by photographs, sketches, and plans.

This book examines key themes for the management of historic urban centres within a representative sample of centres in different European countries. The twelve historic centres that have been chosen are spread throughout Europe. They are diverse in character and the range includes small towns, cities and urban centres within cities. Some have been designated by UNESCO as World Heritage Sites or Cities, whilst others have recognition, or have been proposed as European Cities of Culture. The centres have all faced different problems and a variety of approaches have been utilised which are also examined. For each of the historic centres in the book the authors broadly cover a number of common themes: the policy and planning framework; management and regeneration action; environmental management; tourism and heritage management; and sustainability.

Great Britain not only invented the main-line railway but has also led the way in it's preservation - not just locomotves and carriages but also the buildings and structures that bear witness to the confidence of railway developers, architects and engineers. This book defines the nature of the railway heritage - from signalboxes, viaducts, tunnels and locomotive depots - and then discusses priorities and the best practice for it's conservation. The subject is a strongly topical one due to current concern over privatization, the effects of planned high-speed rail links and lively debates concerning the role of the enthusiast in railway preservation.

Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.

Walls play multiple social, political, economic and cultural roles and are linked to the fundamental question of how human beings live together. Globalization and urbanization have created high population density, rapid migration, growing poverty, income inequality and frequent discontent and conflict among heterogeneous populations. The writers in this volume explore how walls are changing in this era, when social containers have become porous, proximity has been redefined, circulation has intensified and the state as a way of organizing political life is being questioned. The authors analyze how walls articulate with other social boundaries to address feelings of vulnerability and anxiety and how they embody governmental processes, public and social contestation, fears and notions of identity and alterity. This book's authors explore walls as the consequence of a changing web of social relationships. Whether walls are physical objects on the landscape or metaphors for difference among specific groups or communities, the writers consider them as heterotopias, powerful sites around which ways of living together are contested and transformed. They also investigate how architectural planning concerning walls may de facto become a means of waging war, as well as how demolishing walls may give way to new ways of imagining security.

Using monuments and ruins by way of illustration, this fascinating book examines the symbolic, ideological, geographical and aesthetic importance of Greek classical iconography for the Western world. It examines how classical Greek monuments are simultaneously perceived as sublime national symbols and as a mythological and archetypal reference against which Western modernism is measured. The book investigates the dialogue this double identity leads to, as well as frequent clashes between ancient (but also later) monuments and their modern urban or regional environment. Living Ruins, Value Conflicts examines the complex historical process of monument restoration and enhancement, and analyses the nexus of changing perceptions, aesthetic visions and formal principles over the past two centuries. The book shows the ways in which archaeology and monumentality affect modern life, the modern aesthetic, our notions of nationhood, of place, of self - and the limits to and possibilities for national development imposed by the need to ensure ruins are kept 'alive'.

The design and construction of buildings is a lengthy and expensive process, and those who commission buildings are continually looking for ways to improve the efficiency of the process. In this book, the second in the Building in Value series, a broad range of topics related to the processes of design and construction are explored by an international group of experts. The overall aim of the book is to look at ways that clients can improve the value for money outcomes of their decisions to construct buildings. The book is aimed at students studying in many areas related to the construction industry including architecture, construction management, civil engineering and quantity surveying, and should also be of interest to many in the industry including project managers, property developers, building contractors and cost engineers.

Even though the idea of altering an existing building is presently a well established practice within the context of adaptive reuse, when the building in question is a 'mnemonic building', of recognized heritage value, alterations are viewed with suspicion, even when change is a recognized necessity. This book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a 'still shot' from the past. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano's 1571 ichnography of St. Peter's Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple's plans, he created a track-drawing questioning the design pursued after Michelangelo's death (1564), opening the gaze towards other possible future imaginings. This book uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. Proposing a hybrid architectural-conservation approach, this study shows how these two practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design rejoining multiple temporalities within continuity of identity. This study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when dealing with the dilemma between design and preservation when transforming a building of recognized significance.

Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino's writings offers a new perspective on Bernini's art and artistry and allow us to understand the visual arts in papal Rome as a 'making manifest' of the fundamental truths of faith. Pallavicino's views on art and its effects differ fundamentally from the perspective developed in Bernini's biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino's writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.

This much needed book provides an understanding of the sport of skateboarding and how to develop a skateboard park. It provides a well-organized recounting of the history of skateboarding and its regulations. Chapters describe skateboarding facility types and all possible skateboarding facility components. The process for developing and operating a skateboard park is included, with discussion about preliminary planning, environmental review, design, construction, management and operations. This is an indispensable guide for city planners, landscape architects, contractors, and skateboard enthusiasts aspiring to create their own facility.

As San Juan nears the 500th anniversary of its founding, Arleen Pabon-Charneco explores the urban and architectural developments that have taken place over the last five centuries, transforming the site from a small Caribbean enclave to a sprawling modern capital. As the oldest European settlement in the United States and second oldest in the Western Hemisphere, San Juan is an example of the experimentation that took place in the American "borderland" from 1519 to 1898, when Spanish sovereignty ended. The author also investigates post-1898 examples to explore how architectural ideas were exported from the mainland United States. Pabon-Charneco covers the varied architectural periods and styles, aesthetic theories and conservation practices of the region and explains how the development of the architectural and urban artifacts reflect the political, cultural, social and religious aspects that metamorphosed a small military garrison into a urban center of international significance.

The volume, lavishly illustrated with many images previously unpublished in colour, presents articles by Bernard O'Kane on a wide variety of topics pertaining to Persian architecture in its widest sense. These range from historiography and tilework to studies of buildings of the major medieval dynasties: the Seljuqs, Ilkhanids and Timurids. In addition, formerly neglected monuments of the Chaghatai, Muzaffarid, Kartid and Jalayirid dynasties are given their due prominence, as well as Uzbek monuments in Afghanistan. And the development of Iranian mosques and one of their essential features, domes, is studied.

Jane Jacobs's famous book The Death and Life of Great American Cities (1961) has challenged the discipline of urban planning and led to a paradigm shift. Controversial in the 1960s, most of her ideas became generally accepted within a decade or so after publication, not only in North America but worldwide, as the articles in this volume demonstrate. Based on cross-disciplinary and transnational approaches, this book offers new insights into her complex and often contrarian way of thinking as well as analyses of her impact on urban planning theory and the consequences for planning practice. Now, more than 50 years after the initial publication, in a period of rapid globalisation and deregulated approaches in planning, new challenges arise. The contributions in this book argue that it is not possible simply to follow Jane Jacobs's ideas to the letter, but instead it is necessary to contextualize them, to look for relevant lessons for cities and planners, and critically to re-evaluate why and how some of her ideas might be updated. Bringing together an international team of scholars and writers, this volume develops conclusions based on new research as to how her work can be re-interpreted under different circumstances and utilized in the current debate about the proclaimed 'millennium of the city', the 21st century.

A unique contribution to the architectural and social history of Bath, Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape approaches the past with the methods of the architectural historian and the site-specific interventions of the contemporary artist. Looking beyond and behind Bath's strategic marshalling of its past, Cynthia Imogen Hammond presents the ways in which women across classes shaped the built environment and designed landscapes of one of England's most architecturally significant cities. This study argues that Bath's efforts to preserve itself as an idealized Georgian town reveal an aesthetics of exclusion. Jane Austen may be well known, but the role of historic women in the creation of this city has had minimal treatment within the city's collective, public memory. This book is an intervention into this memory; the author uses site-specific works of public art as strategic counterparts to her historical readings. Through them, she aims to transform as well as critique the urban image of Bath. At once a performative literature, an extensively researched history, and an alternative guide to the city, Architects, Angels, Activists engages with current struggles over urban signification in Bath and beyond.