The city of Pasadena is rich in history and significant architecture, featuring 9 landmark districts and over 3,500 designated historic sites. Preservation groups like Pasadena Heritage have worked tirelessly with the city to preserve Pasadena's architectural treasures, with over 100 appearing on this driving tour. Elegant hotels include the Wentworth, The Hotel Green, and the Vista Del Arroyo. Tour-goers will marvel at all the brightly painted Victorian buildings to be found here. Pasadena also boasts many Arts & Crafts (Craftsman) style homes, including the work of architects Greene & Greene, Alfred and Arthur Heineman, Louis Easton, and more. See the mansions of "Millionaire's Row," Art Deco masterpieces, and Spanish Colonial, Mediterranean, American Colonial, French Provincial, and English Tudor revival styles. History buffs, architecture enthusiasts, and southern California visitors all will love this unique and fascinating tour, which offers the best way to see diverse architecture in Pasadena.

The spider spinning its web in a dark corner; wasps building a nest under a roof: there is hardly any part of the built environment that can't be inhabited by nonhumans, and yet we are extremely selective as to which animals we allow in or keep out. This book considers many different animals, opening up new ways of thinking about architecture and the more-than-human. Looking closely at how animals produce spaces for themselves, Paul Dobraszczyk asks what we might require in order to design with animals and become more attuned to the other lifeforms that already use our structures. Animal Architecture is a provocative exploration of building in a world where humans and other animals are already entangled, whether we acknowledge it or not.

First Published in 1986 The Architectural History of King's College Chapel provides a complete picture of how and why King's College Chapel came to be built. Francis Woodman uses the evidence both of structure and style and finance and patronage to present the organisation and mechanics of the structural campaigns spread over more than seventy years. He proposes a completely new sequence of constructions from that hitherto accepted, together with clear evidence of changes in policy concerning the intention to vault the Chapel part-way through construction. The book also contains the first complete analysis of the remarkable Tudor building accounts and their significance for the study of mediaeval architectural history. King's College Chapel is placed within the context of the contemporary architecture in both England and France and, for the first time, English late mediaeval architecture is considered and presented as one part of a wider European movement. This book is a must read for scholars and researchers of British architecture and architectural history.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

The relationship between politics and the public relations industry is controversial and, at times, polemic. However, one component of this relationship that has yet to be investigated is the role of architecture. Arguing for a fundamental reconfiguration of our understanding of 'political architecture', this book suggests it is not only a question of constructed buildings, but equally a case of mediated imagery. Considered through examples of architecture as a backdrop for photo shoots by politicians in the democracies of the United States and the United Kingdom, this book suggests these images give us both a better understanding of recent developments in the Western political economy and the architectural and urban developments of the late 20th and early 21st Centuries. Using case studies of Margaret Thatcher, Tony Blair, David Cameron, Barack Obama, George W. Bush and Donald Trump, this book represents a ground-breaking triangular analysis that will be essential reading for scholars in architecture, politics, media and communication studies.

Italian ironwork from Roman times, through Medieval centuries, and up to Neo Classical designs of the early nineteenth century comprise this collection of 100 photographs from Italian sources. They depict trellises, grilles, gates, fencing, household lighting, fireplace accoutrements, and door hardware that will inspire today's designers. Their origins in hill towns of Ialy are recorded for many images. This is authentic ironwork for contractors, decorators, and homeowners to enjoy.

Historical studies on the involvement of architecture in twentieth-century politics have overlooked its contribution to building Spain’s democracy. This pioneering book seeks to fill that void. Between the late 1970s and early 1990s, Spain founded representative institutions, launched its welfare state, and devolved autonomy to its regions. The study brings forth the architectural incarnation of that threefold program as it deployed in the Valencian Country, a Catalan-speaking region on Spain’s Mediterranean shores. There, social democratic authorities mobilized architects, planners, and graphic artists to devise a newly open public sphere and to recover a local identity that Franco’s dictatorship had repressed for decades. The research follows the impetus of reform and its contradictions through urban projects, designs for cultural amenities, and the renovation of governmental and professional bodies. Architecture for Spain’s Recovered Democracy contributes to current debates on nationalism and the arts, the environments of democratic socialism, and postmodernism and neoliberalism. As a result, it widens our understanding of how peripheral regions may yield egalitarian architectures of resistance. This book is written for students and researchers in architecture and planning, art history, spatial politics, and Hispanic studies, as well as for a general readership interested in inclusive politics in the built environment.

Take a visually rich tour through a burgeoning community on Mexico's Baja Penninsula, and learn how the dream of visionaries is shaping the community of Loreto Bay as a model for the future. Indigenous materials and culture are helping to shape the physical makeup of this new resort community near Loreto, and the city's inhabitants are reaping the benefits of development dollars. What is being imported is an exciting vision of a sustainable future, a shared goal of community, and a love of place. That place is wonderfully illustrated here, from the colorful adobe architecture and Spanish mission furnishings, to the scenes presented by the white sands of the Sea of Cortez and the fertile desert beyond.

Providing a comprehensive overview of the techniques involved in testing concrete in structures, Testing of Concrete in Structures discusses both established techniques and new methods, showing potential for future development, and documenting them with illustrative examples. Topics have been expanded where significant advances have taken place in the field, for example integrity assessment, sub-surface radar, corrosion assessment and localized dynamic response tests. This fourth edition also covers the new trends in equipment and procedures, such as the continuation of general moves to automate test methods and developments in digital technology and the growing importance of performance monitoring, and includes new and updated references to standards. The non-specialist civil engineer involved in assessment, repair or maintenance of concrete structures will find this a thorough update.

Heritage Conservation in Postcolonial India seeks to position the conservation profession within historical, theoretical, and methodological frames to demonstrate how the field has evolved in the postcolonial decades and follow its various trajectories in research, education, advocacy, and practice. Split into four sections, this book covers important themes of institutional and programmatic developments in the field of conservation; critical and contemporary challenges facing the profession; emerging trends in practice that seek to address contemporary challenges; and sustainable solutions to conservation issues. The cases featured within the book elucidate the evolution of the heritage conservation profession, clarifying the role of key players at the central, state, and local level, and considering intangible, minority, colonial, modern, and vernacular heritages among others. This book also showcases unique strands of conservation practice in the postcolonial decades to demonstrate the range, scope, and multiple avenues of development in the last seven decades. An ideal read for those interested in architecture, planning, historic preservation, urban studies, and South Asian studies.

This book prompts architects and anthropologists to think and act together. In order to fully grasp the relationship between human beings and their built environments and design more livable and sustainable buildings and cities in the future, we need new cross-disciplinary approaches combining anthropology and architecture. This is neither anthropology of architecture, nor ethnography for architects, but a new approach beyond these positions: Architectural Anthropology. The anthology gathers contributions from leading researchers from various Nordic universities, architectural schools, and architectural firms as well as prominent international scholars like Tim Ingold, Albena Yaneva, and Sarah Pink - all exploring, developing, and innovating the cross-disciplinary field between anthropology and architecture. Several contributions are co-written by architects and anthropologists, merging approaches from the two disciplines in order to fully explore the dynamics of lived space. Through a broad range of empirical examples, methodological approaches, and theoretical reflections, the anthology provides inspiration and tools for scholars, students, and practitioners working with lived space. The first part focusses on homes, walls, and boundaries, the second on urban space and public life, and the third on processes of creativity, participation, and design.

Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of 'spatial icons' and 'image-paradigms' emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.

In the past decade construction and engineering have changed dramatically, with an explosion of innovative new approaches to construction and new methodologies. By bringing together economic, social and construction/engineering management perspectives, this book offers a unique and comprehensive survey of these approaches and techniques. It presents a history of studies in innovation in construction and engineering, and then presents the most recent models of innovation brokering and risk-management, based on complex project-based industries. Innovation is defined and competing theories are discussed in the light of operational issues. The book covers all aspects, including the importance of construction and engineering 'cultures' in the trades for successful project innovation. It also discusses the role of government and policy makers, the implications of rapid change for the building trades and skilled labour, and the difficulty of measuring innovation quantitatively.

The greatest structures in human history. Explore the constructions that have shaped our world and learn their hidden secrets in this large format highly illustrated book. Each building analysed by the author is illustrated with its architectural details and enriched with intriguing facts, symbols and infographics. 50 unique structures described including; - Kennedy Space Centre - Great Wall of China - Eiffel Tower - Maracana Stadium - Great Pyramids - Svalbard Global Seed Vault

Mae Luiza is a borough at the edge of the city of Natal in the northeast of Brazil with approximately 15,000 inhabitants - a favela with all the typical grievances. In the 1980s Padre Sabino Gentili came to Natal from Italy, and settled in Mae Luiza. He built the fi rst Catholic church in the poor community and in 1984 founded the Centro Socio with German, Swiss and Brazilian support. In a participatory process in which the community was able to voice its needs and priorities, the Centro initiated communal social infrastructure for education and medical care, and later for sports, culture and community life. After Padre Sabino's death in 2006 the Ameropa Foundation strengthened its commitment with further investments in the infrastructure, expanding social and educative services and community-building measures. The efforts culminated in the construction of an arena for sporting and communal activities and also a music school, two outstanding buildings and focal points in the neighborhood, designed by Swiss architects: facilities usually absent in the Brazilian peripheries. This richly illustrated volume documents the transformation of Mae Luiza as an example of how to build community, create citizenship and identity, and promote initiative and participation with timely and punctual investments. Alongside a novel written by the esteemed Brazilian author Paulo Lins, short articles and essays trace the history of Mae Luiza from the point of view of local activists as well as invited authors from various fi elds.

"More than simply a survey of an ancient city's most significant buildings, The Stones of Venicefirst published in three volumes between 1851 and 1853is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume I, intended as the groundwork for the author's subsequent architectural teaching, provides a brief history of Venice and an analysis of architectures functional and ornamental aspects. Unabridged, and containing Ruskins original drawings, this guide to the moral, spiritual, and aesthetic implications of architecture will be appreciated by students and scholars alike. The preeminent art critic of his time, British writer JOHN RUSKIN (18191900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume IIV (18431856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (18623); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)."

Fully revised and updated, the RIBA Concise Building Contract is specifically designed to be a simple, clear and easy to understand and use contract between a client and a contractor, and can be used on all types of simple commercial building work. It can be used in both the private and public sectors, as it includes optional provisions dealing with official secrets, transparency, discrimination and bribery as normally required by public sector clients. Key benefits Written in plain English that is succinct and easy to understand Fair and equitable terms for all parties Facilitates good management of the project from start to completion Allows effective collaboration between the employer and contractor Gives control over the timely completion of the building project Allows the contractor to design parts of the building project Other features Collaboration provisions: advance warnings, joint resolution of delay, proposals for improvements and cost savings Management provisions: pre-start meeting and progress meetings Flexible payment options Provision for contractor design, with 'fit for purpose' liability option Optional provisions for a contractor programme Optional provisions for client-selected suppliers and sub-contractors Mechanisms for dealing with changes to the project which allow for agreement and include specified timescales Option for commencement and completion in stages Guidance notes on use and completion are included. Key changes in the 2018 edition: The contract has been fully updated to comply with the CDM Regulations 2015. The Guidance Notes include detailed advice for clients with regards to their particular duties under the Regulations. The guidance on Insurance and Insuring the Works has been expanded and is clearer and easier to understand. Further explanation is given on the process for ensuring that adequate insurance is obtained and the importance of notifying the property's building and contents insurer if the work is to an existing building. Emphasis is given to the need for whoever takes out the insurance to provide written confirmation of the extent of cover provided in respect of the works. The Consents, Fees and Charges item has been expanded so that it now clearly states what regulatory and statutory consents, fees and charges need to be obtained and who is taking on the ether the responsibility for obtaining and paying for them, either the client or the contractor. The guidance on Dispute Resolution has been expanded but also simplified. Adjudication is still the default option, as the parties to the contract are legally obliged to have access to this method for resolving their dispute, however, the contract advocates that the parties to the contract choose mediation as an initial step in the process, as mediation can be less expensive than other methods, and is therefore encouraged by the courts. The Programme optional item has been simplified. The contract have retained the requirement for a contractor to indicate the activities they will carry out to complete the works, including the start and finish times of each activity and the relationship of each activity to the others. However, the obligation on the contractor to submit a Programme prior to the commencement of the works, and any financial penalties for not doing so (perceived as too confrontational), have been removed. The Contractor Design optional item has been retained, so that, if it is agreed that the contractor is to design part of the Works, a detailed and accurate description can be provided of the parts that the contractor will design. However, this optional item now also allows a level of professional indemnity insurance to be specified. The Required Specialists optional item has been amended so that while clients can still request that specific subcontractors and suppliers be used for parts of the Works, details of those parts of the works are now to be identified at the tender stage and listed in the Contract Documents. The contract now includes a Contract Checklist which both parties should review and answer 'yes' to the questions provided before signing the contract. This is to ensure that the client is fully aware of what they are agreeing to, that all of the appropriate documents and information has been provided and that all of the provisions - such as: scope of the works; start and completion dates of the works; contract price; payment of fees; access to the site and working hours; insurance; and the process for dispute resolution - have been adequately completed. Easy to understand The RIBA Concise Building Contract is written in plain English, which provides three key benefits: the language used in the contract is simple and easy to understand, compared to other standard forms of contracts; the clause structure used in the contract avoids the use of large numbers of sub-sub clauses and too much cross-referencing between provisions; and Where common construction terminology is used, it has been simplified so that less-experienced users can understand it. Copies required for each Party It is legally advisable that both parties to the contract each have an original signed version. Therefore you should purchase two copies of the contract, so that both the client and contractor has an original signed copy. Alternatively prepare your contract online enabling you to issue final copies of the contract to each party at no extra cost. Integration with other RIBA documents The RIBA Concise Building Contract have been specifically written to integrate with the RIBA suite of professional services contracts (RIBA Agreements) and the RIBA Plan of Work 2013. Create your RIBA Building Contract online - it is quick, simple and straightforward Generating your building contract online allows you to create, alter, manage and view all of your contracts in one secure location before printing the final contract. For further details, go to: www.ribacontracts.com.

This book examines the digitalization of longstanding problems of technological advance that produce inequalities and automated governance, which relieves subjects of agency and critical thought, and prompts a need to weaponize thoughtfulness against technocratic designs. The book situates digital-era problems relative to those of previous sociotechnical milieux and argues that technical advance perennially embeds corrosive effects on social relations and relations of production, recognizing variation across contexts and relative to entrenched societal hierarchies of race and other axes of difference and their intersections. Societal tolerance, despite abundant evidence for harmful effects of digital technologies, requires attention. The book explains blindness to social injustice by technocratic thinking delivered through education as well as truths embraced in the data sciences coupled with governance in universities and the private sector that protect these truths from critique. Institutional inertia suggests benefits of communitarianism, which strives for change emanating from civil society. Scaling postcapitalist communitarian values through communitybased peer production presents opportunities. However, enduring problems require critical reflection, continual revision of strategies, and active participation among diverse community citizens. This book is written with critical geographic sensibilities for an interdisciplinary audience of scholars and graduate and undergraduate students in the social sciences, humanities, and data sciences.

MARTENS Bob and BROWN Andre Co-conference Chairs, CAAD Futures 2005 Computer Aided Architectural Design is a particularly dynamic field that is developing through the actions of architects, software developers, researchers, technologists, users, and society alike. CAAD tools in the architectural office are no longer prominent outsiders, but have become ubiquitous tools for all professionals in the design disciplines. At the same time, techniques and tools from other fields and uses, are entering the field of architectural design. This is exemplified by the tendency to speak of Information and Communication Technology as a field in which CAAD is embedded. Exciting new combinations are possible for those, who are firmly grounded in an understanding of architectural design and who have a clear vision of the potential use of ICT. CAAD Futures 2005 called for innovative and original papers in the field of Computer Aided Architectural Design, that present rigorous, high-quality research and development work. Papers should point towards the future, but be based on a thorough understanding of the past and present.

This book offers a new perspective on French architecture, describing the impact of political history on the architectural development of Paris. Through various stages in history from the Roman to the Medieval, Renaissance and Early Modern and Modern, Paris: The Shaping of the French Capital shows how the immense political power of monarchs, the aristocracy and church determined the pace and volume of building in Paris and the extent of town planning. Whereas many other great cities owe their historic importance to trade, and to local government (the City of London being a supreme example), these attributes were largely absent in Paris (throughout most of its history it didn't even have a mayor). Arguably, because of this, gradually over the centuries the French capital emerged as one of the world's most beautiful cities, and now is a metropolis with a population in excess of 2 million.

Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.

This volume examines the role of movement, visibility, and experience within Pompeian houses as a major factor determining house form, the use of space, and the manner, meaning, and modalities of domestic daily life, through the application of GIS-based analysis alongside close consideration of ancient literature.

This book explores the concept of the "communicative city", developed initially by participants in an international Urban Communication Foundation initiative, by bringing together scholars from across the communication arts and sciences seeking to enhance our understanding of the dynamic relationship between urban residents and their social, physical, mediated, and built environments. The chapters are arranged in categories that speak to two larger themes: first, they all speak to at least one aspect of the qualifying and/or disqualifying characteristics of a communicative city. A second, larger theme is what we might refer to as a master trope of the urban experience and, indeed, of urban communication: inside/outside. The research presented here represents social scientific and humanistic approaches to communication, quantitative and qualitative methodologies, and positivist/normative and interpretive orientations, thereby providing a deeper understanding of the multi-level phenomena that unfold in urban communities.