How socialist architects, planners, and contractors worked collectively to urbanize and develop the Global South during the Soviet era In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Lukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries-what he calls socialist worldmaking-left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South.

Featuring a representative and graphically striking sample of the incredible range of letters, names, words and proverbs to be found on Amsterdam buildings, "Typography and Architecture: Amsterdam in Letters" is a compilation of more than 200 photographs taken by Dutch photographer Maarten Helle. By particularly focusing on typography that was specifically designed or commissioned by the architect of a building, Helle isolates an often forgotten aspect of architecture and of our urban landscape, as these elements are often visually subsumed by the louder yet more ephemeral typographic elements found on billboards, posters and graffiti. Helle's letters endure as architectural traces--often remaining when a building is repurposed--that represent an alternative history of the city.
Born in Amsterdam in 1959, Maarten Helle began taking photographs of architecture, typography and Amsterdam in 1993.

Running your own practice can bring immense job satisfaction, but it is not without its risks. Do you have all the information at hand to set up confidently on your own? Comprehensive, accessible and easy to use, Starting a Practice helps architects navigate the pitfalls associated with establishing a successful business. This fully updated 3rd edition is mapped to the RIBA Plan of Work 2020 and approaches starting a business as if it were a design project, complete with briefing, sketching layouts and delivery. It features new material on professionalism and ethics, sustainable development and achieving a net-zero carbon emission built environment. Invaluable for Part 3 students, early practitioners and those considering setting up from scratch or wanting to consolidate an existing business, Starting a Practice gives architects the tools they need to thrive when setting out alone. Features essential guidance on: * Preparing a business plan * Choosing the right company structure * Setting aspirations * Monitoring finances * Getting noticed * Securing work * Retaining and developing staff * Planning for disaster.

As Angela Y. Davis has proposed, the "path to prison," which so disproportionately affects communities of color, is most acutely guided by the conditions of daily life. Architecture, then, as fundamental to shaping these conditions of civil existence, must be interrogated for its involvement along this diffuse and mobile path. Paths to Prison: On the Architectures of Carcerality aims to expand the ways the built environment's relationship to and participation in the carceral state is understood in architecture. The collected essays in this book implicate architecture in the more longstanding and pervasive legacies of racialized coercion in the United States-and follow the premise that to understand how the prison enacts its violence in the present one must shift the epistemological frame elsewhere: to places, discourses, and narratives assumed to be outside of the sphere of incarceration. Paths to Prison: On the Architectures of Carcerality offers not a fixed or inexorable account of how things are but rather a set of starting points and methodologies for reevaluating the architecture of carceral society and for undoing it altogether. With contributions by Adrienne Brown, Stephen Dillon, Jarrett M. Drake, Sable Elyse Smith, James Graham, Leslie Lodwick, Dylan Rodriguez, Anne Spice, Brett Story, Jasmine Syedullah, Mabel O. Wilson, and Wendy L. Wright.

Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design. Each annual issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public. Pairs 03 features conversations with Thomas Demand, Mindy Seu, Mira Henry and Matthew Au, Alfredo Thiermann, Ila Bêka and Louise Lemoine, Anne Lacaton, Edward Eigen, Katarina Burin, Marrikka Trotter, Christopher C. M. Lee, Keller Easterling, and others. Contributors include the editors and Elif Erez, Emily Hsee, Stephanie Lloyd, Andrea Sandell, Kenismael Santiago-Págan, Klelia Siska, and Julia Spackman.

In this fully updated new edition, Frank Sear offers a thorough overview of the history of architecture in the Roman Empire. Arranged logically in six historical sections interspersed with material on Roman architects and their techniques, the building types found in Roman cities and the different buildings found in the Roman provinces, this volume now contains the latest insights into Roman architecture and takes account of the past 20 years of scholarship. This seminal work covers the architecture of the Republic, the Age of Augustus, the imperial period, Pompeii and Ostia, the eastern and western empire, and the Late Antique period, exploring subjects such as patronage, building techniques and materials, Roman engineering, town planning and imperial propaganda in a concise and readable way. Illustrated with nearly 300 photographs, maps and drawings, Roman Architecture continues to be the clearest introductory account of the development of architecture in the Roman Empire.

This book tells the story of Yıldız Palace in Istanbul, the last and largest imperial residential complex of the Ottoman Empire. Today, the palace is physically fragmented and has been all but erased from Istanbul’s urban memory. At its peak, however, Yıldız was a global city in miniature and the center of the empire’s vast bureaucratic apparatus. Following a chronological arc from 1795 to 1909, The Accidental Palace shows how the site developed from a rural estate of the queen mothers into the heart of Ottoman government. Nominally, the palace may have belonged to the rarefied realm of the Ottoman elite, but as Deniz Türker reveals, the development of the site was profoundly connected to Istanbul’s urban history and to changing conceptions of empire, absolutism, diplomacy, reform, and the public. Türker explores these connections, framing Yıldız Palace and its grounds not only as a hermetic expression of imperial identity but also as a product of an increasingly globalized consumer culture, defined by access to a vast number of goods and services across geographical boundaries. Drawn from archival research conducted in Yıldız’s imperial library, The Accidental Palace provides important insights into a decisive moment in the palace’s architectural and landscape history and demonstrates how Yıldız was inextricably tied to ideas of sovereignty, visibility, taste, and self-fashioning. It will appeal to specialists in the art, architecture, politics, and culture of nineteenth-century Turkey and the Ottoman Empire.

The importance of place - as a unique spatial identity - has been recognized since antiquity. Ancient references to the 'genius loci', or spirit of place, evoked not only the location of a distinct atmosphere or environment, but also the protection of this location, and implicitly, its making and construction. This volume examines the concept of place as it relates to architectural production and building knowledge in early modern Europe (1400-1800). The places explored in the book's ten essays take various forms, from an individual dwelling to a cohesive urban development to an extensive political territory. Within the scope of each study, the authors draw on primary source documents and original research to demonstrate the distinctive features of a given architectural place, and how these are related to a geographic location, social circumstances, and the contributions of individual practitioners. The essays underscore the distinct techniques, practices and organizational structures by which physical places were made in the early modern period.

Pittsburgh rose to industrial prominence thanks to an easy supply of coal and limestone, and by the Civil War the iron industry was thriving. Andrew Carnegie made his fortune here and Pittsburgh became the steel town, endowing Allegheny County with some architectural masterpieces.  In the late twentieth century, the steel industry went into steep decline and the city has reclaimed these sites in an astonishing transformation. Pittsburgh Then and Now shows how much the city has come on its journey to a new economy. Sites include:Views from Mount Washington, Smithfield Street Bridge, Monongahela Wharf, Bouquet's Redoubt, Union Station, Sixth Street Bridge, Forbes Field, PNC Park, Duquesne Incline, Eliza Furnaces, Polish Hill, Fifth Avenue, Carnegie Institute, Cathedral of Learning, Phipps Conservatory, Pitt Stadium, Luna Park and Highland Park.

The Short Story of Architecture is a new and innovative guide to the subject of architecture that explores 50 key buildings, from the Great Pyramids to high-tech, sustainable skyscrapers. Accessible and concise, the book links the 50 key works to the most important architectural materials, elements and styles, giving readers all the tools they need to understand and appreciate the built world.

50 Lessons to Learn from Frank Lloyd Wright presents the work and imaginings of this beloved architect in an accessible and compelling form. Here we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, pithy texts, and rich visuals, the authors share fifty lessons, or learning points, with an eye to Wright-designed houses and interiors, ranging from Inspired by Nature, Make a Room Flexible with Screens, and Creating Liveable Interiors with Textiles, to Learning from the East, Green Design and Seeking Harmony and Balance. Each lesson is accompanied by pearls of wisdom gathered from the master s trove of writings on architecture and design. This gorgeously designed volume offers an informal and yet richly detailed introduction to a seminal figure of architecture, world-famous for his romantic Fallingwater and magical Guggenheim Museum, and will be of much interest to the budding architecture enthusiast, to the interior designer, to those seeking ideas for their own homes, as well as to fans Frank Lloyd Wright looking for just the right book. Included are colour photographs, drawings, quotations from the writings, as well as newly commissioned diagrams and thoughtful analysis by the authors.

As Dubai builds unprecedented realms of new luxury, other parts of the Middle East grapple with physical and symbolic histories. Relics come up against re-invention and revolution. And micro-mutations in Middle Eastern politics or economics have become part of our shared "local" news around the globe.
Brought to us by the publishers of "Bidoun," the critically acclaimed quarterly, "With/Without" is an anthology that casts an eye across the broader swathes of the Middle East today. Featuring an intriguing, mock-archival design, this equally text- and image-heavy publication is divided into 14 chapters, each of which takes on an architectural or institutional typology--the museum, the villa, the street, the skyscraper, etc.--and illustrates it with essays, interviews and documentary photographs. Featuring more than 30 contributions from writers, artists, designers and architects including Rem Koolhaas, Armin Linke and Keller Easterling, it takes on subjects as diverse as the redevelopment of Martyr's Square in Beirut; gated communities in Istanbul; Dubai's mall culture; bridge building in Mecca; and the creation of a new Iraqi flag in the post-Saddam era. The underlying question in all of these inquiries is: How do spaces and territories form fundamental ideas about individuals, communities, and worlds?

Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today.
Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture.
Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
Craig L. Wilkins, a registered architect, teaches architecture and urban planning at the University of Michigan.

This is the first book-length work of any kind devoted to Thornton and accordingly contains a comprehensive biological sketch of his antecedents, early life, and career. The volume includes his early antislavery writings, detailed accounts of the evolution of the first successful steamboat, and important papers and drawings dealing with the planning and construction of public works in Washington, D.C.

"Site Matters" is the first comprehensive theoretical treatment of a crucial concept in urban design, planning, and architecture -- "site." The way that planners and designers have dealt with the term over the years has changed dramatically, yet little has been written on it. Initially, it simply referred the actual physical area in which a building was erected or a delimited space planned. Over the past century, though, it has gradually become a much more complicated concept, referring on occasion to the immediate surroundings of a parcel and on other occasions as part of a broader geographical complex in which different sectors interact with each other. And most recently, the site has come to be understood as a component of broader ecosystems, where the site and the broader system work upon each other. Bringing together some of the leading lights in the design and planning field, Site Matters will be essential for today's planners, designers, and architects, all of whom must wrestle with this concept.

This book explores the spoliation of architectural and sculptural materials during the Roman empire. Examining a wide range of materials, including imperial portraits, statues associated with master craftsmen, architectural moldings and fixtures, tombs and sarcophagi, arches and gateways, it demonstrates that secondary intervention was common well before Late Antiquity, in fact, centuries earlier than has been previously acknowledged. The essays in this volume, written by a team of international experts, collectively argue that reuse was a natural feature of human manipulation of the physical environment, rather than a sign of social pressure. Reuse often reflected appreciation for the function, form, and design of the material culture of earlier eras. Political, social, religious, and economic factors also contributed to the practice. A comprehensive overview of spoliation and reuse, this volume examines the phenomenon in Rome and throughout the Mediterranean world.

From the eighteenth to the early twentieth century Liverpool was one of the most prosperous towns in Britain, and one of the greatest ports in the world; for many of its citizens it was also a place of extreme poverty. Economic success is reflected in a wealth of late Georgian housing, extravagant Victorian and Edwardian office blocks, proud civic buildings, suburban parks, churches, and the unique architecture and engineering of the docks.Alongside these monuments stand buildings associated with public health and housing reform, illustrating the other side of Liverpool's story. A frenzy of rebuilding in the 1960s was followed by a long period of decline, now giving way to a new construction boom. This guide book describes all the architecturally significant buildings in central Liverpool, and gives an account of the city's overall physical development.

Ephemeral phenomena like fire, precipitation, shade, and wind have emerged as important contemporary protagonists for environmental design due to their dynamic impact on buildings and cities. The importance of including these forces in architecture has gained rapid momentum in the global quest for sustainability. This book investigates the history, theory and applications of climatic design in the built environment examining architecture and landscapes from various time periods. Based on a collaboration between the University of Sydney and the National University of Singapore, the book brings together contributing authors from Australia, Singapore, and the United States. "Dry", "Wet", "Cool" and "Hot" divide the book into categories through which a wide array of representational topics are covered -from dust storms and clouds, to ice and bushfires. A concluding section presents project examples for exploratory application in the design of architecture.

Chatham, lying on the River Medway in Kent, grew up around its naval dockyard and army barracks and fortifications. Over the years the face of Chatham has changed, buildings lost, many once occupied by artisans and labourers, shops, chapels and residences removed due to extensive road projects, and cinemas and theatres now replaced or redeveloped. Impossible to ignore is the town’s history as a former military-industrial complex, with several demolished barracks and a Georgian naval dockyard that has also undergone much change and is now a museum and heritage centre. Lost Chatham presents a portrait of this corner of the North East Kent over the last century to recent decades that has radically changed or disappeared today, showing not only industries and buildings that have gone but also people and street scenes, many popular places of entertainment and much more. This fascinating photographic history of lost Chatham will appeal to all those who live in the area or know it well, as well as those who remember it from previous decades.

For thousands of years, humans have built walls and assaulted them, admired walls and reviled them. Great Walls have appeared on nearly every continent, accompanying the rise of cities, nations, and empires.

In Walls, David Frye uncovers a story that is more than just bricks and stone: he reveals the startling link between what we build and how we live, who we are and how we came to be. It is nothing less than the story of civilization.

The first book from acclaimed Brooklyn-based interior designer, Kathryn Scott, whose handcrafted interiors evoke a sense of serenity, harmony, and simplicity.

Escape and unwind with this breathtaking collection of contemporary homes - each designed with relaxation in mind Packed with the spirit of sanctuary, Architecture on Vacation is an inspiring showcase of spaces used exclusively for retreat and rejuvenation; from sun-drenched private islands and peaceful lakeside cottages to intimate mountain hideaways and secluded desert villas. This volume goes further than any other in search of the world's most desirable havens, featuring fabulous, architect-designed homes from across the globe, each illustrated inside and out with carefully curated photography emphasizing each home's stunning location.