While self-driving cars and autonomous weapon systems have received a great deal of attention in media and research, the general requirements of ethical life in today's digitalizing reality have not been made sufficiently visible and evaluable. This collection of articles from both distinguished and emerging authors working at the intersections of philosophy, literary theory, media, and technology does not intend to fix new moral rules. Instead, the volume explores the ethos of digital environments, asking how we can orient ourselves in them and inviting us to renewed moral reflection in the face of dilemmas they entail. The authors show how contemporary digital technologies model our perception, narration as well as our conceptions of truth, and investigate the ethical, moral, and juridical consequences of making public and societal infrastructures computational. They argue that we must make the structures of the digital environments visible and learn to care for them.

This volume takes up the idea of 'multiplicity' as a new common ground for international theory, bringing together 10 scholars to reflect on the implications of societal multiplicity for areas as diverse as nationalism, ecology, architecture, monetary systems, cosmology and the history of political ideas. International relations (IR), it is often said, has contributed no big ideas to the interdisciplinary conversation of the social sciences and humanities. Yet this is an unnecessary silence, for IR uniquely addresses a fundamental fact about the human world: its division into a multiplicity of interacting social formations. This feature is full of consequences for the very nature of societies and for social phenomena of all kinds. And in recent years a research programme has emerged within IR to theorise these 'consequences of multiplicity' and to trace how the effects of the international dimension extend into other fields of social life. This book is a powerful indication of the contribution that IR may yet make to the human disciplines. The chapters in this book were originally published as a special issue of Globalizations.

PREFACE: OF all building materials which are not found in a state of nature, the most important are, unquestionably, cement, concrete and bricks. The first of these includes a large variety of materials used to bind together particles of stone, sand, and other naturally occurring materials the second used in a broad sense includes all kinds of artificial stones made by cementing various materials together without the aid of heat, and the last bricks includes an even larger number of different articles, distinguished by their general form and by the fact that heat has been used to render their shape permanent. It is a mistake to suppose that all bricks are made of clay at the present time they are made from a number of other materials, such as destructor refuse, sand, slag, etc. Indeed, the composition of some bricks so closely resembles that of concrete as to render it necessary to include them as one of the forms taken by this material. It is important, in considering the chemical and other properties of these three typical building materials, to observe the genetic relationships between them. To neglect this is to enter upon a course of study which is exceptionally difficult, and to follow a pathway of thought along which many men have lost their way. So long as cement and concrete are considered as having nothing in common with bricks, and vice to understand the constitution versa, it is almost impossible of any of these materials. Separately, they lead to no important conclusions, but considered together they throw a light on each others characteristics which is as important as it is unexpected. Until a few years ago the brick industry of this country had no men of sufficientscientific training to study adequately the constitution of the materials used or the chemical and physical changes which occur during manufacture. Consequently, the industry was largely workedby rule of thumb, and men had often to pay very dearly for their experience, simply because there was no source from which to obtain guidance on the complex technical problems associated with their work. The manufacturers of cement have been more fortunate, for they realised at an early stage that success or failure depended largely on maintaining a mixture of constant chemical composition they found that tests were necessary at so many stages in the manufacture that the employment of several chemists became essential. With this scientific assistance the chemical and physical laws affecting the production of cement were studied with very gratifying results, and though much remains to be done, theimportance of a knowledge of chemistry in the manufacture of cement has been fully established. Concrete is in an intermediate stage so far as the application of science to its production is concerned...

Homes fit for Heroes looks at the pledge made 100 years ago by the Lloyd George government to build half a million 'homes fit for heroes' - the pledge which made council housing a major part of the housing system in the UK. Originally published in 1981, the book is the only full-scale study of the provision and design of state housing in the period following the 1918 Armistice and remains the standard work on the subject. It looks at the municipal garden suburbs of the 1920s, which were completely different from traditional working-class housing, inside and out. Instead of being packed onto the ground in long terraces, the houses were set in spacious gardens surrounded by trees and open spaces and often they contained luxuries, like upstairs bathrooms, unheard-of in the working-class houses of the past. The book shows that, in the turbulent period following the First World War, the British government launched the housing campaign as a way of persuading the troops and the people that their aspirations would be met under the existing system, without any need for revolution. The design of the houses, based on the famous Tudor Walters Report of 1918, was a central element in this strategy: the large and comfortable houses provided by the state were intended as visible evidence of the arrival of a 'new era for the working classes of this country'.

New thinking is essential if we are to design and occupy buildings that can keep us safe with unpredictable economies, climates, energy systems and resource challenges. For too long designers have relied on mechanical solutions for heating, cooling and ventilating buildings. The 21st century dream has to be of a better architecture that enables buildings to be run for as much of a day or year as possible on local, clean, reliable, affordable natural energy. Examples are included from different climates where the fundamental building design is right, its orientation, opening sizes, mass and its natural ventilation systems and pathways. Many modern buildings are poorly designed for climate as manifested by growing incidences of overheating experienced indoor, explored here. The inability of many rating systems to record and improve the climatic design of buildings raises questions about how they deal with issues of basic building performance. This books points the way towards how we can understand such problems, and move forward from over-mechanised poorly designed buildings to a new generation of adaptable buildings designed and refurbished to run largely on natural energy and capable of evolving over time to keep their occupants safe and comfortable, even in a warming world. The chapters were originally published in Architectural Science Review.

Academic architectural education started with the inauguration of the Academie d'Architecture on 3 December 1671 in France. It was the first institution to be devoted solely to the study of architecture, and its school was the first dedicated to the explicit training of architectural students. The Academie was abolished in 1793, during the revolutionary turmoil that besieged France at the end of the eighteenth century, although the architectural educational tradition that arose from it was resurrected with the formation of the Ecole des Beaux-Arts and prevails in the ideologies and activities of schools of architecture throughout the world today. This book traces the previously neglected history of the Academie's development and its enduring influence on subsequent architectural schools throughout the following centuries to the present day. Providing a valuable context for current discussions in architectural education, The Rise of Academic Architectural Education is a useful resource for students and researchers interested in the history and theory of art and architecture.

This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cultural discourses. A critical interjection in the sociologies of water in the subcontinent, the book brings art history into conversation with current debates on climate change by examining water's artistic, architectural, engineering, religious, scientific and environmental facets from the 16th century to the present. This is one of the first books on South Asia's art, architecture and visual history to interweave the ecological with the aesthetic under the emerging field of eco art history. The volume will be of interest to scholars and general readers of art history, Islamic studies, South Asian studies, urban studies, architecture, geography, history and environmental studies. It will also appeal to activists, curators, art critics and those interested in water management.

Solar electricity - or photovoltaics (PV) - is the world's fastest growing energy technology. It can be used on a wide variety of scales, from single dwellings to utility-scale solar farms providing power for whole communities. It can be integrated into existing electricity grids with relative simplicity, meaning that in times of low solar energy users can continue to draw power from the grid, while power can be fed or sold back into the grid at a profit when their electricity generation exceeds the amount they are using. The falling price of the equipment combined with various incentive schemes around the world have made PV into a lucrative low carbon investment, and as such demand has never been higher for the technology, and for people with the expertise to design and install systems. This Expert handbook provides a clear introduction to solar radiation, before proceeding to cover: electrical basics and PV cells and modules inverters design of grid-connected PV systems system installation and commissioning maintenance and trouble shooting health and safety economics and marketing. Highly illustrated in full colour throughout, this is the ideal guide for electricians, builders and architects, housing and property developers, home owners and DIY enthusiasts, and anyone who needs a clear introduction to grid-connected solar electric technology.

Wood Pellet Heating Systems is a comprehensive handbook covering all aspects of wood pellet heating technology. The use of wood pellets as an alternative heating fuel is already well established in several countries and is becoming widespread as fossil fuel prices continue to rise and awareness of climate change grows. Wood pellets are a carbon-neutral technology, convenient to use, and can easily be integrated into existing central heating systems or used in independent space heaters. This fully-illustrated and easy-to-follow guide shows how wood-pellet heating works, the different types of systems - from small living room stove systems to larger central heating systems for institutions - how they are installed, and even how wood pellets are manufactured. Featuring examples from around the world, it has been written for heating engineers and plumbers who are interested in installing systems, home owners and building managers who are considering purchasing a system, advanced DIYers, building engineers and architects, but will be of interest to anyone who requires a clear guide to wood pellet technology.

In this follow up to the author’s hugely popular History of Newcastle, John Grundy turns his attention to the vast and beguiling history of Northumberland. Drawing on his experience as a Listed Buildings Man, John traces the county’s turbulent history with particular focus on the castles, mansions, houses and streets where people lived their lives and fought for survival. Whether it be civil wars, invading armies, plague or poverty, the people of Northumberland have toughed it out throughout the centuries against all kind of challenges. However, one thing that has remained constant is the wild beauty of the place. From its glorious coastline to the splendid market towns with their monuments, grand houses and fortifications, this vast county has the ability to both evoke the past while bringing pleasure to its current inhabitants ‑ as well as millions of tourists every year. Featuring new attractive colour photographs this book will give you a greater appreciation of the place, its buildings and its people and provides the perfect companion to further explore the county. John’s journey to get to the heart of what it means to experience Northumberland has taken decades and, in this book, he wants to share with you a very personal take on why the county means so much to him.

Thebook is inspired by the first seminar in a cycle connected to the celebrations of the 150th anniversary of the Politecnico di Milano. "Dealing with the Image Ivory Towers and Virtual Bridges" was the motto of this meeting, aiming to stimulate a discussion among engineers, designers and architects, all of whom are traditionally involved in the use of the Image as a specialized language supporting their work, their research activities and their educational tasks. The volume (the book) will also include the essays of invited or interviewed authors from other disciplines, namely Philosophy, Mathematics and Semiotics. According to Regis Debray, in the present "Visual Age," which he has significantly defined as a "Video-Sphere," all the information tends to be processed and controlled by means of visual devices. This occurs especially in the various branches of many technical studies and activities, one of the most sensitive areas to the use of Visual Language in the past and even more in the present."

Design and Spirituality examines the philosophical context of our current situation and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency. It covers a wide range of topics broadly related to the main theme, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and the deeper, symbolic significance of (some) material things. The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and to think about where we are going, why we are going there and what really matters.

Architecture and urban design are rarely considered as technology, but more frequently as a result of artistic creativity performed by gifted individuals. Postphenomenology and Architecture: Human Technology Relations in the Built Environment considers buildings and cities as technologies, from a postphenomenological perspective. This book argues that buildings and the furniture of cities-like bike lanes, benches, and bus stops-are inscribed in a conceptual framework of multistability, which is to say that they fulfill different purposes over time. Yet, there are qualities in the built environment that are long lasting and immutable, and transcend temporal functionality and ephemeral efficiency. The contributors show how different perceptions, practices, and interpretations are tangible and visible as we engage with these technologies. In addition, several of the chapters critically assess the influence of Martin Heidegger in modern philosophy of architecture., this book reads Heidegger in the perspective of architecture and urban design as technology, shedding light on what it means to build and dwell.

This book is the first major study to comprehensively analyse the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.

This book examines the influence of architectural design in the conservation of historic buildings by discussing in detail an important building complex in Rome: the Temple of Venus and Rome, the monastery of Santa Maria Nova and the church of Santa Francesca Romana. As the most complete site in the Roman Forum that has reached our times with a rich architectural stratification almost intact, it is a clear product of continuous preservation and transformation and it has not been studied in its complexity until now. The Temple of Venus and Rome and Santa Francesca Romana at the Roman Forum unravels the original designs and the subsequent interventions, including Giacomo Boni's pioneering conservation of the monastery, carried out while excavating the Roman Forum in the early twentieth century. The projects are discussed in context to show their significance and the relationships between architects and patrons. Through its interdisciplinary focus on architectural design, conservation, archaeology, history and construction, this study is an ideal example for scholars, students and architects of how to carry out research in architectural conservation.

Franco Albini's works of architecture and design, produced between 1930 and 1977, have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises, none more eloquently than his protege, Renzo Piano. Kay Bea Jones' illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy's most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professional male-female partnerships were virtually unknown. His museums and installation motifs changed the way Italians displayed historic artifacts. He composed novel suspension structures for dwellings, shops, galleries and his signature INA pavilions where levity and gravity became symbolic devices for connoting his subjects. Albini clarified the vital role of tradition in modern architecture as he experimented with domestic space. His cohort defied CIAM ideologies to re-socialize postwar housing and speculate on ways of reviving Italian cities. He explored new fabrication technologies, from the scale of furniture to wide-span steel structures, yet he never abandoned the rigors of craft and detail in favor of mass-production. Suspending Modernity follows the evolution of Albini's most important buildings and projects, even as they reveal his apprehensive attitudes about the modern condition. Jones argues here that Albini's masterful use of materials and architectural expression mark an epic paradigm shift in the modern period.

The Protected Vista draws a historical lineage from the eighteenth-century picturesque to present-day planning policy, highlighting how the values embedded within familiar views have developed over time through appropriation by diverse groups for cultural and political purposes. The book examines the intellectual construction of the protected vista, questioning the values entrenched within the view, by whom, and how they are observed and disseminated, to reveal how these views have been, and continue to be, part of a changing historical and political narrative. With a deeper knowledge and understanding of the shifting values in urban views, we will be better equipped to make decisions surrounding their protection in our urban centres. The book identifies the origins of current view protection policy in the aesthetic convention of the picturesque, drawing on a range of illustrated examples in the UK, the US, Australia, Canada and South Africa, to serve as a useful reference for students, researchers and academics in architecture, architectural conservation, landscape and urban planning.

Dieses Buch prasentiert erstmals das Werk des Kurators, Kunstkenners und Kulturvermittlers Claus Friede als proaktiv schreibenden, uberraschend vielseitigen und versatilen Autor. Ein Textkorpus von 85 reprasentativen Beitragen aus den vergangenen 30 Jahren (1990-2020) illustriert Friedes breit angelegtes Themenspektrum aus den Bereichen Kunst, Musik, Film, Literatur und Kultur. Pragnant zeichnen sie seine intellektuelle und mediale Wende von der analogen zur digitalen Welt nach. Der zweite Buchteil lenkt den "fremden" Blick auf Friedes Schaffen aus der Perspektive diverser Kollegen und Freunde. Ein ausfuhrlicher biobibliographischer Anhang sowie reichhaltiges Bildmaterial runden den prismatischen Einblick in die transkulturellen Wirkungskreise von Claus Friede ab.