Glass tile is the hottest trend in today's design tricks bag. Glass tile plays with light, adds liquid sheen and brings any room to life. Glass tiles also add a surprising depth to even the tightest of spaces, creating a sense of openness, as little else can. Over 290 beautiful color photos celebrate the variety of color, shape, and texture emerging in response to a clamor of demand and show the many colors from which to choose, including metallic, red, pink, blue, green, good-earth, and cool neutral tones. A wide variety of tile patterns, finishes, textures, sizes, and shapes are available. See the latest tiles from leading design and manufacturing firms, including Orsoni Smalti Venezianna, Sicis, Adagio Art Glass, Ann Sacks, Dolce Glass Tile, Mixed-Up-Mosaics, and Ultraglas Tile, to name just a few. This book is a fantastic reference for architects, designers and homeowners.

Historical studies on the involvement of architecture in twentieth-century politics have overlooked its contribution to building Spain’s democracy. This pioneering book seeks to fill that void. Between the late 1970s and early 1990s, Spain founded representative institutions, launched its welfare state, and devolved autonomy to its regions. The study brings forth the architectural incarnation of that threefold program as it deployed in the Valencian Country, a Catalan-speaking region on Spain’s Mediterranean shores. There, social democratic authorities mobilized architects, planners, and graphic artists to devise a newly open public sphere and to recover a local identity that Franco’s dictatorship had repressed for decades. The research follows the impetus of reform and its contradictions through urban projects, designs for cultural amenities, and the renovation of governmental and professional bodies. Architecture for Spain’s Recovered Democracy contributes to current debates on nationalism and the arts, the environments of democratic socialism, and postmodernism and neoliberalism. As a result, it widens our understanding of how peripheral regions may yield egalitarian architectures of resistance. This book is written for students and researchers in architecture and planning, art history, spatial politics, and Hispanic studies, as well as for a general readership interested in inclusive politics in the built environment.

This interdisciplinary collection explores the relationships between women and built space in England between the 1870s and the 1940s. Historians working in cultural, literary, architectural, urban, design, labour, and social history approach the topic through case studies of often neglected organisations, individuals, practices and initiatives. Included are East End rent collectors, tenants, diarists and correspondents, the All-Europe House, the Women's Co-operative Guild, the Housewives Committee of the Council of Industrial Design, provincial and metropolitan exhibitors, and activists of varying kinds. Moving beyond the study of buildings and their designers, the volume considers the making of space in its broadest sense, from the production of discourses to the consumption of domestic appliances and the performance of roles as diverse as social reformers, committee members and homemakers. It thereby demonstrates that women made a significant contribution to the creation of modern built environments in both public and private spheres.

This book provides a thorough analysis of cities and the entire metropolitan region, considering how both are intrinsically linked and influence one other, targeted at architects, students, urban designers and planners, landscape architects, and city and regional officials.

A long-overdue book documenting a state with a growing population, this richly illustrated collection of homes displays the work of 34 Texas architects whose buildings embrace their region and place. These award-winning residences vary in style, scale, budget, and site, but they are all positioned to incorporate the Texas light, landscape, and local materials. More important, they are designed and constructed to deal with the prospect of climate change, including Texas-size hurricanes, tornadoes, heat, and drought. Readers will appreciate the regional rigor of these buildings sited on the Hill Country's arid escarpments, deep in the piney woods of East Texas, and in the insufferable heat of the southern coastal plain. Being Texas proud means being place proud, yet all of the projects showcase principles that are surprisingly universal.

"Sites Unseen" examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and--although we have not yet understood this clearly--race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture.

In addition to identifying an archive of provocative primary materials, "Sites Unseen" draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the "Oriental" parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century--in their regional, national, and hemispheric contexts--"Sites Unseen" provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.

This expert guide walks you through the practice of cost segregation analysis, which enables property owners to defer taxes and benefit from "accelerated cost recovery" through depreciation deductions on assets that are properly identified and classified. A relatively new practice that evolved from various court decisions and Internal Revenue Service rulings, cost segregation can be applied to new buildings under construction, renovations of existing buildings, leasehold improvements, and purchased real estate - going back as far as 1987.

Cost segregation practice requires knowledge of both tax law and the construction process. In this book, the authors share their expertise in these areas with tax and accounting professionals, cost segregation consultants, facility owners, architects and general contractors - providing guidance on major aspects of a professional, defensible cost segregation study, including: The legal framework for cost segregation, as defined by the IRS, tax courts, and federal agenciesReview of key IRS cases, court rulings, and revenue proceduresClassification and depreciation methodsUnderstanding construction plans and specificationsProfessional takeoff and cost estimating proceduresOptimizing cost segregation in new construction - from design choices to proper project documentation

With a glossary of terms, sample cost segregation estimates for various building types, key information resources, and updates via a dedicated website, "The Practice of Cost Segregation Analysis" is a must-have resource.

Originally published in 1848, according to the author, 'every person has an individual interest in Architecture as a useful art, and all who cultivate a taste of the Fine Arts must give it a high place among them.' The chapters include examinations of many types of architecture such as Egyptian, Persian and Chinese, as well as considering the principles of architectre, the qualifications for an architect and the conteporary state of the art in America.

Southern California, blessed with an enviable climate, progressively discerning individuals, talented craftspeople, and impassioned artisans, sets the stage for this lushly illustrated volume of work. The book features the work of the renowned Los Angeles–based firm, Studio William Hefner, a practice that integrates architecture, interior design, and landscape. The studio’s impressive portfolio is distinguished by an aesthetic sensibility that merges an elegant simplicity with a luxury of details and materials. Hefner’s signature airy, light-filled spaces effortlessly embrace California’s natural beauty. This richly illustrated monograph on Hefner’s work showcases beautiful homes, from contemporary to traditional, each conveying the details and depth of design character that make Studio William Hefner’s oeuvre so unique. Studio William Hefner is a master architect whose California-based luxury residential designs are richly detailed and bright, with private views of abundant landscapes and lush gardens.

No other city in the Indian subcontinent can lay claim to having so many lives as Delhi. This book examines Delhi in the politically and culturally dynamic nineteenth century that was marked midway by the 1857 uprising against British colonial rule as a watershed event. Following British occupation, Delhi became a receptacle for encounters between the centuries old Mughal traditions and the incoming colonial ideal, producing a traditionalism-modernity binary. Employing the built environment lens, the book traces the architectural trajectory of Delhi as it transitioned from the seventeenth-century Mughal Badshahi Shahar (imperial city) first into a culturally hybrid Dilli-Delhi combine of the pre-uprising era and thereafter into a modern British city following the uprising. This transition is presented via four constructs that draw on the traditionalism-modernity binary of Mughal and British Delhi and include Marhoom Dilli (Dead Delhi); Picturesque Delhi; Baaghi Dilli (Insurgent Delhi) and Tamed Delhi. The book goes beyond the nineteenth century to examine the vestiges of Delhi's four nineteenth-century lives in the present, while making a case for their acknowledgement as a cultural asset that can propel the city's urban development agenda. By bringing together the city's past and its present as well as addressing its future, the book can count among its readers not just scholars but also those interested in cities and their evolving landscapes.

Each of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy. As children we make places spontaneously: on the beach, in woodland, around our homes... Those places are evidence of a natural language of architecture we all share. Beginning with the child as seed and agent of the places it makes, initial sections of Children as Place-makers illustrate the key 'verbs' that drive that natural language of architecture. Later sections look at the core importance of the circle of place, how as children we are drawn to inhabit boxes, and the narrative possibilities that arise when place is linked with imagination. The principal messages of this Notebook are that it is by place-making we make sense of the space of the world in which we live, and that the first step in becoming a professional architect is to re-awaken the innate architect inside each of us.

The home as part of material culture is the very place where the intricate relations between architecture, gender and domesticity become visible. This book investigates the multi-layered themes evoked by the interconnections between these terms. The contributions to this book address the gendered conceptions and the use of built spaces, the role of women as active agents of spatial production, and the mutual inscriptions of the materiality of architectural space and gendered subjectivities.
The focus of inquiry is modern architecture, also including the celebrated architecture of the Modern movement as its more common and widely spread derivatives that became the dominant mode of building in the twentieth century. The articles in the introductory section provide an overview of the existing discourse on modernity, domesticity and gender. The following three sections consist of essays on specific spatial scenarios from a broad range of geographical locations in the West, whereby the complicated relationship between gender and domestic space are revealed in architectural discourse and practice. The topics range from well-known architects and architectural examples such as Adolf Loos and the Maison de Verre to relatively unknown cases such as the polykatoikia apartments in Greece. In all cases, the authors' emphasis remains on how the concept of domesticity is produced by the gendered subjectivity of builders and users of domestic spaces and by architectural discourse.
The essays brought together in this book are based upon new interdisciplinary research which enriches architectural history with sociological, anthropological, philosophical and psychoanalytical approaches. Despitethe Modern movement's prominent emphasis on housing, the point is often made that modern art and architecture were about the suppression rather than the glorification of domesticity. This book contends that the modern era marks the rise of a new sense of domesticity that developed simultaneously with re-definitions of gender roles and which led to unprecedented articulations of sexuality with domestic space.

Between 1898 and 1909, Frank Lloyd Wright's residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architecture historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice's evolution: addressing how the studio fit into the Chicago-area design scene; identifying the other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of family influenced office life. Built as an addition to his 1889 shingle-style home, Wright's studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright's office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant archival research, including interviews with Wright's family and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world's most influential architects.

Cameron Mackintosh is the world's leading theatrical producer of musicals such as Cats, Les Miserables and The Phantom of the Opera. He is also a significant theatre owner and has completed a two-decade campaign of refurbishment and rebuilding of eight London theatres that has set the tempo for maintaining one of Britain's greatest cultural heritages for the next century. Master of the House charts the stories of these eight historic London buildings - their origins, their iconic shows and productions, the stars and the glamour. Lavishly illustrated with images from the Delfont Mackintosh archive, the book also contains original architect drawings, specially-commissioned photographs of the refurbishment, show posters and other theatre ephemera, and many sweeping panoramas of the exquisitely finished spaces.

What is the difference between ratio and proportion? When is a harmonic rectangle also geometric? Do pentagons, hexagons and heptagons really each have their own characters? Is there a secret to great art? In this beautiful little book, art educator Michael Schneider presents a groundbreaking synthesis of proportion in the ancient world. From temples to dinner plates, paintings to pots, archways to jewellery, discover the eternally useful tools and techniques of the masters.

An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysees in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upwardly mobile immigrant and ethnic groups, yet it has also seen the darker side of the American dream. Constance Rosenblum unearths the colorful history of this grand street and its interlinked neighborhoods. With a seasoned journalist's eye for detail, she paints an evocative portrait of the Concourse through compelling life stories and historical vignettes. The story of the creation and transformation of the Grand Concourse is the story of New York-and America-writ large, and Rosenblum examines the Grand Concourse from its earliest days to the blighted 1960s and 1970s right up to the current period of renewal. Beautifully illustrated with a treasure trove of historical photographs, the vivid world of the Grand Concourse comes alive-from Yankee Stadium to the unparalleled collection of Art Deco apartments to the palatial Loew's Paradise movie theater. An enthralling story of the creation of an iconic street, an examination of the forces that transformed it, and a moving portrait of those who called it home, Boulevard of Dreams is a must read for anyone interested in the rich history of New York and the twentieth-century American city.

If eyes are windows to a person's soul, doorways reveal the nature of a place and the people who inhabit it. Welcome to Cape May, New Jersey, home to the nation's largest concentration of historic Victorian architecture! Filled with 65 charming color photos, this book welcomes you to explore some of the most picturesque and historic doorways. They feature wooden scrollwork and bright coats of paint, as well as Cape May's notable custom screen doors, advertising to all a pride of ownership in front porch appointments. This book is the perfect souvenir for Cape May visitors, lovers of Victorian architecture, and homeowners looking for distinctive ideas for their front doors.

This two-volume book explores how the great buildings of England bear witness to a thousand years of the nation's history. In every age, investment in iconic buildings reaches a climax when the prevailing mode of production is operating most effectively, surplus wealth is most plentiful, and the dominant class rules supreme. During such periods of stability and prosperity, the demand for new buildings is strong, structural and stylistic innovations abound, and there is fierce competition to build for lasting fame. Each such climax produces a unique vintage of hegemonic buildings that are monuments to the wealth and power of those who ruled their world. This first volume provides an introduction to the study of wealth accumulation over the past millennium. There follow three case studies of iconic building investment from the eleventh to the seventeenth century. During the eleventh and twelfth centuries the conquering Norman kings and barons erected castles throughout the country to cement their feudal power. During the thirteenth and fourteenth centuries the great wealth of the ecclesiastical estates funded the lavish construction of Gothic cathedrals and abbeys. During the sixteenth and early seventeenth centuries Tudor and Jacobean magnates vied to build the most magnificent palaces and prodigy houses. The English Revolution brought this era to a close.

The new town of Milton Keynes was designated in 1967 with a bold, flexible social vision to impose "no fixed conception of how people ought to live." Despite this progressive social vision, and its low density, flexible, green urban design, the town has been consistently represented in British media, political rhetoric and popular culture negatively. as a fundamentally sterile, paternalistic, concrete imposition on the landscape, as a "joke", and even as "Los Angeles in Buckinghamshire". How did these meanings develop at such odds from residents' and planners' experiences? Why have these meanings proved so resilient? Milton Keynes in British Culture traces the representations of Milton Keynes in British national media, political rhetoric and popular culture in detail from 1967 to 1992, demonstrating how the town's founding principles came to be understood as symbolic of the worst excesses of a postwar state planning system which was falling from favour. Combining approaches from urban planning history, cultural history and cultural studies, political economy and heritage studies, the book maps the ways in which Milton Keynes' newness formed an existential challenge to ideals of English landscapes as receptacles of tradition and closed, fixed national identities. Far from being a marginal, "foreign" and atypical town, the book demonstrates how the changing political fortunes of state urban planned spaces were a key site of conflict around ideas of how the British state should function, how its landscapes should look, and who they should be for.

Narratives of Architectural Education provides an overview of life as an architecture student, detailing how a layperson may develop an architectural identity. This book proposes becoming an architect as a personal narrative of professional development structured around various stages and challenges associated with identity transformation. Using a case study of aspiring architects along multiple time points of their professional education, Thompson investigates the occupational identity of architects; how individuals construct a sense of themselves as future architects and position themselves within the architectural community. This book provides previously unexamined insights into not just the academic development of an architect, but also the holistic and experiential aspects of architectural education. It would be ideal for those in the educational field of architecture, to include students, educators, interns, and mentors.

Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.

Norway and Russia have been closely related through the ages, both geographically and historically, and have experienced similar problems relating to climate, building maintenance and national wooden architecture. As a result, the parallel study of architectural conservation and restoration theories and practices in both neighbouring Northern states makes for a stimulating collective monograph. Architectural Conservation and Restoration in Norway and Russia delves into the main challenges of historic and contemporary architectural preservation practices in the two countries. The book consists of three main parts: the discovery and preservation of historical architecture in the late nineteenth to early twentieth century; contemporary approaches to former restorations and the conservation and maintenance of historical architecture; and, finally, current questions concerning preservation of twentieth-century architectural heritage which, due to different building technologies and artistic qualities, demand revised methods and historical evaluation. This is a valuable resource for academics, researchers and students in different areas of architecture (medieval, nineteenth-century, wooden and contemporary architecture) as well as in the fields of art, architectural history, cultural heritage and Scandinavian and Russian studies.

Architect Richard S. Requa traveled Spain and the Mediterannean, documenting authentic architecture. Together with The Monolith Portland Cement Co., Requa published his portfolio of images in 1926, helping to fuel architecture's Spanish Revival movement (1915-1940) throughout the Pacific Coast and Florida. His images were "selected and arranged especially for use in developing a logical and appropriate style of architecture for California and the Pacific Southwest," and they had a profound influence as they were widely distributed to design professionals as well as schools and libraries. Besides providing a wealth of inspiration regarding overall architecture, the nearly 200 images also provide intimate detailing of balconies, doors, hardware, and architectural motifs, and serve as a wonderful resource for historians and restoration experts. Because Spanish Revival is enjoying a resurgence in popularity, the timing of this inspirational re-issue will aid, once again, in focusing on the native roots of the widely loved school of architecture.

Radical changes in the design of housing in post-war Japan had numerous effects on the Japanese people. Public policy toward housing provision and the effects of escalating land prices in Tokyo and a few other very large cities in the country from the mid- to late 1970s onward are examined, but it is dwellings themselves and the slow but steady shift from a floor-sitting to a chair-sitting housing culture in urban and suburban parts of the country that figure most prominently in the discussion. Central to the book is the author's translation of an account written by Kyoko Sasaki, an observant wife and mother, about the housing she and her growing family experienced during the 1960s, and subsequent chapters explore some of the issues that flow from her account. Chief among these are the small size and generally poor quality of the private-sector housing that Japanese of fairly ordinary means could afford to occupy in the early postwar years, the new design initiatives undertaken at about that time by public-sector housing providers and the diffusion of at least some of their initiatives to the housing sector as a whole, and the adjustments that the occupants of housing had to, or chose to, make as the dwellings available to them as renters or as owners changed in character. Attention is also paid to the structural requirements of dwellings and attitudes toward dwellings of diverse types in a country prone to earthquakes.

This book provides an introduction to current work and new directions in the study of medieval liturgy. It focuses primarily on so-called occasional rituals such as burial, church consecration, exorcism and excommunication rather than on the Mass and Office. Recent research on such rites challenges many established ideas, especially about the extent to which they differed from place to place and over time, and how the surviving evidence should be interpreted. These essays are designed to offer guidance about current thinking, especially for those who are new to the subject, want to know more about it, or wish to conduct research on liturgical topics. Bringing together scholars working in different disciplines (history, literature, architectural history, musicology and theology), time periods (from the ninth to the fifteenth centuries) and intellectual traditions, this collection demonstrates the great potential that liturgical evidence offers for understanding many aspects of the Middle Ages. It includes essays that discuss the practicalities of researching liturgical rituals; show through case studies the problems caused by over-reliance on modern editions; explore the range of sources for particular ceremonies and the sort of questions which can be asked of them; and go beyond the rites themselves to investigate how liturgy was practised and understood in the medieval period.