The city of Birmingham offers a particularly rich case-study on urban regeneration as it strives to build a new city image. Positioned between decline and regeneration, the landscape of the city and its environs collages old and new, producing dramatic contrasts - of industrial and postindustrial urbanisms of crumbling brutalism and spectacular flagship developments, of Victorian housing and diverse cultural lifestyles - that compound the aesthetic and socio-economic means of regeneration. This visually exciting book also reflects upon and extends current debates about public space, cultural zoning and the futures of cities. The volume is multi-disciplinary in content, including contributions from specialists in architecture, public and community arts, photography and urban studies - their critical perspectives linked by interest in urban visual culture. Joe Holyoak, Wendy Shillam, Glenn Howells, Wil Alsop, Sylvia King, Deborah Kermode, Nigel Prince, Tim Hall, Peter James, Nick Hedges, Roger Shannon, Maria Balshaw, Deborah Parsons and Jane Lutz.

Revised to incorporate and reflect changes and advances since it was first published the new edition of Architecture in a Climate of Change provides the latest basic principals of sustainability and the future of sustainable technology.Including new material on wind generation, domestic water conservation, solar thermal electricity as well as international case studies Architecture in a Climate of Change encourages readers to consider new approaches to building making minimum demand on fossil based energy.

The need to respond to the rapidly changing city climate is particularly urgent in the tropics where the urban transition is currently at its peak. While the need is clearly felt by the tropical urban dwellers, texts that provide an overview of the problem and indicate possible design solutions are rare. This comprehensive reference will be welcomed by student and practising architects as well as other built envronment professionals engaged with the environmental effects of building in worldwide warm and humid climates.

This unique book discusses programming, design and building evaluation providing a joined up approach to building design. By linking the functional and architectonic qualities of a building, the authors show the practical implications of the utility value of buildings.
Starting by looking at how the relationship between form and function has been dealt with by different approaches to architecture from a historical perspective, it goes on to discuss how the desired functional quality and utility value of a building can be expressed in a brief and given a physical form by the architect. Finally, it advises on how to carry out post-occupancy evaluation and provides the architect with methods and techniques for testing whether the intended utility value of a building has been achieved.
* Learn to fully understand the relationship between function and form.
* Discover the link between design methodology and research and their impact on the design brief.
* Discover how to evaluate buildings and apply the findings to future designs.

A participative approach to architecture challenges many of the normative values of traditional architecture and, in particular, issues of authorship, control, aesthetics and the role of the user. The book explores how a participative approach may lead to new spatial conditions, as well as to new types of architectural practices and investigates the way that the user has been included in the design process. Where many architectural books concentrate on formal or aesthetic issues, this book explicitly opens up the social and political aspects of our built environment, and the way that the eventual users may shape it. As government policies throughout the world call for more involvement by people in the making of their environment, the issue of participation has become of central concern to architects, clients, funders, users and government officers. However, participation often remains as a token gesture; this book promises to make a major contribution to the field by arguing for a more considered approach to architectural participation. Architecture and Participation brings together leading international practitioners and theorists in the field, ranging from the 1960s pioneers of p

This authoritative survey of east Suffolk includes some of England's most beautiful landscapes, including "Constable Country," the land surrounding the River Stour that was home to John Constable. East Suffolk's rural landscape includes a variety of intriguing medieval buildings: brick and timber-framed houses, stunning churches, and the grand castles of Orford and Framlingham. Additionally, Suffolk's coast is home to a number of charming resorts, as well as the Viking ship burial site at Sutton Hoo. This volume also includes the town of Ipswich, where medieval buildings are situated alongside Norman Foster's offices for Willis Faber, one of the major works of 20th-century British architecture.

Situated in a Mediterranean landscape, the Maeght Foundation is a unique Modernist museum, product of an extraordinary collaboration between the architect, Jose Luis Sert, and the artists whose work was to be displayed there. The architecture, garden design and art offer a rare opportunity to see work in settings conceived in active collaboration with the artists themselves. By focusing on the relationship between this art foundation and its Arcadian setting, including Joan Miro's labyrinth, George Braque's pool, Tal-Coat's mosaic wall and Giacometti's terrace, Jan K. Birksted demonstrates how the building articulates many of the ideas that preoccupied this group of artists during the culminating years of their lives. The study pays special attention to the ways in which architecture can shape the experience of time, and addresses the Modernist desire for wilderness and its problematic roots in the classical Mediterranean ideal. In showing how the design of the Maeght Foundation is a Modernist representation of Mediterranean culture, the author has developed an interpretation of architecture that accommodates not only the architect's handling of material or function, but shows as well how it can be the embodiment of a particular vision of space and time.

The year out, or internship, in a professional practice can be the most rewarding experience in an architectural student's education. It can also be a shock to the system to find that architectural working practices are very different to architectural study. This book provides a beginner's guide to professional practice and a step-by-step guide on how to find the placement that best suits your goals. It is the fourth title in the successful 'Seriously Useful Guides...' series.
In order to give you a real insight into professional experience, this guide includes real
life case studies from students who have been through the experience and from practices that have taken them on. It guides you through the steps of finding a placement, outlines the norms and expectations for internship in different countries, and discusses codes of office behavior and professional ethics. Contemporary architectural
practices are becoming increasingly diverse and this guide outlines some Practical experience/Internship choices, providing cases studies of award wining firms that offer practical experience. These case studies range from conventional practices based on the art of building, to practices based on digital media or contemporary urbanism. Finally, the term 'critical practice' is becoming increasingly important, and the book provides some definitions and examples of critically based architectural practices.
Also in the Seriously Useful Guides Series:
* The Crit
* The The Portfolio
* The Dissertation
* Provides a valuable step-by-step guide on how to make the most of your time in practice
* Prepares you for what to expect from an office and lets you know what an officeexpects from you
* Includes interviews with students, professionals and tutors who have been through the experience, to give you the best, first hand, advice

Building Information Modeling (BIM) refers to the consistent and continuous use of digital information throughout the entire lifecycle of a built facility, including its design, construction and operation. In order to exploit BIM methods to their full potential, a fundamental grasp of their key principles and applications is essential. Accordingly, this book combines discussions of theoretical foundations with reports from the industry on currently applied best practices. The book's content is divided into six parts: Part I discusses the technological basics of BIM and addresses computational methods for the geometric and semantic modeling of buildings, as well as methods for process modeling. Next, Part II covers the important aspect of the interoperability of BIM software products and describes in detail the standardized data format Industry Foundation Classes. It presents the different classification systems, discusses the data format CityGML for describing 3D city models and COBie for handing over data to clients, and also provides an overview of BIM programming tools and interfaces. Part III is dedicated to the philosophy, organization and technical implementation of BIM-based collaboration, and discusses the impact on legal issues including construction contracts. In turn, Part IV covers a wide range of BIM use cases in the different lifecycle phases of a built facility, including the use of BIM for design coordination, structural analysis, energy analysis, code compliance checking, quantity take-off, prefabrication, progress monitoring and operation. In Part V, a number of design and construction companies report on the current state of BIM adoption in connection with actual BIM projects, and discuss the approach pursued for the shift toward BIM, including the hurdles taken. Lastly, Part VI summarizes the book's content and provides an outlook on future developments. The book was written both for professionals using or programming such tools, and for students in Architecture and Construction Engineering programs.

Provides a general account of the factors which cause decay of building stones and a summary of the best methods to reduce the incidence of decay. It discusses weathering associated with natural defects inherent in stone and examines issues of weathering caused by bad workmanship or errors in the selection of material. Decay through chemical and natural physical phenomena are discussed in detail. The final sections offer useful advice on how to prevent long term decay through appropriate repair, replacement and cleaning of stone.

The last quarter of the twentieth-century witnessed a burgeoning of interest in ecological or naturally inspired use of vegetation in the designed landscape. More recently a strong aesthetic element has been added to what was formerly a movement aimed at creating nature-like landscapes. The book advances a fusion of scientific and ecological planting design philosophy that can address the need for more sustainable designed landscapes. It is a major statement on the design, implementation and management of ecologically-inspired landscape vegetation. With contributions from people at the forefront of developments in this field, in both Europe and North America, it provides a valuable synthesis of current thinking.

eBook available with sample pages: 0203402871

The conference entitled 'Where Conservation Meets Conservation', held at De Montfort University, Leicester on 9 September 2002 provided the opportunity to explore the interface between historic buildings and their contents by recognizing the interrelationships between architectural and object conservation. Within this, consideration was given to the role of conservation science and technology in achieving appropriate and sustainable solutions. The emphasis of the conference was on raising awareness at a practical interdisciplinary level and providing a platform for sharing knowledge and experience.

This is a compilation of the full year's information, including: the "Discussion" section, where well-known architects and critics as well as specialist authors and architectural historians articulate their views; the "Documentation" section containing an analysis of selected projects, in which buildings from around the world are covered in depth; and the "Technology" section where the specific theme of each issue of the magazine is treated in greater depth. Along with these are illustrations of the high standards that Detail is known for, where all plan drawings are true to scale and have been approved by the architects, planners and engineers responsible for the original design.This annual sourcebook is a beautiful record, not only of the year's Detail publication, but of some of the best, and most innovative contemporary architecture

This major new text presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times. In terms of content and scope, there is no collection, in or out of print, directly comparable to this one. The essays are drawn from the past twenty years' of publishing in the field, arranged chronologically from colonial to contemporary and accessible in thematic groupings, contextualized and introduced by Keith Eggener.

Drawing together 24 illustrated essays by major and emerging scholars in the field, American Architectural History is a valuable resource for students of the history of American art, architecture, urbanism, and material culture.

The book, a documentary history, records a cognitive history of the emergence of modern architecture. Cutting across disciplinarian and institutional divisions as we know them today, it reconstructs developments within the framework of a cognitive history of the past. Modern is here taken to mean the radical re-thinking of architecture from the end of the tenth century in Europe to the end of the eighteenth century. Among the key debates that mark the period are those that oppose tradition to innovation, canon to discovery, geometrical formality to natural picturesqueness, the functional to the hedonistic.

Now in its second edition, this book provides a practical guide to measured building surveys with special emphasis on recording the fabric of historic buildings. It includes two new chapters dealing with modern survey practice using instruments and photographic techniques, as well as a chapter examining recording methods as used on a specific project case study undertaken by the Museum of London Archaeology Service. Measured surveys for producing accurate scaled drawings of buildings and their immediate surroundings may be undertaken for a variety of reasons. The principal ones are to provide a historic record, and to form the base drawings upon which a proposed programme of works involving repairs, alterations, adaptations or extensions can be prepared. This book provides a practical guide to preparing measured surveys of historic buildings, with special emphasis on recording the fabric. The text assumes little previous knowledge of surveying and begins by describing basic measuring techniques before introducing elementary surveying and levelling. From these principles, the practices and techniques used to measure and record existing buildings are developed in a detailed step-by-step approach, covering sketching, measuring, plotting and drawing presentation. For this new edition the text on hand survey methods has been revised to note where new techniques and equipment can be incorporated, as well as explaining where more advanced survey methods may be best used to advantage. Information on locating early maps and plans, aerial photography and its uses, documentary research, procurement of surveys and conventional photography has been incorporated at various points as appropriate. In addition, Ross Dallas provides two new chapters dealing with modern survey practice using instruments and photographic techniques. Also, the opportunity has been taken to present a wider view of building recording projects by including a new chapter from the Museum of London Archaeological Service (MoLAS) building recording team. It encompasses their five key principles for recording within an illustrative case study.

Bio-Architecture studies the natural principles of animal and human constructions from several different perspectives, and presents a great part of the knowledge that gives origin and shape to built form.
Organic architecture offers a design approach arising from natural principles, bringing us back to local history, tradition, and cultural roots to give us built forms which are in harmony with nature. It also shows how architects can take advantage of the resources that contemporary technology has placed within our grasp.
Bio-Architecture is a unique book that studies the natural principles of animal and human constructions from several different perspectives and looks at what gives origin and shape to built form. The text gives an informative, inspiring overview of the drive toward organically informed design both intrinsically and aesthetically using a wide variety of international examples.
Javier Senosiain is an architect and an historian. He has pursued his interest in Organic Architecture across the globe drawing parallels between Buckminster Fuller's Geodesic dome and the spider's web; between Santiago Calatrava's Cathedral of St John in NY and the roots of a tree. Where nature has inspired form, Senosiain has made a career of analyzing and applying the principles he sees in some very creative writing and architecture.
* Beautiful book inspires readers to design with the environment in mind
* Comparative study of the engineering principles in nature and built structures outlines the fundamentals of architectural design
* International examples show how architects use different locations and climates to inform specific biological forms and techniques

This new edition includes a fascinating account of how bricks, brick files and terracotta have been made and used from medieval times to the present day, along with an illustrated glossary, a chronological photo survey, appendices, and bibliography.

What happened to Edinburgh's once notorious but picturesque Tolbooth Prison? Where was the Black Turnpike, once a dominant building in the town? Why has one of the New Town designer's major layouts been all but obliterated? What else has been lost in Edinburgh? From Edinburgh's mean beginnings - 'wretched accommodation, no comfortable houses, no soft beds', visiting French knights complained in 1341 - it went on to attract some of the world's greatest architects to design and build and shape a unique city. But over the centuries many of those fine buildings have gone. Some were destroyed by invasion and civil strife, some simply collapsed with old age and neglect, and others were swept away in the 'improvements' of the nineteenth century. Yet more fell to the developers' swathe of destruction in the twentieth century. Much of the medieval architecture vanished in the Old Town, Georgian Squares were attacked, Princes Street ruined, old tenements razed in huge slum clearance drives, and once familiar and much loved buildings vanished. The changing pattern of industry, social habits, health service, housing and road systems all took their toll; not even the city wall was immune. The buildings which stood in the way of what was deemed progress are the heritage of Lost Edinburgh. In this informative and stimulating book. Hamish Coghill sets out to trace many of the lost buildings and find out why they were doomed. Lavishly illustrated, Lost Edinburgh is a fascinating insight into an ever-changing cityscape.

A lively and authoritative survey of the buildings of Tyneside, from the medieval castle and cathedral at Newcastle to the spectacular buildings spearheading the renaissance of Gateshead on the river's south bank.

THE STUNNING NEW BOOK FROM THE HOST OF BBC 2'S VILLAGES BY THE SEA England's villages have survived, developed, and thrived over hundreds of years. But what makes a village and how has that changed over time? Take a charming and unexpected journey through the quirks of England's villages throughout the ages in the excellent company of Dr Ben Robinson, expert archaeologist. Join him in visiting villages from prehistoric, to Roman, to medieval times, all the way through to today's modern, urban villages. Discover how landowners, governments and communities have shaped villages, why village greens, village pubs and village halls exist, and the real meaning behind names like Bunny, Yelling, Lover, Great Snoring and Slaughter. A compelling study of archaeology, history and architecture, England's Villages is a thoughtful, enlightening and informative look at our oldest homes, uncovering and revealing the extraordinary heritage of the places that surround us.

In A History of Plague in Java, 1911-1942, Maurits Bastiaan Meerwijk demonstrates how the official response to the 1911 outbreak of plague in Malang led to one of the most invasive health interventions in Dutch colonial Indonesia. Eager to combat disease, Dutch physicians and officials integrated the traditional Javanese house into the "rat-flea-man" theory of transmission. Hollow bamboo frames and thatched roofs offered hiding spaces for rats, suggesting a material link between rat plague and human plague. Over the next thirty years, 1.6 million houses were renovated or rebuilt, millions more were subjected to periodic inspection, and countless Javanese were exposed to health messaging seeking to "rat-proof" their beliefs along with their houses. The transformation of houses, villages, and people was documented in hundreds of photographs and broadcast to overseas audiences as evidence of the "ethical" nature of colonial rule, proving so effective as propaganda that the rebuilding continued even as better alternatives, such as inoculation, became available. By systematically reshaping the built environment, the Dutch plague response dramatically expanded colonial oversight and influence in rural Java.