After decades of research on minds and brains and a decade of conversations with architects, Michael Arbib presents When Brains Meet Buildings as an invitation to the science behind architecture, richly illustrated with buildings both famous and domestic. As he converses with the reader, he presents action-oriented perception, memory, and imagination as well as atmosphere, aesthetics, and emotion as keys to analyzing the experience and design of architecture. He also explores what it might mean for buildings to have "brains" and illuminates all this with an appreciation of the biological and cultural evolution that supports the diverse modes of human living that we know today. These conversations will not only raise the level of interaction between architecture and neuroscience but, by explaining the world of each group to the other, will also engage all readers who share a fascination with both the brains within them and the buildings around them. Michael Arbib is a pioneer in the interdisciplinary study of computers and brains and has long studied brain mechanisms underlying the visual control of action. His expertise makes him a unique authority on the intersection of architecture and neuroscience.

For thousands of years, humans have built walls and assaulted them, admired walls and reviled them. Great Walls have appeared on nearly every continent, the handiwork of people from Persia, Rome, China, Central America, and beyond. They have accompanied the rise of cities, nations, and empires. And yet they rarely appear in our history books.

Spanning centuries and millennia, drawing on archaeological digs to evidence from Berlin and Hollywood, David Frye uncovers the story of walls and asks questions that are both intriguing and profound. Did walls make civilization possible? Can we live without them?

This is more than a tale of bricks and stone: Frye reveals the startling link between what we build and how we live, who we are and how we came to be. It is nothing less than the story of civilization.

This book examines the notion of 'the homely' which rests at the foundation of Gaston Bachelard's concrete metaphysics. In order to trace the development of this effaced notion through the history of contemporary Continental philosophy and literature, this study progresses along two distinct arcs. One is presented in a traditional chronological fashion whereby the reader is invited to dig down into the enormous chasm set forth in Martin Heidegger's writing and its reception; become lost in Mark Danielewski's House of Leaves; climb out from this labyrinth into the maternal home; and, finally, come slowly to rest in Gaston Bachelard's concrete metaphysics. Then a Bachelardian topoanalysis is applied to these images drawn from philosophy and literature, metaphysical and concrete expression, in order to follow a second, more significant arc along which progressively more primal spaces are uncovered. This second arc leads back, ultimately, to the foundation of concrete metaphysics: home. Through this topoanalysis the author articulates a fundamental insight about the human desire to have 'a place of one's own', a warm and comfortable, fixed and fixing space in which to set ourselves apart from the strife and turmoil of 'The World'.

In the last two centuries Britain has experienced a revolution in higher education, with the number of students rising from a few hundred to several million. Yet the institutions that drove - and still drive - this change have been all but ignored by historians. Drawing on a decade's research, and based on work in dozens of archives, many of them used for the very first time, this is the first full-scale study of the civic universities - new institutions in the nineteenth century reflecting the growth of major Victorian cities in Britain, such as Liverpool, Manchester, and Birmingham - for more than 50 years. Tracing their story from the 1780s until the 2010s, it is an ambitious attempt to write the Redbrick revolution back into history. William Whyte argues that these institutions created a distinctive and influential conception of the university - something that was embodied in their architecture and expressed in the lives of their students and staff. It was this Redbrick model that would shape their successors founded in the twentieth century: ensuring that the normal university experience in Britain is a Redbrick one. Using a vast range of previously untapped sources, Redbrick is not just a new history, but a new sort of university history: one that seeks to rescue the social and architectural aspects of education from the disregard of previous scholars, and thus provide the richest possible account of university life. It will be of interest to students and scholars of modern British history, to anyone who has ever attended university, and to all those who want to understand how our higher education system has developed - and how it may evolve in the future.

Despite strong forces toward globalization, much of late 20th century urbanism demonstrates a movement toward cultural differentiation. Such factors as ethnicity and religious and cultural heritages have led to the concept of hybridity as a shaper of identity. Challenging the common assumption that hybrid peoples create hybrid places and hybrid places house hybrid people, this book suggests that hybrid environments do not always accommodate pluralistic tendencies or multicultural practices. In contrast to the standard position that hybrid space results from the merger of two cultures, the book introduces the concept of a third place and argues for a more sophisticated understanding of the principal.

In contributed chapters, the book provides case studies of the third place, enabling a comparative and transnational examination of the complexity of hybridity. The book is divided into two parts. Part one deals with pre-20th century examples of places that capture the intersection of modernity and hybridity. Part two considers equivalent sites in the late 20th century, demonstrating how hybridity has been a central feature of globalization.

It is 1846 when twelve-year-old street urchin Ian Walsh and his eleven-year-old drummer friend Danny Higgins decide to abandon their hardships and travel from Ireland to America. With hopes of landing jobs building a railroad in California and finding the lost cities of gold, Ian and Danny board a cargo ship bound for New York. As the ship sets sail on the sea, Danny-affectionately nicknamed "Smiles" by the crew-is happier than he has ever been. Once Ian finds his sea legs, he contentedly spends his days perched at the bow of the ship writing in his diary. After a twenty-three-day journey across the Atlantic, the ship docks in the port of New York. The two boys soon learn that the United States is at war with Mexico and that the President is calling for volunteers to meet the Mexican threat. There is no question-Ian and Danny feel compelled to help and sign up as drummer boys in the First New York. As the two boys begin a new life in a country in the midst of great change, they learn to rely on their instinct, scrappiness, and most of all, courage.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

Albert Speer was Hitler's architect before the Second World War. Through Hitler's great trust in him and Speer's own genius for organisation he became, effectively from 1942 overlord of the entire war economy, making him the second most powerful man in the Third Reich. Sentenced to twenty years imprisonment in Spandau Prison at the Nuremberg Trails, Speer attempted to progress from moral extinction to moral self-education. How he came to terms with his own acts and failures to act and his real culpability in Nazi war crimes are the questions at the centre of this book.

This book brings together all the projects that competed for the sixth International Biennial Barbara Cappochin Architecture Prize, which is articulated in three different sections: International Prize, Giancarlo Ius Gold Medal, and Provincial Prize. More than 300 projects, all completed within the last three years, were submitted with many entries from all over the world. The winning works are described and accompanied by photos and drawings, while those that received an honorable mention are presented through a series of photos. All remaining projects appear in a dedicated section with their image and main identifying data. The book also includes introductions by some institutional figures and Renzo Piano, presenting his project for the "architecture table" that was used to display the works selected by the international jury to the public.

Stephen Barber takes the reader on an extraordinary journey from LA to Tokyo via Europe. He carries only a crumpled map in his pocket, a map which plots a horrifying past, a disappearing present and a future collapsing into banality. A virtual reality flight across this territory reveals the surfaces of things, a landscape made by war and technological advances. Coming back to earth and to his own body, Stephen Barber follows the map from city to city. He discovers how cities, once densely layered with a civilization's history of follies and obsessions, are increasingly oblivious places, accelerating the erasure of their own histories, forgetting themselves. Barber's journey becomes a profound meditation on the future of the city and the role of memory in our lives.Dazzlingly written, erudite, and by turns funny, elegiac and horrific, The Vanishing Map explores what cities were, are and will be. Deeper than this, it questions how memory - personal, urban, national and global memory - can survive.

-Step-by-step exercises and tutorials thoroughly explain hand-drafting and drafting with the visualization programs Vectorworks and Sketchup. -Written to complement a regular 14-or15-week semester course. -The primary focus of the book is how to construct a drawing, providing in-depth coverage fundamentals for hand drafting and visualization software.

Occupant-Centric Simulation-Aided Building Design promotes occupants as a focal point for the design process. This resource for established and emerging building designers and researchers provides theoretical and practical means to restore occupants and their needs to the heart of the design process. Helmed by leaders of the International Energy Agency Annex 79, this edited volume features contributions from a multi-disciplinary, globally recognized team of scholars and practitioners. Chapters on the indoor environment and human factors introduce the principles of occupant-centric design while chapters on selecting and applying models provide a thorough grounding in simulation-aided building design practice. A final chapter assembling detailed case studies puts the lessons of the preceding chapters into real world context. In fulfilment of the International Energy Agency's mission of disseminating research on secure and sustainable energy to all, Occupant-Centric Simulation-Aided Building Design is available as an Open Access Gold title. With a balance of fundamentals and design process guidelines, Occupant-Centric Simulation-Aided Building Design reorients the building design community towards buildings that recognize and serve diverse occupant needs, while aiming for superior environmental performance, based on the latest science and methods.

Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context of the European house. In this volume, Jon Stobart has assembled an international cast of contributors to discuss the ways in which architectural and spatial innovations coupled with the emotional assemblage of objects to create comfortable homes in early modern Europe. The book features a two-section structure focusing on the historiography of architectural and spatial innovations and material culture in the early modern home. It also includes 10 case studies which draw on specific examples, from water closets in Georgian Dublin to wallpapers in 19th-century Cambridge, to illustrate how people made use of and responded to the technological improvements and the emotional assemblage of objects which made the home comfortable. In addition, it explores the role of memory and memorialisation in the domestic space, and the extent to which home comforts could be carried about by travellers or reproduced in places far removed from the home. The Comforts of Home in Western Europe, 1700-1900 offers a fresh contribution to the study of comfort in the early modern home and will be vital reading for academics and students interested in early modern history, material culture and the history of interior architecture.

An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysees in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upwardly mobile immigrant and ethnic groups, yet it has also seen the darker side of the American dream. Constance Rosenblum unearths the colorful history of this grand street and its interlinked neighborhoods. With a seasoned journalist's eye for detail, she paints an evocative portrait of the Concourse through compelling life stories and historical vignettes. The story of the creation and transformation of the Grand Concourse is the story of New York-and America-writ large, and Rosenblum examines the Grand Concourse from its earliest days to the blighted 1960s and 1970s right up to the current period of renewal. Beautifully illustrated with a treasure trove of historical photographs, the vivid world of the Grand Concourse comes alive-from Yankee Stadium to the unparalleled collection of Art Deco apartments to the palatial Loew's Paradise movie theater. An enthralling story of the creation of an iconic street, an examination of the forces that transformed it, and a moving portrait of those who called it home, Boulevard of Dreams is a must read for anyone interested in the rich history of New York and the twentieth-century American city.

La arquitectura mexicana actual est mostrando su talento en las obras que proyectan. Sin embargo, sea cual fuese el proyecto arquitect nico, es indispensable considerar las condiciones que existir n en eventos s smicos. No hacerlo as significa exponerse a incertidumbres de servicio o riesgos de estabilidad, que pueden inhabilitar o hacer fallar la estructura que se trate. Fue as como se perdieron en la ciudad de M xico legados importantes de arquitectura, por los efectos del sismo de 1985. A partir de ese entonces somos mejores: aprendimos que la arquitectura est ligada a las condiciones de su entorno. La Torre Latinoamericana es un icono de la Ciudad de M xico porque conjunta arquitectura, estructura, cimentaci n y sismo. El sismo de 1957 permiti reconocer el avance que se estaba logrando al integrar el dise o s smico y la arquitectura. El de 1985 nos record que esa integraci n no es opcional, es necesaria. Esto exige que la participaci n del arquitecto y el ingeniero sea estrecha para beneficio de todos. El costo en vidas y los da os materiales se minimizan en la medida en que se incrementen las consideraciones s smicas en los proyectos arquitect nicos. El presente libro lo introduce a uno en el tema, c mo y por qu se originan los sismos, cu les son los principales elementos a considerar en el c lculo de las fuerzas s smicas, y c mo se integran esos resultados en el dise o final. Es m rito del autor haberlo logrado: su formaci n acad mica de licenciatura en ingenier a civil, su postgrado en arquitectura y su desarrollo profesional en ambas actividades, lo han permitido. Es as como logra llevar al lector en un recorrido que permite visualizar la importancia del proyecto arquitect nico en zonas s smicas. Explica de manera amena los elementos b sicos que se requiere conocer de f sica, sismolog a y estructuras para llegar a los conceptos de coeficiente s smico y espectro de dise o. Aborda el efecto de los sismos en los suelos: los tipos de suelos y sus caracter sticas, los reglamentos de inter s y comentarios en paralelo para ampliar las perspectivas del tema. Contin a con el efecto de los sismos en los edificios, el comportamiento de sus elementos y sistemas estructurales. Presenta las condiciones de dise o arquitect nico en zonas s smicas y las configuraciones antis smicas a considerar. Completa este marco general con el comportamiento de los diversos sistemas estructurales y los procesos aplicables, indicando las precauciones que deben tenerse durante su construcci n. Al final presenta casos pr cticos, que son ejemplos actuales de proyectos urbanos que no son ajenos al lector. Este libro de Alejandro Rojas ayudar a quien lo utilice, ya sea en el aula o en el taller de arquitectura... Carlos E Guti rrez Sarmiento Abril del 2008.

This book explores the spoliation of architectural and sculptural materials during the Roman empire. Examining a wide range of materials, including imperial portraits, statues associated with master craftsmen, architectural moldings and fixtures, tombs and sarcophagi, arches and gateways, it demonstrates that secondary intervention was common well before Late Antiquity, in fact, centuries earlier than has been previously acknowledged. The essays in this volume, written by a team of international experts, collectively argue that reuse was a natural feature of human manipulation of the physical environment, rather than a sign of social pressure. Reuse often reflected appreciation for the function, form, and design of the material culture of earlier eras. Political, social, religious, and economic factors also contributed to the practice. A comprehensive overview of spoliation and reuse, this volume examines the phenomenon in Rome and throughout the Mediterranean world.