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Books > Arts & Architecture > Architecture > General
The 15th Passive and Low Energy Architecture (PLEA) conference considered the issues of sustainability and environmental friendliness at the city scale. This title includes the papers that address the many and varied questions faced by architects and planners in reducing the impact on the environment of cities and their buildings.
Interest continues to develop in the design and construction of high-rise towers and tall buildings, structures with heights ranging from 75m to 500m and more. This volume presents the papers from the third in a series of international conferences on the subject, organized by the International Federation of High-rise Structures. The papers have been drawn together under the grand theme of the "Conquest of Vertical Space in the 21st Century". The conference was organized by the UK's Concrete Society and sponsored by the IFHS and the Council on Tall Buildings and Urban Habitat and the Federation Internationale de la Precontrainte (FIP). This book should be of interest to structural engineers, architects and building services engineers.
A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.
With design quality of growing importance to the public, consumers, developers and their clients, and high on the Secretary of State's agenda, this text makes a practical contribution to improving design control. Examining the design policies in current development plans, this research text explains how clear, comprehensive and effective policies can be researched, written and implemented. Based on detailed analysis of nearly a quarter of the new English plans, and detailed case studies of the 25 "best" plans, the book provides guidance on all aspects of urban design, architecture, landscape, conservation and design process policies, and makes recommendations about how policies should be expressed, organized, implemented and monitored. It makes over 150 specific recommendations for incorporation into better practice and advice. Illustrated with over 20 conceptual diagrams, 55 plan extracts and over 30 tables on plan content, the book provides a reference for architectural and planning practitioners, design and planning students and researchers in the field.
A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.
This text traces the policy history of urban conservation and its relationship to the town planning process and both are set in their political context. Part One deals with the origins of conservation and its cultural background; Part Two deals with the post-war legislation and the increasing scope of conservation; Part Three deals with churches and their separate control system; and Part Four brings the story up to the present time. Issues such as sustainable conservation and the latest government policy are addressed in the conclusion. This book should aid current practice and help to inform its future directions.
Japanese architecture is one of the most inspired manifestations of Japanese civilization. This study argues that architectural forms are more than just symbols of the institutions that created them. William H. Coaldrake explores the symbiotic relationship between architecture and authority throughout Japanese history, exploring key structures and how they have been used as active conveyors of power, relating buildings to the political ambitions and religious beliefs of the major historical eras in Japan.
The colonial architecture of the nineteenth century has much to
tell us of the history of colonialism and cultural exchange. Yet,
these buildings can be read in many ways. Do they stand as
witnesses to the rapacity and self-delusion of empire? Are they
monuments to a world of lost glory and forgotten convictions? Do
they reveal battles won by indigenous cultures and styles? Or do
they simply represent an architectural style made absurdly
incongruous in relocation?
Featuring new archival research and previously unpublished photographs and architectural plans, this volume fundamentally revises our understanding of the development of modern New York, focusing on elite domestic architecture within the contexts of social history, urban planning, architecture, interior design, and adaptive re-use. Contributions from emerging and established scholars, art historians, and practitioners offer a multi-faceted analysis of major figures such as Horace Trumbauer, Julian Francis Abele, Robert Venturi, and Richard Kelly. Taking the James B. Duke House, now home to NYU's Institute of Fine Arts, as its point of departure, this collection provides fresh perspectives on domestic spaces, urban forms, and social reforms that shaped early-twentieth century New York into the modern city we know today.
A critical guide to the English-language literature, Dutch Modernism demonstrates the importance of the Dutch contribution to 20th-century architecture. Holland's valuable role in the creation of modernism (1900-1940) was all but ignored until 30 years ago; it is significant that more than a third of the English-language literature has appeared since 1975. This guide is comprehensive; it summarizes, describes, and evaluates 1,250 references in the light of contemporary theory and practice. This work is of interest to scholars, students, and practitioners. The introduction outlines Holland's unique place in the development of international Modernism, 1900-1940, and explores the phenomenon of its eventual recognition in Britain and the United States. Although not an exhaustive study, this work presents all the areas of study and helpfully evaluates most entries, saving the user time and energy. A number of Dutch publications have been included, some because they are seminal theoretical works and others because they are rich in images. As a guide to English-language sources, Dutch Modernism reaches a wider audience than earlier Dutch and Italian bibliographies.
Oxford's university buildings are world-famous. Over eight centuries, starting in the twelfth century, the University - the third oldest in Europe - gradually occupied a substantial portion of the city, creating in the process a unique townscape containing the Bodleian Library, the Sheldonian Theatre and the Radcliffe Camera. This book tells the story of the growth of the forum universitatis - as the architect Nicholas Hawksmoor called it - and relates it to the broader history of the University and the city. Based on up-to-date scholarship, and drawing upon the author's own research into Oxford's architectural history and the work of Christopher Wren, Nicholas Hawksmoor, James Gibbs and Giles Gilbert Scott, each of the eight chapters focuses on the gestation, creation and subsequent history of a single building, or pair of buildings, relating them to developments in the University's intellectual and institutional life, and to broader themes in architectural and urban history. Accessible and well-illustrated with plans, archival prints and specially commissioned photography, this book will appeal to anyone who wishes to understand and enjoy Oxford's matchless architectural heritage.
Entre Meeanique et Arehiteeture: e'est-a-dire, entre les proeedes teehniques qui, depuis des temps immemoriaux eonforment l'art et la scienee de la eonstruetion au developpement de la scienee physique et mathematique la plus generale et, peut-etre, la plus abstraite, subalternata tanturn geometriae et philosophiae naturalis, eomme le disait Tartaglia, bien que liee aux faits les plus farniliers: la statique et la meeanique des mareriaux et des struetures. Le theme qui nous eoneeme est done la relation entre la technique et la scienee dans son exemple le plus important, je crois, du point de vue historiographique mais aussi epistemologique: a savoir, la relation entre le savoir faire, qui se eonforme a la norme, en respeetant une determination et une eongruenee parfaites avee son objectif, et la theorie, qui eonfirme la norme et temoigne la neeessite de la determiner eongrfiment avec les lois de la nature. Avee une extreme perspieaeite, quelque peu offusquee par une frivolite erudite, l' Abbe Franeeseo Maria Franeesehinis, mathematieien et adepte de la philosophie des lurnieres, se peneha sur la question dans un bref traite qu'il publia a Padoue en 1808 sous 1 le titre Des Mathematiques appliquees , soutenant la nouvelle tendanee didaetique introduite a l'Universite de Padoue par l'ephemere Regne d'Italie. Simulant un eonflit entre plusieurs auteurs, Franeesehinis exposait une premiere these dans un Discours inaugural qu'il reeita peut-etre reellement en 1807, lorsqu'il devint titulaire de la Chaire de Mathematiques appliquees.
Architecture is more than buildings and architects. It also involves photographers, writers, advertisers and broadcasters, as well as the people who finance and live in the buildings. Using the career of the critic J. M. Richards as a lens, this book takes a new perspective on modern architecture. Richards served as editor of The Architectural Review from 1937 to 1971, during which time he consistently argued that modernism was integrally linked to vernacular architecture, not through style but through the principle of being an anonymous expression of a time and public spirit. Exploring the continuities in Richards's ideas throughout his career disrupts the existing canon of architectural history, which has focused on abrupt changes linked to individual 'pioneers', encouraging us to think again about who is studied in architectural history and how they are researched. -- .
This new edition examines management of built heritage through the use of values-led decision making, based on an understanding of the significance of the cultural asset. It considers how significance is assessed and used as an effective focus and driver for management strategies and processes. The authors consider key policies and procedures that need to be implemented to help ensure effective management. The book will be useful for specialists in built heritage - conservation officers, heritage managers, architects, planners, engineers and surveyors - as well as for facilities and estates managers whose building stock includes protected or designated structures or buildings in conservation or other historic areas. * describes management strategies and tools for a wide range of built heritage assets * a reflective and informative guide on current conservation management * explains how understanding and using conservation values (significance ) is essential to the protection of the built heritage * uses real-life examples to draw out best practice
This book describes and explores the linguistic metaphors used by architects to assess design solutions in building reviews, and the conceptual mappings that motivate them. The genre perspective adopted throughout the work offers a view of figurative language that considers its use in the discussion of architectural topics in a real communicative situation involving specific participants, clear rhetorical goals and recognisable textual artefacts. The book thus combines a genre approach to texts with a cognitive view of metaphor. It further aims to restore as the centre of attention the linguistic and textual aspects of metaphor as an instrument of both cognition and communication. The theoretical implications of the applied cognitive approach to metaphor adopted in the book are twofold. First, a situated description of how metaphor is used in a particular genre provides rich detail about its rhetorical potential. The second important contribution made by this study is to provide a fuller account of image metaphor, a type of mapping which is very salient in this particular genre. The weight given to visual metaphors in architectural discourse allows a fuller consideration of the cognitive and communicative import of a class of metaphor often regarded as marginal or ad hoc in cognitive linguistics, and the book thus contributes to a better understanding of this phenomenon in the context of a genre characterised by its concern with the visual aspects of architectural design. In this sense, the empirical data offered by a particular research methodology contributes to theory formation, and will prove of interest to cognitive linguists as well as to discourse analysts or genre researchers.
For more than 200 years, and especially since the rediscovery of ancient Egypt by Europe in the 19th century, the exotic Egyptian style in architecture has been a sign of our fascination with a civilisation that has had a long-lasting and deep-seated influence on British culture. From its fashionable success in the Regency period to its varied uses in the 20th century, Egyptian-style architecture has much to say about what ancient Egypt represents to us. Egypt in England is the first detailed guide to the use of the Egyptian style in architecture and interiors in England, and to those that survive, most of which can be seen or visited by the public. Fully illustrated, it combines a series of topic essays giving the architectural and Egyptological background to the use of the style with a guide allowing sites to be located, and explaining what can still be seen. A variety of buildings and monuments - from cinema, supermarket, synagogue and factory, to folly, mill, Masonic temple and mausoleum - are highlighted in the book. For those who don't know their architrave from their entablature, or their Anubis from their Uraeus, there are also glossaries of architectural terms and ancient Egyptian deities. This engaging book is an accessible and practical guide for a general audience, but has enough depth to be useful to scholars in a range of subject areas. |
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