In 2012, Danish architect Lise Juel completed the restoration of fellow Dane Jorn Utzon s magnificent residence on the Spanish island of Mallorca, known as Can Lis. Uncovering Utzon is a series of pensees by Juel describing the process of restoring the beloved architect s unique and magnificent construction for the Utzon Foundation. Accompanying Juel s evocative account are the equally evocative images of the house by eminent architectural photographer Helene Binet. Known for her powerful black-and-white photographs of the work of the world s most important architects, past and present, Binet brings her unique eye to Can Lis to produce a breathtaking portrait of Utzon s spectacular, elemental masterpiece. Together, Juel s personal account and Binet s inimitable photography illustrate the undeniable power of this rough-hewn Modernist architectural landmark.

Some of the great and lasting achievements of the Middle Ages and the Renaissance are the architectural wonders of soaring cathedrals and grand castles and palaces. While many of these edifices survive, many more are lost, and it is within the pages of illuminated manuscripts that we often find the best record of the appearance of these amazing buildings. This volume illustrates the creative ways in which medieval artists represented architecture, offering insight into what these buildings meant for medieval people. Such structures were not just made to be inhabited--they symbolized grandeur, power, and even heaven on earth. Building the Medieval World accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 2 through May 16, 2010.
Building the Medieval World is the fourth in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world.

Composing Architecture and Interior Design introduces different ways of creating architectural space. It explains how to compose architectural and interior design spaces step by step - starting in the first years of architecture and interior design studies. The book starts with introducing different spatial configurations using basic elements such as walls, floors and ceilings in order to create spaces with different architectural characteristics, such as collective or transition spaces. Photos of physical models are graphically edited to ensure a comprehensive visual explanation. Physical models are the main tool for all architecture and interior architecture students, allowing readers to understand, relate to and copy the modelling techniques shown in each example. Throughout the book this same approach is used, in order to explain step by step the most contemporary approaches to composing space, such as folding surfaces or combining curves. Which are already often used in contemporary practices and are globally acknowledged.

Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than anything in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous, creating a world of heightened aesthetic sensibility. Finally, during the 1920s, he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been lauded as a pioneer of the Modern Movement and as a master of Art Nouveau. This book, with illustrations that include specially prepared plans and sections, takes a clear-eyed view of Mackintosh and his achievement, stripping away the myths to reveal a designer of extraordinary sophistication and inventiveness.

From the end of World War II until the mid-1960s, exciting things were happening in American architecture. Emerging talents were focusing on innovative projects that integrated at once modern design and low-cost materials. The trend was most notably embodied in the famous Case Study House Program, a blueprint for modern habitation championed by the era's leading American journal, Arts & Architecture. The complete facsimile of the ambitious and groundbreaking Arts & Architecture was published by TASCHEN in 2008 as a limited edition. This new curation-directed and produced by Benedikt Taschen-brings together all the covers and the highlights from the first five years of the legendary magazine, with a special focus on the Case Study House Program and its luminary pioneers including Neutra, Schindler, Saarinen, Ellwood, Lautner, Eames, and Koenig. A celebration of the first brave years of a politically, socially and culturally engaged publication, this special selection is also a testimony to one of the most unique and influential events in the history of American architecture.

An English emigre who became America's first professional architect, Benjamin Henry Latrobe put his stamp on the built landscape of the new republic. Latrobe contributed to such iconic structures as the south wing of the US Capitol building, the White House, and the Navy Yard. He created some of the early republic's greatest neoclassical interiors, including the Statuary Hall and the Senate, House, and Supreme Court Chambers. As a young man, Latrobe was apprenticed to both a leading architect and civil engineer in London, studied the European continent's architectural and engineering monuments, worked on canals, and designed private houses. After the death of his first wife, he was bankrupt and emigrated to the United States in 1796 to restart his career. For the new nation with grand political expectations, he intended buildings and engineering projects to match those aspirations. Like his patron Thomas Jefferson, Latrobe saw his neoclassical designs as a way to convey American democracy. He envisioned his engineering projects, such as the canals and municipal water systems for Philadelphia and New Orleans, as a way to unite the nation and improve public health. Jean Baker conveys the personality of this charming, driven, and often frustrated genius and the era in which he lived. Latrobe tried to establish architecture as a profession with high standards, established fees, and recognized procedures, though he was unable to collect fees and earn the living his work was worth. Like many of his peers, he speculated and found himself in bankruptcy several times. Building America masterfully narrates the life and legacy of a key figure in creating an American aesthetic in the new United States.

Guildford has grown from a Saxon settlement town to become a major commercial centre in Surrey today. William the Conqueror built the Norman castle that still overlooks the town, which became prosperous during the medieval period. The building of the Wey Navigation brought wealth to the town, but its real growth followed after the railway arrived in 1845. Today Guildford is a thriving commercial town with its cathedral, university and extensive redevelopment on its borders. Lost Guildford presents a portrait of a town and a way of life that has radically changed or disappeared today, showing not just the industries and buildings that have gone, but also many popular places of entertainment and much more. This fascinating photographic history of lost Guildford will appeal to all those who live in the town or know it well, as well as those who remember it from previous decades.

This provocative book argues that it is high time the practice of architecture moved away from the ego-fuelled grand visions of `starchitects' to a networked, collaborative, inclusive model inspired by 21st-century trends such as crowd-sourcing, open access and mass customization. But how can collaborative design avoid becoming design-by-committee? Carlo Ratti and Matthew Claudel deftly navigate this and other vital questions, considering along the way the applications of open-source architecture not only conceptually, but also in practice. Open Source Architecture is a rallying cry to students and open-minded professionals seeking new perspectives on a profession that the authors passionately believe to be moribund.

My Small Space is the ultimate guide to moving out on your own--whether that's in a campus dorm, an apartment with four of your friends, a two-bedroom with your buddy, or your very own studio. With photography of all kinds of spaces, smart design tips, interviews with renters, and more, this book proves that size doesn't matter when you have great style.

Learn how to decorate around immovable furniture in a dorm and what to pack (and leave behind) from home. Get creative in a cramped apartrment that you share with others. If you're thinking about living solo, see what it's like to finally be in control of all of the decision making. With tips on making floor plans, picking out color palettes, hanging wall art, choosing a rug, and more, this lookbook will help you feel right at home--wherever that may be.

Accompanied by stunning photographs, this publication animates the story of the origins and physical transformations of the neoclassical City Hall and former Supreme Court- two buildings that have been focal points for many seminal events in Singapore's history- into National Gallery Singapore, which overseas the largest public collection of Singapore and Southeast Asian modern art. Chapters within flesh out the colonial past of the buildings, the conception and organisation of the architectural design competition, and the ambitious ten-year process of envisioning, designing and building this institution.

Europe City: Lessons from the European Prize for Urban Public Space presents a multifaceted and diverseplatform of ideas about European public space and its social, cultural and economic significance. Based onseven themes--or lessons to be learned--, this discussion is approached from different disciplines, resulting ina wide-ranging reflection on public space as the intrinsic element that binds the European urban experiencetogether. These themes are Memory, Mobility, Mixture, Margins, Waterfronts, Marketplaces and Democracy, illustrated by a selection of about fifty projects of diverse scales and programs. The book also features ahistoric overview of European public space as well as impressions from international professionals. With aforeword by Kenneth Frampton and an epilogue by Zygmunt Bauman.The European Prize for Urban Public Space is an initiative of the Centre de Cultura Contempor nia deBarcelona (CCCB) and is co-organized with AzW Vienna; AF, London; DAM Frankfurt; Cit de l'architectureet du patrimoine, Paris; MAO Ljubljana, and MFA Helsinki.

London, a fascinating metropolis not just in terms of its history and landmark buildings, is also a city that grew out of villages. Its unique geography is expressed in a mosaic of districts, each with its own distinctive character and pedigree. London's districts, with their patchwork layout of primarily Georgian and Victorian squares and terraces juxtaposed with modern buildings and estates, reflect changing ideals in architecture, urban design and planning as well as shifting values in real estate and the insatiable thirst of its consumers. London is thus both text and context: fossilized social history, layerings of economic, social, and architectural history conveyed in stock brick, stucco, Portland stone, glass and steel. Underpinning this urban landscape is an evolutionary resilience that has maintained the basic spatial framework of the metropolis and sustained its imitable character. The city's institutional framework has been severely ruptured and reinvented time and time again after fires, bombs, floods or wholesale redevelopment. Political unrest and racial conflict have resulted in riots, while successive rounds of investment and disinvestment have replaced elements of the built environment many times over. This book offers an insightful perspective into the distinctiveness of London as expressed through its socially significant buildings and districts.

An essential toolkit for understanding architecture as both art form and the setting for our everyday lives

We spend most of our days and nights in buildings, living and working and sometimes playing. Architecture is both the setting for our everyday lives and a public art form--but it remains mysterious to most of us.
In "How Architecture Works," Witold Rybczynski, one of our best, most stylish critics and the winner of the Vincent Scully Prize for his writing on architecture, answers our most fundamental questions about how good--and not so good--buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, he reveals how architects as diverse as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs. He teaches us how to "read" plans, how buildings respond to their settings, and how the smallest detail--of a stair balustrade, for instance--can convey an architect's vision. "How Architecture Works" explains the central elements that make up good building design, ranging from a war memorial in London to an opera house in Saint Petersburg, from the National Museum of African American History and Culture in Washington, D.C., to a famous architect's private retreat in Princeton, New Jersey. It is an enlightening humanist's toolkit for thinking about the built environment and seeing it afresh.
"Architecture, if it is any good, speaks to all of us," Rybczynski writes. This revelatory book is his grand tour of architecture today.

Abstract is the yearly publication of work and research from the Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP). Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. Abstract 2018 extends a familiar narrative: multiple, interspersed covers and wire-o-binding allow readers to choose their own sequence and a sticker sheet encourages further customization. Beyond the cover, student work continues to populate spreads with ample breathing room. But the visuals are now supplemented with concise descriptions, ideas, and questions. The ever-evolving relationship between the School's print and digital worlds is the focus of a new section of yellow half-page inserts, which preserve a selection of other-wise fleeting social media moments in print: hashtag-worthy quotes, studding #GSAPPtravels posts, and even a selfie of Dean Amale Andraos and Ai Weiwei.

Melbourne is now coming to the fore as a design hotspot. With three and a half million inhabitants, it is on a scale that is livable and diverse. Its rich and varied cultural intimacy has enabled it to build up a unique dynamism, which is set to shift the entire design agenda of the world - much like Barcelona did in the 1980s and Antwerp did in the 1990s. Melbourne is to be the city of the noughties.

The intense plurality of Melbourne's recent design culture is due to have a vast impact on the way in which we think about city regions and living in them. This is a story of wonderful spaces: in civic and institutional buildings; in galleries, bars, clubs and restaurants; in one of the world's tallest residential apartment buildings; in beach houses and mountain shacks; in workshops and studios; and in international sports venues.

As Melbourne hosts the Commonwealth games in 2006, a vast influx of visitors will be experiencing these spaces for the first time. Through luscious photography and an accessible text, "Design City Melbourne" is devised not only to illustrate a wide range of fascinating interiors and their architecural matrices, but also to describe the people behind them and how these spaces support the vital culture of this uniquely mixed and cosmopolitan city. A metropolis that is situated in the same time zone as China, and which is pioneering in its European colonial matrix the admixture of new Asian urban forms.

Go on a journey with Robert O'Byrne as he brings fascinating Irish ruins to life. Fantastical, often whimsical, and frequently quirky, these atmospheric ruins are beautifully photographed and paired with fascinating text by Robert O'Byrne. Born out of Robert's hugely popular blog, The Irish Aesthete, there are Medieval castles, Georgian mansions, Victorian lodges, and a myriad of other buildings, many never previously published. Robert focuses on a mixture of exteriors and interiors in varying stages of decay, on architectural details, and entire scenarios. Accompanying texts tell of the Regency siblings who squandered their entire fortune on gambling and carousing, of an Anglo-Norman heiress who pitched her husband out the window on their wedding night, and of the landlord who liked to walk around naked and whose wife made him carry a cowbell to warn housemaids of his approach. Arranged by the country's four provinces, the diverse ruins featured offer a unique insight into Ireland and an exploration of her many styles of historic architecture.

In The Story of Post-Modernism, Charles Jencks, the authority on Post-Modern architecture and culture, provides the defining account of Post-Modern architecture from its earliest roots in the early 60s to the present day. By breaking the narrative into seven distinct chapters, which are both chronological and overlapping, Jencks charts the ebb and flow of the movement, the peaks and troughs of different ideas and themes. * The book is highly visual. As well as providing a chronological account of the movement, each chapter also has a special feature on the major works of a given period. * The first up-to-date narrative of Post-Modern Architecture - other major books on the subject were written 20 years ago. * An accessible narrative that will appeal to students who are new to the subject, as well as those who can remember its heyday in the 70s and 80s.

"At the Source" reflects upon a writer's deep inheritance of language, myth and nature. Her creative journeys begin from those sources. The book opens with a house, Blaen Cwrt. A river rises, a tributary which will flow on to the Atlantic, and a family has its roots there. There the Welsh poet Gillian Clarke writes in what was the byre, looking across a landscape worked and imagined by generations of farmers and poets. Six chapters explore the relationship of places and languages, culture and family, geology and myth, in a poet's imagination. At the heart of the book is a journal of the writer's year. Lyrical, wise, meticulously observant, often humorous, Clarke records the experience of living and working on the land, observing the world from a particular place, the continuity and remaking of the source.

Cradled in the crescent of the Mississippi River and circumscribed by wetlands, New Orleans has faced numerous challenges since its founding as a French colonial outpost in 1718. For three centuries, the city has proved resilient in the face of natural disasters and human activities, and its resulting urban fabric is the product of social, political, commercial, economic, and cultural circumstances that have defined how local residents have interacted with their surroundings. This detailed survey of the built environment-an authoritative, comprehensive, post-Hurricane Katrina overview of buildings, neighborhoods, and landscapes-tells the city's compelling and fascinating story though concise discussions of nearly 300 architecturally significant structures, open spaces, and lesser-known places, enhanced by 175 photographs and 23 maps. Conveniently organized into thirteen neighborhood tours, two road trips into nearby parishes, and three excursions up and down the Mississippi River along the historic Great River Road, the volume clearly shows how various architectural styles, land uses, economic conditions, social customs, and cultural factors merge to create the community's unique flavor. Enlivened by nine topical essays highlighting everything from renowned authors, cuisine, and jazz to public markets, green spaces, and historic preservation, this handy insider's guidebook to the broad sweep of New Orleans's unique built and natural environments will appeal to all who are interested in the design history of one of America's most interesting places.

Award-winning architect Ho Kwon Cjan has a wicked sense of humour and a keen interest in history. This book combines his passions, with a big dose of sheer cheek. In Architecture of Shame, the author 'reveals' little-known details about famous buildings around the world, such as how India's Taj Mahal was intended to have two domes and that the Eiffel Tower, in France, once wore fig leaves. Some of the information is startling and unheard of, not least because they were drawn from the author's vivid imagination. Each of the 28 chapters features a building of significant historical interest and tells an alternative background story behind its development and construction in a mischevious blend of leg-pull and tall tales. Also included are the author's original illustrations of what might have been. This book will be of interest to architects, people with an interest in history - and anyone with a sense of humour.

In nineteenth-century Calcutta, a financially strong Indian elite emerged under the rule of the British East India Company, building up eclectic Bengali equivalents of industrialists' mansions, apparent stylistic blends of traditional Mughal architecture with more classical elements. Today the erstwhile magnificent villas and palaces retain only a shred of their former splendor, and it seems only a matter of time before the last stony reminders of a once brilliant Bengali upper middle class disappear for good.Under the guidance of Peter Biaolobrzeski, twenty-one photography students from the Hochschule fur Kunste in Bremen captured the fading, crumbling grandeur of this culturally rich heirloom as part of the Kolkata Heritage Photo Project. On April 22, 2007, the Suddeutsche Zeitung wrote, "If Calcutta had the appeal of Havana, its palaces would long ago have become the subject of various coffee-table books." At last, this anticipated, unique book is available now.

The beautifully illustrated pcoket edition is an editorial tribute to the history of the Comunale Theatre in Bologna, a city institution of international fame. With previously unpublished and richly detailed images and complementary texts by Professor Piero Mioli, this publication celebrates the theatre's great and unique story. Also included is a rich photographic array from the theatre's historical archives featuring posters, stage photos, sketches, drawings and figurine plates, which have been hidden from public view, until now. Text in English and Italian.