A lost sketch book on a Portuguese castle rampart left Manuel Joao Ramos bereft, and the impulse to draw deserted him - but his first trip to Ethiopia reawakened this pleasure, so long denied. Drawing obsessively and free from care, his rapidly caught impressions convey the rough edges of the intensely lived experiences that are fundamental to the desire to travel. For the travel sketch is more than a record or register of attendance (`been there, seen that'): it holds invisibly within itself the remnant of a look, the hint of a memory and a trace of an osmosis of feelings between the sketcher and the person or objects sketched. Less intrusive than using a camera, Ramos argues drawing comprises a less imperialist, more benign way of researching: his sketchbook becomes a means of communication between himself and the world in which he travels, rendering him more human to those around him. As he journeys through the Ethiopian Central Highlands, collecting historical legends of the power struggles surrounding the arrival of the first Europeans in the mid-sixteenth century, he is drawn to the Portuguese legacy of castles, palaces and churches, near ruins now, though echoes of their lost splendour are retained in oral accounts. Excerpts from his diary, as well as journalistic pieces, share the conviviality of his encounters with the priests, elders and historians who act as custodians of the Amhara oral tradition. Their tales are interwoven with improvised, yet assured, drawings, and this informality of structure successfully retains the immediacy and pleasure of his discovery of Ethiopia. It also suggests the potential for drawing to play a more active part in anthropological production, as a means of creating new narratives and expositional forms in ethnography, bringing it closer to travel writing or the graphic novel.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This groundbreaking edition of AD brings together a range of global expertise on social value, exploring its potential for demonstrating the positive impact of both architecture and architects on homes and communities in terms of social justice, sustainability and wellbeing. There has been a recent groundswell of interest in the mapping and measuring of social value caused by developments in legislation and planning, as well as a revival of interest in the ethical dimensions of architectural practice. Not only do architects promote wellbeing through the development of carefully conceived and appropriate designs, they can also add social value through the processes of consultation, visioning, briefing, co-design, co-creation, user manuals, soft landings (helping people to make the most of their buildings in use) and post-occupancy evaluation. These are, however, poorly recognised aspects of an architect's role. We live in an audit culture where organisational performance is measured against predetermined targets. Unfortunately, the focus of architectural practice is generally on the financial cost of what it does in the short term rather than its long-term social value, arguably its market niche. This AD posits that the mapping and measuring of social value provides a real opportunity for the architectural profession to make its key contribution heard. Contributors: Nabeela Ahmed and Ayona Datta, Nicola Bacon and Paul Goodship, Irena Bauman, Cristina Garduno Freeman, Mat Hinds, Anthony Hoete, Karen Kubey, Mhairi McVicar, Aoibheann Ni Mhearain and Tara Kennedy, Jenni Montgomery, Edward Ng and Li Wan, Doina Petrescu, and Peter Andreas Sattrup Featured architects: Atelier d'Architecture Autogeree (AAA), Barton Willmore, Bauman Lyons Architects, Jateen Ladd, John McLaughlin Architects, and Taylor and Hinds Architects

This volume contains a selection of papers whose content have been presented at the International conferences CIPHI on Cultural Heritage and History of Engineering at University of Las Palmas de Gran Canaria in the Canary Islands, Spain, in recent years. The conference series is aimed at bringing together researchers, scholars and students from a broad range of disciplines referring to the History of Engineering and Cultural Heritage, in a unique multidisciplinary forum to stimulate collaboration among historians, architects, restaurateurs, and engineers.

These papers illustrate, by treating specific emblematic topics and problems, technical developments in the historical evolution of engineering concerning cultural heritage. Thus, emphasis is given to a discussion of matters of cultural heritage with engineering history by reporting authors' experiences and views. Topics treated include: reutilization of industrial heritage: the unique example of the Royal Segovia Mint in Spain; the image of factories; Pedro Juan De Lastanosa and "the twenty-one books of devices and machines of Juanelo"; the historical development of paper-mills and their machines in South Latium during 19th century; a virtual reconstruction of a wave-powered flour mill from 1801; 3D modelling and animation study of the industrial heritage wonders; a new model of the hydraulic machine known as "el artificio de Juanelo"; and the mystery of one Havana portrait, on the first steam machine in Cuba. This work has been made possible thanks to the invited authors who have enthusiastically shared this initiative and who have spent time and effort in preparing the papers in much more detail that in the conference presentations."

'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque and catholic cleverness' Roger Lewis, The Times 'One of the foremost prose stylists of his age in any register . . . Probably we don't deserve Meades, a man who apparently has never composed a dull paragraph' Steven Poole, Guardian 'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph 'Such a useful and important critic . . . He is very much on the reader's side, bringing his full wit to bear on every single thing he writes' Nicholas Lezard, Spectator This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: 'When journalism is like this, journalism and literature become one.' Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word 'iconic', to John Lennon's shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

In this follow up to the author’s hugely popular History of Newcastle, John Grundy turns his attention to the vast and beguiling history of Northumberland. Drawing on his experience as a Listed Buildings Man, John traces the county’s turbulent history with particular focus on the castles, mansions, houses and streets where people lived their lives and fought for survival. Whether it be civil wars, invading armies, plague or poverty, the people of Northumberland have toughed it out throughout the centuries against all kind of challenges. However, one thing that has remained constant is the wild beauty of the place. From its glorious coastline to the splendid market towns with their monuments, grand houses and fortifications, this vast county has the ability to both evoke the past while bringing pleasure to its current inhabitants ‑ as well as millions of tourists every year. Featuring new attractive colour photographs this book will give you a greater appreciation of the place, its buildings and its people and provides the perfect companion to further explore the county. John’s journey to get to the heart of what it means to experience Northumberland has taken decades and, in this book, he wants to share with you a very personal take on why the county means so much to him.

This book is a detailed critical study of Libeskind's Berlin Jewish Museum in its historical, architectural and philosophical context. Emphasizing how the Holocaust changed our perception of history, memory, witnessing and representation, it develops the notion of 'memorial ethics' to explore the Museum's difference from more conventional post-World War Two commemorative sites. The main focus is on the Museum as an experience of the materiality of trauma which engages the visitor in a performative duty to remember. Arleen Ionescu builds on Levinas's idea of 'ethics as optics' to show how Libeskind's Museum becomes a testimony to the unpresentable Other. Ionescu also extends the Museum's experiential dimension by proposing her own subjective walk through Libeskind's space reimagined as a 'literary museum'. Featuring reflections on texts by Beckett, Celan, Derrida, Kafka, Blanchot, Wiesel and Selma Meerbaum-Eisinger (Celan's cousin), this virtual tour concludes with a brief account of Libeskind's analogous 'healing project' for Ground Zero.

A vibrant history of the castle in Britain, from the early Middle Ages to the present day The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses-they were hubs of life, activity, and imagination. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.

Sport and architecture are two of the social practices in contemporary life with the broadest impact on the world around us. The role architecture plays in shaping buildings and societies has occupied historians, critics, and urban theorists for centuries. Likewise the cultural, economic, and political importance of sport is the subject of sustained and substantial inquiry. When sport and architecture converge, as in the recent London Olympics or current preparations in Brazil for the 2014 World Cup, then the impact of these two forms of social activity is redoubled.

In spite of the myriad examples of the rich and complex relationship between sport and architecture, there is a relative paucity of scholarly work exploring that relationship. This volume seeks to begin filling that gap in the scholarly literature. It explores the history of sports architecture and examines the types of buildings and events that create sites where sport and architecture converge in particularly telling ways. By considering the importance of architectural form alongside key themes such as urban redevelopment, nationalism, social activism, identity, and global capitalism, this book represents a landmark study for anybody interested in the social and cultural significance of architecture or sport.

Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals.Volume I covers architecture from antiquity through Egyptian, Mayan, Greek, Roman, Medieval, Inkan, Gothic and early Renaissance eras and styles. The themes that are covered range from symbolism and proportion to measurement and structural stability. From Europe to Africa, Asia and South America, the chapters span different countries, cultures and practices.

This new study explores the development of the window, showing how it both transformed human experience by increasing access to light and air and changed our perception of architectural space Christopher Masters celebrates the multiple roles of the window in architecture by providing engaging commentaries on over 80 exceptional buildings of all types, both ancient and modern. The unique selection ranges from the Pantheon in Rome, the Hagia Sophia in Istanbul, Sainte-Chapelle in Paris, and the Katsura Imperial Villa in Kyoto to Walter Gropius's Bauhaus in Dessau, Eero Saarinen's TWA Terminal in New York, Jean Nouvel's Louvre Abu Dhabi, and Dorte Mandrup's Icefjord Centre in Greenland. Featuring more than 100 superb photographs, this is an intriguing and accessible survey of a formerly neglected subject in architectural history.

In architectural terms, rehabilitation is all about breathing new life into an old building using modern materials and designs that both compliment and updated the existing features. This superbly illustrated volume, featuring full-colour photography and detailed architectural plans, brings together a number of "rehabilitation" projects that have successfully overcome the challenges of re-purposing old buildings for a modern setting.