Occupant-Centric Simulation-Aided Building Design promotes occupants as a focal point for the design process. This resource for established and emerging building designers and researchers provides theoretical and practical means to restore occupants and their needs to the heart of the design process. Helmed by leaders of the International Energy Agency Annex 79, this edited volume features contributions from a multi-disciplinary, globally recognized team of scholars and practitioners. Chapters on the indoor environment and human factors introduce the principles of occupant-centric design while chapters on selecting and applying models provide a thorough grounding in simulation-aided building design practice. A final chapter assembling detailed case studies puts the lessons of the preceding chapters into real world context. In fulfilment of the International Energy Agency's mission of disseminating research on secure and sustainable energy to all, Occupant-Centric Simulation-Aided Building Design is available as an Open Access Gold title. With a balance of fundamentals and design process guidelines, Occupant-Centric Simulation-Aided Building Design reorients the building design community towards buildings that recognize and serve diverse occupant needs, while aiming for superior environmental performance, based on the latest science and methods.

Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context of the European house. In this volume, Jon Stobart has assembled an international cast of contributors to discuss the ways in which architectural and spatial innovations coupled with the emotional assemblage of objects to create comfortable homes in early modern Europe. The book features a two-section structure focusing on the historiography of architectural and spatial innovations and material culture in the early modern home. It also includes 10 case studies which draw on specific examples, from water closets in Georgian Dublin to wallpapers in 19th-century Cambridge, to illustrate how people made use of and responded to the technological improvements and the emotional assemblage of objects which made the home comfortable. In addition, it explores the role of memory and memorialisation in the domestic space, and the extent to which home comforts could be carried about by travellers or reproduced in places far removed from the home. The Comforts of Home in Western Europe, 1700-1900 offers a fresh contribution to the study of comfort in the early modern home and will be vital reading for academics and students interested in early modern history, material culture and the history of interior architecture.

An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysees in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upwardly mobile immigrant and ethnic groups, yet it has also seen the darker side of the American dream. Constance Rosenblum unearths the colorful history of this grand street and its interlinked neighborhoods. With a seasoned journalist's eye for detail, she paints an evocative portrait of the Concourse through compelling life stories and historical vignettes. The story of the creation and transformation of the Grand Concourse is the story of New York-and America-writ large, and Rosenblum examines the Grand Concourse from its earliest days to the blighted 1960s and 1970s right up to the current period of renewal. Beautifully illustrated with a treasure trove of historical photographs, the vivid world of the Grand Concourse comes alive-from Yankee Stadium to the unparalleled collection of Art Deco apartments to the palatial Loew's Paradise movie theater. An enthralling story of the creation of an iconic street, an examination of the forces that transformed it, and a moving portrait of those who called it home, Boulevard of Dreams is a must read for anyone interested in the rich history of New York and the twentieth-century American city.

This book explores the spoliation of architectural and sculptural materials during the Roman empire. Examining a wide range of materials, including imperial portraits, statues associated with master craftsmen, architectural moldings and fixtures, tombs and sarcophagi, arches and gateways, it demonstrates that secondary intervention was common well before Late Antiquity, in fact, centuries earlier than has been previously acknowledged. The essays in this volume, written by a team of international experts, collectively argue that reuse was a natural feature of human manipulation of the physical environment, rather than a sign of social pressure. Reuse often reflected appreciation for the function, form, and design of the material culture of earlier eras. Political, social, religious, and economic factors also contributed to the practice. A comprehensive overview of spoliation and reuse, this volume examines the phenomenon in Rome and throughout the Mediterranean world.

In Breaking the Surface, Doug Bailey offers a radical alternative for understanding Neolithic houses, providing much-needed insight not just into prehistoric practice, but into another way of doing archaeology. Using his years of fieldwork experience excavating the early Neolithic pit-houses of southeastern Europe, Bailey exposes and elucidates a previously under-theorized aspect of prehistoric pit construction: the actions and consequences of digging defined as breaking the surface of the ground. Breaking the Surface works through the consequences of this redefinition in order to redirect scholarship on the excavation and interpretation of pit-houses in Neolithic Europe, offering detailed critiques of current interpretations of these earliest European architectural constructions. The work of the book is performed by juxtaposing richly detailed discussions of archaeological sites (Etton and The Wilsford Shaft in the UK, and Magura in Romania), with the work of three artists-who-cut (Ron Athey, Gordon Matta-Clark, Lucio Fontana), with deep and detailed examinations of the philosophy of holes, the perceptual psychology of shapes, and the linguistic anthropology of cutting and breaking words, as well as with cultural diversity in framing spatial reference and through an examination of pre-modern ungrounded ways of living. Breaking the Surface is as much a creative act on its own - in its mixture of work from disparate periods and regions, its use of radical text interruption, and its juxtaposition of text and imagery - as it is an interpretive statement about prehistoric architecture. Unflinching and exhilarating, it is a major development in the growing subdiscipline of art/archaeology.

An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City.

This publication offers a definitive look at the artistic practice of Remedios Varo (1908–1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo’s layered interests—in alchemy, architecture, magic, mysticism, philosophy, and science—and her beguiling technical approach to art making. Essays detail specific works’ complex stories and spectacular surfaces. An illustrated taxonomy of Varo’s artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist’s craft. An illustrated inventory of a major portion of Varo’s library—published here for the first time—reveals the artist’s engagement with a wide range of subjects.

Stunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist’s work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and émigré artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence.

La arquitectura mexicana actual est mostrando su talento en las obras que proyectan. Sin embargo, sea cual fuese el proyecto arquitect nico, es indispensable considerar las condiciones que existir n en eventos s smicos. No hacerlo as significa exponerse a incertidumbres de servicio o riesgos de estabilidad, que pueden inhabilitar o hacer fallar la estructura que se trate. Fue as como se perdieron en la ciudad de M xico legados importantes de arquitectura, por los efectos del sismo de 1985. A partir de ese entonces somos mejores: aprendimos que la arquitectura est ligada a las condiciones de su entorno. La Torre Latinoamericana es un icono de la Ciudad de M xico porque conjunta arquitectura, estructura, cimentaci n y sismo. El sismo de 1957 permiti reconocer el avance que se estaba logrando al integrar el dise o s smico y la arquitectura. El de 1985 nos record que esa integraci n no es opcional, es necesaria. Esto exige que la participaci n del arquitecto y el ingeniero sea estrecha para beneficio de todos. El costo en vidas y los da os materiales se minimizan en la medida en que se incrementen las consideraciones s smicas en los proyectos arquitect nicos. El presente libro lo introduce a uno en el tema, c mo y por qu se originan los sismos, cu les son los principales elementos a considerar en el c lculo de las fuerzas s smicas, y c mo se integran esos resultados en el dise o final. Es m rito del autor haberlo logrado: su formaci n acad mica de licenciatura en ingenier a civil, su postgrado en arquitectura y su desarrollo profesional en ambas actividades, lo han permitido. Es as como logra llevar al lector en un recorrido que permite visualizar la importancia del proyecto arquitect nico en zonas s smicas. Explica de manera amena los elementos b sicos que se requiere conocer de f sica, sismolog a y estructuras para llegar a los conceptos de coeficiente s smico y espectro de dise o. Aborda el efecto de los sismos en los suelos: los tipos de suelos y sus caracter sticas, los reglamentos de inter s y comentarios en paralelo para ampliar las perspectivas del tema. Contin a con el efecto de los sismos en los edificios, el comportamiento de sus elementos y sistemas estructurales. Presenta las condiciones de dise o arquitect nico en zonas s smicas y las configuraciones antis smicas a considerar. Completa este marco general con el comportamiento de los diversos sistemas estructurales y los procesos aplicables, indicando las precauciones que deben tenerse durante su construcci n. Al final presenta casos pr cticos, que son ejemplos actuales de proyectos urbanos que no son ajenos al lector. Este libro de Alejandro Rojas ayudar a quien lo utilice, ya sea en el aula o en el taller de arquitectura... Carlos E Guti rrez Sarmiento Abril del 2008.

This tenth edition of David Chappell's bestselling guide has been revised to take into account changes made in 2016 to payment provisions, loss and/or expense, insurance and many other smaller but significant changes, and includes a section on performance bonds and guarantees. This remains the most concise guide available to the most commonly used JCT building contracts: Standard Building Contract with quantities, 2016 (SBC16), Intermediate Building Contract 2016 (IC16), Intermediate Building Contract with contractor's design 2016 (ICD16), Minor Works Building Contract 2016 (MW16), Minor Works Building Contract with contractor's design 2016 (MWD16) and Design and Build Contract 2016 (DB16). Chappell avoids legal jargon and writes with authority and precision. Architects, quantity surveyors, contractors and students of these professions will find this a practical and affordable reference tool arranged by topic.

In "Living in the Landscape" Arnold Berleant explores new ways of thinking about how we live--and might live--in the landscapes that enfold us. Through the concepts of "aesthetic engagement" and "environmental continuity," he proposes a new paradigm that offers a holistic approach to the meaning of place and places of meaning in our lives.

Although environmental aesthetics is linked in the popular mind to dramatic vistas and monumental landscapes--the Grand Canyon, for example--Berleant is much more concerned with the commonplace settings of everyday life. He argues that our active appreciation of (or "aesthetic engagement" with) the prosaic landscapes of home, work, local travel, and recreation plays a vital role in our discovery of hidden continuities, as well as pleasure and meaning, in the places we inhabit.

Berleant begins with a general introduction to environmental aesthetics, identifying the kinds of experience, meanings, and values it involves, and describing its historical sources and the issues with which it is concerned. In the rest of the book, he spotlights new directions in the field-as they relate to education, community, creativity, and the sacred-and provides an insightful analysis of "negative environmental aesthetics." Throughout, he is both thoughtful and entertaining, as evidenced in his extended critique of the pop post-modern environment of Disney World.

Berleant addresses issues commonly associated with the environmental movement--e.g., preservation, pollution control, and quality of life. But his study draws from a wide range of disciplines and for that reason should also appeal to scholars and students interested in art and aesthetics, landscape architecture and planning, urban and environmental design, and cultural geography, as well as environmental studies.

In this fully illustrated study, Rune Frederiksen assembles all archaeological and written sources for city walls in the ancient Greek world, and argues that widespread fortification of settlements and towns, usually considered to date from the Classical period, in fact took place much earlier. Frederiksen discusses the types of fortified settlement and the topography of urban fortification, and also the preservation of structures from early settlements. He also presents an architectural history of Greek fortification walls before the Classical period, and makes the intriguing observation that early monumental architecture developed just as much in fortifications as it did in early temples. This underlines the importance of the secular sphere for the development of early communities across the Greek world.

Based on extended fieldwork conducted between 2007 and 2019, this book aims to answer a simple question: What is the meaning of home for people living in vernacular settlements in rural China? This question is particularly potent since rural China has experienced rapid and fundamental changes in the twenty-first century under the influences of national policies such as "Building a New Socialist Countryside" enacted in 2006 and "Rural Revitalization" announced in 2018. Drawing upon ethnographic fieldwork, building surveys, archival research, and over 600 photographs taken by residents along with their life stories, this book uncovers the meanings of home from rural residents' perspectives, who belong to a social group that is underrepresented in scholarship and underserved in modern China. In other words, this study empowers rural residents by giving them voice. This book links the concepts of place, home, and tradition into an overarching argument: The meaning of home rests on the ideas of tradition, including identity, consanguinity, collectivity, social relations, land ownership, and rural lifestyle. The Introduction and Chapter 4 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Learn to apply new digital design technologies at your own firm with this practical and insightful resource Digital Sketching: Computer-Aided Conceptual Design delivers a comprehensive and insightful examination of how architects and other design professionals can best use digital design technology to become better designers. Celebrated professional, professor, and author John Bacus provides readers with practical and timely information on emerging digital design technologies and their effect on professional practice. By focusing on the big picture, this rigorous survey of conceptual design technology offers professionals realistic strategies for reclaiming time for design in the ever increasing speed of project delivery. This book helps architects (and others like them) learn to use digital sketching techniques to be better designers, right from the project's very first sketch. As part of the groundbreaking Practical Revolutions series of books, Digital Sketching furthers the conversation of the practical deployment of emerging technologies in the building industries. This book provides readers with the information they need to evaluate digital design technology and decide whether or not to adopt and integrate it into their own processes. Readers will receive: An accelerated and accessible introduction to a highly technical topic Practical and applicable guidance on how to adapt a firm's business to adopt new technology without losing the benefit of existing intuition, skill, and experience. Real world implementations of specific techniques in the form of illuminating case studies that include results and lessons learned Perfect for professional architectural designers, Digital Sketching also belongs on the bookshelves of interior designers, landscape architects, urban planners, contractors, and specialty fabricators of every kind. A disciplined sketching practice, especially through the digital methods discussed in this book, is a transformational benefit to anyone who designs and builds for a living.

"War Memorials as Political Landscape" critiques the social meaning of war memorials and their role in political and historical landscapes. Mayo argues that war memorials not only reflect the political history of a nation, but also that these memorials are mechanisms to symbolize and justify history. He posits that the presence or absence of commemoration for America's wars is largely explained by the war's importance in establishing the nation's symbolic identity as a political state and by the number of those who died in that war.

Beer has been brewed in England since Neolithic times, and this book combines a thoroughly enjoyable exploration of beer's history and built heritage with new in-depth research into the nuts and bolts of its production. Based around England's breweries, but occasionally ranging further afield, it tells the intriguing story of the growth of this significant industry. From Georgian brewing magnates who became household names - and their brewhouses notable tourist attractions - through magnificently ornate Victorian towers to the contemporary resurgence of microbreweries, the text throws new light on brewers and the distinctive architecture of their buildings. Detailed chapters explain what makes a brewery work, revealing the functions of sometimes enormous brewing vessels, the astonishing skills of coppersmiths and engineers, the work of heroic mill horses and the innovative steam engines which replaced them. The wider context of the brewing industry is also investigated, bringing out the breadth of the `beerscape', including those buildings put up with brewing profits such as the original Shakespeare Memorial Theatre in Stratford-upon-Avon. A brewery index allows readers to find which sites are extant and can still be visited. Traditional working breweries are to be treasured and celebrated, but complementing these, the book looks to the future, considering constructive redevelopment as part of our national brewing heritage. This fascinating and lavishly illustrated work shows how deeply interwoven beer and brewing are within English culture. If you care about beer, industry or England, this book is for you.

This book explores the complex relationship between societies, architecture, and urbanism of market halls, traditional souqs, bazaars, and speciality street markets in the Middle East and North Africa. It addresses how these trading environments influence perceptions of place and play an extended social, political, and religious role while adapting to their local climates. Through Archival research and social science methodologies, this book records and maps markets in urban fabrics, expanding on practices underlying the push towards historical listings and the development of markets as landmarks in the urban fabric. The role of markets in delivering sustainable place-making strategies and influencing the development of cities' socio-economic and historical strength is addressed as key to their survival in the urban fabric and as place-making landmarks for preserving tangible and intangible heritage. Going beyond heritage and conservation studies, this book discusses how positioning and restoring markets challenges urban renewal policies, access to public space planning, environmental sustainability, security of food supply, cultural heritage, and tourism. This is an ideal read for those interested in the history of urban development, architecture and urban planning, and architectural heritage.

Childhood is an important period of contact with new things. Carefully crafted design and high-quality items are essential for a child's development. Therefore, a high-quality physical environment for children should demonstrate a huge sensitivity to the physical and mental experience of children, from the organisation of the building, to the use of materials. In this book, HIBINO SEKKEI illustrates its unique and innovative philosophy from three aspects - places for children, elements of places for children (kitchen, restroom, playground, material, colour, etc.) and things for children, such as furniture, uniforms, and stationery.