This dazzling visual compendium highlights the work of designers and 3-D render artists around the globe who visualize utopian architectural, landscape, and interior designs set in dreamlike and futuristic environments. This compilation book is curated by London-based designer Charlotte Taylor, whose Instagram account @maison_de_sable features many of her own designs and collaborations with render artists as well as those of her contemporaries. Featured designers and artists include the following listed per their influential Instagram accounts: @sixnfive, @paulmilinski, @teaaalexis, @joemortell and many more. 3D architectural renderings were originally conceived as a communication tool between designers and clients to help them visualize a proposed buildable design. This genre continues to be extremely useful for this purpose but has now also become an art form in its own right that can convey dreamlike imaginary settings. This collection features many of the most prolific and skilled 3D artists that showcase a high-end, modern and futuristic aesthetic that blurs the line between reality and fantasy. In this virtual world, building and budget constraints do not impede the imagination of the creators. Design Dreams is an inspirational and aspirational volume for architects and designers as well as fans of high design in interiors, furniture, landscape, travel, and lifestyle. UNIQUE VIEWPOINT: This book captures the growing genre of architectural visualizations from an international roster of 3-D render artists around the world who create evocative and coveted dream homes and fantasy destinations. Perfect for: Digital design enthusiasts Design-savvy shoppers Decorators and interior design fans Architects Designers A distinctive special occasion, holiday, or birthday gift for someone interested in 3D render software, and design visualization. Instagram followers of @maison_de_sable and other influential accounts

Lavishly illustrated and accessibly written, Classical Architecture takes the reader on a journey through the history of this iconic architectural genre, starting with an introduction to its origins in ancient Greece, through its resurgence across Europe during the Renaissance, to its influence on modern-day architectural design in locations as diverse as Shanghai and Washington DC. Written by Professor of Architecture and established author Andrew Ballantyne, and illustrated with over 100 photographs, this book will prove invaluable to anyone wanting to explore and understand this important and pervasive architectural style. Classical architecture has developed through many styles to become the backbone of western architecture. It was refined in ancient Greece mainly in sacred places. This architecture of finely modelled columns was taken up by the Romans and spread across their empire, changing on the way, so by the time the Roman empire collapsed it had become an architecture of arches and vaults. The monuments were impressive, even as ruins, and inspired imitation in later ages.

The Dictionary of Islamic Architecture provides the fullest range of artistic, technical, archaeological, cultural and biographical data for the entire geographical and chronological spread of Islamic architecture - from West Africa through the Middle East to Indonesia, from the seventh to the eighteenth centuries.
Over 500 entries are arranged alphabetically and fully cross-referenced and indexed to permit easy access to the text and to link items of related interest.
Five main catagories of subject matter are explored:
* dynastic and regional overviews characterise the architecture of the historical and geographical divisions of the Islamic world, concentrating on the materials and techniques employed and the styles and types of structures produced
* individual site descriptions give concise accounts of the full range of major and lesser buildings and remains - a number for the first time in modern literature
* biographical entries describe the work of architects and their patrons
* technical definitions provide concise explanations of the terminology used to describe architectural types and features.
Over 100 relevant plans, sketch maps, photographs and other illustrations complement and illuminate the entries, and the needs of the reader requiring further information are met by individual entry bibliographies.

eBook available with sample pages: 0203203879

A critical guide to the English-language literature, Dutch Modernism demonstrates the importance of the Dutch contribution to 20th-century architecture. Holland's valuable role in the creation of modernism (1900-1940) was all but ignored until 30 years ago; it is significant that more than a third of the English-language literature has appeared since 1975. This guide is comprehensive; it summarizes, describes, and evaluates 1,250 references in the light of contemporary theory and practice. This work is of interest to scholars, students, and practitioners. The introduction outlines Holland's unique place in the development of international Modernism, 1900-1940, and explores the phenomenon of its eventual recognition in Britain and the United States. Although not an exhaustive study, this work presents all the areas of study and helpfully evaluates most entries, saving the user time and energy. A number of Dutch publications have been included, some because they are seminal theoretical works and others because they are rich in images. As a guide to English-language sources, Dutch Modernism reaches a wider audience than earlier Dutch and Italian bibliographies.

Roman architecture is incredibly rich, both in the techniques it employed and the variety of buildings it produced, many of which are still standing and visible. This book places emphasis on the technical aspects of that architecture, and studies the tools and materials used, partly by studying modern parallels in the Mediterranean area.

This book provides a comprehensive guide to the successful use of steel in building and will form a unique source of inspiration and reference for all those concerned with architecture in steel.

eBook available with sample pages: 0203362187

Entre Meeanique et Arehiteeture: e'est-a-dire, entre les proeedes teehniques qui, depuis des temps immemoriaux eonforment l'art et la scienee de la eonstruetion au developpement de la scienee physique et mathematique la plus generale et, peut-etre, la plus abstraite, subalternata tanturn geometriae et philosophiae naturalis, eomme le disait Tartaglia, bien que liee aux faits les plus farniliers: la statique et la meeanique des mareriaux et des struetures. Le theme qui nous eoneeme est done la relation entre la technique et la scienee dans son exemple le plus important, je crois, du point de vue historiographique mais aussi epistemologique: a savoir, la relation entre le savoir faire, qui se eonforme a la norme, en respeetant une determination et une eongruenee parfaites avee son objectif, et la theorie, qui eonfirme la norme et temoigne la neeessite de la determiner eongrfiment avec les lois de la nature. Avee une extreme perspieaeite, quelque peu offusquee par une frivolite erudite, l' Abbe Franeeseo Maria Franeesehinis, mathematieien et adepte de la philosophie des lurnieres, se peneha sur la question dans un bref traite qu'il publia a Padoue en 1808 sous 1 le titre Des Mathematiques appliquees , soutenant la nouvelle tendanee didaetique introduite a l'Universite de Padoue par l'ephemere Regne d'Italie. Simulant un eonflit entre plusieurs auteurs, Franeesehinis exposait une premiere these dans un Discours inaugural qu'il reeita peut-etre reellement en 1807, lorsqu'il devint titulaire de la Chaire de Mathematiques appliquees.

This examination of a phenomenon of 19th century planning traces the origins, implementation, international transference and adoption of the Garden City idea. It also considers its continuing relevance in the late 20th century and into the 21st century.

For more than 200 years, and especially since the rediscovery of ancient Egypt by Europe in the 19th century, the exotic Egyptian style in architecture has been a sign of our fascination with a civilisation that has had a long-lasting and deep-seated influence on British culture. From its fashionable success in the Regency period to its varied uses in the 20th century, Egyptian-style architecture has much to say about what ancient Egypt represents to us. Egypt in England is the first detailed guide to the use of the Egyptian style in architecture and interiors in England, and to those that survive, most of which can be seen or visited by the public. Fully illustrated, it combines a series of topic essays giving the architectural and Egyptological background to the use of the style with a guide allowing sites to be located, and explaining what can still be seen. A variety of buildings and monuments - from cinema, supermarket, synagogue and factory, to folly, mill, Masonic temple and mausoleum - are highlighted in the book. For those who don't know their architrave from their entablature, or their Anubis from their Uraeus, there are also glossaries of architectural terms and ancient Egyptian deities. This engaging book is an accessible and practical guide for a general audience, but has enough depth to be useful to scholars in a range of subject areas.

This new edition examines management of built heritage through the use of values-led decision making, based on an understanding of the significance of the cultural asset. It considers how significance is assessed and used as an effective focus and driver for management strategies and processes. The authors consider key policies and procedures that need to be implemented to help ensure effective management. The book will be useful for specialists in built heritage - conservation officers, heritage managers, architects, planners, engineers and surveyors - as well as for facilities and estates managers whose building stock includes protected or designated structures or buildings in conservation or other historic areas. * describes management strategies and tools for a wide range of built heritage assets * a reflective and informative guide on current conservation management * explains how understanding and using conservation values (significance ) is essential to the protection of the built heritage * uses real-life examples to draw out best practice

citings louis h. suliivan The Documents of Modern Art Director, Robert MotherweU Kindergarten Chats revised 1918 and other writings Louis H. Sullivan George Wittenborn, Inc., New York 22 N. Y. Acknowledgments The publishers and editor wish to acknowledge their indebtedness, for material, assistance and advice, to the following persons Mr. George Grant Eimslie, executor of Sullivans literary estate, whose - wholehearted cooperation made this publication possible Mr. and Mrs. Hugh Morrison, of Hanover, N. H. the staff of the Burnham Library of Architecture, The Art Institute of Chicago, especially Miss Etheldred Abbot and Mrs. T. M. Hofmeester, Jr. particular thanks are due for generous loan of manuscripts the staff of the Avery Library, Columbia University, especially Mr. Talbot Hamlin and Mrs. Corinne Spencer all other persons who have kindly aided in obtaining documents and illustrative material. Publishers Note During the last days of the war the publishers determined upon the reprinting of the complete text of the following works, an undertaking which was warmly seconded by Mr. Eimslie. Our thoughts then turned to someone capable of handling all the literary and technical details involved. Our gratitude and admiration go to Isabella Athey who, in spite of many obstacles, successfully collated all available material in order that the contemporary reader should have the benefit of meeting a great American thinker and architect. Without Miss A they s unfailing endeavors as - well as valuable assistance from other sources this publication might never have reached the public which we believe Sullivans writings deserve. Copyright, 1947, by George Wittenborn, Inc. 1018 Madison Ave., NewYork 21, N. Y. Manufactured in the United States of America by The Gallery Press, New York, N. Y. Offset reprint, 1955 Manufactured by Halliday Lithograph Corp., West Hanover, Mass. Cover design and typography by Paul Rand 4. Editorial Note The printing of the unpublished revision of Kindergarten Chats in this volume carries out at last Louis Sullivans wish that his work be issued in book form his Foreword., written in July 1918, is our authority. That no publisher was found during the six remaining years of Ms life., and that a good deal of vagueness and misunderstanding arose concerning Sullivans attitude to this work as well as with regard to the existence and condition of a revised manuscript reflects the com monplace that human nature and scholarship are inextricably bound together. Sullivan believed that a building represented an act, and that such an act re vealed the man behind it, the mind and ethics of the architect, more conclusively and unerringly than any statement. In this sense, the fifty-two consecutive essays entitled Kindergarten Chats are an act, requiring no officious introduction or inter pretation. Nevertheless, a few general remarks should be made to suggest the nature and significance of Sullivans editing of 1918, particularly since the first version published serially in 1901 is available only in a few obscure files, and that edited by Claude Bragdon in 1 934 is out of print. From June to October 1918, Sullivan worked over the manuscript and produced the text which follows, and which therefore represents its definitive form. The actual manuscript gives the impression that Sullivan revised in the exact meaning of the word, that he gave attention to everysentence and paragraph, that his alterations of word and phrase, his cutting and rewriting, were the product of genuine reconsid eration and a desire for greater clarity. The redundant or unprecise adjective was discarded the specific term was substituted for the more general or the vague one repetitive passages were deleted. Throughout this revision and the text here pub lished was prepared directly from the original manuscript it may be said that the secondary has been sacrificed to the primary...

This report indicates that the benefits that accrue to a building and its occupants from a consideration of solar radiation are greatest when the 'passive solar component' is seen in perspective, as a natural part of an integrated approach to climatically interactive low-energy building design.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

During the nineteenth century, a change developed in the way architectural objects from the distant past were viewed by contemporaries. Such edifices, be they churches, castles, chapels or various other buildings, were not only admired for their aesthetic values, but also for the role they played in ancient times, and their role as reminders of important events from the national past. Architectural heritage often was (and still is) an important element of nation building. Authors address the process of building national myths around certain architectural objects. National narratives are questioned, as is the position architectural heritage played in the nineteenth and the early twentieth centuries.

Invisibility Studies explores current changes in the relationship between what we consider visible and what invisible in different areas of contemporary culture. Contributions trace how these changes make their marks on various cultural fields and investigate the cultural significance of these developments, such as transparency and privacy in urban architecture and the silent invasion of surveillance technologies into everyday life. The book contends that when it comes to the changing relationship of the visible and the invisible, the connection between seeing and not being seen is an exchange conditioned by physical and social settings that create certain possibilities for visibility and visuality, yet exclude others. The richness and complexity of this cultural framework means that no single discipline or interdisciplinary approach could capture it single-handedly. Invisibility Studies begins this conversation by bringing together scholars across the fields of architectural history and theory, art, film and literature, philosophy, cultural theory and contemporary anthropology as well as featuring work by a collective of artists.

This rare book is one of two volumes comprising a comprehensive catalogue of Indian architecture. This volume deals with the development of Muslim architecture in India up to modern times, and comprises the chapters: The source of Islamic Architecture in India, The Delhi or Imperial Style, Provincial Styles, The Buildings of Sher Shah Sur, The Mughul Period, The Medieval Palaces and Civic Buildings, and The Modern Position. This wonderful text can be considered the definitive handbook on the subject, complete with a wealth of information and illustrations of the beautiful Islamic architecture of India a veritable must-have for anyone with an interest in the topic. Percy Brown was a famous British scholar, historian, artist, and archaeologist. This rare book is proudly republished now with a prefatory biography of the author."