An in-depth examination, focusing on the design development, is offered of the built Laboratory building, the unbuilt Meeting House, the unbuilt Visiting Fellows residences and of the overall site planning of the complex, with Jonas Salk's role in the decision-making process is highlighted.This book is also a study of the Institute in the context of Kahn's entire architectural career and new observations are offered of his major works. It is the product of over forty years of on-and-off thinking about Louis Kahn's work based on research at the Architectural Archives at the University of Pennsylvania and the Special Collections Library at the University of California at San Diego. The 194 images, of which 95 are in colour, include newly published photos of the Institute, plus extensive selections from the Kahn archive.A design and construction chronology is provided, as well as documentation such as Jonas Salk's 1984 AIA memorial lecture in honour of Louis Kahn, plus an extensive bibliography.

Essays on architecture, beautifully illustrated with the author's own photographs and drawings.

This two-volume work contains the papers presented at the 2016 International Conference on Civil, Architecture and Environmental Engineering (ICCAE 2016) that was held on 4-6 November 2016 in Taipei, Taiwan. The meeting was organized by China University of Technology and Taiwan Society of Construction Engineers and brought together professors, researchers, scholars and industrial pioneers from all over the world. ICCAE 2016 is an important forum for the presentation of new research developments, exchange of ideas and experience and covers the following subject areas: Structural Science & Architecture Engineering, Building Materials & Materials Science, Construction Equipment & Mechanical Science, Environmental Science & Environmental Engineering, Computer Simulation & Computer and Electrical Engineering.

This work journeys through the cityscapes of one of the favorite holiday destinations of the contemporary European left - Barcelona. Taking five themes current to debates on the future of socialism in the city - Marxism and memory; European regionalism and city-states; social democrat new realism; the future of the urban social movements celebrated by Manuel Castells; and a "designer" socialism of architecture and public space - the book looks at the way politicians and critics use the city to ground their political messages. Through the mixing of methods and genres, the book explores local narratives of urban change through ethnography, biography, travelogue, and social history. Drawing on novels, architectural commentaries, urban plans, political speeches, history and autobiography, it provides accounts of public art, architecture, grassroots struggle from the Seat car factory to the peripheral housing estates of Nou Barris, battles for control of the 1992 Olympics, and the city and Catalan identity.

In the midst of Europe's nineteenth-century industrial revolution, four men embarked on separate journeys to the wondrous Farangestan - a land of fascinating objects, mysterious technologies, heavenly women, and magical spaces. Determined to learn the secret of Farangestan's advancements, the travelers kept detailed records of their observations. These diaries mapped an aspirational path to progress for curious Iranian audiences who were eager to change the course of history. Two hundred years later, Travels in Farangi Space unpacks these writings to reveal a challenging new interpretation of Iran's experience of modernity. This book opens the Persian travelers' long-forgotten suitcases, and analyzes the descriptions contained within to gain insight into Occidentalist perspectives on modern Europe. By carefully tracing the physical and mental journeys of these travelers, the book paints a picture of European architecture that is nothing like what one would expect.

Building on the special edition Aspects of Design Management (Volume 3:1, 2007), this publication brings together the rapidly developing field of design management with that of environmental sustainability. Eight articles drawn from around the world help to provide some critical insights into the relationship between ecological sustainability and the application of design management in a number of different contexts. Contributions range from early policy decisions and public procurement options; to corporate social responsibility of architects and the promotion of materials and products to specifiers; to encouraging change and a design process evaluation method; to investigations into the role and contribution of construction design managers and facilities managers to a sustainable built environment. Collectively the articles provide a unique, multi-disciplinary, contribution to the theoretical development of the design management field as well as guidance on the practical application of methods and tools.

Lake Flato Architects, based in San Antonio and Austin, believe first and foremost that architecture should be rooted in its particular place, responding in a meaningful way to the natural or built environment. Using local materials and partnering with the best local craftsmen, Lake Flato seek to create buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Now more than thirty years since its founding, the firm has grown along with the range and complexity of its projects, yet it still considers the desire to build in partnership with the land to be an approach that remains valid and increasingly resonant. Lake Flato s first projects were houses, and these projects excite the firm still. By exploring the intimate relationship between family, place, and building, Lake Flato create unique living environments that possess a compelling authenticity and beauty.

This book discusses what differentiates 'architecture' from 'building', focusing on a whole range of architectural works. It explores the role of the Roman concepts of 'durability', 'utility', and 'beauty', the heart of what architecture strives for. In this engaging, original work, Max Jacobson and Shelley Brock present a compelling case for the importance of architecture in our day-to-day lives. The book explores what differentiates 'architecture' from 'building', focusing not only on the 'great' buildings of the world but also on the whole range of architectural works from indigenous structures to contemporary buildings. The core of the book is an exploration of the role of 'durability', 'utility', and 'beauty' in architecture. These three concepts (originally coined by Vitruvius during the Roman empire as Firmitas, Utilitas, and Venustas) remain at the heart of what architecture strives for.

As part of Daylight Europe, the daylighting behaviour of 60 buildings was observed and measured during a three year period. Buildings of many different types, sizes and ages were included - from offices to museums, libraries, churches, houses, airports and factories; from Classical buildings to modern constructions, and from a small single room to an office of over 100,000 square meters.The results of the study of each building are presented, extensively illustrated in colour, with the unusual features and main lessons highlighted. The book also includes details of the monitoring procedures, the results of and comparisons with simulations, the outcome of post-occupancy evaluation, and a summary of the major findings.These show the extraordinary potential of daylighting techniques to improve amenity and energy performance for the benefit of the occupants and building managers. They also demonstrate how often opportunities are missed, and the frequency of problems of overheating or glare. Above all, they demonstrate the beauty, elegance and scope of daylight design.

Architectural Management in Practice is intended to provide both an introduction to the architectural management discipline and a bridge between education and practice. The book informs students about the management issues faced by architects, architectural technologists and surveyors in a competitive marketplace and the practices that should be adopted to enable them to compete effectively. It is split into four main sections. Section One sets the background to the profession, looking at how architectural management is evolving and the environment in which the profession sits. Section Two looks at the assets of a practice, that is people, information and business strategies. Section Three covers the practice of architectural management and looks at all the main management issues: managing projects, design, quality and construction. Finally, Section Four defines competitive advantage for a design practice, and shows how to achieve it and how to promote the company.

Written by leading scholars in the field, the essays in this book address the relationships between gender and the built environment, specifically architecture, in early modern Europe. In recent years scholars have begun to investigate the ways in which architecture plays a part in the construction of gendered identities. So far the debates have focused on the built environment of the nineteenth and twentieth centuries to the neglect of the early modern period. This book focuses on early modern Europe, a period decisive for our understanding of gender and sexuality. Much excellent scholarship has enhanced our understanding of gender division in early modern Europe, but often this scholarship considers gender in isolation from other vital factors, especially social class. Central to the concerns of this book, therefore, is a consideration of the intersections of gender with social rank. Architecture and the Politics of Gender in Early Modern Europe makes a major contribution to the developing analysis of how architecture contributes to the shaping of social relations, especially in relation to gender, in early modern Europe.

2018 IPHS Special Book Prize Award Recipient The Routledge Handbook of Planning History offers a comprehensive interdisciplinary overview of planning history since its emergence in the late 19th century, investigating the history of the discipline, its core writings, key people, institutions, vehicles, education, and practice. Combining theoretical, methodological, historical, comparative, and global approaches to planning history, The Routledge Handbook of Planning History explores the state of the discipline, its achievements and shortcomings, and its future challenges. A foundation for the discipline and a springboard for scholarly research, The Routledge Handbook of Planning History explores planning history on an international scale in thirty-eight chapters, providing readers with unique opportunities for comparison. The diverse contributions open up new perspectives on the many ways in which contemporary events, changing research needs, and cutting-edge methodologies shape the writing of planning history.

This study explores the consequences of the recent "revolutions" in Central and Eastern Europe from an architectural perspective. It presents a series of essays which offer views on some of the pressing questions that now face architects, planners and politicians alike in Central and Eastern Europe as they consider how best to formulate the new architecture for a new Europe. A fundamental part of the problem for Central and Eastern Europe as it struggles to adapt to the West has been the issue of the built environment. The buildings inherited from the communist era have brought with them a range of problems; some are environmentally inadequate, others were designed to serve a now redundant social programme, and others carry the stigma of association with the previous regime.

Situated in a Mediterranean landscape, the Maeght Foundation is a unique Modernist museum, product of an extraordinary collaboration between the architect, Jose Luis Sert, and the artists whose work was to be displayed there. The architecture, garden design and art offer a rare opportunity to see work in settings conceived in active collaboration with the artists themselves. By focusing on the relationship between this art foundation and its Arcadian setting, including Joan Miro's labyrinth, George Braque's pool, Tal-Coat's mosaic wall and Giacometti's terrace, Jan K. Birksted demonstrates how the building articulates many of the ideas that preoccupied this group of artists during the culminating years of their lives. The study pays special attention to the ways in which architecture can shape the experience of time, and addresses the Modernist desire for wilderness and its problematic roots in the classical Mediterranean ideal. In showing how the design of the Maeght Foundation is a Modernist representation of Mediterranean culture, the author has developed an interpretation of architecture that accommodates not only the architect's handling of material or function, but shows as well how it can be the embodiment of a particular vision of space and time.

The abbey of Bury St. Edmund's was one of the richest and most powerful of the monasteries of medieval England. The Libert of the Eight and a Half Hundreds, over which the abbot exercised the authority of Sherriff, covered all west Suffolk and survived as a separate administrative district until the country reorganisation of 1974. As its centre was an even more privileged area, the town and suburbs of Bury St. Edmunds, which grew up to service the abbey's worldly needs and remained under the abbot's absolute control; today it survives as the prosperous borough of Bury St. Edmunds. The abbey church itself was larger than Durham cathedral and housed the shrine of St. Edmund, king and martyr, who had been killed by the Danes in 870 when they invaded East Anglia, and whose cult was the abbey's raison d'etre . In April 1994 the British Archaeological Association held a four day conference at Culford School, near Bury St. Edmunds, which was devoted to the study of the abbey and town. Most of the conference papers are printed in the preent Transactions, with the addition of three specially commissioned papers. They cover a wide range of subjects and break much new ground. There are papers on the abbey's architecture and on the layout of the medieval town, studies on St. Edmund's shrine, relics and cult, and on the abbey's administration and economic history, including papers on the mint, which the abbot administered, on the abbey's woodlands, and on its salterns in Lincolnshire. An especial feature of the volume are the papers on the abbey's manuscripts, comprising studies on their art, palaeography, and bindings, and on the monastic library. The volume ends with the catalogue prepared for the exhibitions held in Cambridge for delegates to the conference, of Bury manuscripts owned by a number of Cambridge colleges and by Cambridge University Library. In all, these transactions make an important contribution to the study of medieval Bury St. Edmunds and will no doubt stimulate further research.

These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession - a special interest group responsive and answerable to social changes but shaped and informed by values and principles that may be on a longer cycle and perhaps a loftier plane. The backdrop to this debate is the term of presidency of the RIBA held by Francis Duffy, Chairman of DEGW, UK, between 1993 and 1995. During this period the architectural profession faced major challenges and threats. The book looks at the relationship between the architectural profession and the built environment in the context of the great political and social cycles in the British post-war period. Francis Duffy's writings provide additional insights and viewpoints to the subject.

eBook available with sample pages: 0203223578

In this study, Kari Boyd McBride defines 'country house discourse' as a network of fictions that articulated and mediated early modern concerns about the right use of land and the social relationships that land engendered. McBride provides new perspectives on the roles of the discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material-including architecture, poetry, oil painting, economic and social history, and proscriptive literature-in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies. McBride delineates the ways in which the country house (on the landscape and in literature) provided a locus for the construction of gender, race, class, and nation. Of particular interest is her focus on women's relationships to the country house: their writing of country house poetry and their representation in that literature; their designing of country houses and their lives within those architectural spaces (whether as lady of the house or domestic servant). One of the most important and promising insights in this study is that country house discourse was not simply static and nostalgic, but actually worked to mediate change. All in all, she presents a fresh and detailed study of the great disparities between country house reality and the ideals that informed country house discourse.

Contemporary Architecture and the Digital Design Process introduces the reader to new developments in the computer modelling of design form in contemporary architectural practice through a series of detailed case studies. The book illustrates how evolving design practices use and exploit the potential of new computing technologies in a wide range of areas and application. A central thesis of this book is that technology follows design demand, rather than design adjusting to available new technology. Designers are not merely passive recipients of prescribed computing tools and techniques. Instead, they are increasingly able to express their intuitive design ideas through the rational medium of computing. The book features several contemporary building projects, each of which introduces a range of CAD and computing issues based upon the work of creative architectural and engineering design practices. These include the offices of Frank O. Gehry, Peter Cook and Colin Fournier, Anthony Hunt Associates, Peter Hubner, Szyskowitz-Kowalski, and Faulkner Brown. All these examples show what architects need to know and the skills they need to acquire to use advanced CAD technology.

CAD Principles for Architectural Design is aimed at design students and practitioners interested in understanding how CAD is used in architectural practice. This book makes connections between the basic operations that are common to most CAD systems, and their use in practice on actual architectural design projects. The ways in which CAD is integrated into the design processes of several leading edge practices is illustrated. Arising from these case studies is the emergence of a contemporary phenomenon of integrated CAD, in which all aspects of design schemes are brought together within computational frameworks that support the analysis of design proposals. Szalapaj's view of CAD is one in which computers constitute a medium in which designers can express design ideas, rather than viewing computers as problem solving machines. For creative designers to successfully exploit CAD technology, CAD systems should reflect designers' intuitions as described by designers themselves

This book directly addresses the major planning debate of our time - the delivery and quality of new housing development. As pressure for new housing development in England increases, a widespread desire to improve the design of the resulting residential environments becomes evermore apparent with increasing condemnation of the standard products of the volume housebuilders. In recent years central government has come to accept the need to deliver higher quality living environments, and the important role of the planning system in helping to raise design standards. Housing Design Quality focuses on this role and in particular on how the various policy instruments available to public authorities can be used in a positive manner to deliver higher quality residential developments.

Packed with stunning images this is an indispensable visual guide illustrating and explaining current fabrication processes and material transformation. Providing a documentary of an eclectic range of fabrication techniques, this is the ideal reference for designers who wish to learn more about the materials and current technologies in material production available to them. Featuring the work of 12 fabricators based in the UK, the case studies displayed range from manufacture of complex wire rope, the processes of metal spinning, large-scale composite casting, to computer controlled sheet steel fabrication. With a full knowledge of how the materials are transformed, this book provides readers with a greater ability to employ material processes for their own designs and to better understand material fabrication. This is a book that provides information on contemporary technology and design inspiration in abundance.

The first book to provide a full history of the development of architectural conservation, A History of Architectural Conservation is considered a landmark publication by architectural conservation students and professionals the world over. Twenty years after its first publication, this new edition of Jukka Jokilehto's groundbreaking book continues the story to bring the history of architectural conservation right up to the modern day. Jokilehto draws on his distinguished career of over 40 years at ICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property, founded by UNESCO) to provide studies from Europe, the Middle East, the USA, Japan, India, China, Australia and South America. This accessible and well-written introduction to the history and theory of architectural conservation is richly illustrated in full colour and will be an essential go-to guide for students and practitioners worldwide.

Jason Wood is Director of Heritage Consultancy Services, Lancaster, UK, and former Professor of Cultural Heritage at Leeds Metropolitan University, UK.