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Books > Arts & Architecture > Architecture > General
EMBRACING THE PAST tells the story of how the author's personal
preservation project turned into a study of the people who live in
historic districts (areas of a city that are designated as having
historic, cultural or architectural significance) and how they
navigate the day-to-day realities of old wiring, bad plumbing,
crumbling foundations, curious tourists, not-always-helpful city
officials and skeptical family members. Interviews with nearly
three dozen property owners in three Missouri communities revealed
that there are threads of similarities that run through their
experiences of looking for, purchasing, and renovating or restoring
their old houses. In exploring the concepts of "appreciation,"
"possession," and "affiliation," the author lets the residents of
historic districts tell their stories in their own always honest,
often funny, and sometimes poignant way. If you love history, old
houses, or just like to watch HGTV, you'll enjoy this book.
-- The oldest continuously settled community in the United States,
St. Augustine has weathered Spanish, British, and American
governments, several wars, and many changes in architectural
fashion
-- Richly illustrated with original watercolors and color
photographs to show representative styles and forms
-- Each chapter covers a separate era in St. Augustine's history
and discusses the city's distinctive character during that era as
well as how architectural styles evolved
-- Offers a history of attempts at historic preservation and
suggests future remedies
-- For those who appreciate diverse architectural styles
Many of the earliest books, particularly those dating back to the
1900s and before, are now extremely scarce and increasingly
expensive. We are republishing these classic works in affordable,
high quality, modern editions, using the original text and artwork.
India in Art in Ireland is the first book to address how the
relationship between these two ends of the British Empire played
out in the visual arts. It demonstrates that Irish ambivalence
about British imperialism in India complicates the assumption that
colonialism precluded identifying with an exotic other. Examining a
wide range of media, including manuscript illuminations, paintings,
prints, architecture, stained glass, and photography, its authors
demonstrate the complex nature of empire in India, compare these
empires to British imperialism in Ireland, and explore the
contemporary relationship between what are now two independent
countries through a consideration of works of art in Irish
collections, supplemented by a consideration of Irish architecture
and of contemporary Irish visual culture. The collection features
essays on Rajput and Mughal miniatures, on a portrait of an Indian
woman by the Irish painter Thomas Hickey, on the gate lodge to the
Dromana estate in County Waterford, and a consideration of the
intellectual context of Harry Clarke's Eve of St. Agnes window.
This book should appeal not only to those seeking to learn more
about some of Ireland's most cherished works of art, but to all
those curious about the complex interplay between empire,
anti-colonialism, and the visual arts.
Approved Document E: Resistance to the passage of sound (this is
the current edition: it is the 2003 edition, reprinted 2011 with
slight revisions to references). 1. Following the "James Review of
Education Capital" in 2011, DfE have been reviewing their library
of design guidance for school buildings with the objective of
simplification. 2. The revised Building Bulletin 93, "Acoustic
design of schools: performance standards" was published on 18th
December 2014. 3. The new edition is designed to: (a) Make the
Building Regulations easier to apply and remove the minor problems
that have been identified during their 10 years of existence; (b)
Revise effective minimum standards for refurbishment work. These
standards will also be compliance standards for changes of use,
e.g. from an office to a school; (c) Reduce design time and make
building control approval easier, by setting refurbishment
standards as a baseline for alternative performance standards and
removing the need for building control bodies to make qualitative
judgements about open-plan spaces. Contracts and Management
Publications Update Service: To ensure that you have the most
up-to-date Approved Document or Amendment to an Approved Document
to hand, you can now join our CAMPUS service. RIBA Bookshops will
automatically send you copies of new releases as and when they are
published. Visit our CAMPUS page for further details.
This volume builds upon the new worldwide interest in the global
Middle Ages. It investigates the prismatic heritage and eclectic
artistic production of Eastern Europe between the fourteenth and
seventeenth centuries, while challenging the temporal and
geographical parameters of the study of medieval, Byzantine,
post-Byzantine, and early-modern art. Contact and interchange
between primarily the Latin, Greek, and Slavic cultural spheres
resulted in local assimilations of select elements that reshaped
the artistic landscapes of regions of the Balkan Peninsula, the
Carpathian Mountains, and further north. The specificities of each
region, and, in modern times, politics and nationalistic
approaches, have reinforced the tendency to treat them separately,
preventing scholars from questioning whether the visual output
could be considered as an expression of a shared history. The
comparative and interdisciplinary framework of this volume provides
a holistic view of the visual culture of these regions by
addressing issues of transmission and appropriation, as well as
notions of cross-cultural contact, while putting on the global map
of art history the eclectic artistic production of Eastern Europe.
Since 1994 South Africa has undergone a steady erosion of its
indigenous built environment, with a concomitant loss of indigenous
building technology and its specialised terminology. This glossary
is based on the premise that you cannot understand the culture of a
people unless you have a grasp of the nuances and hidden meanings
of their language and brings together in one single volume the
terminologies that are used by southern Africa's rural builders. It
covers the terminology used by indigenous builders as well as
subsequent colonial white settlers including buildings of the
so-called Cape Dutch, English Georgian, Victorian and Indian
Traditions. The text is set out in alphabetical order. It comprises
of each term in its original language, its translation where
appropriate into isiZulu, and its definition in English and
isiZulu. One of the strengths of this book is its visual component
of accompanying sketches that expertly illustrate the terms. This
book is designed not only to assist in the teaching of
architecture, but also to aid others who are interested in the
field. Researchers and practitioners in disciplines such as
anthropology, archaeology, culture studies and building science
will find it a valuable addition to their libraries.
Once a major whaling center, Nantucket today draws thousands to its
New England shores as one of America's leading summer resorts. The
author gives guided tour of the homes of such noted families as the
Macys, the Folgers and the Starbucks.
The World in One School explores in text and image the global
influence of Britain's oldest University School of Architecture,
exploring the history of the School and what its teachers and
graduates have achieved internationally in designing and
constructing the architecture of the world. Under the leadership of
Sir Charles Reilly, architects such as Herbert Rowse and Harold Dod
worked in the American Beaux Arts style and this became the house
style of the School that is reflected in numerous Liverpool
landmarks. Exported worldwide, what became known as the 'Liverpool
Manner' brought a distinctive style to major buildings across the
globe. Students at the School came from all corners of the world
and, equally, were sent on international practice placements. In
the years between the two world wars, American architectural
practices were prominent in this movement - for example, McKim,
Mead and White; Corbett, Harrison and McMurray; and Carrer and
Hastings. Later, under Lionel Budden, the School moved into the
forefront of the Modernist movement, with architects such as Edwin
Maxwell Fry and George Checkley drawing inspiration from the works
of Le Corbusier and Mies van der Rohe. Other graduates of the
School, such as William (Lord) Holford and Gordon Stephenson made
major worldwide contributions to the field of city and regional
planning. The World in One School is a remarkable story of a School
with a long history of honours and awards, including six Royal Gold
Medals for Architecture to its graduates and staff: Sir Charles
Reilly, Sir Patrick Abercrombie, Lord Holford, Edwin Maxwell Fry,
Sir James Stirling and Colin Rowe.
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