In architectural terms, rehabilitation is all about breathing new life into an old building using modern materials and designs that both compliment and updated the existing features. This superbly illustrated volume, featuring full-colour photography and detailed architectural plans, brings together a number of "rehabilitation" projects that have successfully overcome the challenges of re-purposing old buildings for a modern setting.

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s and lasting until around 1830, with late Neoclassicism lingering through the 1870s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism. This movement was born in Italy and France and then spread across Europe to Russia and across the ocean to the United States. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

What were Socialist Spaces? The Eastern Bloc produced distinctive spaces, some of which were fashioned from ideological templates, such as the monumental parade grounds and Red Squares where communist leaders could receive tributes, or new factory cities with towering chimneys and glittering palaces of culture. But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War?This book explores the representation, meanings and uses of space in the socialist countries of Eastern Europe and the Soviet Union between 1947 and 1991. The essays - written from different disciplinary perspectives - investigate the extent to which actual spaces conformed to the dominant political order in the region. Should, for instance, the creation of private spaces, such as the Russian dacha and the Czech chata, be understood as acts of appropriation in which lives were fashioned against the collective or, alternatively, as 'gifts' given by the State in return for quiescence? Whilst monuments and public spaces were designed to relay official ideology, one of the most notable features of the events that marked the end of the Bloc was the way that they became sites of dissent. Examining the myriad ways in which space was used and conceived within socialist society, this book makes an essential contribution to Eastern European and Soviet Studies and provides significant new angles on the factors that underpinned socialism's eventual downfall.

The first detailed study of "Neo-Antique" architecture applies an archaeological lens to the study of New York City's structures Since the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city's new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences-intellectually, conceptually, and chronologically-among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials-such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines-to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances-whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history.

Achieving Sustainable Urban Form represents a major advance in the sustainable development debate. It presents research which defines elements of sustainable urban form - density, size, configuration, detailed design and quality - from macro to micro scale. Case studies from Europe, the USA and Australia are used to illustrate good practice within the fields of planning, urban design and architecture.

Properly planned and visualized, large-scale developments can be successfully constructed, whether as master planned communities, planned unit developments, or new towns. "Fundamentals of Land Development" provides an in-depth approach to the design, planning, and development of large land areas into comprehensively designed communities.

This book provides in-depth discussions of the full range of development tasks involved in any large development project, from site and land use selection, market analysis, preparing the land use plan and impact statements, to getting approval from the municipality and community, permitting and approval, scheduling and cost management, and the basics of engineering systems and design.

Developers and other stake-holders will find guidance on such issues as:

- How real-world development is driven by profits, and how team members can maximize profits while developing creatively and responsibly

- Site selection and acquisition

- Entering the growing business of retirement (active adult) community development

Illustrated with real-world case studies drawn from the authors own experience, "Fundamentals of Land Development" is a practical manual for developers looking to improve the profitability of their projects and gain a better understanding of what all team members undertake in a project of this size and complexity.

'What we build always reveals things that are deeply and innately human. Because all buildings are stories, one way or another.' Kathleen Jamie, Alexander McCall Smith, Alistair Moffat, James Robertson and James Crawford travel across the country to tell the story of the nation, from abandoned islands and lonely glens to the heart of our modern cities. Whether visiting Shetland's Mousa Broch at midsummer, following in the footsteps of pilgrims to Iona Abbey, joining the tourist bustle at Edinburgh Castle, scaling the Forth Bridge or staying in an off-the-grid eco-bothy, the authors unravel the stories of the places, people and passions that have had an enduring impact on the landscape and character of Scotland.

South of the border, rich colors and woven textiles form a unique design aesthetic, crafted by the union of local Aztec and Mayan cultures and Spanish influences. Bold pigments and vivid patterns come together in simple and rustic spaces, resulting in a way of living that is both invigorating and homely; an authentic Mexican style. The dynamic writer and photographer duo Barbara and Rene Stoeltie have struck gold again-this time with a truly breathtaking look at Mexico's most remarkable abodes. Traveling far and wide, from Costa Careyes to the Yucatan Peninsula, this photographic journey will surprise, delight, and inspire you. From the home of Constructivist architect Luis Barragan, a restored 16th-century hacienda, to a traditional Mayan thatched-roof dwelling, the contrast of styles within the pages of this book are testament to the country's vibrantly diverse palette of textures and hues. With many new images, some never published before, prepare to be transported to the heart of lush and eclectic Mexico. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

A celebration of Ukraine's rich cultural heritage, drawing on over 100 of the country's most important works of art and architectural monuments from prehistory to the present. Showcasing more than one hundred objects and buildings - from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces - Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation's complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity. All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.

Sponsored by the Alexander von Humbold Stiftung the "Bragfost-Confernce" brings together about 60 outstanding German and Brazilian Scientists to discuss most topical issues in the field of electrical engineering, energy-supply as well as sociological impact of technology. This book presents the most relevant contributions in extended and revised form.

Architectural programming - the analysis of any given environment to satisfy users' needs - has become a given prerequisite to the design process. The programming process is often a complicated one: users' present and future needs must be identified; space allowances, often predetermined, must be considered; equipment must be accommodated; all in the most cost-effective way possible. The variety of user groups is as wide as the variety of functions architecture can shelter; moreover, the different structures and needs of clients that fall within the same use classification differs so greatly that every program presents a new challenge. You cannot, for example, use the same program for every hospital you design. In Programming the Built Environment, first published in 1985, noted architect Wolfgang F. E. Preiser has compiled a wide range of architectural programs demonstrating applications of basic principles for different client groups. This book will be of interest to students of architecture and planning.

It was not until the beginning of the twentieth century that the physicist Wallace Clement Sabine developed his theory of reverberation, which has remained fundamental to architectural acoustics to this day, and has subsequently been applied to many building types, especially those for the performing arts. Yet the practice of architectural acoustics goes back much further with the impressive designs of the Greeks proving highly influential. This comprehensive book explores the development of acoustics in architectural design from the theatres of Classical Greece, through the early development of opera houses, concert halls and theatres, to the research work of Sabine and his successors and its influence on twentieth- and twenty-first-century buildings. Topics covered include: the fundamentals of acoustics; the influential legacy of the Greeks and Romans; the evolving design of opera houses, theatres and concert halls and, finally, the acoustics of schools, music schools and recital halls.

This book assembles, identifies and highlights the most recent developments in Rehabilitation and retrofitting of historical and heritage structures. This is an issue of paramount importance in countries with great built cultural heritage that also suffer from high seismicity, such as the countries of the eastern Mediterranean basin. Heritage structures range from traditional residential constructions to monumental structures, ancient temples, towers, castles, etc. It is generally recognized that these structures present particular difficulties in seismic response calculation through computer simulation due to the complexity of the structural system which is, generally, inhomogeneous, with several contact problems, gaps/joints, nonlinearities and brittleness in material constituents. This book contains selected papers from the ECCOMAS Thematic Conferences on Computational Methods in Structural Dynamics & Earthquake Engineering (COMPDYN) that were held in Corfu, Greece in 2011 and Kos, Greece in 2013. The Conferences brought together the scientific communities of Computational Mechanics, Structural Dynamics and Earthquake Engineering in an effort to facilitate the exchange of ideas in topics of mutual interest and to serve as a platform for establishing links between research groups with complementary activities.

"Clay Lancaster was infected by a love of architecture at an early age, a gentle madness from which he never cared to recover." -- From the Foreword, by Roger W. Moss It is easy to take for granted the visual environment that we inhabit. Familiarity with routes of travel and places of work or leisure leads to indifference, and we fail to notice incremental changes. When a dilapidated building is eliminated by new development, it is forgotten as soon as its replacement becomes a part of our daily landscape. When an addition is grafted onto the shell of a house fallen out of fashion or function, onlookers might notice at first, but the memory of its original form is eventually lost. Also forgotten is the use a building once served. From historic homes to livestock barns, each structure holds a place in the community and can tell us as much about its citizens as their portraits and memoirs. Such is the vital yet intangible role that architecture plays in our collective memory. Clay Lancaster (1917-2000) began during the Great Depression to document and to encourage the preservation of America's architectural patrimony. He was a pioneer of American historic preservation before the movement had a name. Although he established himself as an expert on Brooklyn brownstones and California bungalows, the nationally known architectural historian also spent four decades photographing architecture in his native Kentucky. Lancaster did not consider himself a photographer. His equipment consisted of nothing more complex than a handheld camera, and his images were only meant for his own personal use in documenting memorable and endangered structures. He had the eye of an artist, however, and recognized the importance of vernacular architecture. The more than 150 duotone photographs in Clay Lancaster's Kentucky preserve the beauty of commonplace buildings as well as historic mansions and monuments. With insightful commentary by James D. Birchfield about the photographs and about Lancaster's work in Kentucky, the book documents the many buildings and architectural treasures -- both existing and long gone -- whose images and stories remain a valuable part of the state's heritage.

Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. "Literature and Architecture in Early Modern England" examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England.

Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.

Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into two parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart-technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.

Through the lens of sensory affect, this book offers a new way of thinking about day-to-day teaching and student engagement within learning spaces in design education. The book examines the definitions, concepts, ideas and overlaps of a repertoire of learning spaces prevalent in higher education and addresses the pedagogical gap that exists between broader learning structures and spaces, and the requirements of specialist design education. Recognising that mainstream teaching environments impact upon design studio learning and student engagement, the book positions creative learning spaces at the heart of practice-based learning. It defines the underlying pedagogical philosophy of a creative learning space in design education and reports on how practical strategies incorporating sensory affect may be implemented by educators to foster better student engagement in these spaces within higher education. Bringing much needed attention to specialist design teaching and learning spaces in higher education, this book will be of interest to educators, researchers and post graduate students immersed in design education, pedagogy and learning spaces more broadly.

This early work on Architecture is a fascinating read for any Architectural enthusiast or historian. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.