A collection of the writing of the highly influential architect, Juhani Pallasmaa, presented in short, easily accessible, and condensed ideas ideal for students Juhani Pallasmaa is one of Finland's most distinguished architects and architectural thinkers, publishing around 60 books and several hundred essays and shorter pieces over his career. His influential works have inspired undergraduate and postgraduate students of architecture and related disciplines for decades. In this compilation of excerpts of his writing, readers can discover his key concepts and thoughts in one easily accessible, comprehensive volume. Inseminations: Seeds for Architectural Thought is a delightful collection of thoughtful ideas and compositions that float between academic essay and philosophical reflection. Wide in scope, it offers entries covering: atmospheres; biophilic beauty; embodied understanding; imperfection; light and shadow; newness and nowness; nostalgia; phenomenology of architecture; sensory thought; silence; time and eternity; uncertainty, and much more. Makes the wider work of Pallasmaa accessible to students across the globe, introducing them to his key concepts and thoughts Exposes students to a broad range of issues on which Pallasmaa has a view Features an alphabetized structure that makes serendipitous discovery or linking of concepts more likely Presents material in short, condensed manner that can be easily digested by students Inseminations: Seeds for Architectural Thought will appeal to undergraduate students in architecture, design, urban studies, and related disciplines worldwide.

Private houses, museums, restaurants, pubs, a former cinema and numerous little-known treasures jostle for attention in this beautifully photographed collection of weird and wonderful interiors in England.

Often featuring deliberate references to the tastes and styles of bygone eras, all the interiors in this book are united by a wonderful blend of vivacity and individuality, as well as displaying a great deal of passion and dedication in the creation of a unique space. At the same time, the 'Englishness' that characterises these interiors is often a diverse assemblage of traditions and tastes from every corner of the world, not only reflecting the historical make-up of British society but also the far-reaching knowledge-base upon which the creators of these glorious interiors have been able to draw.

From a bizarre magician's house in London to a wildly entertaining hotel in rural North Yorkshire, there is ample evidence across England of the creative output resulting from this heady mix of enthusiasm and expertise. Historical fantasies sit alongside glorious 21st-century expressions of maximalism, from Walpole's stunning 'little play-thing house' at Strawberry Hill in Twickenham to the newly opened Great John Street Hotel in Manchester where the style is joyfully described as 'New York meets vintage chic'. Quirky, intellectual, stylish or humorous, all the interiors in this book serve as a glorious testimony to the richly creative tradition of English eccentricity, past and present.

The British terrain is a gold mine for the student of architecture. Ranging in era from ancient times to the present day--from Stonehenge to the Millennium Dome--this volume's 76 entries include palaces, castles, bridges, churches, country houses, and various public buildings and monuments, as well as such well-known features of British architecture and design as terraced houses, suburban semi-detached houses, and public telephone kiosks. Detailed yet accessible to nonspecialist readers, the alphabetical entries also provide cross-references and lists of additional information sources in both print and electronic formats. Appendixes list the entries by location, architectural style, and architect/designer; explain the defining characteristics of major British architectural styles; and discuss the importance of the Crown, peerage, and Parliament in British architectural history. Besides a detailed subject index, the volume also includes a timeline, a general bibliography, a glossary of architectural terms, and an introduction that traces the development of British architecture from prehistoric and Roman times to the 21st century. Written by an associate professor of architecture at Oklahoma State University, Architecture of England, Scotland, and Wales, part of Greenwood's Reference Guides to National Architecture series, presents "architectural biographies" of these countries' most famous and significant structures.

As today's valued examples of modern architecture age to the point that preservation is called for, the methods and technology used in such preservation must be carefully considered so that the design integrity of the building is maintained. Written by the president of an organization committed to the documentation and preservation of modern architecture, this book outlines best practices for undertaking such efforts and addresses the latest technological advances in the field. Containing relevant case studies of preservation projects in the United States and in Europe, this is the only professional reference for architects dedicated specifically to the subject of preserving modern architecture.

"Winner of the Association for Preservation Technology International 2008 Lee Nelson Book Award"

If you don't know your Baroque from your Rococo, or the difference between Art Nouveau and Art Deco, or where Modernism ends and Postmodernism begins, then don't fear, you're not alone. Understanding Architecture will reveal all. From the ancient world to the present day, from medieval Cambodian temples to Paris metro stations, from American shotgun shacks to colonial villas, fascist grandeur to the latest ecologically friendly structures, the book expertly guides the reader through the world's different architectural styles. Arranged chronologically, over two spreads a major building is used to illustrate a particular style - King's College Chapel, Cambridge for Perpendicular Gothic, the Palace of Versailles for Baroque, the Chrysler Building for Art Deco. Each entry is illustrated with both general view photographs and close-ups, accompanied by accessible text explaining the major features of the style. Each chapter also offers a general cultural background to the major architectural movements, putting them into historical context. Illustrated with more than 200 outstanding photographs of remarkable buildings, Understanding Architectureis an excellent, accessible introduction to the history of architecture.

Alston Moor is a large rural parish in Cumbria which historically both depended upon and provided important services for the agricultural and mineral industries of the North Pennines.Much of the area's settlement is dispersed among hamlets and single farmsteads. Isolated from major northern cities such as Carlisle and Newcastle by the surrounding hills and moors, the parish's wild upland landscape provides a conditioning influence on a distinctive tradition of vernacular building types, ranging from the bastle to its later 18th- and 19th-century derivatives and 'mine shops' providing lodgings for miners close to their place of work. Found across the parish, and with urban variants present in Alston itself, these buildings have in common first-floor living accommodation whilst the ground floor is used for cow-byres in more rural areas and for general storage, workshops and shops in urban and industrial contexts. This development of the bastle, a fortified house type found on both sides of the Anglo-Saxon border is nationally significant yet remains under-examined at the level of architectural and historical synthesis. This publication presents an informed account of Alston Moor's vernacular buildings from their earliest survival onwards, and sets them within their regional and national context. It explores how houses of various types combine with a rich legacy of public and industrial buildings to create places of distinctive character. It takes a whole-landscape view of the area, relating its buildings and settlements to the wider patterns of landscape evolution resulting from agricultural and industrial activity and the development of communications.

Vitruvius' De architectura, the only extant work from Antiquity dedicated to Architecture, has had a rich and diverse reception history. The present volume aims to highlight the different aspects of this history, showing how Vitruvius' work was systematically and continuously misunderstood to justify innovation. Its comprehensive and in-depth analyses make this book a reference work in the field of Vitruvian scholarship.

This book is a superbly written history of Boston's built environment, filled with insider details and engaging anecdotes about more than 600 buildings, including such historic landmarks as Faneuil Hall, the mansions on Beacon Hill, the commercial wharves in Boston Harbor, Fenway Park, and the Freedom Trail as well as Boston's latest contemporary buildings such as the ICA, MIT's Stata Center, and the infamous "Big Dig." This guide has been completely rewritten and redesigned, with added theme tours, such as Boston Urban Design, Contemporary Landmarks, or the work of Charles Bulfinch. New, up-to-date locator maps have been created for this edition, and the glossary and index have been revised.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The reunification of Germany in 1990 has prompted far-reaching debates about German identity, history and tradition. One framework for these debates is provided by the extensive urban development and building activities which have commenced in Eastern Germany since 1990. This ethnographic case study of post-communist Dresden explores the complex symbolic meanings of such projects as the rebuilding of the Frauenkirche, Dresden's quarrels with the UNESCO about a new Elbe bridge, and many others. It traces a history of civic engagement from the time of the GDR through to the present of reunified Germany, and demonstrates the built environment's importance for identity construction in periods of social transformation.

Can regional and interregional mechanisms better institutionalize the - creasing complexity of economic and security ties among states in Nor- east, Southeast, and South Asia? As the international state system und- goes dramatic changes in both security and trade relations in the wake of the Cold War's end, the Asian financial crisis, and the attacks of Sept- ber 11, 2001, this question is now of critical importance to both academics and policymakers. Still, little research has been done to integrate the ana- sis of both regional security and economic dynamics within a broader c- text that will give us theoretically informed policy insights. Indeed, when we began our background research on the origin and e- lution of Asia's institutional architecture in trade and security, we found that many scholars had focused on individual subregions, whether Nor- east, Southeast or South Asia. In some cases, scholars examined links - tween Northeast and Southeast Asia, and the literature often refers to these two subregions collectively as "Asia," artificially bracketing South Asia. Of course, we are aware that as products of culture, economics, history, and politics, the boundaries of geographic regions change over time. Yet the rapid rise of India and its increasing links to East Asia (especially those formed in the early 1990s) suggest that it would be fruitful to examine both developments within each subregion as well as links across subregions.

Abandoned unfinished and left to rot on Venice's Grand Canal, `il palazzo non finito' was once an unloved guest among the aristocrats of Venetian architecture. Yet in the 20th century it played host to three passionate and unconventional women who would take the city by storm. The staggeringly wealthy Marchesa Luisa Casati made her new home a belle epoque aesthete's fantasy and herself a living work of art; notorious British socialite Doris Castlerosse (nee Delevingne) welcomed film stars and royalty to glittering parties between the wars; and American heiress Peggy Guggenheim amassed an exquisite collection of modern art, which today draws visitors from around the world. Each in turn used the Unfinished Palazzo as a stage on which to re-fashion her life, with a dazzling supporting cast ranging from D'Annunzio and Nijinsky, through Noel Coward, Winston Churchill and Cecil Beaton, to Yoko Ono. Individually sensational and collectively remarkable, these stories of modern Venice tell us much about the ways women chose to live in the 20th century.

The most influential 20th century architects espousing modernism are brought together in critical discussion and independent profiles. This is accomplished through a short but discriminating examination of each architect's design work, an essay outlining the historical course and events that confirms his or her vital position, and a substantial bibliography at the completion of each profile. This sourcebook examines the life and creative activities of such founding architects as Wright, Eisenman, Van der Rohe, and Kahn, as well as their disciples. This volume will be of interest to social and cultural historians, scholars, students of all ages, architects, and the appreciative lay audience.

The architects and or firms chosen for the sourcebook were selected as a result of many years of research that required extensive reading of materials by respected experts. From such research, the editors were able to determine the individuals or groups who have been most influential in charting the course of a Westernized modern architecture. From evidence of their productive activities--proof in timber--there is a consensus that each made a unique contribution. The nature and measure of the contribution is discussed within each profile. Those whose reputations are based on paper only, with few buildings to prove their worth, are not included. The editors believe that architecture is an experiential art: all the senses must participate, and that requires the actual built product.