This innovative urban history of Dublin explores the symbols and spaces of the Irish capital between the Restoration in 1660 and the advent of neoclassical public architecture in the 1770s. The meanings ascribed to statues, churches, houses, and public buildings are traced in detail, using a wide range of visual and written sources.

Francesco di Giorgio Martini is one of the few fifteenth century Sienese artists who became known outside his native city. Working at the courts of Urbino, Naples and Milan, he was a typical Renaissance uomo universale but his major achievements were in military and civil architecture, complemented by the composition of a theoretical treatise. The collection of essays does not offer a comprehensive study of the artist's architectural oeuvre, but rather emphasizes the partial nature of the scholarly endeavor so far undertaken. The essays discuss Francesco's theory, his drawings from the antique, the individual characteristics of his practice, and the reception of his work. They share a common idea: invention, which emerges as a valid theoretical framework, possibly the only one capable of encompassing Francesco di Giorgio's versatile accomplishments.

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s and lasting until around 1830, with late Neoclassicism lingering through the 1870s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism. This movement was born in Italy and France and then spread across Europe to Russia and across the ocean to the United States. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

This book brings a variety of fresh perspectives to bear on the diverse people and settlements of the eighteenth- and early-nineteenth-century southern backcountry. Reflecting the growth of interdisciplinary studies in addressing the backcountry, the volume specifically points to the use of history, archaeology, geography, and material culture studies in examining communities on the southern frontier. Through a series of case studies and overviews, the contributors use cross-disciplinary analysis to look at community formation and maintenance in the backcountry areas of Virginia, North Carolina, South Carolina, and Tennessee. These essays demonstrate how various combinations of research strategies, conceptual frameworks, and data can afford a new look at a geographical area and its settlement. The contributors offer views on the evolution of backcountry communities by addressing such topics as migration, kinship, public institutions, transportation and communications networks, land markets and real estate claims, and the role of agricultural development in the emergence of a regional economy. In their discussions of individuals in the backcountry, they also explore the multiracial and multiethnic character of southern frontier society. Yielding new insights unlikely to emerge under a single disciplinary analysis, The Southern Colonial Backcountry is a unique volume that highlights the need for interdisciplinary approaches to the backcountry while identifying common research problems in the field. The Editors: David Colin Crass is the archaeological services unit manager at the Historic Preservation Division, Georgia Department of Natural Resources. Steven D. Smith is the head of the Cultural Resources Consulting Division of the South Carolina Institute of Archaeology and Antrhopology. Martha A. Zierden is curator of historical archaeology at The Charleston Museum. Richard D. Brooks is the administrative manager of the Savannah River Archeological Research Program, South Carolina Institute of Archaeology and Antrhopology. The Contributors: Monica L. Beck, Edward Cashin, Charles H. Faulkner, Elizabeth Arnett Fields, Warren R. Hofstra, David C. Hsiung, Kenneth E. Lewis, Donald W. Linebaugh, Turk McCleskey, Robert D. Mitchell, Michael J. Puglisi, Daniel B. Thorp. "

Die Bauwirtschaft befindet sich seit Jahren in der Krise. Steigender Wettbewerbsdruck, daraus folgender Preiskampf sowie eine starke Zunahme der Insolvenzen prägen die Branche. Der Allianzvertrag versucht durch seinen kooperativen Charakter neuartige Wege aus der Krise der Bauwirtschaft aufzuzeigen und verstärkt das Projekt in den Vordergrund zu rücken. Allianzverträge kommen bisher nahezu ausschließlich im anglo-amerikanischen Raum zur Anwendung. Ein innovatives Vergütungssystem, eine no blame - no dispute-Kultur und das Einstimmigkeitsprinzip tragen dazu bei, alle Parteien auf eine best for project-Atmosphäre einzuschwören. Dieses Buch behandelt den Allianzvertrag am Beispiel Australiens sowie seine Umsetzung in deutsches Recht unter besonderer Berücksichtigung des Gesellschafts- und Vergaberechts.

This book examines the work of the Preservation Movement, focusing on the complex battle that pitched tradition-bound Yankees not only against immigrants and radicals but against the "fakery" of machined Colonial Revival forms. It looks into the meaning of preserved artefacts and sites, and links their preservation to campaigns that were aimed at Americanizing immigrants and establishing cultural order. Through its particular focus, this book explores many of the driving forces that shaped New England during the Progressive Era.

In his book " Hope Town: Reality of a Dream" Richard L. Seaberg explores through a fictitious story, historical facts and his own ink drawings the architectural development of a special place called Hope Town in the Bahamas. In Part 1 of the book "Sarah and The Goat," the reader is brought back to the late 1700's when the Islands of the Bahamas were first settled by Loyalists and relives a way of life that may even be similar to our present day. In Part 2 of the book, "Older Houses of Hope Town," the dreams of building a new life are connected with the building of houses that created a community appropriately named Hope Town. The "Reality of a Dream" has been realized by many in search of a new life in Hope Town from the time it was originally settled until the present. "The tropical setting of swaying palm trees and inspiring blue green waters is like living on the untouched edge of the world." Richard L. Seaberg

Private houses, museums, restaurants, pubs, a former cinema and numerous little-known treasures jostle for attention in this beautifully photographed collection of weird and wonderful interiors in England.

Often featuring deliberate references to the tastes and styles of bygone eras, all the interiors in this book are united by a wonderful blend of vivacity and individuality, as well as displaying a great deal of passion and dedication in the creation of a unique space. At the same time, the 'Englishness' that characterises these interiors is often a diverse assemblage of traditions and tastes from every corner of the world, not only reflecting the historical make-up of British society but also the far-reaching knowledge-base upon which the creators of these glorious interiors have been able to draw.

From a bizarre magician's house in London to a wildly entertaining hotel in rural North Yorkshire, there is ample evidence across England of the creative output resulting from this heady mix of enthusiasm and expertise. Historical fantasies sit alongside glorious 21st-century expressions of maximalism, from Walpole's stunning 'little play-thing house' at Strawberry Hill in Twickenham to the newly opened Great John Street Hotel in Manchester where the style is joyfully described as 'New York meets vintage chic'. Quirky, intellectual, stylish or humorous, all the interiors in this book serve as a glorious testimony to the richly creative tradition of English eccentricity, past and present.

From the Acropolis and the Temple of Zeus to the National Library and the University of Athens, this volume examines both the aesthetic design and cultural/social functions of 61 noted architectural landmarks throughout the nation of Greece. Art historian Janina K. Darling discusses how each structure or project was designed and built, and provides a detailed yet accessible description of architectural elements. Darling's entries combine an architectural reading with the larger context of the region's cultural history. An introductory essay, glossary, geographic index and subject index add to this vastly interesting volume. The Architecture of Greece is the first release from Greenwood's "Reference Guide to National Arhcitecture" series.

The British terrain is a gold mine for the student of architecture. Ranging in era from ancient times to the present day--from Stonehenge to the Millennium Dome--this volume's 76 entries include palaces, castles, bridges, churches, country houses, and various public buildings and monuments, as well as such well-known features of British architecture and design as terraced houses, suburban semi-detached houses, and public telephone kiosks. Detailed yet accessible to nonspecialist readers, the alphabetical entries also provide cross-references and lists of additional information sources in both print and electronic formats. Appendixes list the entries by location, architectural style, and architect/designer; explain the defining characteristics of major British architectural styles; and discuss the importance of the Crown, peerage, and Parliament in British architectural history. Besides a detailed subject index, the volume also includes a timeline, a general bibliography, a glossary of architectural terms, and an introduction that traces the development of British architecture from prehistoric and Roman times to the 21st century. Written by an associate professor of architecture at Oklahoma State University, Architecture of England, Scotland, and Wales, part of Greenwood's Reference Guides to National Architecture series, presents "architectural biographies" of these countries' most famous and significant structures.