For centuries carved writings and artworks in churches lay largely unnoticed. So archaeologist Matthew Champion started a nationwide survey to gather the best examples. In this book he shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Drawing on examples from surviving medieval churches in England, the author gives a voice to the secret graffiti artists: from the lord of the manor and the parish priest to the people who built the church itself. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility.

The gold-standard exploration of architecture's global evolution A Global History of Architecture provides a comprehensive tour through the ages, spinning the globe to present the landmark architectural movements that characterized each time period. Spanning from 3,500 b.c.e. to the present, this unique guide is written by an architectural all-star team who emphasize connections, contrasts and influences, reminding us that history is not linear and that everything was 'modern architecture' in its day. This new third edition has been updated with new drawings from Professor Ching, including maps with more information and color, expanded discussion on contemporary architecture, and in-depth chapter introductions that set the stage for global views. The all-new online enhanced companion site brings history to life, providing a clearer framework through which to interpret and understand architecture through the ages. Unique in its non-Eurocentrism, this book provides a fresh survey of architectural history with a truly global perspective, fulfilling the National Architectural Accrediting Board's requirements for 'non-Western' architecture in history education. * Track the history of architecture through a comparative timeline that spans the globe * Learn how disparate design styles evolved side-by-side, and which elements migrated where * Delve into non-Western architecture with expert insight and an historical perspective * Explore further with an online Interactive Resource Center featuring digital learning tools Escalating globalization has expanded our perspective of both history and architecture beyond Europe and the U.S. Today's architects are looking far beyond the traditional boundaries, and history shows us that structures' evolution from shelter to art mirrors the hopes and fears of society along the way. A Global History of Architecture takes you inside history itself to witness the the growth and movements that built our world.

Lifting the lid on London, Spectacular Vernacular reveals the stories behind its 100 strangest and most enigmatic buildings. Some are open to the public, if you know who to ask. Others remain strictly off-limits, thus heightening the sense of mystery surrounding them. But many are so familiar that few of us ever stop to consider just how curious they are. In the heart of Kensington, for example, a 300ft tower attracts few glances that even most locals don't know it's there. South of the river the city's widest building at nearly 1,000ft has been favourably compared to the Winter Palace at St Petersburg. And in Chelsea a medieval hall, once home to a king and moved brick by brick from the City to excape demolition, is now being remodelled as London's largest private house. Elsewhere one finds an arts centre built of old shipping containers, a Victiorian explorer lying dead in a tent, literally acres of secret undergound government offices, even a private tunnel used for running cable-cars under the Thames. Think you know London? Well, it's time to reconsider.

2018 IPHS Special Book Prize Award Recipient The Routledge Handbook of Planning History offers a comprehensive interdisciplinary overview of planning history since its emergence in the late 19th century, investigating the history of the discipline, its core writings, key people, institutions, vehicles, education, and practice. Combining theoretical, methodological, historical, comparative, and global approaches to planning history, The Routledge Handbook of Planning History explores the state of the discipline, its achievements and shortcomings, and its future challenges. A foundation for the discipline and a springboard for scholarly research, The Routledge Handbook of Planning History explores planning history on an international scale in thirty-eight chapters, providing readers with unique opportunities for comparison. The diverse contributions open up new perspectives on the many ways in which contemporary events, changing research needs, and cutting-edge methodologies shape the writing of planning history.

This entertaining and informative book explores the world of architecture through a series of 101 questions and answers that cover a wide range of issues on its practice and theory. There are historical questions, such as 'Who was the first architect?' and 'Are all churches architecture?' as well as ones that relate to contemporary activity, such as 'Have computers changed architecture?' or 'How small can a home be?'. There are also many that are intriguing and irreverent, such as 'Why do architects want to paint the world white?' and 'Is Dubai a city?'. For each of the questions there is a brief, one-line answer and then a more extended discussion. Aimed at both general readers as well as those in the field, this book will make a perfect purchase or gift for anyone interested in architecture.

This exhibition catalog, Julia Fish: bound by spectrum, presents a fully-illustrated survey of the last decade of Fish's paintings and works on paper. It offers new scholarship around Fish's ongoing project that brings together the disciplines of painting, drawing, and architecture. For three decades, Fish has used her house and its vernacular architecture--a Chicago storefront workspace designed by Theodore Steuben in 1922--as the basis for a system of mapping color, form, and light in paintings and works on paper. Working from close observation, she renders architectural details at actual size and creates a dialog between objective information and subjective response. These works are informed by effects of light in space, time of day, the seasons, cardinal direction, and the artist's own physical vantage point. Accompanying the images of Fish's works are essays by Julie Rodrigues Widholm, Kate Nesin, and Colm T ib n, images and text by architect Dan Wheeler, and a selection of the artist's studio notations.

The first-ever walking tour guide of New York City's stunning contemporary architecture showcases the most intriguing new buildings in the city. It can be hard to keep up with New York City's surge of cutting-edge architecture since the turn of the millennium. This portable, easy-to-use guide directs readers to the city's newest architectural gems, all completed in the 21st century with some still under construction. Divided into ten 1- to 3-mile walks that extend from Columbia University through lower Manhattan and across to Brooklyn and Queens, this guidebook highlights over 150 buildings, popular destinations like the High Line and Lincoln Center, and trendy locations such as Williamsburg and the Bowery. Led by author John Hill, these tours are highly informative, engaging, and filled with fascinating insights and details. Maps and numerous photographs make this guide the perfect companion for anyone visiting New York City, architecture buffs, and those wishing to better know the city they call home.

Bruce Carscadden Architect is a design studio based in Vancouver. In a decade of practice, their studio has designed and executed numerous building types for a variety of clients, with an emphasis on community recreation projects in British Columbia. Carscadden Thrift is structured in the spirit of the translation from drawing (speculation) to material (actual). Photographs document the messy realities of construction and are referenced to select drawings. The analogy to a set of contract documents is obvious but not superficial. It requires readers to examine both in order to understand the nature of a project, projects that taken collectively describe the culture of the studio and the firm's attempts to understand questions posited by the constraints of scale, site and schedule.

Colour is everywhere in landscape design. It is also a fascinating aspect in the material and spiritual life of human beings. In the first section of this book, analysis is carried outfor colours' physiology and psychology influence on people. By comparing colours of differetn shades and tones, warm and cold colours, colours of contrast and similarites, gold & silver VS black & white and their visual effect in specific projects, the book studies the application of colours in landscape design. The second section discusses the colour of plants, paving, and furniture.

In this book, Claudia Moser offers a new understanding of Roman religion in the Republican era through an exploration of sacrifice, its principal ritual. Examining the long-term imprint of sacrificial practices on the material world, she focuses on monumental altars as the site for the act of sacrifice. Piecing together the fragments of the complex kaleidoscope of Roman religious practices, she shows how they fit together in ways that shed new light on the characteristic diversity of Roman religion. This study reorients the study of sacrificial practice in three principal ways: first, by establishing the primacy of sacred architecture, rather than individual action, in determining religious authority; second, by viewing religious activities as haptic, structured experiences in the material world rather than as expressions of doctrinal, belief-based mentalities; and third, by considering Roman sacrifice as a local, site-specific ritual rather than as a single, monolithic practice.

'Karen McCartney's Iconic Australian Houses books are re-imagined so cleverly in this freshly redesigned, encyclopaedic book, which brings together in one volume the best of 50 years of Australian residential architecture.' Lucy Feagins - The Design Files Iconic: Modern Australian Houses 1950--2000 showcases, in a fresh, new and collectible edition, the best residential projects from the previously published works 50/60/70 and 70/80/90 and which formed successful exhibitions shown at the Museum of Sydney. Completely redesigned in a new format, with revised introduction, this classic will find audiences both new to and familiar with the gems of Australian modernist architecture. Featuring houses from: Harry Seidler, Peter Muller, Roy Grounds, Peter McIntyre, Russell Jack, Robin Boyd, McGlashan Everist, Enrico Taglietti, Neville Gruzman, Bruce Rickard, Hugh Buhrich, Ian McKay, Iwan Iwanoff, Ian Collins, Richard Leplastrier, Glenn Murcott, Barrie Marshall, Ken Woolley, Lovell Chen, Wood Marsh, Andresen O'Gorman, Durbach Block, Sean Godsell, Stutchbury and Harper, Donovan Hill, John Wardle.

Christ Church, Oxford's largest and arguably grandest college, has awed visitors ever since its foundation by Cardinal Wolsey in 1525: one seventeenth-century visitor said 'it is more like some fine castle, or great palace than a College'. The already impressive site was further enhanced during the eighteenth and nineteenth centuries by ever more imposing structures, and building has continued up to the present day, sometimes following fashion, sometimes leading the way with new architectural styles. The Stones of Christ Church tells the fascinating story of the college's buildings throughout its five centuries, and of those who brought them into being, from the three great 'builder deans', John Fell, Henry Aldrich and Henry Liddell, to the humble slaters, joiners, bricklayers and stonemasons, and the materials that they worked with. The resulting buildings - Tom Tower, Peckwater Quad, Meadow Buildings and many more - are among the most iconic sights of Oxford today. Judith Curthoys, archivist at Christ Church since 1994, is also the author of The Cardinal's College (Profile, 2012), an in-depth history of this remarkable institution. Her new and impeccably researched study shows how much each generation's buildings, whether grand or humble, can tell us about the history both of the site and of those who occupied it.

This book offers the first systematic analysis of the cultural and religious appropriation of Andalusian architecture by Spanish historians during the sixteenth and seventeenth centuries. To date this process of Christian appropriation has generally been discussed as a phenomenon of architectural hybridisation. However, this was a period in which the construction of a Spanish national identity became a key focus of historical discourse. As a result, cultural hybridity encountered partial opposition from those seeking to establish cultural and religious homogeneity. Spain's Islamic past became a major concern in this period and historical writing served as the site for a complex negotiation of identity. Historians and antiquarians used a range of strategies to re-appropriate the meaning of medieval Islamic heritage as befitted the new identity of Spain as a Catholic monarchy and empire. On the one hand, the monuments' Islamic origin was subjected to historical revisions and re-identified as Roman or Phoenician. On the other hand, religious forgeries were invented that staked claims for buildings and cities having been founded by Christians prior to the arrival of the Muslims in Spain. Islamic stones were used as core evidence in debates that shaped the early development of archaeology, and they also became the centre of a historical controversy about the origin of Spain as a nation as well as its ecclesiastical history.

Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city been has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. The Ordinary articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city-Denise Scott Brown's Learning from Las Vegas (1972), Rem Koolhaas's Delirious New York (1978), and Yoshiharu Tsukamoto's Made in Tokyo (2001)-this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.

'An extraordinary achievement . . . gripping, grim and witty' Robert MacFarlane 'A kind of apocalyptic Super Size Me, in which the author force feeds himself a steady diet of paranoia, conspiracy, eschatology and end-times architecture' The Guardian Today, the bunker has become the extreme expression of our greatest fears: from pandemics to climate change and nuclear war. And once you look, it doesn't take long to start seeing bunkers everywhere. In Bunker, acclaimed urban explorer and cultural geographer Bradley Garrett explores the global and rapidly growing movement of 'prepping' for social and environmental collapse, or 'Doomsday'. From the 'dread merchants' hustling safe spaces in the American mid-West to eco-fortresses in Thailand, from geoscrapers to armoured mobile bunkers, Bunker is a brilliant, original and never less than deeply disturbing story from the frontlines of the way we live now: an illuminating reflection on our age of disquiet and dread that brings it into new, sharp focus. The bunker, Garrett shows, is all around us: in malls, airports, gated communities, the vehicles we drive. Most of all, he shows, it's in our minds.

Prototyping is an essential part of the designer's repertoire. Designers prototype their projects to test them, structurally, aesthetically, technically. Whether the prototype works or not is not the point: prototyping is the revelatory process through which the designer gains insight. There are three reasons why contemporary prototyping techniques are transforming the way architects design and build: 1) at a miniature scale, prototyping aids the architect in the presentation to clients of complex spatial ideas; 2) prototyping empowers the architect-designer to test and prove a building's feasibility, leading to more open-minded construction solutions; 3) whether additive (3D printing) or subtractive (robotic milling), prototyping can lead to unexpected and exciting new possibilities within design as a whole, across design disciplines, thus blurring the boundaries between them in highly creative ways. The book has four sections: an introduction that charts the rise of prototyping in design history, more specifically in architecture; an overview of techniques; a survey section featuring 30 projects, each presented through texts drawn from first-hand interviews, on-site photographs and drawings; and a reference section, which includes a glossary of technical terms.

This revised edition of "Buildings of Michigan" (first published in 1993) presents the architecture of the Upper and Lower peninsulas of Michigan, which are surrounded by four of the Great Lakes. From the Greek, Gothic, Italianate, Queen Anne, and Richardsonian Romanesque structures of the nineteenth century to the international, renowned modern buildings of the mid-twentieth century and the green and sustainable buildings of the twenty-first century, this book explores Michigan's history and covers the full spectrum of high-style and vernacular architecture and the building materials particular to the state.

Surveying the architecture of Detroit and many other cities and villages, this volume examines such structures as early inns and houses along the Sauk Trail, the mine locations of the Copper and Iron ranges, the sandstone architecture of the Lake Superior region, the concrete buildings of Alpena, lighthouses and lifesaving stations of the Upper Great Lakes, the state's numerous bridges, the great houses of automobile industrialists in Grosse Pointe, the factories of Albert Kahn, the mid-twentieth-century buildings of Alden B. Dow and Minoru Yamasaki, and contributions of numerous local architects who have added to Michigan's architectural heritage.

This new edition introduces buildings from the recent past and the present; discusses broad, sweeping cultural landscapes, historical parks, greenways, and linear parks; and showcases triumphs in historic preservation. As Detroit transforms itself from a city with a declining population and without the economic stability of the automobile industry, the book looks at how the city is reinventing itself. (Examples include Midtown, where the huge medical, academic, and cultural centers spark residential and retail development; the Detroit riverfront, which connects to open land converted to gardens, parks, and greenways; the viable close-in historic Woodbridge and Corktown neighborhoods, where residents have stayed; and Ford Field, Comerica Park, and the downtown theaters and casinos that entertain visitors.) Linkages of buildings by geography and theme receive attention. Heritage areas, river corridors, and highway routes arrange buildings and natural areas into comprehensible groups, and over 400 illustrations--including photographs, maps, and drawings--enhance the more than 950 entries.

A volume in the Buildings of the United States series of the Society of Architectural Historians