This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.

A lost sketch book on a Portuguese castle rampart left Manuel Joao Ramos bereft, and the impulse to draw deserted him - but his first trip to Ethiopia reawakened this pleasure, so long denied. Drawing obsessively and free from care, his rapidly caught impressions convey the rough edges of the intensely lived experiences that are fundamental to the desire to travel. For the travel sketch is more than a record or register of attendance (`been there, seen that'): it holds invisibly within itself the remnant of a look, the hint of a memory and a trace of an osmosis of feelings between the sketcher and the person or objects sketched. Less intrusive than using a camera, Ramos argues drawing comprises a less imperialist, more benign way of researching: his sketchbook becomes a means of communication between himself and the world in which he travels, rendering him more human to those around him. As he journeys through the Ethiopian Central Highlands, collecting historical legends of the power struggles surrounding the arrival of the first Europeans in the mid-sixteenth century, he is drawn to the Portuguese legacy of castles, palaces and churches, near ruins now, though echoes of their lost splendour are retained in oral accounts. Excerpts from his diary, as well as journalistic pieces, share the conviviality of his encounters with the priests, elders and historians who act as custodians of the Amhara oral tradition. Their tales are interwoven with improvised, yet assured, drawings, and this informality of structure successfully retains the immediacy and pleasure of his discovery of Ethiopia. It also suggests the potential for drawing to play a more active part in anthropological production, as a means of creating new narratives and expositional forms in ethnography, bringing it closer to travel writing or the graphic novel.

How to Read Modern Buildings is an indispensable pocket-sized guide to understanding the architecture of the modern era. It takes the reader on a guided tour of modern architecture through its most iconic and significant buildings, showing how to read the hallmarks of each architectural style and how to recognise them in the buildings all around. From Art Deco and Arts and Crafts, through the International Style and Modernism to today's environmental architecture and the rise and fall of the icon, all the major architectural movements from the 1900s to the present day are traced through their classic buildings. Examining the key architectural elements and hidden details of each style, we learn what to look out for and where to look for it. Packed with detailed drawings, plans, and photographs, this is both a fascinating architectural history and an effective I-spy guide, it is a must-read for anyone with an interest in modern design and architecture.

This book covers new strategies, technology and methods for creating advanced architectural scale models, including the principles of digital NURBS modeling, parametric modeling and model manufacturing. Offers numerous tutorials, examples and practical advice.

Once a major whaling center, Nantucket today draws thousands to its New England shores as one of America's leading summer resorts. The author gives guided tour of the homes of such noted families as the Macys, the Folgers and the Starbucks.

Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals.Volume I covers architecture from antiquity through Egyptian, Mayan, Greek, Roman, Medieval, Inkan, Gothic and early Renaissance eras and styles. The themes that are covered range from symbolism and proportion to measurement and structural stability. From Europe to Africa, Asia and South America, the chapters span different countries, cultures and practices.

The World in One School explores in text and image the global influence of Britain's oldest University School of Architecture, exploring the history of the School and what its teachers and graduates have achieved internationally in designing and constructing the architecture of the world. Under the leadership of Sir Charles Reilly, architects such as Herbert Rowse and Harold Dod worked in the American Beaux Arts style and this became the house style of the School that is reflected in numerous Liverpool landmarks. Exported worldwide, what became known as the 'Liverpool Manner' brought a distinctive style to major buildings across the globe. Students at the School came from all corners of the world and, equally, were sent on international practice placements. In the years between the two world wars, American architectural practices were prominent in this movement - for example, McKim, Mead and White; Corbett, Harrison and McMurray; and Carrer and Hastings. Later, under Lionel Budden, the School moved into the forefront of the Modernist movement, with architects such as Edwin Maxwell Fry and George Checkley drawing inspiration from the works of Le Corbusier and Mies van der Rohe. Other graduates of the School, such as William (Lord) Holford and Gordon Stephenson made major worldwide contributions to the field of city and regional planning. The World in One School is a remarkable story of a School with a long history of honours and awards, including six Royal Gold Medals for Architecture to its graduates and staff: Sir Charles Reilly, Sir Patrick Abercrombie, Lord Holford, Edwin Maxwell Fry, Sir James Stirling and Colin Rowe.

The strange cries heard at night in a dilapidated penitentiary, the glimpse of a `White Lady' floating through a graveyard, the face at the window in a room that has been locked for decades - stories of hauntings never cease to intrigue us. From palaces to prisons, from an 11th century chateau in France to 'The Island of the Dolls' in Mexico City, Haunted Places features the world's most fascinating spooky locations. Some hauntings are recent, others are ancient, but all the stories are striking: from the deceased monks who pace the boundaries of a ruined former priory, to the lift operator in a Canadian hotel still working his shift decades after he died, to the infamous Vlad the Impaler, who haunts a Romanian castle where he was imprisoned for seven years. With tales of the `Mad Old Woman' who searches Highgate cemetery in London for the children she supposedly murdered to strange laughter heard at night, from apparitions to floating orbs to radios suddenly changing station, Haunted Places features 150 outstanding photographs of haunted sites. Each eerie photograph is accompanied by a caption explaining the story of the haunting, from tragic accidents to brutal murders, from executions to disease and other sorrowful endings.

The cool board patios, thick adobe walls, soft warm-coloured tile rooves and large flat tile floors or the early American settlers' homes were well suited to comfortable living and have had a great effect upon present day architecture. The photographs and floor plans of homes, interiors and gardens, along with public and commercial buildings of the Santa Barbara of the 1920s, are an inspiration for those building and decorating in the adobe and other Hispanic styles.

Sport and architecture are two of the social practices in contemporary life with the broadest impact on the world around us. The role architecture plays in shaping buildings and societies has occupied historians, critics, and urban theorists for centuries. Likewise the cultural, economic, and political importance of sport is the subject of sustained and substantial inquiry. When sport and architecture converge, as in the recent London Olympics or current preparations in Brazil for the 2014 World Cup, then the impact of these two forms of social activity is redoubled.

In spite of the myriad examples of the rich and complex relationship between sport and architecture, there is a relative paucity of scholarly work exploring that relationship. This volume seeks to begin filling that gap in the scholarly literature. It explores the history of sports architecture and examines the types of buildings and events that create sites where sport and architecture converge in particularly telling ways. By considering the importance of architectural form alongside key themes such as urban redevelopment, nationalism, social activism, identity, and global capitalism, this book represents a landmark study for anybody interested in the social and cultural significance of architecture or sport.

Eighteen lighthouses still stand in the Carolinas, from Currituck Lighthouse near the Virginia border down to Haig Point Lighthouse near the border with Georgia. Author Zepke tells how they were built and how they have weathered hurricanes, erosion, and neglect. Some are open to visitors; others can be seen from the coast or on a passing boat. In this second edition, all the travel guide information is updated, along with new sections on light keepers, the U.S. Lighthouse Board, and a timeline.

What were Socialist Spaces? The Eastern Bloc produced distinctive spaces, some of which were fashioned from ideological templates, such as the monumental parade grounds and Red Squares where communist leaders could receive tributes, or new factory cities with towering chimneys and glittering palaces of culture. But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War?This book explores the representation, meanings and uses of space in the socialist countries of Eastern Europe and the Soviet Union between 1947 and 1991. The essays - written from different disciplinary perspectives - investigate the extent to which actual spaces conformed to the dominant political order in the region. Should, for instance, the creation of private spaces, such as the Russian dacha and the Czech chata, be understood as acts of appropriation in which lives were fashioned against the collective or, alternatively, as 'gifts' given by the State in return for quiescence? Whilst monuments and public spaces were designed to relay official ideology, one of the most notable features of the events that marked the end of the Bloc was the way that they became sites of dissent. Examining the myriad ways in which space was used and conceived within socialist society, this book makes an essential contribution to Eastern European and Soviet Studies and provides significant new angles on the factors that underpinned socialism's eventual downfall.

Achieving Sustainable Urban Form represents a major advance in the sustainable development debate. It presents research which defines elements of sustainable urban form - density, size, configuration, detailed design and quality - from macro to micro scale. Case studies from Europe, the USA and Australia are used to illustrate good practice within the fields of planning, urban design and architecture.

Abandoned unfinished and left to rot on Venice's Grand Canal, `il palazzo non finito' was once an unloved guest among the aristocrats of Venetian architecture. Yet in the 20th century it played host to three passionate and unconventional women who would take the city by storm. The staggeringly wealthy Marchesa Luisa Casati made her new home a belle epoque aesthete's fantasy and herself a living work of art; notorious British socialite Doris Castlerosse (nee Delevingne) welcomed film stars and royalty to glittering parties between the wars; and American heiress Peggy Guggenheim amassed an exquisite collection of modern art, which today draws visitors from around the world. Each in turn used the Unfinished Palazzo as a stage on which to re-fashion her life, with a dazzling supporting cast ranging from D'Annunzio and Nijinsky, through Noel Coward, Winston Churchill and Cecil Beaton, to Yoko Ono. Individually sensational and collectively remarkable, these stories of modern Venice tell us much about the ways women chose to live in the 20th century.