The most influential 20th century architects espousing modernism are brought together in critical discussion and independent profiles. This is accomplished through a short but discriminating examination of each architect's design work, an essay outlining the historical course and events that confirms his or her vital position, and a substantial bibliography at the completion of each profile. This sourcebook examines the life and creative activities of such founding architects as Wright, Eisenman, Van der Rohe, and Kahn, as well as their disciples. This volume will be of interest to social and cultural historians, scholars, students of all ages, architects, and the appreciative lay audience.

The architects and or firms chosen for the sourcebook were selected as a result of many years of research that required extensive reading of materials by respected experts. From such research, the editors were able to determine the individuals or groups who have been most influential in charting the course of a Westernized modern architecture. From evidence of their productive activities--proof in timber--there is a consensus that each made a unique contribution. The nature and measure of the contribution is discussed within each profile. Those whose reputations are based on paper only, with few buildings to prove their worth, are not included. The editors believe that architecture is an experiential art: all the senses must participate, and that requires the actual built product.

Teaches the principles behind the successful planning and creation of inspired built forms and urban places This book offers an integrated understanding of both the principles and the perception of the design of built environments and public spaces. It outlines the fundamental characteristics that are evident in the creation of built form and illustrates how they determine the experience of resultant places. It also consolidates the key criteria that need to be taken into consideration in the development of these areas. All of the above-mentioned aims to provide designers with a solid understanding of the implications of their decisions on perception and behavior during the creation of new spaces. Design and Order: Perceptual experience of built form - Principles in the Planning and Making of Place starts by examining the designing of natural environments and the affect that they have on humans. It teaches readers how people experience and are shaped by a space--via their eyes, brain, and overall perception. It then instructs on proper grammar of form and syntax so that designers can understand how to pursue design processes systematically. The book then takes readers through this process of designing, informing them on the principles of form, function, configuration, communication, organization, color and contrasts, building structures, good practice and more. Seeks to improve the methodological approach to the planning and design of buildings Broadly address all of the functions that impact the realization of new built and urban form Outlines the fundamental characteristics that are evident in the design of built forms and illustrates how these characteristics determine the experience of the resultant places Comprehensively covers the ideas, principles, and the perception of design Teaches designers to make informed decisions about applying or discarding principles when creating spaces. Design and Order is a unique book that will appeal to students and professionals in architecture, urban design and planning, as well as designers and developers.

Living and working in extra-terrestrial habitats means being potentially vulnerable to very harsh environmental, social, and psychological conditions. With the stringent technical specifications for launch vehicles and transport into space, a very tight framework for the creation of habitable space is set. These constraints result in a very demanding "partnership" between the habitat and the inhabitant. This book is the result of researching the interface between people, space and objects in an extra-terrestrial environment. The evaluation of extra-terrestrial habitats in comparison to the user's perspective leads to a new framework, comparing these buildings from the viewpoint of human activity. It can be used as reference or as conceptual framework for the purpose of evaluation. It also summarizes relevant human-related design directions. The work is addressed to architects and designers as well as engineers.

Nordic Classicism presents the first English-language survey of an important yet short-lived movement in modern architectural history. It was through the Nordic classical movement that Scandinavian architecture first attracted international attention. It was the Nordic Pavilions, rather than Le Corbusier's modernism, which generated most admiration at the 1925 World Fair, and it was the Nordic classical architects - including Gunnar Asplund, Sigurd Lewerentz, and Alvar Aalto - who went on to establish Scandinavia's reputation for modern design. Yet this brief classsical movement was quickly eclipsed by the rise of international modernism, and has often been overlooked in architectural studies. The book explores the lives and works of various key contributors to Nordic classicism - with eleven chapters each focussing on a different architect and on one of the period's outstanding works (including the Stockholm Central Library, the Resurrection Chapel, and the Woodland Cemetery). Famous architects and their works are examined alongside many lesser-known examples, to provide a comprehensive and in-depth account. As we approach the centenary of many of the events to which the book refers, now is a timely opportunity to explore the key themes of the Nordic classical movement, its architects, their buildings and the social and cultural changes to which they were responding.

"Sixteenth-Century Italian Art" is a first-rate collection of the major classic and contemporary writings on the Italian Renaissance. Taking a thematic approach, the book exemplifies the traditional concerns of the field and presents arguments in a clear, accessible way.
A stellar collection of 23 classic and recent essays on the art and architecture of this fascinating period in art history
Brings together in a single volume, important literature on sixteenth-century Italian art from the last half century, highlighting major topics of recent art historical studies
Introduces major topics and debates in the field, including pagan mysteries, nature and artifice, the art of the body, and "reformations" of art, theory and practice
Includes new translations of texts never previously published in English
Organized thematically, and features substantial editorial introductions, making this anthology ideal for course use.

Simplified Structural Analysis and Design for Architects covers the basics of structural analysis and design in clear, practical terms. The book clarifies complex engineering topics through accessible, detailed examples and sample problems. Early chapters discuss the principles of statics, strength of materials, and structural analysis which represent the underlying basic material of structures and structural technology. The second part of the text focuses on steel structures, wood structures, and concrete structures, and outlines the design methods of some structural elements in a simplified manner and using some typical design examples. This edition includes two new chapters on the analysis of indeterminate structures and the simplified analysis of concrete indeterminate structures, as well as clearer figures and tables printed throughout. The final chapters of the book discuss the analysis of indeterminate structures. Concise and to the point, Simplified Structural Analysis and Design for Architects is particularly suitable for undergraduate and graduate architecture courses and courses in structural technology. The book is also a useful tool for practicing architects wishing to review the topic, and architecture graduates who are preparing for the licensing examination.

This is a unique reference tool for finding images of approximately 7,000 architectural works reproduced in more than 100 books likely to be available in libraries with architectural collections. The index is international in coverage; includes a variety of architectural, engineering, and planning works; and covers most historical periods and styles. Citations to reproductions of exterior and interior views, plans, sections, and elevations are provided, and access is enabled by building site, architect, type of work, and name of work indexes. The index is organized into four parts. Part I, the Site Index, is the principal index and lists architectural works alphabetically according to specific location. For each work, the following information is provided, if available: name of work, alternate names, date of work, architect(s), and citation information organized according to exterior view, interior view, plan, section, or elevation. The Architect Index, Part II, lists alphabetically the architects, engineers, planners, and others responsible for works cited in Part I. A typical listing provides the name of the architect, other names by which he or she is known, life dates, and the works listed alphabetically with their sites. The third part organizes the works according to particular type of building or structure. Part IV, the Work Index, lists names and alternate names of works and parts of works, as revealed in the indexed sources. The books indexed for this unique reference work were selected to form a representative survey of the major periods of architectural history. World Architecture Index is a unique reference and research tool that will be welcomed by students and scholars of architecture, art history, civil engineering, interior design, landscape architecture, urban planning, and world history.

Small garages and service stations are a vital – but fast disappearing – part of Britain’s automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book.

You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself?

In the spirit of Ed Ruscha’s Twenty-six Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he’s travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings.

As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared – and the ‘garage’ was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilized – churches, cinemas, railway arches, fire stations, shops, factories – all proved versatile enough to find second lives as garages.

As the era of the combustion engine draws to a close, Butler’s enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.