Belief in the Heavenly nature of geometrical forms has existed since prehistoric times, but only now, in these pages, can we see and understand how this belief inspired the design of a great religious building. Without mathematical complexities, but in simple language and with many clarifying illustrations, the author demonstrates the geometrical constructions that the great architects of Canterbury Cathedral devised to bring the geometry of their building into harmony with that of the Universe, and with the geometries of their predecessors. The secret but simple means that they must have used to transfer plans to scale from parchment to building site is also brought to light, as is the geometry and remarkable history of the Cathedral's superb "marble pavement: .

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.

Based on a thorough examination of buildings, inscriptions, archival documents and hagiographies, this book uncovers the political significance of Bektashi shrines in the Ottoman imperial age. It thus provides a fresh and comprehensive account of the formative process of the Bektashi order, which started out as a network of social groups that took issue with Ottoman imperial policies in the late fifteenth century, was endorsed imperially as part of Bayezid II's (r. 1481-1512) soft power policy, and was kept in check by imperial authorities as the Ottoman approach to the Safavid conflict hardened during the rest of the sixteenth century. This book demonstrates that it was a combination of two collective activities that established the primary parameters of Bektashi culture from the late fifteenth century onwards. One was the writing of Bektashi hagiographies; they linked hitherto distinct social groups (such as wandering dervishes and warriors) with each other through the lives of historical figures who were their patron saints, idols and identity markers (such as the saint HacAE+/- BektaAY and the martyr Seyyid Gazi), while incorporating them into Ottoman history in creative ways. The other one was the architectural remodelling of the saints' shrines. In terms of style, imagery and content, this interrelated literary and architectural output reveals a complicated process of negotiation with the imperial order and its cultural paradigms. Examined in more detail in the book are the shrines of Seyyid Gazi and HacAE+/- BektaAY and associated legends and hagiographies. Though established as independent institutions in medieval Anatolia, they were joined in the emerging Bektashi network under the Ottomans, became its principal centres and underwent radical architectural transformation, mainly under the patronage of raider commanders based in the Balkans. In the process, they thus came to occupy an intermediary socio-political zone between the Ottoman empire and its contestants in the sixteenth century.

Near the end of the nineteenth century Standard Oil millionaire Henry Morrison Flagler ventured to St. Augustine, Florida, America's Oldest City, and transformed it into an exotic travel destination for the social elite. He raised magnificent, fanciful Spanish Renaissance hotel palaces on what had been orange grove and salt marsh. Then he connected his creation with the outside world by building a modern railroad system. Flagler's hotels stand as monuments to innovation in architecture and engineering. They were the first large buildings in the United States constructed of poured concrete, and they pioneered use of novel amenities like electric lights, steam heat, and elevators. They are still a vital part of modern St. Augustine. The Ponce de Leon, Flagler's preeminent hotel, now houses Flagler College; the Alcazar now holds the City Hall and the Lightner Museum. Only the Casa Monica (previously called the Cordova) is presently a hotel.

Latin American Modern Architectures: Ambiguous Territories has thirteen new essays from a range of distinguished architectural historians to help you understand the region s rich and varied architecture. It will also introduce you to major projects that have not been written about in English. A foreword by historian Kenneth Frampton sets the stage for essays on well-known architects, such as Lucio Costa and F lix Candela, which will show you unfamiliar aspects of their work, and for essays on the work of little-known figures, such as Uruguayan architect Carlos G mez Gavazzo and Peruvian architect and politician Fernando Bela nde Terry. Covering urban and territorial histories from the nineteenth and twentieth centuries, along with detailed building analyses, this book is your best source for historical and critical essays on a sampling of Latin America's diverse architecture, providing much-needed information on key case studies.

Contributors include Noem Adagio, Pedro Ignacio Alonso, Luis Casta eda, Viviana d Auria, George F. Flaherty, Mar a Gonz lez Pend s, Cristina L pez Uribe, Hugo Mondrag n L pez, Jorge Nudelman Blejwas, Hugo Palmarola Sagredo, Gaia Piccarolo, Claudia Shmidt, Daniel Talesnik, and Paulo Tavares.

There was a time seven centuries ago when Famagusta's wealth and renown could be compared to that of Venice or Constantinople. The Cathedral of St Nicholas in the main square of Famagusta, serving as the coronation place for the Crusader Kings of Jerusalem after the fall of Acre in 1291, symbolised both the sophistication and permanence of the French society that built it. From the port radiated impressive commercial activity with the major Mediterranean trade centres, generating legendary wealth, cosmopolitanism, and hedonism, unsurpassed in the Levant. These halcyon days were not to last, however, and a 15th century observer noted that, following the Genoese occupation of the city, 'a malignant devil has become jealous of Famagusta'. When Venice inherited the city, it reconstructed the defences and had some success in revitalising the city's economy. But the end for Venetian Famagusta came in dramatic fashion in 1571, following a year long siege by the Ottomans. Three centuries of neglect followed which, combined with earthquakes, plague and flooding, left the city in ruins. The essays collected in this book represent a major contribution to the study of Medieval and Renaissance Famagusta and its surviving art and architecture and also propose a series of strategies for preserving the city's heritage in the future. They will be of particular interest to students and scholars of Gothic, Byzantine and Renaissance art and architecture, and to those of the Crusades and the Latin East, as well as the Military Orders. After an introductory chapter surveying the history of Famagusta and its position in the cultural mosaic that is the Eastern Mediterranean, the opening section provides a series of insights into the history and historiography of the city. There follow chapters on the churches and their decoration, as well as the military architecture, while the final section looks at the history of conservation efforts and assesses the work that now needs to be done.

Managing Wildlife Habitat on Golf Courses is written for those who care about golf and the environment. It provides a practical framework for environmentally sensitive land management practices. This book is the perfect resource for anyone striving to maintain the traditions of the game, enhance the natural environment of their golf course, and gain support for their efforts.

This book provides an up-to-date overview of the various wood and tree fungi that damage trees, lumber, and timber. Special focus is given to identification, prevention, and remediation techniques, and the book bridges the gap between research and application. It covers the fundamentals of cytology and morphology.

There is a more practical section describing damage by viruses and bacteria on trees. The habitats of wood fungi are described as well as tree care. Important tree pathogens and wood decay fungi are characterized for prevention and identification. The final section focuses on the positive effects of wood-inhabiting microorganisms.

From ancient palaces and glorious cathedrals, to futuristic homes and striking skyscrapers, architecture continues to play an important role in the development of history and culture. Architecture Inside + Out examines fifty of the world's most impressive buildings and uncovers their structural secrets through detailed illustrations, while clear and accessible text places each building in its context. By researching original plans, notes and drawings, this book reveals the expertise and original intentions behind these magnificent creations, simulating the experience of spending time with the architects themselves. However, a building truly comes alive once it is inhabited, and Architecture Inside + Out also looks beyond the bricks and mortar to explore the principal spaces within. Photographs of striking interiors enable readers to scrutinize the most awe-inspiring aspects of these structures. The reader will discover how ancient wonders, such as the Parthenon and Colosseum, were constructed; learn the colour-coding behind the exposed skeleton of the Centre Pompidou in Paris; understand the vision behind the Brutalist housing complex, Habitat 67, in Canada; and take a tour through the Capitol Building in Washington, the seat of the United States Congress.

In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design and reappraises mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life.

This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism 's ordinary denizens, and how this role informs their legacy today.

Recent years have seen major changes in the approach to Computer Aided Design (CAD) in the architectural, engineering and construction (AEC) sector. CAD is increasingly becoming a standard design tool, facilitating lower development costs and a reduced design cycle. Not only does it allow a designer to model designs in two and three dimensions but also to model other dimensions, such as time and cost into designs.

Computer Aided Design Guide for Architecture, Engineering and Construction provides an in-depth explanation of all the common CAD terms and tools used in the AEC sector. It describes each approach to CAD with detailed analysis and practical examples. Analysis is provided of the strength and weaknesses of each application for all members of the project team, followed by review questions and further tasks.

Coverage includes:

• 2D CAD
• 3D CAD
• 4D CAD
• nD modelling
• building Information Modelling
• parametric design, virtual reality and other areas of future expansion.

With practical examples and step-by step guides, this book is essential reading for students of design and construction, from undergraduate level onwards.

This collection of essays by leading scholars and practitioners addresses a timely and essential question: How can we design, plan, and sustain built environments that will foster health and healing? With a salutogenic (health-promoting) focus, Healthy Environments, Healing Spaces addresses a range of contemporary issues, including health equity, biophilic cities, healthcare facility design, environmental health, aging in place, and food systems planning.

In this first full-length study devoted explicitly to the examination of Ottoman/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, Nebahat Avcioglu rethinks the question of cultural frontiers not as separations but as a rapport of heterogeneities. Reclaiming turquerie as cross-cultural art from the confines of the inconsequential exoticism it is often reduced to, Avcioglu analyses hitherto neglected images, designs and constructions; and links Western interest in the Ottoman Empire to notions of self-representation and national politics. In investigating why and to what effect Europeans turned to the Turk for inspiration, Avcioglu provides a far-reaching cultural reinterpretation of art and architecture in this period. Presented as a series of case studies focusing on three specific building types"kiosks, mosques, and baths"chosen on the basis that each represents the first full-fledged manifestations of their respective genres to be constructed in Western Europe, the study delves into the cultural politics of architectural forms and styles. The author argues that the appropriation of those building types was neither accidental, nor did it merely reflect European domination of another culture. The process was essentially dialectical, and contributed to transculturation in both the West and the East.

Combining place and fiction in an imaginative interpretation of ten sites in the city of London, CJ Lim and Ed Liu take well-known institutions, epochs and lifestyles in the British capital and renders them fantastic in a string of architectural short stories. The medium is an intersection of paper assemblages with short stories. The stories have been exhibited at the Royal Academy of Arts and the Victoria and Albert Museum but are collected for the first time in a single volume, laid out as they were designed to be seen as one phantasmogoric city vision. Painstakingly constructed, the stories assemble a sequence of improbable marriages between architecture and story, encompassing a retelling of the Three Little Pigs at Smithfield, a dating agency at Battersea, and a ringed transport system manifesting as a celestial river over the great metropolis. Drawing on a wealth of literary symbolism from Carroll's Alice in Wonderland to Dickens's A Tale of Two Cities and imbued with humour and irony, the book builds on London's rich mix of extravagance and fictive tradition. Enthralling, inspirational and entertaining, this cabinet of curiosity and wonder depicts a vision of the city that is immoral, anarchic, and unscientific, and at the same time, glorious, ravishing and a pleasure to behold.

This book extends the concept of British vernacular architecture beyond its traditional base of pre-modern domestic and industrial architecture to embrace other buildings such as places of worship, villas, hospitals, suburban semis and post-war mass housing. Engaging with wider issues of social and cultural history, this book is of use to anyone with an interest in architectural history. Presented in an essentially chronological sequence, from the medieval to the post-war, diverse fresh viewpoints in the chapters of this book reinforce understanding of how building design emerges not just from individual agency, that is architects, but also from the collective traditions of society.

Architecture is more than buildings and architects. It also involves photographers, writers, advertisers and broadcasters, as well as the people who finance and live in the buildings. Using the career of the critic J. M. Richards as a lens, this book takes a new perspective on modern architecture. Richards served as editor of The Architectural Review from 1937 to 1971, during which time he consistently argued that modernism was integrally linked to vernacular architecture, not through style but through the principle of being an anonymous expression of a time and public spirit. Exploring the continuities in Richards's ideas throughout his career disrupts the existing canon of architectural history, which has focused on abrupt changes linked to individual 'pioneers', encouraging us to think again about who is studied in architectural history and how they are researched. -- .