Architects have been intrigued by prefabricated construction since the early twentieth century. Recent advances in design, engineering and manufacturing processes have led to a significant expansion in the use of pre-assembled components, which are fitted to finished structures on site. Collectively, such processes are becoming known as "offsite construction." A ground-breaking text, Offsite Architecture establishes the current - and future - state of thinking in this field. A range of the most highly regarded thinkers and practitioners from around the globe share their ideas and practical findings on offsite prefabrication, examining theory and practice, opportunities and challenges, successes and failures. A timely response to the growing interest in this method, the book provides the fundamental basis for a critical, reflective approach to offsite architecture. Contributions from both academics and professionals make Offsite Architecture required reading for practitioners as well as students taking courses in architecture, prefabrication, construction and engineering.

Emilio Sanchez Fonts (1921-1999) was a Cuban American artist known for his architectural paintings, drawings, and graphic prints of New York, Latin America, and the Caribbean. As a realist artist, he was attracted to folklore and the vernacular, with architectural scenes of everyday life taking preference over the great historical narratives of western civilization. His keen eye and remarkable ability to edit incidental elements also made him a painter of dreamlike architectural enigmas, as if the buildings he depicted existed only in memory. Sanchez's work is in the permanent collections of many institutions, including the Metropolitan Museum of Art (New York), the Boston Museum of Fine Arts, the Brooklyn Museum of Art, the Hirshhorn Museum and Sculpture Garden (Washington DC), the Museo Nacional de Bellas Artes de La Habana (Havana), the Museo de Arte Moderno (Bogota), and the Philadelphia Museum of Art. He received First Prize at the 1974 San Juan Biennial in, Puerto Rico, and was awarded the CINTAS Fellowship in the Visual Arts (1989-90). His remarkable story, like that of his tragic country, is a tale of powerful contrasts, intense light, and mysteriously penetrating shadows.

For thousands of years, humans have built walls and assaulted them, admired walls and reviled them. Great Walls have appeared on nearly every continent, the handiwork of people from Persia, Rome, China, Central America, and beyond. They have accompanied the rise of cities, nations, and empires. And yet they rarely appear in our history books.

Spanning centuries and millennia, drawing on archaeological digs to evidence from Berlin and Hollywood, David Frye uncovers the story of walls and asks questions that are both intriguing and profound. Did walls make civilization possible? Can we live without them?

This is more than a tale of bricks and stone: Frye reveals the startling link between what we build and how we live, who we are and how we came to be. It is nothing less than the story of civilization.

"War Memorials as Political Landscape" critiques the social meaning of war memorials and their role in political and historical landscapes. Mayo argues that war memorials not only reflect the political history of a nation, but also that these memorials are mechanisms to symbolize and justify history. He posits that the presence or absence of commemoration for America's wars is largely explained by the war's importance in establishing the nation's symbolic identity as a political state and by the number of those who died in that war.

The Oxford Handbook of Transcendentalism offers an ecclectic, comprehensive interdisciplinary approach to the immense cultural impact of the movement that encompassed literature, art, architecture, science, and politics.

The literature and art of Augustan Rome are often thought of as the product of an age of high classicism, characterized by maturity, balance, and harmony. This volume examines the presence of what might be seen as an unclassical love of paradox and the marvellous, and shows that it is an important strain in the poetry of Virgil, Horace, and Ovid, as well as in prose works of history and rhetoric, and in the Augustan visual arts. The volume includes chapters by some of the leading experts in the Augustan period as well as a number of younger scholars. It will be of interest to all students of Roman literature and culture.

This important study introduces the key theories of national identity, and relates them to the broad fields of product, graphic and fashion design. Javier Gimeno-Martinez approaches the inter-relationship between national identity and cultural production from two perspectives: the distinctive characteristics of a nation's output, and the consumption of design products within a country as a means of generating a national design landscape. Using case studies ranging from stamps in nineteenth century Russian-occupied Finland, to Coca-Cola as an 'American' drink in modern Trinidad and Tobago, he addresses concepts of essentialism, constructivism, geography and multiculturality, and considers the works of key theorists, including Benedict Anderson, Eric Hobsbawm and Doreen Massey. This illuminating book offers the first comprehensive account of how national identity and cultural policy have shaped design, while suggesting that traditional formations of the 'national' are increasingly unsustainable in an age of globalisation, migration and cultural diversity. Javier Gimeno-Martinez is Lecturer in Design Cultures at the VU University Amsterdam, The Netherlands.

This book presents selected papers from The 1st International Conference on Computational Design and Robotic Fabrication (CDRF 2019). Focusing on novel architecture theories, tools, methods, and procedures for digital design and construction in architecture, it promotes dialogs between architecture, engineer, computer science, robotics, and other relevant disciplines to establish a new way of production in the building industry in the digital age. The contents make valuable contributions to academic researchers and engineers in the industry. At the same time, it offers readers new ideas for the application of digital technology.

A photographic celebration of the unique look of Ibiza architecture, including houses, bars, beach clubs, restaurants, hotels in the most beautiful locations. This is a new guide to Ibiza created from a photographic viewpoint, seeking the appeal of the locations through the eyes of a unique artist with his camera. All of the photographs in this book are brand new commissions. Ibiza is an island of magical contrasts that reflect the passage of time through its history, colonisations and its people of different roots, customs and ways of understanding its particular environment. The island is bathed in a magical light, accentuating the deep blue of the sky and the turquoise of the sea. Conrad White's photography was featured in Loft's previous book on this subject: Ibiza: Blackstad Houses (ISBN 978 849936 906 8) which was launched to great acclaim at the Architectural Association's London School of Architecture in February 2013. In the author’s own words, “the camera is my brush, and the light is my colour�.

This book is a history of the architecture produced in Turkey under the Ottoman Empire. It focuses on extant buildings in the Republic of Turkey, particularly those in Istanbul and the empire's earlier capitals in Bursa and Edirne. The book begins with a brief history of the Ottoman Empire, followed by an outline of the main features of Ottoman architecture and its decoration, then a brief biography of the great Ottoman architect Sinan. Successive chapters follow the development of Ottoman architecture from 1453 until 1923. The book is intended for the general reader with an interest in architecture, especially that of the Ottoman Turks, whose culture has left its mark not only on Turkey, but in the Balkans and throughout the Middle East.

Structural Analysis of Historic Buildings offers the most’ complete, detailed, and authentic data available on the materials, calculation methods, and design techniques used by architects and engineers of the nineteenth and early twentieth centuries. It provides today’s building professionals with information needed to analyze, modify, and certify historic buildings for modern use. Among the many important features of this book not available in any other single volume are:

• More than 350 line drawings and diagrams taken directly from original sources such as the Carnegie Steele Company’s Pocket Companion (1893) and Frank Kidder’s The Architect’s and Builder’s Pocketbook (1902)
• Hard-to-find data on period structural components, such as cast-iron columns and beams, wrought-iron columns and beams, and fireproof terra cotta floor arches
• Methods for determining what kind of loads structural components were originally designed to bear and methods to determine if they are still capable of performing as intended
• Extensive coverage of historical foundation systems and empirical design methods for load-bearing masonry buildings

Take the first step to creating the home of your dreams . . . We all love our homes, but sometimes they can frustrate us. With underused spaces, cluttered living rooms, neglected hallways, impractical kitchens and lack of storage, the list of things we'd like to change can seem endless. In Rooms, award-winning architect Declan O'Donnell shows us how we can release our inner designer to create a home that works for the way we live. From open-plan living, to cleverly designed kitchens, home offices, extensions, attic conversions and clever storage ideas, Declan looks at common problems and solutions and, regardless of budget, helps us to channel our inner creativity to make changes to our home - to live better.

What is Architectural History? considers the questions and problems posed by architectural historians since the rise of the discipline in the late nineteenth century. How do historians of architecture organise past time and relate it to the present? How does historical evidence translate into historical narrative? Should architectural history be useful for practicing architects? If so, how? Leach treats the disciplinarity of architectural history as an open question, moving between three key approaches to historical knowledge of architecture: within art history, as an historical specialisation and, most prominently, within architecture. He suggests that the confusions around this question have been productive, ensuring a rich variety of approaches to the project of exploring architecture historically. Read alongside introductory surveys of western and global architectural history, this book will open up questions of perspective, frame, and intent for students of architecture, art history, and history. Graduate students and established architectural historians will find much in this book to fuel discussions over the current state of the field in which they work.

Childhood is an important period of contact with new things. Carefully crafted design and high-quality items are essential for a child's development. Therefore, a high-quality physical environment for children should demonstrate a huge sensitivity to the physical and mental experience of children, from the organisation of the building, to the use of materials. In this book, HIBINO SEKKEI illustrates its unique and innovative philosophy from three aspects - places for children, elements of places for children (kitchen, restroom, playground, material, colour, etc.) and things for children, such as furniture, uniforms, and stationery.

During his campaign for the presidency, one of Donald Trump's signature promises was that hewould build a "great great wall" on the border between the US and Mexico, and Mexico wasgoing to pay for it. A year and a half into his term, with only a few prototype segments erected, thewall is the 2,000-mile, multibillion-dollar elephant in the room of contemporary American life. In The Great Great Wall, architectural historian and critic Ian Volner takes a deep dive into thestory of Trump's wall. Volner follows the conception, selling, design, and construction (or lack thereof)of this expensive and consequential barrier, giving readers a detailed look at what's happening inWashington, DC, and along the border. He also travels far afield, to China, the Middle East, NorthernEngland, and back to our border to examine the barriers we've been building for centuries. Why dowe build walls? What do they reveal about human history? The Great Great Wall is an absorbing, smart, and timely book on anincredibly contentious and newsworthy topic.

The question of what architecture is answered in this book with one sentence: Architecture is space created for human activities. The basic need to find food and water places these activities within a larger spatial field. Humans have learned and found ways to adjust to the various contextual difficulties that they faced as they roamed the earth. Thus rather than adapting, humans have always tried to change the context to their activities. Humanity has looked at the context not merely as a limitation, but rather as a spatial situation filled with opportunities that allows, through intellectual interaction, to change these limitations. Thus humanity has created within the world their own contextual bubble that firmly stands against the larger context it is set in. The key notion of the book is that architecture is space carved out of and against the context and that this process is deterministic.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.