After decades of research on minds and brains and a decade of conversations with architects, Michael Arbib presents When Brains Meet Buildings as an invitation to the science behind architecture, richly illustrated with buildings both famous and domestic. As he converses with the reader, he presents action-oriented perception, memory, and imagination as well as atmosphere, aesthetics, and emotion as keys to analyzing the experience and design of architecture. He also explores what it might mean for buildings to have "brains" and illuminates all this with an appreciation of the biological and cultural evolution that supports the diverse modes of human living that we know today. These conversations will not only raise the level of interaction between architecture and neuroscience but, by explaining the world of each group to the other, will also engage all readers who share a fascination with both the brains within them and the buildings around them. Michael Arbib is a pioneer in the interdisciplinary study of computers and brains and has long studied brain mechanisms underlying the visual control of action. His expertise makes him a unique authority on the intersection of architecture and neuroscience.

This book examines the notion of 'the homely' which rests at the foundation of Gaston Bachelard's concrete metaphysics. In order to trace the development of this effaced notion through the history of contemporary Continental philosophy and literature, this study progresses along two distinct arcs. One is presented in a traditional chronological fashion whereby the reader is invited to dig down into the enormous chasm set forth in Martin Heidegger's writing and its reception; become lost in Mark Danielewski's House of Leaves; climb out from this labyrinth into the maternal home; and, finally, come slowly to rest in Gaston Bachelard's concrete metaphysics. Then a Bachelardian topoanalysis is applied to these images drawn from philosophy and literature, metaphysical and concrete expression, in order to follow a second, more significant arc along which progressively more primal spaces are uncovered. This second arc leads back, ultimately, to the foundation of concrete metaphysics: home. Through this topoanalysis the author articulates a fundamental insight about the human desire to have 'a place of one's own', a warm and comfortable, fixed and fixing space in which to set ourselves apart from the strife and turmoil of 'The World'.

In the last two centuries Britain has experienced a revolution in higher education, with the number of students rising from a few hundred to several million. Yet the institutions that drove - and still drive - this change have been all but ignored by historians. Drawing on a decade's research, and based on work in dozens of archives, many of them used for the very first time, this is the first full-scale study of the civic universities - new institutions in the nineteenth century reflecting the growth of major Victorian cities in Britain, such as Liverpool, Manchester, and Birmingham - for more than 50 years. Tracing their story from the 1780s until the 2010s, it is an ambitious attempt to write the Redbrick revolution back into history. William Whyte argues that these institutions created a distinctive and influential conception of the university - something that was embodied in their architecture and expressed in the lives of their students and staff. It was this Redbrick model that would shape their successors founded in the twentieth century: ensuring that the normal university experience in Britain is a Redbrick one. Using a vast range of previously untapped sources, Redbrick is not just a new history, but a new sort of university history: one that seeks to rescue the social and architectural aspects of education from the disregard of previous scholars, and thus provide the richest possible account of university life. It will be of interest to students and scholars of modern British history, to anyone who has ever attended university, and to all those who want to understand how our higher education system has developed - and how it may evolve in the future.

Discover the stories of some of the most breathaking and historic great houses of London, along with their secrets, in this lavishly illustrated compedium. London has a wealth of truly stunning great houses, seen by many as one of the marvels of English architecture, and yet to many their histories, their interiors and their occupants remain unknown. This book, illustrated throughout with sumptuous photography of these breathaking residences, reveals to us this secret world of riches and splendour. From the baroque and imposing magnificence of 10 Downing Street, perhaps London's most famous address, to the extraordinary Pre-Raphaelite mosaics of Debenham House to the confident, futuristic steel and glass of the Richard Rogers House in Chelsea, this book showcases these properties and details their origin as well as the many transformations they have undergone from their construction to the present day. There are many architectural wonders, among them Robert Adam's 20 St James's Square and William Burges's Tower House. Several - including Bridgewater House with its Raphaels and Titians - have held great art collections. These are houses that hold extraordinary stories: half the Cabinet resigned after breakfast at Stratford House; and on 4 August 1914, at 9 Carlton House Terrace - then the German Embassy - young duty clerk Harold Nicholson deftly substituted one declaration of war for another. With photography by the world-famous and multi-award winning Fritz von der Schulenburg, this title brings these houses to life in all their grandeur, and text from historian and author James Stourton delves into the many fascinating stories hidden behind the walls of these homes. Great Houses of London opens the door to some of the greatest and grandest houses in the world to tell the stories of their owners and occupants, artists and architects, their restoration, adaptation and change. Now available in a more compact format.

Despite strong forces toward globalization, much of late 20th century urbanism demonstrates a movement toward cultural differentiation. Such factors as ethnicity and religious and cultural heritages have led to the concept of hybridity as a shaper of identity. Challenging the common assumption that hybrid peoples create hybrid places and hybrid places house hybrid people, this book suggests that hybrid environments do not always accommodate pluralistic tendencies or multicultural practices. In contrast to the standard position that hybrid space results from the merger of two cultures, the book introduces the concept of a third place and argues for a more sophisticated understanding of the principal.

In contributed chapters, the book provides case studies of the third place, enabling a comparative and transnational examination of the complexity of hybridity. The book is divided into two parts. Part one deals with pre-20th century examples of places that capture the intersection of modernity and hybridity. Part two considers equivalent sites in the late 20th century, demonstrating how hybridity has been a central feature of globalization.

Updated with expanded coverage of twenty-first century architecture, this new edition uniquely comprises a detailed survey of Western architecture as well as architecture from the Middle East, Africa, Central and South America, India, Russia, China and Japan. Significant revision also includes photographs and textual discussion of around 50 new buildings. Written in a clear and engaging style, the text encourages readers to examine the pragmatic, innovative and aesthetic attributes of buildings. Artistic, economic, environmental, political, social and technological contexts are discussed. The global reach of the text is matched by a rich assortment of photographs from around the world and a greater array of detailed line drawings than in any architectural survey. The authors have created a formidable body of work that ranges over much of the world's architectural heritage and testifies to some of the greatest achievements of the human spirit.

A Kyrgyz cemetery seen from a distance is astonishing. The ornate domes and minarets, tightly clustered behind stone walls, seem at odds with this desolate mountain region. Islam, the prominent religion in the region since the twelfth century, discourages tombstones or decorative markers. However, elaborate Kyrgyz tombs combine earlier nomadic customs with Muslim architectural forms. After the territory was formally incorporated into the Russian Empire in 1876, enamel portraits for the deceased were attached to the Muslim monuments. Yet everything within the walls is overgrown with weeds, for it is not Kyrgyz tradition for the living to frequent the graves of the dead. Architecturally unique, Kyrgyzstan's dramatically sited cemeteries reveal the complex nature of the Kyrgyz people's religious and cultural identities. Often said to have left behind few permanent monuments or books, the Kyrgyz people in fact left behind a magnificent legacy when they buried their dead. Traveling in Kyrgyzstan, photographer Margaret Morton became captivated by the otherworldly grandeur of these cemeteries. Cities of the Dead: The Ancestral Cemeteries of Kyrgyzstan collects the photographs she made on several visits to the area and is an important contribution to the architectural and cultural record of this region. Watch the book trailer: https://www.youtube.com/watch?v=haaOw6cx1yk

It is 1846 when twelve-year-old street urchin Ian Walsh and his eleven-year-old drummer friend Danny Higgins decide to abandon their hardships and travel from Ireland to America. With hopes of landing jobs building a railroad in California and finding the lost cities of gold, Ian and Danny board a cargo ship bound for New York. As the ship sets sail on the sea, Danny-affectionately nicknamed "Smiles" by the crew-is happier than he has ever been. Once Ian finds his sea legs, he contentedly spends his days perched at the bow of the ship writing in his diary. After a twenty-three-day journey across the Atlantic, the ship docks in the port of New York. The two boys soon learn that the United States is at war with Mexico and that the President is calling for volunteers to meet the Mexican threat. There is no question-Ian and Danny feel compelled to help and sign up as drummer boys in the First New York. As the two boys begin a new life in a country in the midst of great change, they learn to rely on their instinct, scrappiness, and most of all, courage.

Of the vast variety of types of vernacular architecture, the igloo is probably the one which provokes the most curiosity and affection. In addition to offering a detailed analysis of the building tradition and cultural significance of igloos, this book gathers together the work of contemporary architects, designers, and artists from around the world who have turned their attention to this unique compacted dome when planning some of their work. Altogether, 14 modern designs are presented, ranging from an ice hotel to memorials to a forestry conservation center. Each of these works demonstrates a clear understanding of the characteristic traits that define the igloo, the process of its construction, and its relationship with the environment-ideas of great importance in architecture and contemporary design considering the existence of this millennia-old building tradition is threatened by globalization and climate change. This is an excellent reference for architects, designers, and students interested in vernacular design.

Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context of the European house. In this volume, Jon Stobart has assembled an international cast of contributors to discuss the ways in which architectural and spatial innovations coupled with the emotional assemblage of objects to create comfortable homes in early modern Europe. The book features a two-section structure focusing on the historiography of architectural and spatial innovations and material culture in the early modern home. It also includes 10 case studies which draw on specific examples, from water closets in Georgian Dublin to wallpapers in 19th-century Cambridge, to illustrate how people made use of and responded to the technological improvements and the emotional assemblage of objects which made the home comfortable. In addition, it explores the role of memory and memorialisation in the domestic space, and the extent to which home comforts could be carried about by travellers or reproduced in places far removed from the home. The Comforts of Home in Western Europe, 1700-1900 offers a fresh contribution to the study of comfort in the early modern home and will be vital reading for academics and students interested in early modern history, material culture and the history of interior architecture.

-Step-by-step exercises and tutorials thoroughly explain hand-drafting and drafting with the visualization programs Vectorworks and Sketchup. -Written to complement a regular 14-or15-week semester course. -The primary focus of the book is how to construct a drawing, providing in-depth coverage fundamentals for hand drafting and visualization software.

The complete and unabridged full-color edition First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources. Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.

Stephen Barber takes the reader on an extraordinary journey from LA to Tokyo via Europe. He carries only a crumpled map in his pocket, a map which plots a horrifying past, a disappearing present and a future collapsing into banality. A virtual reality flight across this territory reveals the surfaces of things, a landscape made by war and technological advances. Coming back to earth and to his own body, Stephen Barber follows the map from city to city. He discovers how cities, once densely layered with a civilization's history of follies and obsessions, are increasingly oblivious places, accelerating the erasure of their own histories, forgetting themselves. Barber's journey becomes a profound meditation on the future of the city and the role of memory in our lives.Dazzlingly written, erudite, and by turns funny, elegiac and horrific, The Vanishing Map explores what cities were, are and will be. Deeper than this, it questions how memory - personal, urban, national and global memory - can survive.

The first illustrated monograph presenting the work of the British designer Lee Broom, founder of his eponymous global brand. Broom is celebrated for his stylish, contemporary take on classic design products. The book explores the many influences and ideas behind Broom s portfolio of over 100 products as well as highlighting the way in which he showcases his work through original and engaging installation, exhibition, and film. Lee Broom furniture, lighting, and accessories, some of which is now held in the permanent collections of cultural institutions in London and New York, is at once familiar and yet feels new a signature skill of reinterpretation and the mix of classicism and modernity. The book is presented thematically in four chapters, each one relating to the defining aspects of Broom s design personality. 1: Art Form explores Broom s relationship with architecture and silhouette, and the way in which he works with form, balance, and symmetry. 2: History Repeats Itself delves into Broom s fascination with historical starting points and reinvention and how techniques of the past can inform the future. 3: Material Boy focuses on Broom s meticulous approach to the process of making, his clever use of materials and the art of collaboration. 4: Drama of Design is a study of Broom s background in theatre and fashion and how both have permeated his creative thinking as well as the way in which he presents his work as immersive experiences.

Innovative study of state politics, identity and buildings that sheds new light on the links between the material and the ideational realms of contemporary life in Africa. Buildings shape politics in the ways they define communities, enable economic activity, reflect political ideas, and impact state-society relations. They are materially and symbolically interwoven with the everyday lives of elites and citizens, as well global flows of money, goods, and contracts. Yet, to date, there has been no research that explicitly connects debates about Africa's domestic and international politics with the study of architecture. This innovative book fills this gap, providing a new and compelling reading of the politics of identity in sub-Saharan Africa through an examination of some of its most significant buildings. Using case studies from nine countries across sub-Saharan Africa, this volume reveals how they are commissioned and built, how they enable elites to project power, and how they form a basis for popular conceptions of the state. Exploring a diverse range of buildings including parliaments, airports, prisons, ministries, regional institutions, libraries, universities, shopping malls, public housing, cathedrals and palaces, the contributors suggest a innovative perspective on African politics, identity and urban development. This book will be a compelling reference for scholars and students of African politics, development studies and city life in its elaboration of and challenges to established concepts and arguments about the relationship between material objects and political ideas. This book is available as Open Access under the Creative Commons license CC-BY-NC-ND.

This book brings together all the projects that competed for the sixth International Biennial Barbara Cappochin Architecture Prize, which is articulated in three different sections: International Prize, Giancarlo Ius Gold Medal, and Provincial Prize. More than 300 projects, all completed within the last three years, were submitted with many entries from all over the world. The winning works are described and accompanied by photos and drawings, while those that received an honorable mention are presented through a series of photos. All remaining projects appear in a dedicated section with their image and main identifying data. The book also includes introductions by some institutional figures and Renzo Piano, presenting his project for the "architecture table" that was used to display the works selected by the international jury to the public.

In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour', which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colours inside apartment block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner city Volgograd, Kotov captures the essence of the post-Soviet world. 'The USSR no longer exists and in these photographs we can see what remains - the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colours and no luxury, only bare concrete and powerful forms.'

Inspired by fashion and borrowing a palette from nature, Melanie Turner s interiors possess a timeless quality that celebrates architectural details and classic design. In this fresh and serene first book, Turner shares her secrets for creating understated, sophisticated, and functional rooms. Balance, scale, light, and subtle coloration all factor into her designs, creating a timeless effect. The elegant spaces featured in the book maintain an emphasis on simplicity and understated glamour, featuring a blend of clean lines, found and fine objects, and custom-designed, sculptural furniture. Divided by look, the book features multiple homes illustrating each style. Calm showcases cool, white interiors, accented by natural textures like wicker and bone. Clarity celebrates graphic, contrasting rooms filled with black and white. Collected revels in richer colours, accessorized with lush velvet, rich patterns, and metallic accents. Colour celebrates the power of a palette-driven interior, from spring green, to pale pink, to midnight blue. Cool is driven by a funky 1970s vibe, with macrame chairs and Moroccan accents. Regardless of the style, these rooms are united in the power and promise of their seamless, edited beauty.