Over 250 inspiring images and engaging text cover the techniques necessary to successful sculpt any hillside and enhance backyards with concrete. Contractors will feel empowered to unleash their inner artists. Designers will become inspired to create hillside expanses. Among the projects explored are beautiful, curved stairways, lit walls, raised patios, fire pits, and built-in seating that transform bland backyard slopes into view-commanding getaways. Further inspiration is provided by a gallery of spectacular completed projects. For the contractor, Ralston shares wisdom from years of business experience and training to help readers navigate the various challenges they face. The author explains design development, bid building, and suggests how to translate those into contracts. Also emphasized here are ways to make projects profitable by keeping them in line with the initial bid. Also reviewed are ways to keep clients happy by involving them throughout the project, and how to document your work as you go.

Hellenomania, the second volume in the MANIA series, presents a wide-ranging, multi-disciplinary exploration of the modern reception of ancient Greek material culture in cultural practices ranging from literature to architecture, stage and costume design, painting, sculpture, cinema, and the performing arts. It examines both canonical and less familiar responses to both real and imagined Greek antiquities from the seventeenth century to the present, across various national contexts. Encompassing examples from Inigo Jones to the contemporary art exhibition documenta 14, and from Thessaloniki and Delphi to Nashville, the contributions examine attempted reconstructions of an 'authentic' ancient Greece alongside imaginative and utopian efforts to revive the Greek spirit using modern technologies, new media, and experimental practices of the body. Also explored are the political resonances of Hellenomaniac fascinations, and tensions within them between the ideal and the real, the past, present, and future. Part I examines the sources and derivations of Hellenomania from the Baroque and pre-Romantic periods to the early twentieth century. While covering more canonical material than the following sections, it also casts spotlights on less familiar figures and sets the scene for the illustrations of successive waves of Hellenomania explored in subsequent chapters. Part II focuses on responses, uses, and appropriations of ancient Greek material culture in the built environment-mostly architecture-but also extends to painting and even gymnastics; it examines in particular how a certain idealisation of ancient Greek architecture affected its modern applications. Part III explores challenges to the idealisation of ancient Greece, through the transformative power of colour, movement, and of reliving the past in the present human body, especially female. Part IV looks at how the fascination with the material culture of ancient Greece can move beyond the obsession with Greece and Greekness.

Ancient Monuments and Modern Identities sets out to examine the role of archaeology in the creation of ethnic, national and social identities in 19th and 20th century Greece. The essays included in this volume examine the development of interpretative and methodological principles guiding the recovery, protection and interpretation of material remains and their presentation to the public. The role of archaeology is examined alongside prevailing perceptions of the past, and is thereby situated in its political and ideological context. The book is organized chronologically and follows the changing attitudes to the past during the formation, expansion and consolidation of the Modern Greek State. The aim of this volume is to examine the premises of the archaeological discipline, and to apply reflection and critique to contemporary archaeological theory and practice. The past, however, is not a domain exclusive to archaeologists. The contributors to this volume include prehistoric and classical archaeologists, but also modern historians, museum specialists, architectural historians, anthropologists, and legal scholars who have all been invited to discuss the impact of the material traces of the past on the Modern Greek social imaginary.

Gandhi and Architecture: A Time for Low-Cost Housing chronicles the emergence of a low-cost, low-rise housing architecture that conforms to M.K. Gandhi's religious need to establish finite boundaries for everyday actions; finitude in turn defines Gandhi's conservative and exclusionary conception of religion. Drawing from rich archival and field materials, the book begins with an exploration of Gandhi's religiosity of relinquishment and the British Spiritualist, Madeline Slade's creation of his low-cost hut, Adi Niwas, in the village of Segaon in the 1930s. Adi Niwas inaugurates a low-cost housing architecture of finitude founded on the near-simultaneous but heterogeneous, conservative Gandhian ideals of pursuing self-sacrifice and rendering the pursuit of self-sacrifice legible as the practice of an exclusionary varnashramadharma. At a considerable remove from Gandhi's religious conservatism, successive generations in post-colonial India have reimagined a secular necessity for this Gandhian low-cost housing architecture of finitude. In the early 1950s era of mass housing for post-partition refugees from Pakistan, the making of a low-cost housing architecture was premised on the necessity of responding to economic concerns and to an emerging demographic mandate. In the 1970s, during the Organization of Petroleum Exporting Countries crisis, it was premised on the rise of urban and climatological necessities. More recently, in the late 1990s and early 2000s, its reception has been premised on the emergence of language-based identitarianism in Wardha, Maharashtra. Each of these moments of necessity reveals the enduring present of a Gandhian low-cost housing architecture of finitude and also the need to emancipate Gandhian finitude from Gandhi's own exclusions. This volume is a critical intervention in the philosophy of architectural history. Drawing eclectically from science and technology studies, political science, housing studies, urban studies, religious studies, and anthropology, this richly illustrated volume will be of great interest to students and researchers of architecture and design, housing, history, sociology, economics, Gandhian studies, urban studies and development studies.

Taking an international perspective, the authors examine the theoretical and practical aspects of lifelong learning. A number of issues and key areas of debate are addressed in different national and international contexts and case studies are provided from countries including Hong Kong.

Homes that sit on the water's edge offer tranquility and tradition that have long been part of the American dream. For those looking to pursue that dream as a vacation home, a vacation to retirement home, or primary residence, this image-driven decor book presents more than 50 waterfront homes in the continental United States. From multi-million-dollar castles to Mediterranean-style villas to rustic cottages and contemporary condos, they provide inspiration through nearly 350 color photographs. See design choices professional interior designers made to decorate these homes in settings along oceans, lakes, and ponds. An ideal book for the dreamer, planner, and designer in you; use the resources section to turn your vision for a waterfront lifestyle into reality.

This report indicates that the benefits that accrue to a building and its occupants from a consideration of solar radiation are greatest when the 'passive solar component' is seen in perspective, as a natural part of an integrated approach to climatically interactive low-energy building design.

'Several high quality scientific journals are published in the area of building energy and indoor/outdoor environment; however, one has been missing. Advances in Building Energy Research fills the gap. I recommend ABER to all technical libraries, research institutes and universities. It should also be used by construction companies and those manufacturing building materials and building products.' Professor Olli Sepp nen, President of REHVA (Federation of Heating and Air-conditioning Associations) 'Advances in Building Energy Research is a unique index. It will be an inexhaustible resource for energy related sciences and a continuous inspiration for architects around the world.' N. Fintikakis, Architect and Director of UIA-ARES WP (Architecture and Renewable Energy Sources) 'The collection of articles provides an encyclopaedic overview of the state of the art of the subject; and they are written clearly and concisely. This volume is a must for researchers and advanced students.' Professor Edward Ng, Department of Architecture, The Chinese University of Hong Kong 'This is a very valuable first volume of a new series with each section written by leaders in their respective fields. Contributions cover a range of related topics and present evaluations of contemporary issues in building energy research that give the reader an immediate and clear insight.' Dr Adrian Pitts, Senior Lecturer in Energy, Environment and Sustainability, University of Sheffield Advances in Building Energy Research (ABER) offers state-of-the-art information on the environmental science and performance of buildings, linking new technologies and methodologies with the latest research on systems, simulations and standards. As stringently reviewed as a journal but with the breadth of a book, this annual volume brings together invited contributions from the foremost international experts on energy efficiency and environmental quality of buildings. Spanning a broad range of technical subjects, this is a 'must have' reference on global developments in the field, suitable for architects and building engineers, environmental engineers, industry professionals, students, teachers and researchers in building science, technical libraries and laboratories. This first volume covers double skin fa ades; artificial intelligence in buildings; indoor thermal comfort and the progress of the adaptive approach; heat island research and the effect of urban microclimate; the use of techniques such as high dynamic range imaging and satellite remote sensing; and vital management and monitoring approaches such as post-occupancy evaluation.

Both the number and percentage of people living in urban areas is growing rapidly. Up to half of the world's population is expected to be living in a city by the end of the century and there are over 170 cities in the world with populations over a million. Cities have a huge impact on the local climate and require vast quantities of energy to keep them functioning. The urban environment in turn has a big impact on the performance and needs of buildings. The size, scale and mechanism of these interactions is poorly understood and strategies to mitigate them are rarely implemented. This is the first comprehensive book to address these questions. It arises out of a programme of work (POLISTUDIES) carried out for the Save programme of the European Commission. Chapters describe not only the main problems encountered such as the heat island and canyon effects, but also a range of design solutions that can be adopted both to improve the energy performance and indoor air quality of individual buildings and to look at aspects of urban design that can reduce these climatic effects. The book concludes with some examples of innovative urban bioclimatic buildings. The project was co-ordinated by Professor Mat Santamouris from the University of Athens who is also the editor of the book. Other contributions are from the University of Thessaloniki, Greece, ENTPE, Lyons, France and the University of Stuttgart, Germany.

The Gallipoli peninsula in Turkey was the site of one of the most tragic and memorable battles of the twentieth century, with the Turks fighting the ANZAC (Australian New Zealand Army Corps) and soldiers from fifteen other countries. This book explores the history of its landscape, its people, and its heritage, from the day that the defeated Allied troops of World War One evacuated the peninsula in January 1916 to the present. It examines how the wartime heritage of this region, both tangible and intangible, is currently being redefined by the Turkish state to bring more of a faith-based approach to the secularist narratives about the origins of the country. It provides a timely and fascinating look at what has happened in the last century to a landscape that was devastated and emptied of its inhabitants at the end of World War One, how it recovered, and why this geography continues to be a site of contested heritage. This book will be a key text for scholars of cultural and historical geography, Ottoman and World War One archaeology, architectural history, commemorative and conflict studies, European military history, critical heritage studies, politics, and international relations.

Will Pryce unveils a world of beauty and genius in this unparalleled, specially photographed survey of the world's architectural master- pieces. More than 350 color photographs celebrate the finest buildings from over two thousand years of civilization: Hagia Sophia, the Gothic cathedrals of Europe, Islamic masterworks at Isfahan, the Taj Mahal, the Palace of Westminster, Gehry's iconic Guggenheim Museum in Bilbao, and much more. There are some eighty buildings featured, more than forty of which receive in-depth attention in detailed photo essays. Pryce's accompanying texts and commentaries provide an extra dimension of understanding for the contexts in which they were created, and of the evolution of architecture through history.

Thebook is inspired by the first seminar in a cycle connected to the celebrations of the 150th anniversary of the Politecnico di Milano. "Dealing with the Image Ivory Towers and Virtual Bridges" was the motto of this meeting, aiming to stimulate a discussion among engineers, designers and architects, all of whom are traditionally involved in the use of the Image as a specialized language supporting their work, their research activities and their educational tasks. The volume (the book) will also include the essays of invited or interviewed authors from other disciplines, namely Philosophy, Mathematics and Semiotics. According to Regis Debray, in the present "Visual Age," which he has significantly defined as a "Video-Sphere," all the information tends to be processed and controlled by means of visual devices. This occurs especially in the various branches of many technical studies and activities, one of the most sensitive areas to the use of Visual Language in the past and even more in the present."

Two leading American experts on the subject offer the first comprehensive English-language review of Naples' architecture and urban development from late antiquity to the high and late Middle Ages. William Tronzo treats the early Middle Ages, from the end of the western Roman Empire to the end of the Duchy, or from about 400 to 1139. He covers a range of topics, including the development of the city's urban fabric and chief monuments, including the catacombs, Sta. Restituta, the baptistery of San Giovanni in Fonte, the forum area including San Paolo Maggiore and the early history of San Lorenzo Maggiore and the Pietrasanta. Caroline Bruzelius then picks up the narrative and analysis from the twelfth century to the end of the Angevin period. She brings up to date and nuances many of the findings and themes of her The Stones of Naples. She revisits some of the same material on the early medieval city from a different perspective, that of religious foundations and urban topography. She proceeds to patronage - religious, mercantile, noble and royal - and then moves on to the role of Tuscan artists in Naples, concluding with the Angevin reconfiguration of the city in the late Middle Ages. Clearly and concisely written, this book is an ideal introductory survey for the scholar, student and general reader to medieval Naples, its chief monuments and to the scholarly discussions and interpretations of the material, visual and documentary evidence. 160 pages. Preface, select bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 83 black & white figures, plus 60 thumbnail images. List of links to online resources from A Documentary History of Naples, including primary-source readings; image galleries containing over 450 additional images in full color; and links to full bibliographies with ongoing supplements.

This book discusses heritage stones which were used in the making of the architectonic heritage of Delhi and Agra, encompassing UNESCO world heritage sites and heritage sites designated as prominent by the Indian government. The most famous monument of the two cities is the 'Taj Mahal' of Agra. The book focuses on the geological characteristics of the famous Makrana marble, red sandstone and other sandstone variants of the Vindhyan basin and Delhi quartzite, the most widely used stones in almost all the monuments, as well as on their quarries. The work also aims to sensitise the public to protecting and preserving the architectonic heritage of these two densely populated cities in India as repositories of our past cultures and traditions. Identifying the nature and provenance of stones/rocks used in construction will lead to better restoration for future generations, in light of the deterioration of architectonic heritage through various natural weathering agencies and anthropogenic activities. The book will serve as a useful source book to economic geologists, geologists, archaeologists, architects, historians and stone industry operators specifically and to academic and non-academic communities, travellers and tourism industry operators in general. The book will benefit students, researchers, and rock enthusiasts spanning all age groups and academic levels.

The decaying remnants of obselete industries and defunct commerce - whether coal mines, shipyards, factories, shopping centres, power plants, warehouses or mills - lie scattered in desolate locations throughout the world. These left-over structures still hold memories of the life that was once there. Transience was built in from the start. When a mine was worked out, it was abandoned; sometimes its machinery was removed to another mine, but often it was easier to equip the new place with more up-to-date equipment. Abandoned Industrial Places explores the discarded detritus of our modern mechanized age. Discover the grand Ore Dock in Marquette, USA, squatting isolated in the waters of Lake Superior; or the abandoned Caspian Sea oil rigs and drilling gear in Azerbaijan; or the enormous, gaping pit of the 1200m (3900ft) wide Mirny diamond mine in Sakha Republic, Russia; or the 700m (765yd) high wall of latticed steel towers of the Duga radar in Chernobyl, Ukraine; or the Domino Sugar Refinery, Brooklyn, New York - formerly the world's largest sugar refinery when built in 1882; or the still contaminated Fisher Body Plant 21 in Detroit, USA, a place where General Motors created some of their great marques for almost a hundred years. Filled with more than 200 memorable photographs from every part of the planet, Abandoned Industrial Places provides a strange and often spooky insight into the life and workings of industries long since ceased.

By the end of Queen Victoria's reign, factories had become an inescapable part of the townscape, their chimneys dominating urban views while their labourers filled the streets, coming and going between work and home. This book is concerned with the architecture, planning and design of those factories that were part of the second wave of the industrial revolution. The book's geographical range encompasses the whole of the British Isles while its time span covers the Victorian and Edwardian eras, 1837- 1910, and the period leading up to the First World War. It also looks back to earlier buildings and gives some consideration to the interwar years and beyond, including the fate of our factory heritage in the twenty-first century. Factories, not surprisingly given their early working conditions, have had a bad press. It is sometimes forgotten that they were often the centres of thriving local communities, while their physical presence and wonderfully varied buildings enlivened our towns and cities. It is time for a new look at factory architecture.

Pervious concrete offers an exciting and economical alternative to traditional paving materials. Avoiding runoff and water pollution, these pavements let water pass through. Architects aiming for green projects, paving contractors looking for new markets, and homeowners planning do-it-yourself slabs gain information needed to use pervious concrete in sidewalks, bike paths, driveways, parking lots, roads, and more. Learn the hydrologic and structural design, selection of materials, placing and testing methods. Read arguments against the material as well, including their problems and defects. A glossary, reference section, and index make this an informative guide.

The relationship between politics and the public relations industry is controversial and, at times, polemic. However, one component of this relationship that has yet to be investigated is the role of architecture. Arguing for a fundamental reconfiguration of our understanding of 'political architecture', this book suggests it is not only a question of constructed buildings, but equally a case of mediated imagery. Considered through examples of architecture as a backdrop for photo shoots by politicians in the democracies of the United States and the United Kingdom, this book suggests these images give us both a better understanding of recent developments in the Western political economy and the architectural and urban developments of the late 20th and early 21st Centuries. Using case studies of Margaret Thatcher, Tony Blair, David Cameron, Barack Obama, George W. Bush and Donald Trump, this book represents a ground-breaking triangular analysis that will be essential reading for scholars in architecture, politics, media and communication studies.

Into the Light: Lauretta Vinciarelli centres on the interdisciplinary work of Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who inhabited a world of "firsts": she was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (in 1974); she was among the first women hired to teach architecture studio courses at Columbia University (in 1978); and she was the first and only woman granted a solo exhibition at Peter Eisenman's influential Institute of Architecture and Urban Studies in New York (also 1978). Raised in northern Italy and educated at La Sapienza University in Rome during the tumultuous 1960s, Vinciarelli would bring her socio-political consciousness to bear on her work in New York, where she relocated in 1969. By 1976, she and Minimalist artist Donald Judd had become a romantic and professional pair, collaborating for nearly ten years on architecture, furniture design, and printmaking. Her influence on Judd's work and her historical place in the story of contemporary architecture has been overlooked by art historians, however, and her legacy today resides with the luminous watercolor paintings she created from the 1980s until the end of her life. This book presents the first comprehensive study of Vinciarelli's work in art and architecture, offering a unique lens through which to reassess the revival of architectural drawing in the late 1970s as connected to larger theoretical, pedagogical, and political aims to shed new light on this electrifying period. More than simply a book of reclamation, Into the Light argues that Vinciarelli is an overlooked missing link in the exchange between Italy and the United States at a pivotal point in contemporary architecture, in the architectural drawings revival of the 1970s as connected to the socio-political context of Italy, and in the historiography of Minimalism. It consequently offers a wholly new appraisal of not only Vinciarelli's career, but of the art and architectural scene in New York during this period; of the revival of architectural drawing; of the slow inclusion of women into the architectural academy; and of creative collaborations between couples.

This book compiles a series of case studies derived from archaeological excavation in Greek cultural contexts in the Mediterranean (ca. 800-100 B.C), addressing the current state of the field, the goals and direction of Greek archaeology, and its place in archaeological thought and practice. Overviews of archaeological sites and analyses of assemblages and contexts explore how new forms of data; methods of data recovery and analysis; and sampling strategies have affected the discourse in classical archaeology and the range of research questions and strategies at our disposal. Recent excavations and field practices are steering the way that we approach Greek cultural landscapes and form broader theoretical perspectives, while generating new research questions and interpretive frameworks that in turn affect how we sample sites, collect and study material remains, and ultimately construct the archaeological record. The book confronts the implications of an integrated dialogue between realms of data and interpretive methodologies, addressing how reengagement with the site, assemblage, or artifact, from the excavation context can structure the way that we link archaeological and systemic contexts in classical archaeology.

Across small cottages and lavish villas, beach houses and forest refuges, discover the world's finest crop of new homes. This cutting-edge global digest features such talents as Shigeru Ban and Marcio Kogan alongside up-and-coming names like Aires Mateus, Xu Fu-Min, Vo Trong Nghia, Desai Chia, and Shunri Nishizawa. Here, there are homes in Australia and New Zealand, from China and Vietnam, in the United States and Mexico, and on to less expected places like Ecuador and Costa Rica. The result is a sweeping survey of the contemporary house and a revelation that homes across the globe may have more in common than expected. Among guava trees and abandoned forts in Western India is a sanctuary designed for and by Kamal Malik of Malik Architecture. The House of Three Streams is a sprawling spectacle with high ceilings, verandas, and pavilions, perched atop a ridge overlooking two ravines. A medley of steel, glass, wood, and stone, the house weaves along the contour of the landscape, almost as an extension of the forest. Encina House by Aranguren & Gallegos, an elegant, sloping structure reminiscent of a gazebo, similarly inhabits its surrounding vista. Ensconced in a pine forest north of Madrid, the lower level is embedded in rock and connected to the upper by a natural stone wall. Shinichi Ogawa's Seaside House is an immaculate two-story minimalist marvel in Kanagawa that overlooks the Pacific. Its living area spills onto a cantilevered terrace and infinity pool, almost dissolving into the ocean as one seamless entity. In Vietnam, Shunri Nishizawa's House in Chau Doc exudes tropical sophistication with exposed timber beams, woven bamboo, plants, concrete panels, and inner balconies and terraces. Its corrugated iron panels act as moveable walls and shutters, ushering in views of surrounding rice fields. These homes-along with more than 50 others-are each remarkably distinct in design. They all, however, toe the line between inside and outside, each one symbiotic with its surroundings. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

This book shows, for the first time, the indispensable role of the Burford Masons, a group of master masons from the historic quarries around Burford, Oxfordshire, in creating some of the foremost buildings of the 17th and early 18th centuries. The Burford Masons were involved in the construction of such outstanding buildings as St Paul's Cathedral, City churches, and Blenheim Palace, among many others. Whilst credit for many of these buildings generally rests with named architects, Sir Christopher Wren in particular, this book shows how reliant these designers were on their master craftsmen, sometimes involving them in the design process as their ideas evolved. The book further shows how the Burford Masons responded to the challenge of late payments, often of many years, becoming financiers in the process. It reveals how, as risk-taking businessmen, they effectively underpinned both public and private development financially, and how extraordinary success transformed their lives. The reader will learn about the vital part played in the early modern period by master craftsmen of the calibre of the Burford Masons, despite the emergence of the architect as lead designer, whose fame has hitherto overshadowed them. As a result, this book will be a compelling read for anyone interested in architectural, construction or social history.