Global warming and the resulting climate change affect the cities most. With the decrease of rural areas in recent years, migration to cities has increased. With the rapid migration, an orderly structuring occurred in the cities, and as a result, the quality of the urban environment has started to decrease. In order to mitigate this issue, planners and designers have started to use different approaches to make cities more sustainable and livable. This book contains new theories, approaches and practices that scientists devise for physical planning and design.

Originally published in 1848, according to the author, 'every person has an individual interest in Architecture as a useful art, and all who cultivate a taste of the Fine Arts must give it a high place among them.' The chapters include examinations of many types of architecture such as Egyptian, Persian and Chinese, as well as considering the principles of architectre, the qualifications for an architect and the conteporary state of the art in America.

Two leading American experts on the subject offer the first comprehensive English-language review of Naples' architecture and urban development from late antiquity to the high and late Middle Ages. William Tronzo treats the early Middle Ages, from the end of the western Roman Empire to the end of the Duchy, or from about 400 to 1139. He covers a range of topics, including the development of the city's urban fabric and chief monuments, including the catacombs, Sta. Restituta, the baptistery of San Giovanni in Fonte, the forum area including San Paolo Maggiore and the early history of San Lorenzo Maggiore and the Pietrasanta. Caroline Bruzelius then picks up the narrative and analysis from the twelfth century to the end of the Angevin period. She brings up to date and nuances many of the findings and themes of her The Stones of Naples. She revisits some of the same material on the early medieval city from a different perspective, that of religious foundations and urban topography. She proceeds to patronage - religious, mercantile, noble and royal - and then moves on to the role of Tuscan artists in Naples, concluding with the Angevin reconfiguration of the city in the late Middle Ages. Clearly and concisely written, this book is an ideal introductory survey for the scholar, student and general reader to medieval Naples, its chief monuments and to the scholarly discussions and interpretations of the material, visual and documentary evidence. 160 pages. Preface, select bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 83 black & white figures, plus 60 thumbnail images. List of links to online resources from A Documentary History of Naples, including primary-source readings; image galleries containing over 450 additional images in full color; and links to full bibliographies with ongoing supplements.

Hellenomania, the second volume in the MANIA series, presents a wide-ranging, multi-disciplinary exploration of the modern reception of ancient Greek material culture in cultural practices ranging from literature to architecture, stage and costume design, painting, sculpture, cinema, and the performing arts. It examines both canonical and less familiar responses to both real and imagined Greek antiquities from the seventeenth century to the present, across various national contexts. Encompassing examples from Inigo Jones to the contemporary art exhibition documenta 14, and from Thessaloniki and Delphi to Nashville, the contributions examine attempted reconstructions of an 'authentic' ancient Greece alongside imaginative and utopian efforts to revive the Greek spirit using modern technologies, new media, and experimental practices of the body. Also explored are the political resonances of Hellenomaniac fascinations, and tensions within them between the ideal and the real, the past, present, and future. Part I examines the sources and derivations of Hellenomania from the Baroque and pre-Romantic periods to the early twentieth century. While covering more canonical material than the following sections, it also casts spotlights on less familiar figures and sets the scene for the illustrations of successive waves of Hellenomania explored in subsequent chapters. Part II focuses on responses, uses, and appropriations of ancient Greek material culture in the built environment-mostly architecture-but also extends to painting and even gymnastics; it examines in particular how a certain idealisation of ancient Greek architecture affected its modern applications. Part III explores challenges to the idealisation of ancient Greece, through the transformative power of colour, movement, and of reliving the past in the present human body, especially female. Part IV looks at how the fascination with the material culture of ancient Greece can move beyond the obsession with Greece and Greekness.

An Ottoman Era Town in the Balkans: The Case Study of Kavala presents the town of Kavala in Northern Greece as an example of Ottoman urban and residential development, covering the long period of Kavala's expansion over five centuries under Ottoman rule. Kavala was part of the Ottoman Empire from 1387 to 1912. In the middle of the sixteenth century, Ibrahim Pasha, grand vizier of Suleiman the Magnificent, contributed to the town's prosperity and growth by the construction of an aqueduct. The Ottomans also rebuilt and extended the existing Byzantine fortress. The book uncovers new findings about Kavala, and addresses the key question: is there an authentic "Ottoman" built environment that the town and its architecture share? Through the examination of travellers' accounts, historical maps, and archival documents, the Ottoman influences on the urban settlement of Kavala are assessed. From its original founding by the Ottomans in the late fourteenth century to the nineteenth century when the expansion of tobacco production in the area transformed its prosperity, the development of Kavala as an Ottoman era town is explored. The book will be of interest to scholars and students interested in Ottoman history and urban history.

Ancient Monuments and Modern Identities sets out to examine the role of archaeology in the creation of ethnic, national and social identities in 19th and 20th century Greece. The essays included in this volume examine the development of interpretative and methodological principles guiding the recovery, protection and interpretation of material remains and their presentation to the public. The role of archaeology is examined alongside prevailing perceptions of the past, and is thereby situated in its political and ideological context. The book is organized chronologically and follows the changing attitudes to the past during the formation, expansion and consolidation of the Modern Greek State. The aim of this volume is to examine the premises of the archaeological discipline, and to apply reflection and critique to contemporary archaeological theory and practice. The past, however, is not a domain exclusive to archaeologists. The contributors to this volume include prehistoric and classical archaeologists, but also modern historians, museum specialists, architectural historians, anthropologists, and legal scholars who have all been invited to discuss the impact of the material traces of the past on the Modern Greek social imaginary.

Gandhi and Architecture: A Time for Low-Cost Housing chronicles the emergence of a low-cost, low-rise housing architecture that conforms to M.K. Gandhi's religious need to establish finite boundaries for everyday actions; finitude in turn defines Gandhi's conservative and exclusionary conception of religion. Drawing from rich archival and field materials, the book begins with an exploration of Gandhi's religiosity of relinquishment and the British Spiritualist, Madeline Slade's creation of his low-cost hut, Adi Niwas, in the village of Segaon in the 1930s. Adi Niwas inaugurates a low-cost housing architecture of finitude founded on the near-simultaneous but heterogeneous, conservative Gandhian ideals of pursuing self-sacrifice and rendering the pursuit of self-sacrifice legible as the practice of an exclusionary varnashramadharma. At a considerable remove from Gandhi's religious conservatism, successive generations in post-colonial India have reimagined a secular necessity for this Gandhian low-cost housing architecture of finitude. In the early 1950s era of mass housing for post-partition refugees from Pakistan, the making of a low-cost housing architecture was premised on the necessity of responding to economic concerns and to an emerging demographic mandate. In the 1970s, during the Organization of Petroleum Exporting Countries crisis, it was premised on the rise of urban and climatological necessities. More recently, in the late 1990s and early 2000s, its reception has been premised on the emergence of language-based identitarianism in Wardha, Maharashtra. Each of these moments of necessity reveals the enduring present of a Gandhian low-cost housing architecture of finitude and also the need to emancipate Gandhian finitude from Gandhi's own exclusions. This volume is a critical intervention in the philosophy of architectural history. Drawing eclectically from science and technology studies, political science, housing studies, urban studies, religious studies, and anthropology, this richly illustrated volume will be of great interest to students and researchers of architecture and design, housing, history, sociology, economics, Gandhian studies, urban studies and development studies.

The new town of Milton Keynes was designated in 1967 with a bold, flexible social vision to impose "no fixed conception of how people ought to live." Despite this progressive social vision, and its low density, flexible, green urban design, the town has been consistently represented in British media, political rhetoric and popular culture negatively. as a fundamentally sterile, paternalistic, concrete imposition on the landscape, as a "joke", and even as "Los Angeles in Buckinghamshire". How did these meanings develop at such odds from residents' and planners' experiences? Why have these meanings proved so resilient? Milton Keynes in British Culture traces the representations of Milton Keynes in British national media, political rhetoric and popular culture in detail from 1967 to 1992, demonstrating how the town's founding principles came to be understood as symbolic of the worst excesses of a postwar state planning system which was falling from favour. Combining approaches from urban planning history, cultural history and cultural studies, political economy and heritage studies, the book maps the ways in which Milton Keynes' newness formed an existential challenge to ideals of English landscapes as receptacles of tradition and closed, fixed national identities. Far from being a marginal, "foreign" and atypical town, the book demonstrates how the changing political fortunes of state urban planned spaces were a key site of conflict around ideas of how the British state should function, how its landscapes should look, and who they should be for.