A sparkling account of the nineteenth-century rebuilding of Paris as the most beautiful city in the world, as part of the stunning Landmark Library series. 'This really is an impressive book' Sebastian Faulks. 'Brisk, vivid and unexpectedly stirring ... No one writes as evocatively and entertainingly about Paris as Christiansen does' Mail on Sunday. 'Every page is a pleasure, every building, every gas lamp brought shimmering to life ... Don't board the Eurostar without a copy' The Times. 'A wonderful book, amazingly vivid ... But also a truly original work of scholarship' Theodore Zeldin. In 1853 the French emperor Louis Napoleon inaugurated a vast and ambitious programme of public works, directed by Georges-Eugene Haussmann, the prefect of the Seine. Haussmann's renovation of Paris would transform the old medieval city of squalid slums and disease-ridden alleyways into a 'City of Light' - characterised by wide boulevards, apartment blocks, parks, squares and public monuments, new railway stations and department stores and a new system of public sanitation. City of Light charts a fifteen-year project of urban renewal which - despite the interruptions of war, revolution, corruption and bankruptcy - would set a template for nineteenth and early twentieth-century urban planning and create the enduring and globally familiar layout of modern Paris.

Praise for the first edition:

Gold Medal Winner for Design Explorations
–Business Week’s Annual Design Awards

"The Measure of Man and Woman is a critical reference that is a must for every design school and office. It is elegant in its simplicity and usability. Once again, the Henry Dreyfuss team makes a major contribution to the profession!"
–Herb Tyrnauer, FIDSA

"The Measure of Man and Woman is a major contribution to the understanding of anthropometric and ergonomic realities that influence the design process. It is a vital reference document that not only informs, but provokes an awareness of and a sensitivity to complex and composite issues. Not since Le Corbusier’s more subjective and interpretive Le Modulor has there been a comprehensive reevaluation of man and woman’s occupation of space and the subsequent implications, responsibilities, and possibilities."
–Charles Gwathmey, FAIA, architect

The Measure of Man and Woman provides a comprehensive resource of critical information for creating products and environments that will suit the physical dimensions of people across the globe and with varying abilities. The revised edition of this classic volume includes more than 200 color drawings, up-to-date information on designing for the digital workplace, measurements for ADA compliance, a demo disk for ErgoForms–an ergonomic CAD program on CD-ROM–and much more.

Art and Architecture of the Middle Ages is a panoramic survey that focuses on the arts of medieval Europe, Byzantium, and the Islamicate world. From majestic monuments to exquisite tableware, Jill Caskey, Adam S. Cohen, and Linda Safran deftly guide readers over twelve centuries of art and architecture created by the diverse peoples and religious groups of western Eurasia and North Africa. This textbook, intended for a wide range of courses in the history of medieval art and architecture, uniquely features: * More than 450 color illustrations of fascinating works produced between ca. 250 CE and ca. 1450 CE * Coverage of secular and religious arts, including polytheistic, Zoroastrian, Jewish, Christian, and Islamic traditions * Informational text boxes on key issues and a glossary of terms * Diverse cultures interwoven in a single chronological framework * Five broad interpretive themes-artistic production, status and identity, connection to the past, ideology, and access to the sacred Complemented by a website (artofthemiddleages.com) with additional works, dynamic maps and timelines, podcasts, new primary-source translations, and more, Art and Architecture of the Middle Ages brilliantly expands and recalibrates the story of medieval art history.

How to write the history of a cultural mode that, for all its abiding fascination with the past, has challenged and complicated received notions of history from the very start? The Cambridge History of the Gothic rises to this challenge, charting the history of the Gothic even as it reflects continuously upon the mode's tendency to question, subvert and render incomplete all linear historical narratives. Taken together, the three chronologically sequenced volumes in the series provide a rigorous account of the origins, efflorescence and proliferation of the Gothic imagination, from its earliest manifestations in European history through to the present day. Written by an international cast of contributors, the chapters bring fresh scholarly attention to bear upon established Gothic themes while also drawing attention to new critical concerns. As such, they are of relevance to the general reader, the student and the established scholar alike.

Georgetown, the capital of Guyana, on the northeast coast of South America, has been described as 'the Venice of the West Indies', and its elegant canals and bridges, lush tropical vegetation and handsome buildings make it a place of great beauty. The city's architecture is essentially colonial, having been moulded by the French, Dutch, British and Spanish during the eighteenth and nineteenth centuries. Built in a classical style reinterpreted by local craftsmen and realized largely in the region's plentiful wood rather than more durable brick and stone, these buildings are now suffering from neglect and the ravages of the hot, humid climate. Some are being carefully preserved and maintained, but many more are disintegrating or being demolished to make way for new development, much of it in glass and concrete.This book documents those colonial buildings, some of which have disappeared even since they were photographed. Compton Davis begins by giving a brief history of Georgetown itself, describing the influences that resulted in its charming and characteristic architecture, and explaining the various house types that are to be found in the city. The main part of the book is organized geographically, dividing the city into its various districts and describing the notable houses to be found in each. Photographs of the buildings and their particular features are accompanied by short descriptive and historical texDuring the thirty years since the project began, a number of the buildings have disappeared-some destroyed by fire and others by decay, and some more recently demolished and replaced by concrete structures. The photographs have become a historical document and visual archive that charts the transformation of the building culture of Georgetown during the late nineteenth and twentieth centuries, from its original colonial wooden structures to an international style based on glass and concrete. The photographs also commemorate the elegant colonial garden city that Georgetown once was, as well as celebrating the Guyanese craftsmen and builders who helped to shape it.This beautiful book, lovingly photographed and researched over several decades, will appeal to architecture lovers everywhere, as well as to those interested in colonial history, the visual history of South America and the history of building in wood. It will also appeal to conservationists and preservationists and anyone interested in the protection of vulnerable buildings.

This celebration of some of the greatest art, architecture and furniture to be found in English churches offers a fascinating account of centuries of accumulated wealth, and is set off by a selection of breathtaking photographs by Matthew Byrne. It covers changing architectural styles across the centuries, and prominent examples of artistic work, including stained glass, rood screens, church monuments and curious carvings. This book is published in association with The National Churches Trust, a national, independent charity dedicated to supporting church buildings across the UK.

Finally available, a high quality book of the original classic edition of Some Account of Gothic Architecture in Spain. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by George Edmund Street, which is now, at last, again available to you.

Get the PDF and EPUB NOW as well. Included in your purchase you have Some Account of Gothic Architecture in Spain in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.

Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Some Account of Gothic Architecture in Spain:

Look inside the book:

Seeing, then, how complete is the ignorance which up to the present time we have laboured under, as to the true history and nature of Gothic architecture in Spain, I commit this volume to the reader with a fair trust that what has been the occupation of all my leisure moments for the last two or three years, -a work not only of much labour at home, but of considerable labour also in long journeys taken year after year for this object alone, -will not be found an unwelcome addition to the literature of Christian art. ...I believe that for a day and a half our mayoral never slept a wink, and spent something like a fourth of his time running with the mules: though I am bound to say that subsequent experience has convinced me that he was exceptionally lively and wakeful, for elsewhere, in travelling by night, I have generally found that the mules become their own masters after dark, walking or standing still as seemeth them best, and seldom getting over much more than half the ground they travel in the same number of hours of daylight.

About George Edmund Street, the Author:

11 Charles Locke Eastlake, writing in 1872, saw this as a prime example of the 'revolt from English national style' that was occurring amongst Gothic Revival architects at this time, at least in part inspired by John Ruskin's enthusiasm for the medieval architecture of Northern Italy, and by the publication of Viollet-le-Duc's exhaustive Dictionnaire raisonne de l'Architecture Franchise du XIe au XVIe Siecle: ...His work was not exclusively in the Gothic revival manner, as is demonstrated by Ralli's dramatic Lycian-Byzantine temple at Norwood Cemetery, the Romanesque reworking of the nearby church of St Luke and the rebuilding of All Saints' at Roydon, in West Norfolk, in a style to match its two Norman doorways .

This expertly revised and enlarged survey is the perfect architectural companion to one of England's most beautiful regions. From the misty Levels to the heights of Exmoor and the Mendips, the Somerset landscape is enriched by buildings of outstanding quality and interest. The early medieval ruins of Glastonbury Abbey and the Elizabethan great house of Montacute are among the finest works of their time. Also famous are the lavishly decorated church towers of the Perpendicular period, such as those at Taunton, Evercreech, and Huish Episcopi. Many of these churches serve towns and villages of exceptional charm, marked by an unusual diversity of building stones and materials. From Porlock to Burnham-on-Sea, the ports and resorts of the long coastline all have their own distinctive architectural inheritance. Well-kept vernacular houses and other rural buildings complete the inland picture.

At the end of the 19th century, a group of successful artists and professionals built or purchased houses in the small neighbouring towns of Plainfield and Cornish, New Hampshire. New York lawyer Charles Beaman arrived first and eventually persuaded a number of friends to join him. Sculptor Augustus Saint-Gaudens arrived in 1885 followed by a group of artists and writers that included Thomas Dewing, Henry Walker, Charles Platt, Stephen Parrish, his son Maxfield, and others. The social epicentre of the Colony became 'Mastlands', house of the Dr Arthur Nichols family. Prominent visitors from around the world toured the Nichols' gardens and danced in the ballroom at Mastlands. The Cornish Colony thrived into the 1960s, when two dramatic changes occurred: Mastlands was closed in 1963 and Maxfield Parrish died in 1966. The spirit of the Cornish Colony was sorely tried. Eventually, however, Mastlands reopened and was refurbished. In 1998, the house was purchased for use as The Cornish Colony Gallery and Museum by Alma Gilbert, recognised as one of the world's foremost experts in the work and life of Maxfield Parrish. Today the Museum celebrates the history and creativity of members of the Colony. The Cornish Colony Book of Days shares in the renewal of that spirit. Filled with images of works by Colonists Augustus Saint-Gaudens, the Parrishes and their friends, the book also combines classic as well as contemporary photographs of Mastlands and its gardens. Together these images evoke an era of idealism, artistic innovation and optimism that inspire our admiration today.

Kengo Kuma, one of Japan's leading architects, has been combining professional practice and academia for most of his career. In addition to creating many internationally recognized buildings all over the world, he has written extensively about the history and theory of architecture. Like his built work, his writings also reflect his profound personal philosophy. Architecture of Defeat is no exception. Now available in English for the first time, the book explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan's northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture's intrinsic-and often problematic-relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society. Despite the title, Architecture of Defeat is an optimistic and hopeful book. Rather than anticipating the demise of architecture, Kuma envisages a different mode of conceiving architecture: guided and shaped by more modesty and with greater respect for the forces of our natural world. Beautifully designed and illustrated, this is a fascinating insight into the thinking of one of the world's most influential architects.

The ancient city of Asmara is the capital of Eritrea and its largest settlement. Its beautiful architecture was rediscovered by outsiders in the early 1990s. In this book, the authors offer an original analysis of the colonial city, providing a history not only of the physical and visible urban reality, but also of a second, invisible city as it exists in the imagination. The colonial city becomes a fantastical set of cities where each one reflects the others as if in a kaleidoscope. This ambitious book breaks new ground, and moves us a little further along in the attempt to read Asmara into contemporary theory. This book brings together scholars from a multiplicity of disciplines who have shown the ways in which colonial and postcolonial criticism has served as a platform for new, diversified readings of Asmara, which compile cultural and social history, critical and political theory, anthropological fieldwork, visual culture studies, literary and cinematic analysis, gender studies, diaspora and urban studies. The book examines the current realities of Asmara in order to address the continuing effects of the legacy of colonialism upon the city dwellers.

Created in 1933, the Historic American Buildings Society (HABS) federal programme established the first systematic identification and documentation of historic buildings throughout the US. This is a complete history of HABS in New Mexico, an on-going project dedicated to the preservation of four centuries of architecture. The starting point for a more profound understanding of New Mexico legacy of historic architecture and a renewed effort to preserve what remains.

There is a long history in the West of viewing Japan through the twin lenses of orientalism and exoticism. Following the Meiji Restoration of 1868 and the re-opening of Japan after a long period of self-imposed isolation there has been a succession of commentators who have sought to present Japan as somehow 'other' and not susceptible to ready understanding. Too often the study of Japanese architecture has followed this pattern or has been presented as a series of visual images that are explained as if they emerged from some unique alchemy of sensitivity and mysticism. This book argues that Japanese modern architecture emerged from identifiable events: political, social, economic, historical events, and is as susceptible as any other architecture to analysis and criticism in these terms. Episodic rather than encyclopaedic, it does not describe every twist and turn in the development of modern Japanese architecture, but rather, it examines twenty buildings spanning the 20th century and places them in the context of the political, social and economic, as well as the historical and cultural factors that shaped both them and modern Japan. Each building has been chosen because it reflects a major event in the development of modern Japan and its architecture. In this way, the author provides a more rounded understanding of the development of modern architecture in Japan and the circumstances from which it emerged and offers lessons that are still of relevance. As it entered the modern era, Japan was faced with the necessity of accepting an influx of Western technology in order to catch up. With imported technology came new and different ideas and values. Could the Japanese adopt the technology imported from the West while retaining their own culture and values? How could they identify those values and should they try to retain them or embrace new and different values? In the early 21st century, where we have seen the growth of the Internet and globalisation alongside an increase in nationalism around the world, these should be familiar questions. In a sense we are all Japanese now.

This second volume of the landmark Architectural Theory anthology surveys the development of architectural theory from the Franco-Prussian war of 1871 until the end of the twentieth century. Together with volume I, it is the first anthology to follow the full range of architectural literature from its beginnings in classical times to its impact today.
Drawing on diverse international texts, this book explores various reform movements in Europe and North America, including Arts & Crafts; spans the technological and conceptual innovations of the late-nineteenth century in connection with the rise and development of modern theory; and reviews early critiques of modernism, the "post-modern" discussions of the 1970s, and post-structural and regionalist thought in the 1980s. The editors also consider the counter-movements of the 1990s - inspired by the digital revolution, technological innovations, and growing concerns for sustainable design.
This anthology maps a wide array of debates in architectural history, placing the writings of starchitects like Koolhaas, Eisenman, and Lynn alongside the work of prominent architectural critics. It also sheds new historical perspective on topics such as ecology and sustainability, as well as CAD and blobs. The result is an inspiring and comprehensive resource for those studying or working in architectural theory and art history.

For readers of all ages, an imaginative, creative and fun trip around New York. An architecture book, an activity book, a history book and an art book all rolled into one. For architects, budding architects or anyone who is interested in architecture. Contains informative and interesting historical facts about New York neighbourhoods and buildings. Look Up! New York is the first volume of an exciting new series of architecture and design books that will inspire architects of all ages. This book is designed to be an on-the-go, fun and informative architecture book that can be used to learn, explore, create and colour. It is filled with great drawing and doodling activities for kids and teens as well as beautiful images, architecture detailing and fun historical facts that will inspire everyone. Look Up! New York provides a guide for exciting neighbourhood walking tours; fun maps are included to enhance observation and learning. The carefully chosen neighbourhoods and buildings identify the different types of architecture that evidence culture, life and character for that area of the city. This book will help kids identify architectural drawings, understand building design, develop drawing skills, and recognise architectural details. It will help readers consider architecture in its environment, its impact on our world and its place in history, and will also inspire all readers to sketch building ideas and details in a fun and creative process. New York City is home to some of the most beautiful and recognisable buildings in the world. Look Up! New York will include specialised tours of each neighbourhood, with 6-8 buildings encompassing a perfect walking tour. These neighbourhoods include the Upper West Side, Upper East Side, Bryant Park, and Madison Square Park/Flatiron.

Chicago Then and Now pairs vintage shots from 100 years of the city's history with the same view today Chicago is a city that through history has triumphed over nature and disaster. It has bounced back from a calamitous fire, re-engineered the flow of the Chicago River and challenged gravity with a series of pioneering skyscrapers. Chicago Then and Now pairs archival photos with modern views to tell the story of the city's rich history. It is a story of determination and pride, and the evocative photos on these pages reflect the many faces of Chicago's heritage. Sites include: Grant Park, Lincoln Park, Wabash Avenue, Lake Street, Marshall Field's, State Street, Palmer House, Reliance Building, the Chicago, Majestic and Biograph Theatres, Art Institute of Chicago, Chicago Cultural Center, South Michigan Avenue, North Michigan Avenue, Board of Trade Building, The Rookery, Old Colony Building, Dearborn Street Station, Chicago and North Western Terminal, Illinois Central Railyards, State Street Bridge, Michigan Avenue Bridge (cover image), Wacker Drive, Chicago River from the Wrigley Building, Water Tower, Lake Shore Drive, Navy Pier, Oak Street Beach, Merchandise Mart, Wrigley Field, Comiskey Park, the Union Stockyards, and much more.

"Fair Park Deco" is a fascinating tour of the 1936 Texas Centennial Exposition. Like every American exposition in the 1930s, it began in economic depression. Although its economy had been buoyed by major oil discoveries in the early '30s, Texas agriculture was hard hit by the Great Depression. By the middle of the decade, state officials had set their sights on a great centennial celebration to help stimulate the economy and attract tourist dollars. "If during the next six months the people of the state could become filled with the idea of holding a big celebration on the one hundredth anniversary of the establishment of Texas independence," the state's centennial commission speculated in July, 1934, "it would have the effect of creating a general forward-looking spirit through the state. It would be more stimulating than anything we can think of, and this effect would be immediate."

This book focuses specifically on the Art Deco art and architecture of Fair Park--the public spaces, buildings, sculptures and murals that were designed for the 1936 exposition. Most of the chapters in the book represent different areas of Fair Park, with buildings and artwork effectively arranged in the same order that a visitor to the Texas Centennial Exposition might have seen them. The art and architecture are featured in original photography by Jim Parsons and David Bush as well as in historic photographs.

Fair Park is one of the finest collections of Deco architecture in the country, but it is so much more: the embodiment of Texan swagger, it is a testament to the Texanic task of creating a dazzling spectacle in the darkest days of the Depression.