This book is motivated by two questions: Why do dismissed affective evidence persist as troubling experience or imaginaries? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground-jammed amidst life, things and events. Rather than being apart from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture's uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicised architectural discourse simultaneously grounded and speculative: bridging depth and intuition, thinking and feeling.

Drawing together a multinational team of authors, this second edition of Structure and Performance of Cements highlights the latest global advances in the field of cement technology. Three broad categories are covered: basic materials and methods, cement extenders, and techniques of examination. Within these categories consideration has been given to environmental issues such as the use of waste materials in cement-burning as supplementary fuels and new and improved methods of instrumentation for examining structural aspects and performance of cements. This book also covers cement production, mineralogy and hydration, as well as the mechanical properties of cement, and the corrosion and durability of cementitious systems. Special cements are included, along with calcium aluminate and blended cements together with a consideration of the role of gypsum in cements. Structure and Performance of Cements is an invaluable key reference for academics, researchers and practitioners alike.

An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world's most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style. Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters. Featured architects include: John Andrews; Joao Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanovic; Marcel Breuer; Douglas Cardinal; Andre-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Erno Goldfinger; Jadwiga Grabowska-Hawrylak; Agustin Hernandez Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; Joao da Gama Filgueiras Lima; Alberto Linner Diaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke

Into the Light: Lauretta Vinciarelli centres on the interdisciplinary work of Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who inhabited a world of "firsts": she was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (in 1974); she was among the first women hired to teach architecture studio courses at Columbia University (in 1978); and she was the first and only woman granted a solo exhibition at Peter Eisenman's influential Institute of Architecture and Urban Studies in New York (also 1978). Raised in northern Italy and educated at La Sapienza University in Rome during the tumultuous 1960s, Vinciarelli would bring her socio-political consciousness to bear on her work in New York, where she relocated in 1969. By 1976, she and Minimalist artist Donald Judd had become a romantic and professional pair, collaborating for nearly ten years on architecture, furniture design, and printmaking. Her influence on Judd's work and her historical place in the story of contemporary architecture has been overlooked by art historians, however, and her legacy today resides with the luminous watercolor paintings she created from the 1980s until the end of her life. This book presents the first comprehensive study of Vinciarelli's work in art and architecture, offering a unique lens through which to reassess the revival of architectural drawing in the late 1970s as connected to larger theoretical, pedagogical, and political aims to shed new light on this electrifying period. More than simply a book of reclamation, Into the Light argues that Vinciarelli is an overlooked missing link in the exchange between Italy and the United States at a pivotal point in contemporary architecture, in the architectural drawings revival of the 1970s as connected to the socio-political context of Italy, and in the historiography of Minimalism. It consequently offers a wholly new appraisal of not only Vinciarelli's career, but of the art and architectural scene in New York during this period; of the revival of architectural drawing; of the slow inclusion of women into the architectural academy; and of creative collaborations between couples.

Urban and suburban growth is a burning local issue for communities across the United States and many other parts of the world. Concerns include protecting habitats, high costs of infrastructure, social inequalities, traffic congestion and more intangible worries about ?quality of life.? Citizens pressure public officials to intensify development re

The images in this book, Historic Photos of University of Michigan Football, depict 100 years of gridiron action and the players and coaches who competed on three historic fields. The first football team at the University of Michigan was established in 1879. From winning the first-ever Tournament of Roses game, to back-to-back national championships, Michigan football created an unparalleled tradition during its first century. Selected from the extensive collection at the University of Michigan’s Bentley Historical Library, the dramatic photos in this volume include rarities from games in the early 1900s, classic showdowns between Michigan and Ohio State, and All-American athletes such as the first Michigan Wolverine to win the Heisman Trophy. In vivid black and white, the first hundred years of Michigan football unfold in these remarkable images of the players, coaches, and fans.

Historical wooden architecture is one of the most unique types of heritage built. Built from organic material, wooden buildings remain in harmony with the natural environment and fascinate future generations with its special charm. Because of its uniqueness, wooden buildings reflect the richness of traditional building solutions developed in different parts of the world. At the same time, this type of building contains the spiritual values that were important to those who built these architectural structures. The main topics of 'Authenticity in Preserving Historical Wooden Architecture - Problems and Challenges' are: (i) The method of protection and preservation of wooden buildings as a form of specific historical interpretation; (ii) The question of reconstruction and translocation of a wooden historical building with regard to the level of authenticity; (iii) The analysis of the essence of historical changes and the methods for maintaining and displaying wooden structures in relation to the requirements that determine their historical and architectural authenticity. Showing a variety of aspects of authenticity of wooden buildings, all demonstrated by specific examples (case studies), 'Authenticity in Preserving Historical Wooden Architecture - Problems and Challenges' presents practical implementations of theoretical findings. Hence, the book contributes to the understanding of wooden architectural heritage from a new perspective. The book will be of particular interest to academics and professionals interested in or involved in the preservation of built wooden heritage.

A Practical Step-by-Step Guide to Maintaining and Operating a Golf Course From the fairway to the flagsticks, operating a golf course presents a variety of challenges. To maintain a beautiful course and ensure smooth day-to-day operations, one must possess a strong foundation of knowledge across many different fields. Practical Golf Course Maintenance, Fourth Edition assists golf industry professionals with every component of course management so that players have the best experience possible. As seasoned golf industry professionals, the two authors have years of hands-on experience in the field solving problems relating to every facet of running a modern golf course. This fourth edition contains new and updated advice and guidelines for running a golf course, including: A new chapter offering guidance for superintendents to work with club officials and green committee members to achieve success in their challenging roles Rule changes from the USGA and R&A and how they affect maintenance strategies Discussions of current and future course technologies, including robotic mowers, drones, and advanced irrigation systems An overview of the evolving job descriptions and responsibilities of key positions in the field A common sense approach to the art of greenkeeping Practical Golf Course Maintenance, Fourth Edition has been purposefully written to provide useful information to both the untrained and experienced greenkeeping professional. It serves as a thorough introduction of golf course maintenance to anyone interested in the profession, including course or club officials and managers, green committee members, and anyone who has a vested interest in understanding what it takes to run a golf course.

Beautiful hand-wrought iron gates, grilles, architectural details, and fireplace equipment feature scrollwork and floral embellishments, from many ancient towns in Italy. Medieval and rococo elements are plentiful. 487 full-page, black and white photographs illuminate details that will inspire blacksmiths and designers today. The original locations of the ironwork are identified in the text.

From ancient and classical masterpieces to contemporary, cutting-edge buildings, architecture has defined our world throughout history. Drawing its examples from all around the globe, Architecture: The Whole Story is a richly illustrated and comprehensive account of the architects, plans, designs and constructions that over the centuries have most engaged our minds, inspired our imaginations and raised our spirits. For everyone who has ever wished for greater insight into the art of building design, Architecture: The Whole Story provides the analytical tools to appreciate to the fullest the variety of architectural achievement and the built environment in the world.

Japanese Modern Architecture 1920-2015 uses a series of thematic lenses to explain the rich history of Japanese architectural developments from the 1920s foundation of modern architecture to contemporary permutations of modern and post-modern architecture. The book introduces the diversity of Japanese architecture and traces the evolution of Japanese architecture in the context of domestic and international developments. It examines the relationship between architecture and nature, and explores various approaches to craft and material. Finally, this new book considers tensions between refinement and ostentation in architectural expression.

Adopting a multi-disciplinary approach to the practice of achieving a more acceptable acoustic environment, this book draws on the same basic principles to cover both the outdoors and indoor space. It starts with the fundamentals of sound waves and hearing and goes on to the measurement of noise and vibration, room acoustics, sound absorption, airborne sound insulation and noise and vibration control. This serves as a foundation reference for students of architecture and environmental engineering, including those new to the study of acoustics. Problem-solving exercises are provided at the end of each chapter. The authors focus on techniques, methods and standards and lead into further more specialized material which makes the book useful for more advanced students and professional engineers.

2018 IPHS Special Book Prize Award Recipient The Routledge Handbook of Planning History offers a comprehensive interdisciplinary overview of planning history since its emergence in the late 19th century, investigating the history of the discipline, its core writings, key people, institutions, vehicles, education, and practice. Combining theoretical, methodological, historical, comparative, and global approaches to planning history, The Routledge Handbook of Planning History explores the state of the discipline, its achievements and shortcomings, and its future challenges. A foundation for the discipline and a springboard for scholarly research, The Routledge Handbook of Planning History explores planning history on an international scale in thirty-eight chapters, providing readers with unique opportunities for comparison. The diverse contributions open up new perspectives on the many ways in which contemporary events, changing research needs, and cutting-edge methodologies shape the writing of planning history.

Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated "revolution" of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.

This book examines the unique socialist-modernist architecture built in the twentieth century in Central and Eastern Europe as a source of heritage and of existing and potential value for the present and future generations. Due to the historical context in which it was created, such architecture remains ambiguous. On the one hand, the wider public associates it with the legacy of the unpleasant period of the real socialist economic regime. Yet, on the other hand, it is also a manifestation of social modernization and the promotion of a significant proportion of the population. This book focuses particularly on concrete heritage, a legacy of modernist architecture in Central and Eastern Europe, and it was this material that enabled their rebuilding after World War II and modernization during the following decades. The authors search for the value of modernist architecture and using case studies from Poland, Bulgaria, Northern Macedonia, Lithuania and Slovenia verify to what extent this heritage is embedded in the local socio-economic milieu and becomes a basis for creating new values. They argue that the challenge is to change the ways we think about heritage, from looking at it from the point of view of a single monument to thinking in terms of a place with its own character and identity that builds its relation to history and its embeddedness in the local space. Furthermore, they propose that the preservation of existing concrete structures and adapting them to modern needs is of great importance for sustainability. With increasing awareness of the issue of preserving post-war architectural heritage and the strategies of dissonant heritage management, this multidisciplinary study will be of interest to architecture historians, conservators, heritage economists, urban planners and architects.

This book provides a thorough analysis of cities and the entire metropolitan region, considering how both are intrinsically linked and influence one other, targeted at architects, students, urban designers and planners, landscape architects, and city and regional officials.