The claim that heritage practice in Asia is Eurocentric may be well-founded, but the view that local people in Asia need to be educated by heritage practitioners and governments to properly conserve their heritage distracts from the responsibility of educating oneself about the local-popular beliefs and practices which constitute the bedrock of most people's engagement with the material past. Written by an archaeologist who has long had one foot in the field of heritage practice and another in the academic camp of archaeology and heritage studies, Counterheritage is at once a forthright critique of current heritage practice in the Asian arena and a contribution to this project of self-education. Popular religion in Asia - including popular Buddhism and Islam, folk Catholicism, and Chinese deity cults - has a constituency that accounts for a majority of Asia's population, making its exclusion from heritage processes an issue of social justice, but more pragmatically it explains why many heritage conservation programs fail to gain local traction. This book describes how the tenets of popular religion affect building and renovation practices and describes how modernist attempts to suppress popular religion in Asia in the early and mid-twentieth century impacted religious 'heritage.' Author Denis Byrne argues that the campaign by archaeologists and heritage professionals against the private collecting and 'looting' of antiquities in Asia largely ignores the regimes of value which heritage discourse has helped erect and into which collectors and local diggers play. Focussing on the Philippines, Thailand, and Taiwan but also referencing China and other parts of Southeast Asia, richly detailed portraits are provided of the way people live with 'old things' and are affected by them. Narratives of the author's fieldwork are woven into arguments built upon an extensive and penetrating reading of the historical and anthropological literature. The critical stance embodied in the title 'counterheritage' is balanced by the optimism of the book's vision of a different practice of heritage, advocating a view of heritage objects as vibrant, agentic things enfolded in social practice rather than as inert and passive surfaces subject to conservation.

605 color images show the wide variety and creative ways balusters and columns were used to enhance the homes in historic Oak Bluffs and Martha's Vineyard, Massachusetts. This photo archive of ornate Victorian details will assist in the restoration of campground cottages. Restorers of old homes, preservationists, students of architecture, and admirers of Victorian style will find this a valuable resource and use these photos to restore, preserve, or even recreate the embellishments.

Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated "revolution" of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.

2018 IPHS Special Book Prize Award Recipient The Routledge Handbook of Planning History offers a comprehensive interdisciplinary overview of planning history since its emergence in the late 19th century, investigating the history of the discipline, its core writings, key people, institutions, vehicles, education, and practice. Combining theoretical, methodological, historical, comparative, and global approaches to planning history, The Routledge Handbook of Planning History explores the state of the discipline, its achievements and shortcomings, and its future challenges. A foundation for the discipline and a springboard for scholarly research, The Routledge Handbook of Planning History explores planning history on an international scale in thirty-eight chapters, providing readers with unique opportunities for comparison. The diverse contributions open up new perspectives on the many ways in which contemporary events, changing research needs, and cutting-edge methodologies shape the writing of planning history.

Beautiful hand-wrought iron gates, grilles, architectural details, and fireplace equipment feature scrollwork and floral embellishments, from many ancient towns in Italy. Medieval and rococo elements are plentiful. 487 full-page, black and white photographs illuminate details that will inspire blacksmiths and designers today. The original locations of the ironwork are identified in the text.

This book is motivated by two questions: Why do dismissed affective evidence persist as troubling experience or imaginaries? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground-jammed amidst life, things and events. Rather than being apart from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture's uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicised architectural discourse simultaneously grounded and speculative: bridging depth and intuition, thinking and feeling.

Drawing together a multinational team of authors, this second edition of Structure and Performance of Cements highlights the latest global advances in the field of cement technology. Three broad categories are covered: basic materials and methods, cement extenders, and techniques of examination. Within these categories consideration has been given to environmental issues such as the use of waste materials in cement-burning as supplementary fuels and new and improved methods of instrumentation for examining structural aspects and performance of cements. This book also covers cement production, mineralogy and hydration, as well as the mechanical properties of cement, and the corrosion and durability of cementitious systems. Special cements are included, along with calcium aluminate and blended cements together with a consideration of the role of gypsum in cements. Structure and Performance of Cements is an invaluable key reference for academics, researchers and practitioners alike.

Adopting a multi-disciplinary approach to the practice of achieving a more acceptable acoustic environment, this book draws on the same basic principles to cover both the outdoors and indoor space. It starts with the fundamentals of sound waves and hearing and goes on to the measurement of noise and vibration, room acoustics, sound absorption, airborne sound insulation and noise and vibration control. This serves as a foundation reference for students of architecture and environmental engineering, including those new to the study of acoustics. Problem-solving exercises are provided at the end of each chapter. The authors focus on techniques, methods and standards and lead into further more specialized material which makes the book useful for more advanced students and professional engineers.

In much recent theory, the media are described as ephemeral, ubiquitous, and de-localized. Yet the activity of modern media can be traced to spatial centers that are tangible enough - some even monumental. This book offers multidisciplinary and historical perspectives on the buildings of some of the world's major media institutions. Paradoxically, as material and aesthetic manifestations of "mediated centers" of power, they provide sites to the siteless and solidity to the immaterial. The authors analyse the ways that architectural form and organization reflect different eras, media technologies, ideologies, and relations with the public in media houses from New York and Silicon Valley to London, Moscow, and Beijing.

Glass tile is the hottest trend in today's design tricks bag. Glass tile plays with light, adds liquid sheen and brings any room to life. Glass tiles also add a surprising depth to even the tightest of spaces, creating a sense of openness, as little else can. Over 290 beautiful color photos celebrate the variety of color, shape, and texture emerging in response to a clamor of demand and show the many colors from which to choose, including metallic, red, pink, blue, green, good-earth, and cool neutral tones. A wide variety of tile patterns, finishes, textures, sizes, and shapes are available. See the latest tiles from leading design and manufacturing firms, including Orsoni Smalti Venezianna, Sicis, Adagio Art Glass, Ann Sacks, Dolce Glass Tile, Mixed-Up-Mosaics, and Ultraglas Tile, to name just a few. This book is a fantastic reference for architects, designers and homeowners.

Modernism was instrumental in the development of twentieth and twenty-first century Scandinavian architecture, for it captured a progressive, urbane character that was inextricably associated with, and embraced the social programmes of the Nordic welfare states. Recognized internationally for its sensitivity and responsiveness to place and locale, and its thoughtful use of materials and refined detailing, Nordic architecture continues to evolve and explore its modernist roots. This new book covers the romantic and classical architectural foundations of Nordic modernism; the development of Nordic Functionalism; the maturing and expansion of Nordic modern architecture in the post-war period; international influences on Scandinavian modernism at the end of the twentieth century and finally, the global and local currents found in contemporary Nordic architecture.

Rich in new discoveries and fresh interpretation, this fully revised survey is the perfect companion and guide to one of England's most beguiling counties. A profusion of black-and-white timber-framed houses testifies to the prosperity of earlier centuries, as do the many and varied parish churches. Highlights among these include the extraordinary Norman carvings at Kilpeck, the exquisitely spare Cistercian architecture of Abbey Dore, the seductive Georgian Gothick of Shobdon, and Lethaby's Arts and Crafts masterpiece at Brockhampton. The city of Hereford is freshly presented in detail, from its splendid medieval cathedral to the architectural adventures of the Georgians and Victorians. Country houses are plentiful and diverse, including much that is well in step with national fashions. The characteristic landscape of hills and woods lends a special pleasure to architectural exploration, while market towns such as Ledbury, Leominster, and Ross-on-Wye can match any in England for visual and architectural appeal.