What connects garbage dumps in New York, bomb sites in Baghdad, and skyscrapers in Sao Paulo? How is contemporary visual culture - extending from art and architecture to film and digital media - responding to new forms of violence associated with global and globalizing cities? Addressing such questions, this book is the first interdisciplinary volume to examine the complex relationship between globalization, violence, and the visual culture of cities. Violence - in both material and cultural forms - has been a prominent and endemic feature of urban life in the global metropolitan era. Focusing on visual culture and offering a strong humanities perspective that is currently lacking in existing scholarship, this book seeks to understand how the violent effects of globalization have been represented, theorized, and experienced across a wide range of cultural contexts and urban locations in Asia, Europe, North and South America, and the Middle East. Organized around three interrelated themes - fear, memory, and spectacle - essay topics range from military targeting in Baghdad, carceral urbanism in Sao Paulo, and the Paris banlieue riots, to the security aesthetics of G8 summits, the architecture of urban paranoia, and the cultural afterlife of the Twin Towers. Globalization, Violence, and the Visual Culture of Cities offers fresh insight into the problems and potential of cities around the world, including Beijing, Berlin, London, New York, Paris, and Sao Paulo. With specially-commissioned essays from the fields of cultural theory, architecture, film, photography, and urban geography, this innovative volume will be a valuable resource for students, scholars, and researchers across the humanities and social sciences.

UNESCO aims to tackle Africa's under-representation on its World Heritage List by inscribing instances of nineteenth- and twentieth-century modern architecture and urban planning there. But, what is one to make of the utopias of progress and development for which these buildings and sites stand? After all, concern for 'modern heritage' invariably-and paradoxically it seems-has to reckon with those utopias as problematic futures of the past, a circumstance complicating intentions to preserve a recent 'culture' of modernization on the African continent. This book, a new title in Routledge's Studies in Culture and Development series, introduces the concept of 'global heritage assemblages' to analyse that problem. Based on extensive anthropological fieldwork, it describes how various governmental, intergovernmental, and non-governmental actors engage with colonial and post-colonial built heritage found in Eritrea, Tanzania, Niger, and the Republic of the Congo. Rausch argues that the global heritage assemblages emerging from those examples produce problematizations of the modern', which ultimately indicate a contemporary need to rescue modernity from its dominant conception as an all-encompassing, epochal, and spatial culture.

Examining the history of altar decorations, this study of the visual liturgy grapples with many of the previous theoretical frameworks to reveal the evolution and function of these ritual objects. Using an interdisciplinary approach, this book uses traditional art historical methodologies and media technology theory to reexamine ritual objects. Previous analysis has not considered the in-between nature of these objects as deliberate and virtual conduits to the divine. The liturgy, the altarpiece, the altar environment, relics, and their reliquaries are media. In a series of case studies, several objects tell a different story about culture and society in medieval Europe. In essence, they reveal that media and media technologies generate and modulate the individual and collective structure of feeling of sacredness among assemblages of humans and nonhumans. The book will be of interest to scholars working in art history, medieval studies, early modern studies, and architectural history.

As San Juan nears the 500th anniversary of its founding, Arleen Pabon-Charneco explores the urban and architectural developments that have taken place over the last five centuries, transforming the site from a small Caribbean enclave to a sprawling modern capital. As the oldest European settlement in the United States and second oldest in the Western Hemisphere, San Juan is an example of the experimentation that took place in the American "borderland" from 1519 to 1898, when Spanish sovereignty ended. The author also investigates post-1898 examples to explore how architectural ideas were exported from the mainland United States. Pabon-Charneco covers the varied architectural periods and styles, aesthetic theories and conservation practices of the region and explains how the development of the architectural and urban artifacts reflect the political, cultural, social and religious aspects that metamorphosed a small military garrison into a urban center of international significance.

This book develops the concept of marketing the city and is the first of its kind to explore the dilemmas of incorporating people as part of the product. It is aimed at city and urban policy makers, as well as real estate professionals, architects and planners. It covers: marketing strategies and the sales process for flagship developments and the areas in which they are located for urban regeneration. The management of marketing strategies and the developments through the policy formulation, project implementation and policy / project evaluation. Marketing the city: strategies to date and the conceptual scope and limits for developing the concept. The extent to which people can be integrated into the urban 'product' and the pros and cons of this. The impact of the above for policy makers, planners, developers, architects, city authorities. The focus of the book is marketing city. Exploring the concept and its applications are undertaken through an evaluation of "flagship" developments and their role in urban regeneration. "Flagship" developments have been an important part of the 'private' sector, 'property-led' policy initiatives of the 1980s and had the aim of contributing more

Revised to incorporate and reflect changes and advances since it was first published the new edition of Architecture in a Climate of Change provides the latest basic principals of sustainability and the future of sustainable technology. Including new material on wind generation, domestic water conservation, solar thermal electricity as well as international case studies Architecture in a Climate of Change encourages readers to consider new approaches to building making minimum demand on fossil based energy.

What if structures could build themselves or adapt to fluctuating environments? Skylar Tibbits, Director of the Self-Assembly Lab in the Department of Architecture at MIT, Cambridge, MA, crosses the boundaries between architecture, biology, materials science and the arts, to envision a world where material components can self-assemble to provide adapting structures and optimized fabrication solutions. The book examines the three main ingredients for self-assembly, includes interviews with practitioners involved in the work and presents research projects related to these topics to provide a complete first look at exciting future technologies in construction and self-transforming material products.

The importance of design has often been neglected in studies considering the history of structural and civil engineering. Yet design is a key aspect of all building and engineering work. This volume brings together a range of articles which focus on the role of design in engineering. It opens by considering the principles of design, then deals with the application of these to particular subjects including bridges, canals, dams and buildings (from Gothic cathedrals to Victorian mills) constructed using masonry, timber, cast and wrought iron.

The great cathedrals and churches of the medieval West continue to awe. How were they built, and why do they remain standing? What did their builders know about what they were doing? These questions have given rise to considerable controversy, which is fully reflected in the papers selected here. The first section of the book is concerned with the medieval builders and their design methods; the second focuses on engineering issues in the context of the infamous collapse of the choir at Beauvais in 1284. The following papers extend the analysis into the 15th century, looking for example at Brunelleschi's dome for Florence Cathedral, and deal with the often neglected structures of roofs, towers and spires.

Follow the Sun will guide you through all aspects of architectural photography, from the genre's rich history to the exciting new approaches brought by the advent of the digital age. It explains how to use the powerful tools of digital photography while employing many of the skills and traditions of the established genre. Written to be accessible to professionals, amateurs, and students alike, this book will be useful for photographers exploring architecture as fine artists, on editorial assignments, or on commercial shoots. Key features include: * Example photographs and diagrams * Historical background of architectural photography * Advice on essential equipment * How to plan a shoot to your advantage * How to use tilt-shift lenses for architecture * Editing workflow and strategies * Interviews with architectural photographers Peter Aaron, Magda Biernat, Ty Cole, and Elizabeth Felicella.

Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino's writings offers a new perspective on Bernini's art and artistry and allow us to understand the visual arts in papal Rome as a 'making manifest' of the fundamental truths of faith. Pallavicino's views on art and its effects differ fundamentally from the perspective developed in Bernini's biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino's writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.

In this first full-length study devoted explicitly to the examination of Ottoman/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, Nebahat Avcioglu rethinks the question of cultural frontiers not as separations but as a rapport of heterogeneities. Reclaiming turquerie as cross-cultural art from the confines of the inconsequential exoticism it is often reduced to, Avcioglu analyses hitherto neglected images, designs and constructions; and links Western interest in the Ottoman Empire to notions of self-representation and national politics. In investigating why and to what effect Europeans turned to the Turk for inspiration, Avcioglu provides a far-reaching cultural reinterpretation of art and architecture in this period. Presented as a series of case studies focusing on three specific building types"kiosks, mosques, and baths"chosen on the basis that each represents the first full-fledged manifestations of their respective genres to be constructed in Western Europe, the study delves into the cultural politics of architectural forms and styles. The author argues that the appropriation of those building types was neither accidental, nor did it merely reflect European domination of another culture. The process was essentially dialectical, and contributed to transculturation in both the West and the East.

The rural, remote, and wild territories we call "countryside", or the 98% of the earth's surface not occupied by cities, make up the front line where today's most powerful forces-climate and ecological devastation, migration, tech, demographic lurches-are playing out. Increasingly under a 'Cartesian' regime-gridded, mechanized, and optimized for maximal production-these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth's vast non-urban areas. Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan's infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today's countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on 'their' territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers. This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It's designed by Irma Boom, who drew inspiration for the book's pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library. The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.

An important resource for scholars of contemporary art and architecture, this volume considers contemporary art that takes architecture as its subject. Concentrated on works made since 1990, Contemporary Art About Architecture: A Strange Utility is the first to take up this topic in a sustained and explicit manner and the first to advance the idea that contemporary art functions as a form of architectural history, theory, and analysis. Over the course of fourteen essays by both emerging and established scholars, this volume examines a diverse group of artists in conjunction with the vernacular, canonical, and fantastical structures engaged by their work. Inigo Manglano-Ovalle, Matthew Barney, Monika Sosnowska, Pipo Nguyen-duy, and Paul Pfeiffer are among those considered, as are the compelling questions of architecture's relationship to photography, the evolving legacy of Mies van der Rohe, the notion of an architectural unconscious, and the provocative concepts of the unbuilt and the unbuildable. Through a rigorous investigation of these issues, Contemporary Art About Architecture calls attention to the fact that art is now a vital form of architectural discourse. Indeed, this phenomenon is both pervasive and, in its individual incarnations, compelling - a reason to think again about the entangled histories of architecture and art.

This clear and concise guide is the ideal introduction to contemporary housing design for students and professionals of architecture, urban design and planning. With the increasing commitment to sustainable design and with an ever-increasing demand for houses in urban areas, housing design has taken on a new and crucial role in urban planning. This guide introduces the reader to the key aspects of housing design, and outlines the discussion about form and planning of urban housing. Using chapter summaries and with many illustrations, it presents contemporary concerns such as energy efficient design and high density development in a clear and accessible way. It looks at practical design solutions to real urban problems and includes advice on reclamation and re-use of buildings. The guidance it presents is universally relevant. Part two of the book features current case studies that illustrate the best in high density, sustainable housing design providing the reader with design information, and design inspiration, for their own projects.

Passion and Control explores Dutch architectural culture of the eighteenth century, revealing the central importance of architecture to society in this period and redefining long-established paradigms of early modern architectural history. Architecture was a passion for many of the men and women in this book; wealthy patrons, burgomasters, princes and scientists were all in turn infected with architectural mania. It was a passion shared with artists, architects and builders, and a vast cast of Dutch society who contributed to a complex web of architectural discourse and who influenced building practice. The author presents a rich tapestry of sources to reconstruct the cultural context and meaning of these buildings as they were perceived by contemporaries, including representations in texts, drawings and prints, and builds on recent research by cultural historians on consumerism, material culture and luxury, print culture and the public sphere, and the history of ideas and mentalities.

Ethno-Architecture and the Politics of Migration explores the interface between migration and architecture. Cities have been substantially affected by transnational migration but the physical manifestations of migration in architecture - and its effect on streetscape, neighbourhood and city - have so far been understudied. This contributed volume examines how migrants interact with, adapt, and construct new architecture. Looking at the physical, urban and cultural impact of these changes on a variety of sites, the authors explore architecture as an identity category and investigate what buildings and places associated with migration tell us about central questions of belonging, culture, community, and home in regions such as North America, Australia and the UK. An important contribution to debates on place identity and the transformation of places as a result of mobility and globalised economies in the 21st century.

The impact of building materials and construction methods on the health and wellbeing of occupants is often underestimated. This book is an essential guide to understanding and avoiding hazardous materials and poor air quality in buildings. The author covers a range of issues beginning with an explanation of how buildings work and how this influences the health of occupants and users. The text covers: Ventilation, air conditioning and indoor air quality Damp and mould Asthma and respiratory problems Cancer and endocrine disorders Radiation and radon Hazardous building materials used in construction Indoor air quality and emissions Ecological alternatives and approaches and remedies for 'sick' buildings The book also guides the reader through the confusing world of regulations, EU and international guidelines and certifications, and provides a critical analysis of different theories of healthy buildings and philosophies. Written in a clear and accessible style, this book provides indispensable advice and information to anyone wishing to better understand healthy buildings and materials. It is essential reading for architects, surveyors, public health professionals, facilities managers and environmentalists.

Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls 'heavy entertainment' - strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.

In hope, Christian faith reconfigures the shape of what is familiar in order to pattern the contours of God's promised future. In this process, the present is continuously re-shaped by ventures of hopeful and expectant living. In art, this same poetic interplay between past, present and future takes specific concrete forms, furnishing vital resources for sustaining an imaginative ecology of hope. This volume attends to the contributions that architecture, drama, literature, music and painting can make, as artists trace patterns of promise, resisting the finality of modernity's despairing visions and generating hopeful living in a present which, although marked by sin and death, is grasped imaginatively as already pregnant with future.

Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and decor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.

Rethinking the Baroque explores a tension. In recent years the idea of 'baroque' or 'the baroque' has been seized upon by scholars from a range of disciplines and the term 'baroque' has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term 'baroque'; on the other, there are theorists and scholars of contemporary theory who have largely ignored baroque art and architecture. This book explores what happens when these worlds mesh. In this book, scholars from a range of disciplines retrieve the term 'baroque' from the margins of art history where it has been sidelined as 'anachronistic', to reconsider the usefulness of the term 'baroque', while avoiding simply rehearsing familiar policing of periodization, stylistic boundaries, categories or essence. 'Baroque' emerges as a vital and productive way to rethink problems in art history, visual culture and architectural theory. Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term 'baroque' - its promise, its limits, and its overlooked potential - in relation to the visual arts. Thus the book is posited on the idea that tension is not only inevitable, but even desirable, since it not only encapsulates intellectual divergence (which is always as useful as much as it is feared), but helps to push scholars (and therefore readers) outside their usual runnels.

For the first hundred years or so of their history, public libraries in Britain were built in an array of revivalist architectural styles. This backward-looking tradition was decisively broken in the 1960s as many new libraries were erected up and down the country. In this new Routledge book, Alistair Black argues that the architectural modernism of the post-war years was symptomatic of the age's spirit of renewal. In the 1960s, public libraries truly became 'libraries of light', and Black further explains how this phrase not only describes the shining new library designs - with their open-plan, decluttered, Scandinavian-inspired designs - but also serves as a metaphor for the public library's role as a beacon of social egalitarianism and cultural universalism. A sequel to Books, Buildings and Social Engineering (2009), Black's new book takes his fascinating story of the design of British public libraries into the era of architectural modernism.

This unique book presents a broad multi-disciplinary examination of early temple architecture in Asia, written by two experts in digital reconstruction and the history and theory of Asian architecture. The authors examine the archetypes of Early Brahmanic, Hindu and Buddhist temple architecture from their origins in north western India to their subsequent spread and adaptation eastwards into Southeast Asia. While the epic monuments of Asia are well known, much less is known about the connections between their building traditions, especially the common themes and mutual influences in the early architecture of Java, Cambodia and Champa. While others have made significant historiographic connections between these temple building traditions, this book unravels, for the first time, the specifically compositional and architectural linkages along the trading routes of South and Southeast Asia. Through digital reconstruction and recovery of three dimensional temple forms, the authors have developed a digital dataset of early Indian antecedents, tested new technologies for the acquisition of built heritage and developed new methods for comparative analysis of built form geometry. Overall the book presents a novel approach to the study of heritage and representation within the framework of emerging digital techniques and methods.