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Books > Arts & Architecture > Architecture > General
Based on historical fact, "George Washington's Boy," written by Ted
Lange, portrays the fight for freedom, the Declaration of
Independence, and the first presidency of the United States from
the viewpoint of one of George Washington's closest confident,
ironically, his slave, Billy Lee. Billy Lee served his master
throughout these monumental times and was privy to the innermost
thoughts and actions of Washington.
Church rituals were a familiar feature of life throughout much of
the Anglo-Saxon period. In this innovative study, Helen Gittos
examines ceremonies for the consecration of churches and
cemeteries, processional feasts like Candlemas, Palm Sunday, and
Rogationtide, as well as personal rituals such as baptisms and
funerals. Drawing on little-known surviving liturgical sources as
well as other written evidence, archaeology, and architecture, she
considers the architectural context in which such rites were
performed. The research in this book has implications for a wide
range of topics, such as: how liturgy was written and disseminated
in the early Middle Ages, when Christian cemeteries first began to
be consecrated, how the form of Anglo-Saxon monasteries changed
over time and how they were used, the centrality and nature of
processions in early medieval religious life, the evidence church
buildings reveal about changes in how they functioned, beliefs
about relics, and the attitudes of different archbishops to the
liturgy. Liturgy, Architecture, and Sacred Places in Anglo-Saxon
England will be of particular interest to architectural specialists
wanting to know more about liturgy, and church historians keen to
learn more about architecture, as well as those with a more general
interest in the early Middle Ages and in church buildings.
Using the Braudelian concept of the Mediterranean this volume
focuses on the condition of "coastal exchanges" involving the
Dalmatian littoral and its Adriatic and more distant maritime
network. Spalato and Ragusa intersect with Constantinople, Cairo
and Spanish Naples just as Sinan, Palladio and Robert Adam cross
paths in this liquid expanse. Concentrating on materiality and on
the arts, architecture in particular, the authors identify
portability and hybridity as characteristic of these exchanges, and
tease out expected and unexpected serendipitous moments when they
occurred. Focusing on translation and its instruments these essays
expand the traditional concept of influence by thrusting mobility
and the "hardware" of cultural transmission, its mechanisms, rather
than its effects, into the foreground. Contributors include: Doris
Behrens-Abouseif, SOAS, University of London; Josko Belamaric,
Institute of Art History, Split; Marzia Faietti, Uffizi, Florence;
Jasenka Gudelj, University of Zagreb; Cemal Kafadar, Harvard
University; Ioli Kalavrezou, Harvard University; Suzanne Marchand,
State University of Louisiana; Erika Naginski, Harvard University;
Gulru Necipoglu, Harvard University; Goran Niksic, City of Split,
Split; Alina Payne, Harvard University; Avinoam Shalem, Columbia
University and David Young Kim, University of Pennsylvania
This rare book is one of two volumes comprising a comprehensive
catalogue of Indian architecture. This volume deals with the
development of Muslim architecture in India up to modern times, and
comprises the chapters: The source of Islamic Architecture in
India, The Delhi or Imperial Style, Provincial Styles, The
Buildings of Sher Shah Sur, The Mughul Period, The Medieval Palaces
and Civic Buildings, and The Modern Position. This wonderful text
can be considered the definitive handbook on the subject, complete
with a wealth of information and illustrations of the beautiful
Islamic architecture of India a veritable must-have for anyone with
an interest in the topic. Percy Brown was a famous British scholar,
historian, artist, and archaeologist. This rare book is proudly
republished now with a prefatory biography of the author."
In The Imagined and Real Jerusalem in Art and Architecture
specialists in various fields of art history, from Early Christian
times to the present, articulate a variety of cultural, religious
and political implications of the visualization of Jerusalem. This
collection of essays calls attention to two axes emerging from the
study of Jerusalem in art: on the one hand, the volatile
contemporary situation, and on the other hand, the abiding chain of
meanings that history imparts to the city. From a contemporary
perspective and within a broad historical context, the book
discusses in depth a series of Western artworks, artefacts, and
buildings providing new insights into memory processes and
mechanisms of representation of Jerusalem.
Cultural heritage identifies and preserves past achievements for
the benefit of future generations. Examining the extent to which
heritage preservation is feasible in an era governed by modernism
and globalization is essential for both regional development and
cultural conservation. Conservation, Restoration, and Analysis of
Architectural and Archaeological Heritage provides innovative
insights into digital technologies that have produced important
methodological changes in the documentation, analysis, and
conservation of cultural heritage. The content within this
publication represents the work of digital restoration, inclusive
communication, and reality-based representation. It is a vital
reference source for software developers, sociologists,
policymakers, tourism managers, and academicians seeking coverage
on digital technologies and data processing in cultural heritage.
Cross-cultural relations are spatial relations. Enclave to Urbanity
is the first book in English that examines how the architecture and
the urban landscape of Guangzhou framed the relations between the
Western mercantile and missionary communities and the city's
predominantly Chinese population. The book takes readers through
three phases: the Thirteen Factories era from the eighteenth
century to the 1850s; the Shamian enclave up to the early twentieth
century; and the adoption of Western building techniques throughout
the city as its architecture modernized in the early Republic. The
discussion of architecture goes beyond stylistic trends to embrace
the history of shared and disputed spaces, using a broadly
chronological approach that combines social history with
architectural and spatial analysis. With nearly a hundred carefully
chosen images, this book illustrates how the foreign architectural
footprints of the past form the modern Guangzhou.
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