This fourth paperback City Guide in the Buildings of England series covers Bristol, for many centuries England's second port, and in architectural terms still amongst its richest cities. Outstanding buildings remain of every century from Norman times onward. Medieval prosperity shows in the many churches, including the Cathedral and the stately St Mary Redcliffe, with their unforgettably ingenious vaults. Timber-framed houses large and small survive in quantity, as do large expanses of stone-built Georgian houses. their thrilling juxtapositions of streets and terraces. Clifton is famous too for Brunel's mighty suspension bridge, and the great engineer also left his mark at the Neo-Tudor Temple Meads station, the terminus of the Great Western Railway. Bristol's extensive quays and docks are now finding new uses: apartments and restaurants have colonized their intriguingly diverse warehouses, with adventurous new structures to fill the gaps.

A boxed set in four volumes, each volume in the series represents a core sample of the firm at this moment in time, highlighting a grouping of four major projects that share a common theme but not necessarily the same typology or program. The themes are threads that weave the work together and as a whole define the design philosophy of the firm. The firm's emphasis on sustainability is a current that runs through the narrative of each book. Each book focuses on design process and collaboration. Each project is presented in depth and will underscore the methodology, aesthetics, techniques and ethos of the firm. With future volumes planned, these sets will track the progression of ideas that evolve over time through the work that enacts the ideas, and informs the work to come.
FUSE - Blurring the boundary between landscape and building. From the scale of the building to the scale of the city, these projects integrate architecture, building systems thinking and natural systems. This philosophy takes the landscape and ecological forces that are the context and incorporates them within the design of the building, urban planning, and infrastructure design.
EVOLVE - Repositioning and Adaptive Re-Use of existing buildings. These projects investigate buildings as artifact and re-construe them for a new life as the original architecture degrades and the mission of the buildings change. Analysis of original design intent, construction methods, ornamentation and the cultural processes that have been enacted on the building over time form the basis of design. Fundamental architectural relationships, building envelope and circulation are re-thought and restructured to create new uses and relationships, completely transforming these spaces.
FILTER - Integration of culture and climate into sustainable architecture. FX Fowle practices a contemporary language of modernism, one that contrasts sharply from the original ethos of universalism and the tabula rasa. The specificities of climate and culture impact the design of form and program in FX Fowle buildings. The lenses of culture and climate are necessarily specific to the location and cultural values of each project and ultimately create an integral sustainability.
FLEX - Derived from a programmatic interpretation that re-thinks building mission, function and performance in office buildings, education, cultural institutions. FXFOWLE's process begins with finding the values of the institution, identifying its community, and then working to embody this in the architecture. The design achieves this through form finding, envisioning new types of interior circulation that encourages particular kinds of interactions, and creating gathering spaces that are fine tailored to the institution. The architecture sets the stage for interactions of the community and ultimately works to develop a new relationship between the individual and the institution

The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change.

With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow. Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Vigano. Topics range from the European historic city to the Las Vegas Strip and the megacity of Sao Paulo, taking in the global sustainable city.

The City of London is a jurisdiction whose relationship with the English monarchy has sometimes been turbulent. This fascinating book explores how architecture was used to renew and redefine a relationship essential to both parties in the wake of two momentous events: the restoration of the monarchy, in 1660, and the Great Fire six years later. Spotlighting little-known projects alongside such landmarks as Christopher Wren's St. Paul's Cathedral, it explores how they were made to bear meaning. It draws on a range of evidence wide enough to match architecture's resonances for its protagonists: paintings, prints, and poetry, sermons and civic ceremony mediated and politicized buildings and built space, as did direct and sometimes violent action. The City and the King offers a nuanced understanding of architecture's place in early modern English culture. It casts new light not only on the reign of Charles II, but on the universal mechanisms of construction, decoration, and destruction through which we give our monuments significance.

Colonial Americans, if they could afford it, liked to emulate the fashions of London and the style and manners of English country society while at the same time thinking of themselves as distinctly American. The houses they built reflected this ongoing cultural tension. By the mid-eighteenth century, Americans had developed their own version of the bourgeois English countryseat, a class of estate equally distinct in social function and form from townhouses, rural plantations, and farms. The metropolis of Philadelphia was surrounded by a particularly extraordinary collection of country houses and landscapes. Taken together, these estates make up one of the most significant groups of homes in colonial America. In this masterly volume, Mark Reinberger, a senior architectural historian, and Elizabeth McLean, an accomplished scholar of landscape history, examine the country houses that the urban gentry built on the outskirts of Philadelphia in response to both local and international economic forces, social imperatives, and fashion. What do these structures and their gardens say about the taste of the people who conceived and executed them? How did their evolving forms demonstrate the persistence of European templates while embodying the spirit of American adaptation? The Philadelphia Country House explores the myriad ways in which these estates-which were located in the country but responded to the ideas and manners of the city-straddled the cultural divide between urban and rural. Moving from general trends and building principles to architectural interiors and landscape design, Reinberger and McLean take readers on an intimate tour of the fine, fashionable elements found in upstairs parlors and formal gardens. They also reveal the intricate working world of servants, cellars, and kitchen gardens. Highlighting an important aspect of American historic architecture, this handsome volume is illustrated with nearly 150 photographs, more than 60 line drawings, and two color galleries.

The Khmer civilization centered on Angkor was one of the most remarkable to flourish in Southeast Asia. Between the 8th and the 13th centuries, a succession of Hindu and Buddhist kings created magnificent temples in stone. Their elaborate carvings and intricate architecture amazed the first Europeans who visited in the 19th century and continue to fascinate today, when after many years of political turmoil, Angkor is once again accessible. The renowned French scholar, Claude Jacques, has studied Angkor and its history for the past 30 years, while Michael Freeman has made many photographic trips there during a 15 year period. Ancient Angkor embodies the fruits of their collaboration and includes the results of new research and discoveries made during recent excavations. Detailed plans and descriptions unravel the complex reliefs of Angkor Wat and the Bayon, while small but interesting temples not covered in other books are also described. Grouping the temples into easy-to-visit itineraries, and with useful hotel and travel information, Ancient Angkor will serve both as a history of the temples in its own right and an invaluable companion guide.

Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

For many people outside the state, North Dakota conjures visions of a remote, sparse, and seemingly inhospitable landscape, replete with ghost towns, scattered farmsteads, and settings reminiscent of the movie Fargo. Yet beyond this facile image lies a spectacular array of high-style, vernacular, ethnic, and modern buildings, a pragmatic architecture that reflects the setting and settlers of the Great Plains. A distinct "prairie mosaic" of houses, homesteads, and rural churches draws on the cultures of Germans from Russia, Norwegians, and Icelanders, and varied Native American groups such as the Mandan, Hidatsa, and Arikara. North Dakota's architectural heritage is complemented by more contemporary work dating from Progressive-era boom times and the New Deal to the present. This volume, with more than 400 entries illustrated by 250 photographs and 17 maps, provides the first comprehensive overview of the state, from Pembina and Walhalla to the Badlands. This richly diverse legacy includes earthlodges and Eastern Orthodox churches, powwow grounds and campmeeting grounds, and varied settings from the Ronald Reagan Minuteman Missile State Historic Site to the International Peace Garden. The cast of characters is equally compelling, among them Sakakawea, Lewis and Clark, the Marquis de Mores, Theodore Roosevelt, Lawrence Welk, Peggy Lee, and regional and international architects working in a range of styles and traditions, from Marcel Breuer to Surrounded-by-Enemy.

A volume in the Buildings of the United States series of the Society of Architectural Historians

From its origins as one of the foremost centres of learning in Christendom to its industrial triumph as the `largest shipbuilding town in the world', Sunderland has a rich and varied history. This extraordinary story is embodied in the buildings that have shaped the city. Sunderland in 50 Buildings explores the history of this vibrant community by analysing a selection of its greatest architectural treasures. From the Saxon church of St Peter to the modern Stadium of Light, this unique study celebrates Sunderland's architectural heritage in a new and accessible way. Architectural historian Michael Johnson guides the reader on a tour of the city's historic buildings and modern architectural marvels. The churches, theatres, pubs, and cinemas of Sunderland's industrial heyday are examined alongside the innovative buildings of a twenty-first-century city. Informative entries are arranged chronologically and a specially designed map appears at the beginning of the volume to show where each building is located. The text is illustrated with colour photographs and archival images showcasing the best of Sunderland's heritage.

"SPA-DE", as a unique publication that focuses on the interior designs of commercial spaces from around the world, has garnered acclaim among specialists in this field. "SPA-DE" reports on cafes and restaurants, to boutiques and beauty salons, specialising in small-scale locations run by individuals. However this special edition, covers larger retail stores, shopping malls, department stores, and other commercial venues that would otherwise slip through. Larger facilities mean big-time clients, sizable design firms, and a wide range of specialists. In fact, there are more than a few projects which encompass not just one location, but a series of stores that share a basic design format.Furthermore, they often reach beyond architecture and interior design to incorporate product development, with a complex and strategic design plan necessary to handle store fixtures to environmental graphics, signage, packaging, VMD, and advertising. There are a limited number of firms in any country that can maintain a consistent level in the design while managing the development of a large-scale commercial facility. These firms travel the globe to various commercial locations to pursue their work. From these design firms, fifteen companies have been selected that have produced commercially successful projects and interesting designs.

Overshadowed by the high-profile splendors of Italy and France, and studied and chronicled almost entirely in Swedish, Sweden s majestic palaces, stately manor houses, and tapestry-like gardens have seemed as remote as the Nordic country itself. On the pages of Classical Swedish Architecture and Interiors 1650 1840, meet such pathbreakers as Nicodemus Tessin the Younger and Carl Harleman and the ambitious, discerning monarchs and aristocrats who commissioned their work. Learn how Sweden s architects and designers mined antique and contemporary southern Europe for styles, techniques, and even artisans; how such marvels as the Royal Palace in Stockholm, Drottningholm, and King Gustav III s beloved Haga took shape and acquired their uniquely Swedish stamp. Step into the rich interiors where Sweden s kings and their consorts received state visitors, stored and displayed treasures, wrote letters and studied science, and laid their heads to sleep. The path of visitors to Sweden scholars and laymen, travelers and armchair explorers alike will be forever changed and expanded by this book. Stops at the more familiar sites will be informed with knowledge of the who, when, why, and how of each antechamber and pavilion, while the lucid text and abundance of brilliant photographs, complementing such historical documents as engravings and architectural renderings, will open roads to rural corners and coastal retreats where Swedish royals, nobles, and privileged commoners basked in the calm of their country mansions and warmed themselves before their handsome Swedish tile stoves."

This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. This is the second book in the three volume survey.

This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. This is the first book in the three volume survey.

Completed projects receive more public attention than the process of their creation and so the myth that architects design buildings alone lives on. In fact, architects work with a great many others and the relationships that develop, particularly with clients, have a significant impact on design. "Design through Dialogue" explores the relationship between client and architect through the lens of four overlapping activities that occur during any project: relating, talking, exploring and transforming.

Cases of design and collaboration range from smaller scale retail, residential and educational projects in the US, Sweden, the UK and the Pacific Rim to large institutions, including Seattle's Central Library, the National Museum of the American Indian in Washington DC, the Supreme Court in Jerusalem and the Museum of New Zealand. Material is taken from interviews with clients and architects and research in psychotherapy, group dynamics and design studies. Throughout the book aspects of process are linked to design outcomes to illustrate how architects and clients collaborate creatively.

The first book to focus on Monet's work through his representation of architecture In an innovative approach, Richard Thomson considers Claude Monet's paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes, and gardens. Buildings fulfilled various roles in Monet's canvases; some are chiefly compositional devices while others throw into sharp contrast the forms of man-made construction against the irregularity of nature, or suggest the absent presence of humans. The theme was both central and consistent over five decades of his 60-year career. Written by a renowned expert on Impressionism, this book covers Monet's representations of historical buildings, inner cities, beach resorts, railway bridges and stations, suburban housing, and busy harbors-subjects spanning northern France, the Mediterranean, and the cities of Rouen, London, and Venice. In addition to 75 great paintings by Monet, this thematic, picture-led book includes a wealth of comparative material, such as postcards, posters, original travel photography, and rarely seen aerial photography that sets Monet's work firmly in its historical, cultural, and social framework.

An unrivalled exploration of the world's most surprising and inspiring brick architecture - in a stylish, compact new format In this reimagined and easy-to-use size, Brick takes a fresh look at one of the world's most familiar and popular building materials. Presenting 180 diverse and fascinating examples, from the Ziggurat of Ur dating from 2100 bc to modern and contemporary masterpieces by Mies van der Rohe and Kazuyo Sejima, Brick beautifully illustrates how this humble material has been an architectural staple for centuries.

1001 Buildings You Must See Before You Die is a visual testament to the beauty, grace, and fortitude of the world's greatest architectural achievements. Beginning in the ancient and Near East, the book explores buildings from the Byzantine and Gothic architecture of the Middle Ages through to splendid contemporary innovations. The book is not only concerned with size - it also includes some of the world's most remarkable domestic buildings, such as the Mongolian yurt and houses of the American pioneers, as well as railway buildings, chapels, casinos, concert halls, gentlemen's clubs, and museums, cherished often for the way they represent and capture a particular moment in history. Comprehensive and concise entries contain essential information on what is special about the buildings, their structural processes, and the social, political and geographical considerations of the architects who designed them. An aspiring visual testimony to the extraordinary creative capabilities of the architects, engineers, and builders, this book also contains information on the tools and methods they used. 1001 Buildings You Must See Before You Die is the complete companion to the outstanding architecture of the world.

London has always been known for its iconic buildings, but the city has recently witnessed an explosion of new architecture from the world's most acclaimed architects. This breathtaking volume offers a fascinating look at the city's rapidly changing skyline and celebrates the enormous array of motifs, materials, and cutting-edge technology that have been employed by today's leading architects. The book includes the recently completed Tate Modern extension by Herzog and de Meuron, important financial district buildings such as Rafael Vin oly's "Walkie-Talkie" and Foster + Partner's "The Gherkin," as well as Renzo Piano's mixed-use skyscraper, "The Shard," across the Thames. OMA's New Court Rothschild Bank nimbly juxtaposes contemporary features with more traditional ones. Jean Nouvel's colossal retail and office development, One New Change, cleverly plays off its storied environs with an ingeniously constructed glass block that allows for multiple views of St. Paul's Cathedral. From the Serpentine Sackler Gallery to the Emirates Airline tram, and from the Peckham Library to the US Embassy, no new stone is left unturned.This book demonstrates how one of the world's oldest cities manages to feel eternally new and exciting.

The go-to architect for the Jazz Age elite of South Florida and beyond, Addison Mizner created a new architectural style and a new lifestyle for the wealthy and socially prominent of Palm Beach America s preeminent winter resort town of the time. Building mansions, clubs, hotels and apartment houses with a bent toward fantasy and romance, Mizner established a design vocabulary and tradition that to this day influences architects, designers, and builders. Evocative of old Spain, Venice, and the Moorish capitals of Granada and Seville, Mizner s work is a dream realized: courtyards with fountains, trellises with climbing bougainvillea, arched windows, glazed tile floors, spiraling marble columns, expansive interiors with grand proportions. This book explores Mizner s legacy through the extraordinary houses and other structures he built, including such storied homes as La Guerida, an 11-bedroom Spanish Revival mansion, best known now as the Kennedy Estate the place where JFK he composed his Inaugural Address. Known for their beauty, opulence, fantastic detail, as well as the stories of those individuals who have lived or played in them, the houses and buildings of Addison Mizner stand as monuments to grand living and romance made in stone and iron, stucco and tile.

Originally a Victorian hotel, The Savoy enjoyed a resurgence of fame during the 1920s with both major art deco redecoration, and guests as varied as Noel Coward, Igor Stravinsky, Josephine Baker and George Gershwin. The book traces the work through four periods of the restoration project. An opening section documents the early days - stripping out, and in many instances exposing original detail. The two following sections are devoted to the painstaking structural restoration and its progression into the new designs. The final section covers the finishing touches of decoration and furnishing. Building on her previous experience with such projects, Siobhan initially proceeded more by intuition than design. However, she soon became captivated by the hotel's fifth-floor River Suites with their varied views across the Thames. Revisiting these rooms many times in the course of more than 100 visits to the hotel, she developed the concept of returning and remaking images, which she then expanded to embrace to other areas in the building. This approach also unconsciously reflects the many views and insights that the now-reopened hotel's customers observe daily - depending on the season in which they visit, the length of their stay, the areas that they frequent and whether it is their first visit or one of many.

ART AND ARCHITECTURE OF IRELAND is an authoritative and fully illustrated survey that encompasses the period from the early Middle Ages to the end of the 20th century. The five volumes explore all aspects of Irish art - from high crosses to installation art, from illuminated manuscripts to Georgian houses and Modernist churches, from tapestries and sculptures to oil paintings, photographs and video art. This monumental project provides new insights into every facet of the strength, depth and variety of Ireland's artistic and architectural heritage. TWENTIETH CENTURY An examination of the works of art created in twentieth-century Ireland and the critical contexts from which they came. Focusing on painting, photography and new media, rather than on sculpture, this volume considers the work of conceptual and digital artists as well as those who have used more traditional approaches. Definitive biographies of many of the key artist of the era are included, and the volume also addresses the main political and social issues that lay behind twentieth century Irish art. Through its many fine illustrations, it recreates the vibrancy of the art world of the period.