In the first decades of the 20th century, civil engineers were widely seen as a role model for future architects. Their role within the contemporary architecture movements, however, was hardly discussed. To this day, even fundamental questions about collaborations, rivalries, or conflicts between the two sister disciplines still await answers. This volume brings together contributions by international scholars on the cooperation between architects and civil engineers in various countries in the interwar period. By offering both insights into national peculiarities and new reflections on the general nature, character, and significance of such joint efforts, it opens exciting new perspectives on the modern building culture of Europe and beyond.

Documents, such as drawings, memos and specifications, form an essential function in the design and construction industry. Throughout the lifecycle of a built asset, starting from an initial design idea, right through to a final built form and its ongoing management, thousands, even millions of documents can be used to convey various forms of information to a range of interested parties. In many ways, therefore, the success of a design, or construction-based company, relies upon an understanding of the use of documents, as well as the technologies and techniques that are used to create them.

The Digital Document provides an extensive background to the issues and technologies surrounding this very important topic. It examines a technical subject in an insightful manner that is neither intimidating nor confusing, even to the novice computer user. By introducing the subject through a series of preliminary reviews of current practices and essential computing technologies, the reader is able to better appreciate the benefits and capabilities of a wide range of digital document types. This book explores the role of documents in a professional practice, examines the components, capabilities, viability, and use of digital documents in the design and construction industry, and identifies and explains many of the
standards in use today.
In order to facilitate a better understanding of digital document technologies, a number of essential reviews are provided including:
- the definition and purpose of a document
- how documents are typically used by design professionals
- the nature of the digital document environment
- the data types which make up digital documents
The Digital Document is an essential reference for the architect, engineer or design professional that wants to find out more about effective communication in the digital workplace.
Bruce Duyshart is an IT Project Manager with Lend Lease Corporation and specialises in the development and implementation of digital media and information management technologies on design and construction projects. He holds a Masters degree in Architecture and is also an academic associate of the Faculty of Architecture, Building and Planning at the University of Melbourne. He has written numerous papers on emerging technologies in the architecture, engineering and construction industry, and has developed Internet web sites for the Royal Australian Institute of Architects and Architecture Media.
Only book available on this subjectMeets an increasing awareness of the importance of digital documentsEndorsed by influential organisations and institutions: Lend Lease, The University of Melbourne and the Royal Australian Institute of Architects

There was military project management. There was construction project management. Then there was business project management, a tool described as 'the wave of the future'. Where are architects in all this, professionals whose work has always been project-driven?

There is design management in engineering, product design, graphics, packaging, management theory and even in politics. Construction consultants talk about managing design. When are architects going to become committed to managing design?
Getting There by Design adopts an architect's view to design and project management. It sets out the fundamental principles and shows how they are applied, dealing with these two topics as one indivisible subject.
'Getting There by Design' demonstrates how to:
- make project efforts goal-oriented
- set up a planning and monitoring basis to architectural projects
- put the architect's fee calculus on a rationale basis
- diagnose your firm's practice culture
- develop successful teams
Put your practice onto a more effective basis.
Ken Allinson is an architect in private practice and principal of 'Architectural Dialogue'. He also teaches design studio and lectures on design and project management. He was formerly an associate at DEGW London and the Terry Farrell Partnership. He has practice experience in Europe, the USA and Japan and is the author of 'The Wild Card of Design' (1993).
A clear guide that helps you make project efforts goal-orientated
Learn how to set up a planning and monitoring basis to architectural projects
Be able to diagnose your firm's practice culture and develop successful teams

The 15th Passive and Low Energy Architecture (PLEA) conference considered the issues of sustainability and environmental friendliness at the city scale. This title includes the papers that address the many and varied questions faced by architects and planners in reducing the impact on the environment of cities and their buildings.

Occupant-Centric Simulation-Aided Building Design promotes occupants as a focal point for the design process. This resource for established and emerging building designers and researchers provides theoretical and practical means to restore occupants and their needs to the heart of the design process. Helmed by leaders of the International Energy Agency Annex 79, this edited volume features contributions from a multi-disciplinary, globally recognized team of scholars and practitioners. Chapters on the indoor environment and human factors introduce the principles of occupant-centric design while chapters on selecting and applying models provide a thorough grounding in simulation-aided building design practice. A final chapter assembling detailed case studies puts the lessons of the preceding chapters into real world context. In fulfilment of the International Energy Agency's mission of disseminating research on secure and sustainable energy to all, Occupant-Centric Simulation-Aided Building Design is available as an Open Access Gold title. With a balance of fundamentals and design process guidelines, Occupant-Centric Simulation-Aided Building Design reorients the building design community towards buildings that recognize and serve diverse occupant needs, while aiming for superior environmental performance, based on the latest science and methods.

This book Explores John Ruskin’s passionate responses to the environmental and social changes of his day, with contemporary ideas on themes like sustainability, ethical production, and environmentalism. presents six stimulating essays on Ruskin’s readership and reception, his transformative perceptions of heritage futures, and provocative writing on cultural landscapes and the arts and crafts. Has extracts from both well-known and lesser-known works in each chapter to reflect the distinctive vocality of his texts, from his writing on architecture and buildings, to landscape and cultural heritage. offers a richer description of cultural context and meaning than usually afforded to Ruskin’s work in conservation and critical heritage studies finding its resonance and relevance. is written for an academic & professional audience in heritage studies and historic building conservation and particularly relevant for cultural heritage management, this is a core text and reference work for undergraduate and postgraduate students in history of art and architecture, heritage studies, and architectural/building conservation, also central to interests of cultural historians and scholars of nineteenth-century / Victorian history and literature.

Offers architects and creative services professionals exclusive insights and strategies for success from the former CEO of HOK. Designing a World Class Architecture Firm: The People, Stories and Strategies Behind HOK tells the history of one of the largest design firms in the world and draws lessons from it that can help other architects, interior designers, urban planners and creative services professionals grow bigger or better. Former HOK CEO Patrick MacLeamy shares the revolutionary strategies HOK's founders deployed to create a brand-new type of architecture firm. He pulls no punches, revealing the triple crisis that almost bankrupted HOK and describes how any firm can survive and thrive. Designing a World Class Architecture Firm tells the inside story of many of HOK's most iconic buildings, including the National Air and Space Museum, Moscone Convention Center, Oriole Park at Camden Yards, the Houston Galleria and the reimagined LaGuardia Airport. Each chapter conveys lessons learned from HOK's successes --and failures-- including: The importance of diversifying to depression-and-recession-proof your firm The benefit of organizing your firm around specialized leaders and project types The difference between leading and managing your people The value of simple financial metrics to ensure your firm's health and profitability The "run toward trouble" strategy which prevents problems from ballooning MacLeamy delivers his advice via inspirational stories such as how HOK survived when its home office in St. Louis went up in flames and humorous stories, like the time an HOK executive was mistaken for royalty on a trip to Saudi Arabia. In this tell-all guide, the driven architecture or design professional will find the tools needed to evolve or grow any firm.

Japanese architecture is one of the most inspired manifestations of Japanese civilization. This study argues that architectural forms are more than just symbols of the institutions that created them. William H. Coaldrake explores the symbiotic relationship between architecture and authority throughout Japanese history, exploring key structures and how they have been used as active conveyors of power, relating buildings to the political ambitions and religious beliefs of the major historical eras in Japan.

Series Information:
Nissan Institute/RoutledgeCurzon Japanese Studies

The colonial architecture of the nineteenth century has much to tell us of the history of colonialism and cultural exchange. Yet, these buildings can be read in many ways. Do they stand as witnesses to the rapacity and self-delusion of empire? Are they monuments to a world of lost glory and forgotten convictions? Do they reveal battles won by indigenous cultures and styles? Or do they simply represent an architectural style made absurdly incongruous in relocation?
Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.
The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.
Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.

Drawing on the author's extensive fieldwork in the Dong areas in southwest China, this book presents a detailed picture of the Dong's buildings and techniques, with new insights into the Dong's cosmology and rituals of everyday life meshed with the architecture, and the symbolic meanings. It examines how the buildings and techniques of the Dong are ordered and influenced by the local culture and context. The timber bridges and drum towers are the Dong's most prominent architectural monuments. Usually built elaborately with multiple roofs, these bridges and drum towers were designed and maintained by the local carpenters who also built the village suspended houses, in an oral tradition carried down from father to son or to apprentice. They were funded entirely by the local people, and the bridges tend to be built in places without great pressure of traffic or another bridge already existing close by. Why does such great expense go into the Dong's buildings with elaboration? How were they built? And what do they mean to their users and builders? This book is an anthropological study on the Dong's architecture and technique, and it aims to contribute a discourse on the interdisciplinary research area. It is suitable for graduate and postgraduate readers.

This volume of primary sources examine British architectural history from 1760 to 1830. It contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings and will be of great interest to students of Art History and Architecture.

This volume of primary sources examine British architectural history from 1830-1914. The collection contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings. This title will be of great interest to students of Art History and Architecture.

The Dictionary of Islamic Architecture provides the fullest range of artistic, technical, archaeological, cultural and biographical data for the entire geographical and chronological spread of Islamic architecture - from West Africa through the Middle East to Indonesia, from the seventh to the eighteenth centuries.
Over 500 entries are arranged alphabetically and fully cross-referenced and indexed to permit easy access to the text and to link items of related interest.
Five main catagories of subject matter are explored:
* dynastic and regional overviews characterise the architecture of the historical and geographical divisions of the Islamic world, concentrating on the materials and techniques employed and the styles and types of structures produced
* individual site descriptions give concise accounts of the full range of major and lesser buildings and remains - a number for the first time in modern literature
* biographical entries describe the work of architects and their patrons
* technical definitions provide concise explanations of the terminology used to describe architectural types and features.
Over 100 relevant plans, sketch maps, photographs and other illustrations complement and illuminate the entries, and the needs of the reader requiring further information are met by individual entry bibliographies.

eBook available with sample pages: 0203203879

We all consume architecture - it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building - and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudi. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture.

This fourth volume in the European Festival Studies, 1450-1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns - from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.

The two-volume set. Each volume is also available individually. What happens to the fabric of a historic building if it is not cleaned? What is soiling, how does it affect the building? What cleaning methods should be used? This comprehensive two-volume guide addresses these important and controversial questions, along with many others, and offers practical guidance on appropriate cleaning techniques, backed up with useful case study material. Based on the author's extensive on-site involvement at trial and contract stage in many cleaning and surface repair project, this book examines the various attitudes and current cleaning practices, along with the role and need for analysis of substrates and soiling. It also offers advice on dealing with special cleaning problems, such as the removal of paint, graffiti and metallic stains, and provides an assesment of the cleaning methods currently available.

In this revised edition of his classic book, Dolkart presents for us a precise and informative biography of a typical tenement house in New York City that became, in 1988, the site for the Lower East Side Tenement Museum. It is a lasting tribute to the legacy of immigrants and their children, who were part of the transformation of New York City and the fabric of everyday American urban life.

The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country. Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centres like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their 're-imagining' as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularised British ideas of 'natural scenery'--viewing mountains, rivers and rocks as landscape art--and then exported the concept of 'sublime and picturesque' landscapes across the Atlantic. A Bittersweet Heritage unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.

This book provides a comprehensive guide to the successful use of steel in building and will form a unique source of inspiration and reference for all those concerned with architecture in steel.

eBook available with sample pages: 0203362187

This examination of a phenomenon of 19th century planning traces the origins, implementation, international transference and adoption of the Garden City idea. It also considers its continuing relevance in the late 20th century and into the 21st century.

In this book, celebrated AD100 designer Vicente Wolf shares the expertise he has honed over forty successful years in the business for the first time. Wolf s work is characterized by a passion for integrity and simplicity; a sophisticated sense of space, color, and ease; masterful handling of furniture, fabrics, and art; and the use of rare antiques and exceptional handcrafted pieces (many acquired on annual globe-trotting voyages). This new volume distills his knowledge into wide-ranging and easily applicable recommendations. Organized topically and illustrated with Wolf s own photographs, the design principles are engaging, absorbing, and above all practical from coping with the challenges inherent in life transitions to overcoming space and budget limitations to working with art and other collections and remaking outdated spaces. The book also includes an in-depth look at Wolf s own loft in New York City and how he designs for himself. Unusual in its down-to-earth, sensible approach, filled with lessons and takeaways, this book is that rare volume that will be as beautiful as it is useful.

The American Construction Industry meticulously chronicles the evolution of the construction industry from its roots in the medieval guild system to the high-tech jobsite of tomorrow. While celebrating more than two millennia of progress and innovation, this resource for students and professionals uncovers the ways of working that crossed the Atlantic with the earliest European settlers and will continue to define building trades in the United States today and in the years and decades to come. Full color illustrations bring the past to life and provide visual links to the present day.

Through the lens of sensory affect, this book offers a new way of thinking about day-to-day teaching and student engagement within learning spaces in design education. The book examines the definitions, concepts, ideas and overlaps of a repertoire of learning spaces prevalent in higher education and addresses the pedagogical gap that exists between broader learning structures and spaces, and the requirements of specialist design education. Recognising that mainstream teaching environments impact upon design studio learning and student engagement, the book positions creative learning spaces at the heart of practice-based learning. It defines the underlying pedagogical philosophy of a creative learning space in design education and reports on how practical strategies incorporating sensory affect may be implemented by educators to foster better student engagement in these spaces within higher education. Bringing much needed attention to specialist design teaching and learning spaces in higher education, this book will be of interest to educators, researchers and post graduate students immersed in design education, pedagogy and learning spaces more broadly.