Twenty-two centuries ago in Alexandria, a sect of philosopher-poets fashioned a myth the strands of which weave through Christianity, Judaism, Islam and Greek philosophy, and inspired the legends of the Holy Grail. Long banished to the realm of notorious heresy, the myths of the Gnostics took root in the fertile imagination of the nineteenth century's artistic movements and esoteric circles, bearing fruit in the daily spiritual practice of thousands today. In 1945, a library of Gnostic writings surfaced form the Egyptian desert, allowing the movement--after 1500 years of propaganda and slander--to speak with its own voice. Rich in imagery, nostalgic in tone, Gnosticism quietly restores Wisdom to her place as a Goddess in Western religion, reveres Eve as the first saint, and acknowledges Mary Magdelene as foremost of the Apostles.

Recommended by top scholars in the field of Gnostic studies for many years, but has been virtually impossible to find until now. One of the best books on the subject, essential for any serious researcher. Takes the reader through every facet of the Gnostic experience including sections on The Soul is Sent Forth, Glory of the Indwelling Light, The Way to the Higher Mysteries, The Final Secret of the Self, and The Soul Travels Home. Based on rare, surviving works of ancient Gnostic teachers like Pistis Sophia and the two Books of Ieu. Other sources include the Agnew Codex, Bruce Codex, Akhmim Codex, Jung Codex, Cairo Codex, the Gnostic Acts (of Peter, Andrew, John, Thomas and Philip), the Chaldean Oracles, and various Gnostic hymns, prayers, Gospels and papyri. A virtual gold mine of Gnostic material, some translated and presented here for the first time.

Even as public interest is attracted to this esoteric religion, Escholars have debated its origins, its relationship to Judaism and Christianity, and even whether one distinctive and separate Gnostic "religion" ever existed. Birger Pearson's expert and accessible introduction brings the reader into the debate. Directly addressing the nettling questions of origins and definition, Pearson situates the advent of Gnosticism within the Greco-Roman religious world and critically appraises the sources. With illustrations, maps, timeline, and bibliography, Pearson's volume facilitates the pursuit of gnosis, at least historically, by general readers, students and scholars alike.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

With A Sketch Of His Work, Life, And Character By The Earl Of Carnarvon.

The Codex Brucianus is a translation of an ancient Gnostic work from the sixth century and was brought to England from Upper Egypt and donated to the Bodleian Library in Oxford. Gnosis is the power of receiving and understanding direct revelation of God and the transformation of the whole man into a spiritual being by contact with Him. This book is a very beautiful Gnostic work and should be read by anyone interested in experiencing the divine Gnosis of God.

In the last twenty years or so, numerous mainstream movies have drawn from the ideas and images of ancient thought to address the collapse of appearance and reality. These films have consistently featured the Gnostic currents that emerged from Plato: not only Gnosticism itself but also Cabbala and alchemy. Despite important differences, these traditions have provided filmmakers with ready-made ruminations on the relationship between surface and depth as well as with engaging plot lines and striking scenes. In films like "The Matrix" (1999) and "The Truman Show" (1998), Gnostic myths have offered speculations on the real as well as conspiracy theories. The Cabbalistic motif of golem-making has provided such movies as "A.I." (2001) and "Blade Runner" (1982) with mediations on the human and with parables of machines yearning for life. Pictures like "Dead Man" (1996) and "Altered States" (1980) have drawn on alchemical symbols to explore the possibilities of transmutation and to feature stories of the dead rising to life. Recent commercial Gnostic films are meditations on the conundrums of the post-modern age and the timeless soul. These pictures constitute archetypal sites for sacred contemplation. They create spaces akin to the caves of Eleusis or Lascaux, chambers where habits are annihilated and the ego is shattered. Maybe this spiritual attraction is the secret reason behind the recent abundance of Gnostic films. If so, then the dream factory is betraying its purpose. It is negating its deceptions and sales in the name of a bewildering reality that cannot be found. "Secret Cinema" explores these possibilities through engaging in three related activities. One, the book establishes the theoretical foundations and implications of the genre of Gnostic cinema. It develops these theoretical elements in the contexts of Gnosticism and the esoteric traditions emerging from it, Cabbala and alchemy. Two, in undertaking this work, Wilson considers several collateral issues. The book discusses the functions of genre, the relationships between cinema and psychology, the connections between the moving image and sacred power, the role of the cinematographic apparatus, and the romance of film. Three, the book is a broad meditation on the seductions of cinema. It is attuned to material attractions of the movies, those gorgeous lights and lurid shadows, but also the film's spiritual invitations, the gaps between the pictures, the empty spaces at the heart of life.

This volume, On the Mysteries, by Iamblichus (Abamun) is a unique form or scripture out of the Ancient Egyptian religious tradition. It is written in a form that is not usual or which is not usually found in the remnants of Ancient Egyptian scriptures. It is in the form of teacher and disciple, much like the Eastern scriptures such as Bhagavad Gita or the Upanishads. This form of writing may not have been necessary in Ancient times, because the format of teaching in Egypt was different prior to the conquest period by the Persians, Assyrians, Greeks and later the Romans. The question and answer format can be found but such extensive discourses and corrections of misunderstandings within the context of a teacher - disciple relationship is not usual. It therefore provides extensive insights into the times when it was written and the state of practice of Ancient Egyptian and other mystery religions. This has important implications for our times because we are today, as in the Greco-Roman period, also besieged with varied religions and new age philosophies as well as social strife and war. How can we understand our times and also make sense of the forest of spiritual traditions? How can we cut through the cacophony of religious fanaticism, and ignorance as well as misconceptions about the mysteries on the other in order to discover the true purpose of religion and the secret teachings that open up the mysteries of life and the way to enlightenment and immortality? This book, which comes to us from so long ago, offers us transcendental wisdom that applied to the world two thousand years ago as well as our world today.

Peter Wilberg presents a political history of the subversive 'gnostic' theologies of the first century, and with it, a theo-political critique of the ruling god-concepts of the 21st century. 'From New Age to New Gnosis' is spiritual Marxism and a powerful spearhead aimed at the 'New World Order' of economic 'liberalism', neo-conservatism and military imperialism. It challenges all four faces of its famous dollar pyramid - the 'i-dollartry' of new technologies, the reduction of the human being to a genetic machine, the politically illiterate platitudes of New Age 'spirituality' - and the spiritual illiterate 'literalism' of Christian biblical fundamentalism and racist Zionazism - which now see their own zealotry mirrored and confronted by militant Islam. What Peter Wilberg's recognises is that what our divided world now calls for is not a revival of fundamentalisms of any sort but a New Gnostic spirituality that understands the "wordless knowledge within the word" (Seth).