El Segundo Libro de Enoc (usualmente abreviado como 2 Enoc, y conocido tambien como Enoc eslavo o Los secretos de Enoc y "El Libro de Los Secretos de Enoc II" es un texto apocaliptico seudoepigrafico de fecha incierta y autoria desconocida. No esta relacionado con el mas antiguo 1 Enoc ni con otros dos libros de Enoc (3 y 4); la numeracion fue puesta por los estudiosos para distinguir los dos textos. Solo se ha conservado en eslavo eclesiastico, pero se sabe con certeza que es una traduccion de un original en griego. Se piensa que la version griega (desconocida) podria proceder a su vez de un original hebreo o arameo. Se han propuesto fechas de elaboracion que van desde el siglo I hasta el siglo X de nuestra era, aunque la mas aceptada es la primera. Fue descubierto por el profesor Matvej I. Sokolov en 1886 en los archivos de la Biblioteca Publica de Belgrado. Algunos comentaristas de la obra han hallado ciertas influencias cristianas, aunque no esta claro si corresponden al texto original o a sus posteriores traducciones y reelaboraciones. El libro comienza con el relato de Henoc, en primera persona, de un viaje a traves de los diez Cielos que culmina en un encuentro con Yahveh. Sigue una discusion sobre la creacion del mundo, y las instrucciones de Dios a Enoc para que regrese a la Tierra y difunda lo que ha aprendido. Las ensenanzas de Enoch duran treinta dias; a su termino Enoc regresa al Cielo y se transforma en el angel Metatron. A partir de este momento, la narracion pasa a la tercera persona y cuenta las historias de Matusalen, Nir (el hermano pequeno de Noe) y Melquisedec.

For thousands of years, the great spiritual adepts from all corners of the globe have guarded the secret teachings of the divine science, the systematic and exact process that awakens the mystical capabilities of the human soul. Now, anyone can receive these teachings, and cultivate the high spiritual levels needed in order to bring humanity out of suffering. Samael Aun Weor wrote three important books about the power of sacred words, and how spiritual aspirants use prayer and mantra to awaken consciousness and benefit humanity. All three are included in this book. Logos Mantra Theurgy: This is probably the most densely packed book of spiritual exercises on the planet. Includes hundreds of techniques, such mantras for protection, awakening chakras, astral projection, healing, and much, much more. Best of all: they work. Esoteric Treatise of Theurgy: Samael Aun Weor reports his findings after an extensive investigation in the internal worlds regarding the ancient "Conjuration of Solomon," from which we learn about the types of awakened beings in the internal worlds, and how to work with them safely. The Seven Words: Explains many details about the development of the Astral Body, and how by means of the Eucharist (Unction) anyone can receive help from the root energy of spiritual awakening.

In this highly original work, Elaine Pagels demonstrates how evidence from gnostic sources may challenge the assumption that Paul writes his letters to combat "gnostic opponents" and to repudiate their claims to secret wisdom. Drawing upon evidence from the gnostic exegesis of Paul, including several Nag Hammadi texts, the author examines how gnostic exegetes cite and interpret key passages in the letters they consider Pauline-1 & 2 Corinthians, Galatians, Ephesians, Philippians, Colossians, and Hebrews. Besides offering new insight into controversies over Paul in the second century, this analysis of gnostic exegesis suggests a new perspective for Pauline study, challenging students and scholars to recognize the presuppositions-hermenuetical and theological-involved in their own reading of Paul's letters. Elaine H. Pagels is the Harrington Spear Paine Professor of Religion at Princeton University. She is the author of The Gnostic Gospels, which won the National Book Award and the National Book Critics Circle Award, The Johannie Gospel in Gnostic Exegesis, Adam, Eve, and the Serpent, and the best-selling Beyond Belief: The Secret Gospel of Thomas.

In the last twenty years or so, numerous mainstream movies have drawn from the ideas and images of ancient thought to address the collapse of appearance and reality. These films have consistently featured the Gnostic currents that emerged from Plato: not only Gnosticism itself but also Cabbala and alchemy. Despite important differences, these traditions have provided filmmakers with ready-made ruminations on the relationship between surface and depth as well as with engaging plot lines and striking scenes. In films like "The Matrix" (1999) and "The Truman Show" (1998), Gnostic myths have offered speculations on the real as well as conspiracy theories. The Cabbalistic motif of golem-making has provided such movies as "A.I." (2001) and "Blade Runner" (1982) with mediations on the human and with parables of machines yearning for life. Pictures like "Dead Man" (1996) and "Altered States" (1980) have drawn on alchemical symbols to explore the possibilities of transmutation and to feature stories of the dead rising to life. Recent commercial Gnostic films are meditations on the conundrums of the post-modern age and the timeless soul. These pictures constitute archetypal sites for sacred contemplation. They create spaces akin to the caves of Eleusis or Lascaux, chambers where habits are annihilated and the ego is shattered. Maybe this spiritual attraction is the secret reason behind the recent abundance of Gnostic films. If so, then the dream factory is betraying its purpose. It is negating its deceptions and sales in the name of a bewildering reality that cannot be found. "Secret Cinema" explores these possibilities through engaging in three related activities. One, the book establishes the theoretical foundations and implications of the genre of Gnostic cinema. It develops these theoretical elements in the contexts of Gnosticism and the esoteric traditions emerging from it, Cabbala and alchemy. Two, in undertaking this work, Wilson considers several collateral issues. The book discusses the functions of genre, the relationships between cinema and psychology, the connections between the moving image and sacred power, the role of the cinematographic apparatus, and the romance of film. Three, the book is a broad meditation on the seductions of cinema. It is attuned to material attractions of the movies, those gorgeous lights and lurid shadows, but also the film's spiritual invitations, the gaps between the pictures, the empty spaces at the heart of life.

A distinctive Christian heresy? A competitor of burgeoning Christianity? A pre-Christian folk religion traceable to "Oriental syncretism"? How do we account for the disparate ideas, writings, and practices that have been placed under the Gnostic rubric? To do so, Karen King says, we must first disentangle modern historiography from the Christian discourse of orthodoxy and heresy that has pervaded--and distorted--the story.

Exciting discoveries of previously unknown ancient writings--especially the forty-six texts found at Nag Hammadi in 1945--are challenging historians of religion to rethink not only what we mean by Gnosticism but also the standard account of Christian origins. "The Gospel of Mary" and "The Secret Book of John," for example, illustrate the variety of early Christianities and are witness to the struggle of Christians to craft an identity in the midst of the culturally pluralistic Roman Empire. King shows how historians have been misled by ancient Christian polemicists who attacked Gnostic beliefs as a "dark double" against which the new faith could define itself. Having identified past distortions, she is able to offer a new and clarifying definition of Gnosticism. Her book is thus both a thorough and innovative introduction to the twentieth-century study of Gnosticism and a revealing exploration of the concept of heresy as a tool in forming religious identity.

Defining the term Gnosis and its relationship to Gnosticism, this book indicates why Gnosis may be preferable and sketches out the main problems. It then treats the sources, both those in the church fathers and heresiologists, and the more recent Nag Hammadi finds. It goes on to discuss early forms of Gnosis in antiquity, Jewish and Christian (New Testament) and the early Gnostics; the main representatives of Gnosis, especially Valentinus and Marcion; Manichaeism as the culmination and end-point of Gnosis; ancient communities of Gnostics; and finally Gnosis in antiquity and the present.

Gnosticism is a term covering a group of heresies that for a time had great influence within the early church, including: belief in the existence of a hidden or secret revelation available only to the initiated; rejection of the physical world as evil or impure; and stress on the radical individuality of the spiritual self. In this book Philip Lee finds parallels between gnosticism and belief and practice in contemporary North American Proestantism. Sharply attacking conservatives and liberals alike, Lee spares no one in this penetrating and provocative assessment of the current stage of religion and its effects on values and society at large. The book concludes with a call for a return to orthodoxy and a series of prescriptions for reform. Lee will add a short preface for this paperback edition.

"Plato s "Parmenides" and Its Heritage" presents in two volumes ground-breaking results in the history of interpretation of Plato s "Parmenides," the culmination of six years of international collaboration by the SBL Annual Meeting seminar, Rethinking Plato s Parmenides and Its Platonic, Gnostic and Patristic Reception (2001 2007). The theme of Volume 1 is the dissolution of firm boundaries for thinking about the tradition of Parmenides interpretation from the Old Academy through Middle Platonism and Gnosticism. The volume suggests a radically different interpretation of the history of thought from Plato to Proclus than is customary by arguing against Proclus s generally accepted view that there was no metaphysical interpretation of the Parmenides before Plotinus in the third century C.E. Instead, this volume traces such metaphysical interpretations, first, to Speusippus and the early Platonic Academy; second, to the Platonism of the first and second centuries C.E. in figures like Moderatus and Numenius; third, to the emergence of an exegetical tradition that read Aristotle s categories in relation to the Parmenides; and, fourth, to important Middle Platonic figures and texts. The contributors to Volume 1 are Kevin Corrigan, Gerald Bechtle, Luc Brisson, John Dillon, Thomas Szlez k, Zlatko Ple e, Noel Hubler, John D. Turner, Johanna Brankaer, Volker Henning Drecoll, and Alain Lernould.