The Caran d'Ache Eco Gouache range contains 18 colours of solvent- and allergen-free, opaque and matt-drying gouache paints, plus four fluorescent colours. These vibrant water-based paints are manufactured in Switzerland from 80% natural ingredients and are designed for use in art schools and for artistic or crafting projects at home. The colour range offers a comprehensive palette from which to mix any colour you desire, and because they have a high pigment concentration, they have great covering power, even at low concentrations.These paints have a matt finish when dry and are opaque (even when heavily diluted). They have a thick, soft consistency and are easy to apply. Though they are a student quality range, Eco Gouache colours have very high light resistance and can be used on a wide variety of substrates, from paper and cardboard to wood or salt dough. They can be cleaned up easily with just soapy water.The paints can be used straight from the bottle or diluted before use. A 500ml bottle of paint can be diluted with up to 2 litres of water and will still offer great colour strength and covering power.This is a 500ml bottle of Caran d'Ache Eco Gouache in the following colour: Carmine.The packaging of Caran d'Ache Eco Gouache colours consists of recycled cartons from Switzerland, while the bottles are made of Polyethylene Terephthalate (PET), a recycled and recyclable plastic.

The Caran d'Ache Eco Gouache range contains 18 colours of solvent- and allergen-free, opaque and matt-drying gouache paints, plus four fluorescent colours. These vibrant water-based paints are manufactured in Switzerland from 80% natural ingredients and are designed for use in art schools and for artistic or crafting projects at home. The colour range offers a comprehensive palette from which to mix any colour you desire, and because they have a high pigment concentration, they have great covering power, even at low concentrations.These paints have a matt finish when dry and are opaque (even when heavily diluted). They have a thick, soft consistency and are easy to apply. Though they are a student quality range, Eco Gouache colours have very high light resistance and can be used on a wide variety of substrates, from paper and cardboard to wood or salt dough. They can be cleaned up easily with just soapy water.The paints can be used straight from the bottle or diluted before use. A 500ml bottle of paint can be diluted with up to 2 litres of water and will still offer great colour strength and covering power.This is a 500ml bottle of Caran d'Ache Eco Gouache in the following colour: Ochre.The packaging of Caran d'Ache Eco Gouache colours consists of recycled cartons from Switzerland, while the bottles are made of Polyethylene Terephthalate (PET), a recycled and recyclable plastic.

The Caran d'Ache Eco Gouache range contains 18 colours of solvent- and allergen-free, opaque and matt-drying gouache paints, plus four fluorescent colours. These vibrant water-based paints are manufactured in Switzerland from 80% natural ingredients and are designed for use in art schools and for artistic or crafting projects at home. The colour range offers a comprehensive palette from which to mix any colour you desire, and because they have a high pigment concentration, they have great covering power, even at low concentrations.These paints have a matt finish when dry and are opaque (even when heavily diluted). They have a thick, soft consistency and are easy to apply. Though they are a student quality range, Eco Gouache colours have very high light resistance and can be used on a wide variety of substrates, from paper and cardboard to wood or salt dough. They can be cleaned up easily with just soapy water.The paints can be used straight from the bottle or diluted before use. A 500ml bottle of paint can be diluted with up to 2 litres of water and will still offer great colour strength and covering power.This is a 500ml bottle of Caran d'Ache Eco Gouache in the following colour: Orange.The packaging of Caran d'Ache Eco Gouache colours consists of recycled cartons from Switzerland, while the bottles are made of Polyethylene Terephthalate (PET), a recycled and recyclable plastic.

The Caran d'Ache Eco Gouache range contains 18 colours of solvent- and allergen-free, opaque and matt-drying gouache paints, plus four fluorescent colours. These vibrant water-based paints are manufactured in Switzerland from 80% natural ingredients and are designed for use in art schools and for artistic or crafting projects at home. The colour range offers a comprehensive palette from which to mix any colour you desire, and because they have a high pigment concentration, they have great covering power, even at low concentrations.These paints have a matt finish when dry and are opaque (even when heavily diluted). They have a thick, soft consistency and are easy to apply. Though they are a student quality range, Eco Gouache colours have very high light resistance and can be used on a wide variety of substrates, from paper and cardboard to wood or salt dough. They can be cleaned up easily with just soapy water.The paints can be used straight from the bottle or diluted before use. A 500ml bottle of paint can be diluted with up to 2 litres of water and will still offer great colour strength and covering power.This is a 500ml bottle of Caran d'Ache Eco Gouache in the following colour: Black.The packaging of Caran d'Ache Eco Gouache colours consists of recycled cartons from Switzerland, while the bottles are made of Polyethylene Terephthalate (PET), a recycled and recyclable plastic.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

The Caran d'Ache Eco Gouache range contains 18 colours of solvent- and allergen-free, opaque and matt-drying gouache paints, plus four fluorescent colours. These vibrant water-based paints are manufactured in Switzerland from 80% natural ingredients and are designed for use in art schools and for artistic or crafting projects at home. The colour range offers a comprehensive palette from which to mix any colour you desire, and because they have a high pigment concentration, they have great covering power, even at low concentrations.These paints have a matt finish when dry and are opaque (even when heavily diluted). They have a thick, soft consistency and are easy to apply. Though they are a student quality range, Eco Gouache colours have very high light resistance and can be used on a wide variety of substrates, from paper and cardboard to wood or salt dough. They can be cleaned up easily with just soapy water.The paints can be used straight from the bottle or diluted before use. A 500ml bottle of paint can be diluted with up to 2 litres of water and will still offer great colour strength and covering power.This is a 500ml bottle of Caran d'Ache Eco Gouache in the following colour: Scarlet.The packaging of Caran d'Ache Eco Gouache colours consists of recycled cartons from Switzerland, while the bottles are made of Polyethylene Terephthalate (PET), a recycled and recyclable plastic.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 688Lightfastness: AverageOpacity: TransparentPigments: PR81:3

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 635Lightfastness: AverageOpacity: TransparentPigments: PR83:1 PR48:2

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 619Lightfastness: GoodOpacity: Semi-OpaquePigments: PR3

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 537Lightfastness: ExcellentOpacity: OpaquePigments: PO20

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 405Lightfastness: ExcellentOpacity: OpaquePigments: PY43 PR101

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood. This is one of nine metallic colours in the Japanesque range, which are made with Titanium Mica.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood. This is one of nine metallic colours in the Japanesque range, which are made with Titanium Mica.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood. This is one of nine metallic colours in the Japanesque range, which are made with Titanium Mica.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood. This is one of nine metallic colours in the Japanesque range, which are made with Titanium Mica.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood. This is one of nine metallic colours in the Japanesque range, which are made with Titanium Mica.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.