Start with gouache painting.
Looking to experiment with gouache? These opaque colours can be used straight from the tube and have excellent covering power. Simply Gouache is fast drying but can be reworked with water. Available in a wide variety of colours, Simply Gouache offers great value for money and an easy entry point for artists to begin working with gouache. Daler-Rowney Simply Gouache is available in 3 sets of 6, 12 and 24 12ml tubes.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Gouache Colours in the United Kingdom, based in the South of England, in Bracknell.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 690Lightfastness: ExcellentOpacity: TransparentPigments: PV19

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 688Lightfastness: AverageOpacity: TransparentPigments: PR81:3

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 635Lightfastness: AverageOpacity: TransparentPigments: PR83:1 PR48:2

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 619Lightfastness: GoodOpacity: Semi-OpaquePigments: PR3

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 405Lightfastness: ExcellentOpacity: OpaquePigments: PY43 PR101

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.