Start with gouache painting.
Looking to experiment with gouache? These opaque colours can be used straight from the tube and have excellent covering power. Simply Gouache is fast drying but can be reworked with water. Available in a wide variety of colours, Simply Gouache offers great value for money and an easy entry point for artists to begin working with gouache. Daler-Rowney Simply Gouache is available in 3 sets of 6, 12 and 24 12ml tubes.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Gouache Colours in the United Kingdom, based in the South of England, in Bracknell.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Dala Gouache is a high opacity form of watercolours that has an even flow and dries to a matte finish. Available in solid, vibrant colours.
Used by artists, illustrators and designers.

Shake tube well before use.

Holbein Designers’ Gouache, available in 89 brilliant opaque colours, is Japan’s foremost designers’ colour medium. Made from the finest pigments selected for high density saturation and lightfastness. Holbein adds no opaquing agents to their gouache colours.Series: CLightfastness: ** PermanentPlease note: due to trading agreements we are unable to ship this product to the US and Canada.

The Holbein Irodori Artist Gouache collection offers 48 traditional Japanese colours inspired by nature and the beauty of the four seasons in Japan. As with their classic Artists’ Gouache range, Holbein have produced a paint of exceptional quality.

Made from the finest pigments selected for high density saturation and lightfastness. Holbein adds no opaquing agents to their gouache colours.

The pigments used have been chosen for exceptional saturation and the ability to mix freely without loss of brilliance, opacity or hue value in combination with other colours. The colours will give consistent results without darkening or muddiness, they will not bleed or crack, and offer absolute opacity when laid over the other.

The Holbein Irodori Artist Gouache collection offers 48 traditional Japanese colours inspired by nature and the beauty of the four seasons in Japan. As with their classic Artists’ Gouache range, Holbein have produced a paint of exceptional quality.

Made from the finest pigments selected for high density saturation and lightfastness. Holbein adds no opaquing agents to their gouache colours.

The pigments used have been chosen for exceptional saturation and the ability to mix freely without loss of brilliance, opacity or hue value in combination with other colours. The colours will give consistent results without darkening or muddiness, they will not bleed or crack, and offer absolute opacity when laid over the other.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 688Lightfastness: AverageOpacity: TransparentPigments: PR81:3

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 635Lightfastness: AverageOpacity: TransparentPigments: PR83:1 PR48:2

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 619Lightfastness: GoodOpacity: Semi-OpaquePigments: PR3

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.