Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 635Lightfastness: AverageOpacity: TransparentPigments: PR83:1 PR48:2

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 619Lightfastness: GoodOpacity: Semi-OpaquePigments: PR3

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 405Lightfastness: ExcellentOpacity: OpaquePigments: PY43 PR101

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of Grayish Green 194, one of six 'Grayish' colours within the Acryl Gouache range.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of Pastel Green 183, one of 15 pastel colours within the Acryl Gouache range.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of Pastel Lavender 178, one of 15 pastel colours within the Acryl Gouache range.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of Pastel Pink 173, one of 15 pastel colours within the Acryl Gouache range.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of Pastel Peach 172, one of 15 pastel colours within the Acryl Gouache range.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.