Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner's Japanesque colours have a slightly coarse texture like traditional Japanese paints, and dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of the colour Pearl Black 422, one of a series of 18 'Colour Pearl' colours.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 845Lightfastness: ExcellentOpacity: Semi-OpaquePigments: PG7 PY3 PY1

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Daniel Smith Extra Fine Gouache is a professional quality water-based paint that produces an opaque matte finish. Made with the same high quality pigments and gum arabic as Daniel Smith Watercolors, it is uniquely formulated with higher pigment loads to achieve density and opacity without adding whites or other fillers.

Whether your painting style is abstract, figurative, or illustrative, you’ll enjoy the creative versatility of gouache. Apply it as masstone straight from the tube to get rich, full-bodied solids with single brush strokes. Temper colors smoothly with water to create softer lines and hazy layers. Mix and blend new shades to customize your palette. You can even scrape into it or build up light texture with mark-making tools.

Daniel Smith gouache can also be used to accent watercolor paintings with velvety shadows or bold pops of opaque color.

A primary blue, great for mixing or using by itself. Its ability to create soft edges, and to lift and mix readily, makes it a valuable contribution to any palette.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.