Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.The tones of these Lamé colours will vary depending on the angle at which they are viewed. When painted on a black or dark ground, colours may shine better. The effect works better when the paint is applied with a knife or spatula, rather than a brush.

Daniel Smith Extra Fine Gouache is a professional quality water-based paint that produces an opaque matte finish. Made with the same high quality pigments and gum arabic as Daniel Smith Watercolors, it is uniquely formulated with higher pigment loads to achieve density and opacity without adding whites or other fillers.

Whether your painting style is abstract, figurative, or illustrative, you’ll enjoy the creative versatility of gouache. Apply it as masstone straight from the tube to get rich, full-bodied solids with single brush strokes. Temper colors smoothly with water to create softer lines and hazy layers. Mix and blend new shades to customize your palette. You can even scrape into it or build up light texture with mark-making tools.

Daniel Smith gouache can also be used to accent watercolor paintings with velvety shadows or bold pops of opaque color.

Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature aside, both blues have equal permanence and lightfastness.

Daniel Smith Extra Fine Gouache is a professional quality water-based paint that produces an opaque matte finish. Made with the same high quality pigments and gum arabic as Daniel Smith Watercolors, it is uniquely formulated with higher pigment loads to achieve density and opacity without adding whites or other fillers.

Whether your painting style is abstract, figurative, or illustrative, you’ll enjoy the creative versatility of gouache. Apply it as masstone straight from the tube to get rich, full-bodied solids with single brush strokes. Temper colors smoothly with water to create softer lines and hazy layers. Mix and blend new shades to customize your palette. You can even scrape into it or build up light texture with mark-making tools.

Daniel Smith gouache can also be used to accent watercolor paintings with velvety shadows or bold pops of opaque color.

Made by heating Raw Sienna, this rich earth pigment is a traditional palette staple for landscape painters.

Daniel Smith Extra Fine Gouache is a professional quality water-based paint that produces an opaque matte finish. Made with the same high quality pigments and gum arabic as Daniel Smith Watercolors, it is uniquely formulated with higher pigment loads to achieve density and opacity without adding whites or other fillers.

Whether your painting style is abstract, figurative, or illustrative, you’ll enjoy the creative versatility of gouache. Apply it as masstone straight from the tube to get rich, full-bodied solids with single brush strokes. Temper colors smoothly with water to create softer lines and hazy layers. Mix and blend new shades to customize your palette. You can even scrape into it or build up light texture with mark-making tools.

Daniel Smith gouache can also be used to accent watercolor paintings with velvety shadows or bold pops of opaque color.

The Caran d'Ache Eco Gouache range contains 18 colours of solvent- and allergen-free, opaque and matt-drying gouache paints, plus four fluorescent colours. These vibrant water-based paints are manufactured in Switzerland from 80% natural ingredients and are designed for use in art schools and for artistic or crafting projects at home. The colour range offers a comprehensive palette from which to mix any colour you desire, and because they have a high pigment concentration, they have great covering power, even at low concentrations.These paints have a matt finish when dry and are opaque (even when heavily diluted). They have a thick, soft consistency and are easy to apply. Though they are a student quality range, Eco Gouache colours have very high light resistance and can be used on a wide variety of substrates, from paper and cardboard to wood or salt dough. They can be cleaned up easily with just soapy water.The paints can be used straight from the bottle or diluted before use. A 500ml bottle of paint can be diluted with up to 2 litres of water and will still offer great colour strength and covering power.This is a 500ml bottle of Caran d'Ache Eco Gouache in the following colour: Ultramarine.The packaging of Caran d'Ache Eco Gouache colours consists of recycled cartons from Switzerland, while the bottles are made of Polyethylene Terephthalate (PET), a recycled and recyclable plastic.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 202Lightfastness: ExcellentOpacity: TransparentPigments: PB35

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 211Lightfastness: ExcellentOpacity: TransparentPigments: PBr7

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 252Lightfastness: ExcellentOpacity: TransparentPigments: PY43

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 119Lightfastness: ExcellentOpacity: Semi-OpaquePigments: PW4

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 405Lightfastness: ExcellentOpacity: OpaquePigments: PY43 PR101

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 407Lightfastness: GoodOpacity: OpaquePigments: PBr7 NatBk6

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 517Lightfastness: GoodOpacity: OpaquePigments: PY43 PY1 PY13