Holbein Designers’ Gouache, available in 89 brilliant opaque colours, is Japan’s foremost designers’ colour medium. Made from the finest pigments selected for high density saturation and lightfastness. Holbein adds no opaquing agents to their gouache colours.Series: CLightfastness: ** PermanentPlease note: due to trading agreements we are unable to ship this product to the US and Canada.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Opaque gouache.
Daler-Rowney Designers’ Gouache Professional is a brilliant opaque artists' quality body colour, developed for professional designers working on illustrations for graphic reproduction. Designers’ Gouache paint is also widely used in fine art painting, both on its own and with transparent watercolours.

Ideal for designers and illustrators.
The high quality pigments and reflective qualities of the fine calcium carbonate specified by Daler-Rowney ensures that Designers’ Gouache retains its pure bright colour across all glowing colours in the range. All gouache paint colours are intermixable to allow the designer to achieve a fine degree of colour matching.

A versatile gouache.
Daler-Rowney Designers’ Gouache Professional is characterised by its fine flowing texture, tinting strength and excellent covering power. Designer’s Gouache can be applied with confidence, using a brush, ruling pen or airbrush.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Professional Designers' Gouache in the United Kingdom, based in the South of England, in Bracknell.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer. This set contains the following colours:Lemon Yellow, Gold Yellow, Signal Red, Carmine Red, Ultramarine, Prussian Blue, Emerald Green, Ochre, English Red, Black, White and Purple Red.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 119Lightfastness: ExcellentOpacity: Semi-OpaquePigments: PW4

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 205Lightfastness: ExcellentOpacity: OpaquePigments: PBr7

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 259Lightfastness: ExcellentOpacity: TransparentPigments: PR101

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 305Lightfastness: ExcellentOpacity: OpaquePigments: PB35

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 755Lightfastness: GoodOpacity: OpaquePigments: PBk11 PBk1

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 567Lightfastness: ExcellentOpacity: OpaquePigments: PY3 PY1 PY1:1 PW6

Set of 5 Colours — This boxed set contains five 21 ml tubes. Colours include Titanium White, Lemon Yellow, Alizarin Crimson, Ultramarine Blue, and Ivory Black.

This is the authentic formulation used since the Renaissance. Much of the religious panel painting done between the 12th and 15th century was done in this delicate and subtle medium, which is capable of detailed and complex effects. Sennelier Egg Tempera is famous as the medium used by Marc Chagall in many of his most spectacular works.

Egg tempera is a water soluble and highly archival painting medium, wonderful for fine art painting, restoration, and icon painting. It is perfect as an underpainting for oil painters, or for artists seeking a highly pigmented, professional alternative to oil paints and solvents.

Sennelier egg tempera has working qualities and a finish that is only found in authentic egg tempera made in the traditional manner. These delicate colors hold their brush strokes, and do not change when dry. Egg tempera can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper.

Impasto techniques are not recommended for egg tempera. Use varnish over egg tempera paintings for an oil painting like appearance. Sennelier recommends giving a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Specifications..

Opaque gouache.
Daler-Rowney Designers’ Gouache Professional is a brilliant opaque artists' quality body colour, developed for professional designers working on illustrations for graphic reproduction. Designers’ Gouache paint is also widely used in fine art painting, both on its own and with transparent watercolours.

Ideal for designers and illustrators.
The high quality pigments and reflective qualities of the fine calcium carbonate specified by Daler-Rowney ensures that Designers’ Gouache retains its pure bright colour across all glowing colours in the range. All gouache paint colours are intermixable to allow the designer to achieve a fine degree of colour matching.

A versatile gouache.
Daler-Rowney Designers’ Gouache Professional is characterised by its fine flowing texture, tinting strength and excellent covering power. Designer’s Gouache can be applied with confidence, using a brush, ruling pen or airbrush.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Professional Designers' Gouache in the United Kingdom, based in the South of England, in Bracknell.

Opaque gouache.
Daler-Rowney Designers’ Gouache Professional is a brilliant opaque artists' quality body colour, developed for professional designers working on illustrations for graphic reproduction. Designers’ Gouache paint is also widely used in fine art painting, both on its own and with transparent watercolours.

Ideal for designers and illustrators.
The high quality pigments and reflective qualities of the fine calcium carbonate specified by Daler-Rowney ensures that Designers’ Gouache retains its pure bright colour across all glowing colours in the range. All gouache paint colours are intermixable to allow the designer to achieve a fine degree of colour matching.

A versatile gouache.
Daler-Rowney Designers’ Gouache Professional is characterised by its fine flowing texture, tinting strength and excellent covering power. Designer’s Gouache can be applied with confidence, using a brush, ruling pen or airbrush.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Professional Designers' Gouache in the United Kingdom, based in the South of England, in Bracknell.

Schmincke Akademie Gouache colours have a high covering power and provide a matt, intense look with great colour depth. All colours are formulated with selected pigments and are highly lightfast. After drying, they remain removable and can be overpainted.

With the 5 colours included in the set, numerous colours can be mixed.

Contents:

Image for illustrative purposes.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Holbein Designers’ Gouache, available in 89 brilliant opaque colours, is Japan’s foremost designers’ colour medium. Made from the finest pigments selected for high density saturation and lightfastness. Holbein adds no opaquing agents to their gouache colours.Series: BLightfastness: ** PermanentPlease note: due to trading agreements we are unable to ship this product to the US and Canada.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.

Schmincke Designer Gouache is a range of 48 velvety matt colours with excellent opacity and colour intensity. Colours have a smooth, streak-free application and remain rewettable after drying.