Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 208Lightfastness: ExcellentOpacity: TransparentPigments: PBr7

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 533Lightfastness: ExcellentOpacity: OpaquePigments: PY35

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 674Lightfastness: AverageOpacity: Semi-OpaquePigments: PR108

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 847Lightfastness: ExcellentOpacity: OpaquePigments: PG7 PY154

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 948Lightfastness: GoodOpacity: Semi-OpaquePigments: PV5 PV23

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Caran d'Ache Studio Gouache is made using a traditional manufacturing method by drying the tablets in the open air and using a natural vegetable binder to guarantee even application and light resistance. Economical and easy to use, offering unlimited colour blending options. Recommended for amateur artists and painting classes.Contents: 14 colour tablets, 1 tube of white, 1 paintbrush This set includes the following pans: Yellow, Lemon Yellow, Orange, Vermilion, Carmine Lake, Brown, Ochre, Yellow Green, Emerald Green, Malachite Green, Lilac, Ultramarine, Grey, Black and a 10ml tube of White.Application: slowly cooked tablets are cut and dried in the open air for even blocks of colour and bright, luminous detail. Technical description :Type: Water-based paint with a natural binder and no plasticizer, water-solubleHigh pigment concentration, luminous colours, good light resistance, economical to use.Practical, ecological metal boxComplies with CE EN71Warning. Not suitable for children under 3 yearsTechniques: opaque and transparent painting on paper or cardboard, easy to mix, water-soluble.

Holbein Acryla Gouache is an opaque and highly-pigmented paint which dries to a velvety-matte finish. In terms of handling and mixing, it behaves like traditional Gum Arabic gouache, but because it is made with an acrylic resin binder, it is water-resistant once dry. This facilitates layering, as fresh paint layers can be laid down without the risk of bleed-through from the lower layer. Acryla Gouache dries quickly and with minimal colour-shift; what you see wet is what you get once the paint has dried.This is a 20ml tube of Holbein Acryla Gouache Mint Green.Please note: due to trading agreements we are unable to ship this product to the US and Canada.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 755Lightfastness: GoodOpacity: OpaquePigments: PBk11 PBk1

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 837Lightfastness: ExcellentOpacity: TransparentPigments: PG18

Turner Japanesque colours are an extension to the Turner Acryl Gouache range, inspired by Japanese traditional paintings, or 'Nihonga', which are typically executed on Japanese paper or silk.The range includes 69 colours, all of which are opaque, matt acrylic paints with a slightly coarse consistency. This texture is designed to mimic that of the traditional paints, which were made from crushed mineral pigments, shells, corals and even semi-precious stones (like malachite, azurite and cinnabar) in a hide glue binder. Like all of Turner's Arylic gouaches, the Japanesque colours dry quickly to a matte finish. Once dry, they are water-resistant, which means they can be applied in multiple layers without bleeding. When used with mediums, they can be used on almost any surface, including rock, metal, glass, paper, canvas and wood.This set contains twelve 20ml Turner Acryl Gouache Japanesque Colours:1 x Japanesque White 3011 x Japanesque Pale Yellow 3101 x Japanesque Yellow Red 3211 x Japanesque Deep Red 3241 x Japanesque Deep Pink 3261 x Japanesque Red Brown 3271 x Japanesque Pale Green 3401 x Japanesque Beige 3321 x Japanesque Yellow Green 3421 x Japanesque Pale Blue 3501 x Japanesque Dark Blue 3531 x Japanesque Black Blue 356pdf=acrylgouache1.pdf Turner Acryl Gouache Colour Chart (Japanesque Colours Marked with a J at the start of their name)

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.This is a 20ml tube of Lumi Orange 204, one of six Luminous colours within the Acryl Gouache range.

Designers' Gouache is a brilliant, opaque, artist-quality body colour, developed for professional designers working on illustrations for graphic reproduction. It is also widely used in fine art painting, both on its own and with transparent watercolours.The high-quality pigments and reflective qualities of the fine calcium carbonate specified by Daler-Rowney ensure that Designers' Gouache retains its pure bright colour across all the glowing shades in the range.Designers' Gouache is characterised by its fine flowing texture, tinting strength and excellent covering power. Apply with confidence, using a brush, ruling pen or airbrush.

Holbein Acryla Gouache is an opaque and highly-pigmented paint which dries to a velvety-matte finish. In terms of handling and mixing, it behaves like traditional Gum Arabic gouache, but because it is made with an acrylic resin binder, it is water-resistant once dry. This facilitates layering, as fresh paint layers can be laid down without the risk of bleed-through from the lower layer. Acryla Gouache dries quickly and with minimal colour-shift; what you see wet is what you get once the paint has dried.This is a 20ml tube of Holbein Acryla Gouache Prussian Blue.Please note: due to trading agreements we are unable to ship this product to the US and Canada.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 119Lightfastness: ExcellentOpacity: Semi-OpaquePigments: PW4

Sennelier uses the same premium quality pigments in this line of egg tempera as they do in their oil paints, assuring the same unequaled vibrancy and brilliance as in the Sennelier oils. It is bound with an centuries old egg emulsion recipe, giving a satin-matt finish that is water resistant when dry. Sennelier egg tempera have working qualities and a finish that are only found in authentic egg tempera made in this traditional manner. These delicate colours hold their brush strokes, and do not change when dry. They can be worked with a brush or a palette knife (diluted with water) on non-greasy supports like acrylic primed canvas or paper. Preliminary sketches can be drawn on canvases, followed by oil paints. Pronounced impasto techniques are not recommended for egg tempera.

Varnished egg tempera paintings look like oil paintings when varnished. It is recommended to give a finished egg tempera painting a coating of charcoal or pastel fixative before applying a final oil paint picture varnish.

Number: 755Lightfastness: GoodOpacity: OpaquePigments: PBk11 PBk1

Holbein Designers’ Gouache, available in 89 Brilliant opaque colours, is Japan’s foremost designers’ colour medium. Made from the finest pigments selected for high density saturation and lightfastness. Holbein adds no opaquing agents to their gouache colours.Series: CLightfastness: ** PermanentPlease note: due to trading agreements we are unable to ship this product to the US and Canada.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Daniel Smith Extra Fine Gouache is a professional quality water-based paint that produces an opaque matte finish. Made with the same high quality pigments and gum arabic as Daniel Smith Watercolors, it is uniquely formulated with higher pigment loads to achieve density and opacity without adding whites or other fillers.

Whether your painting style is abstract, figurative, or illustrative, you’ll enjoy the creative versatility of gouache. Apply it as masstone straight from the tube to get rich, full-bodied solids with single brush strokes. Temper colors smoothly with water to create softer lines and hazy layers. Mix and blend new shades to customize your palette. You can even scrape into it or build up light texture with mark-making tools.

Daniel Smith gouache can also be used to accent watercolor paintings with velvety shadows or bold pops of opaque color.

This is a beautiful periwinkle blue, quite different from other blues. In addition to being an excellent floral colour, this colour suggests certain shades of faded denim.

Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.

Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted and reworked on all types of absorbing and non-absorbing paper, carton and canvas. Due to the extra-fine pigment grain sizes these finest artists' colours can also be applied using a 0,15 mm fine airbrush. Horadam Gouache's effect derives from the rich, opaque, pastel-like, intensive pigment layer.