No band would be complete without some kick-ass electric guitar. "How to Play Electric Guitar" contains everything the new or intermediate electric player needs to perfect their playing of this vital instrument. More than a simple how-to-play guitar book, this great new addition to a best-selling series also shows you how to use effects, how to adapt to stage and rehearsal amps, how to record the electric guitar at home on your computer and how to cope with cables, feedback and dodgy microphones while playing live on stage. The clear text is accompanied by illustrative photos and diagrams, and is complemented by some how-to-play basics, selected scales and modes and useful barre and power chords.

The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard," a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Etudes" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.

A new memoir from internationally renowned musician Liona Boyd. Few people's lives are as romantic and adventurous as Liona Boyd's has been. She has performed around the world, sold millions of albums, won five Juno awards, serenaded numerous heads of state, and, for eight years, dated Prime Minister Pierre Trudeau. Continuing her story in a new memoir, Liona recounts how she lost her ability to perform, details her divorce, and chronicles the emotional roller-coaster ride that followed. After six years of searching for answers, reinventing her technique, and learning to sing, she returned to Canada and a new career, creating five new albums as a singer, songwriter, and guitarist. Liona shares the joys of composing and recording her own music and her cast of international friends, who include singer and actress Olivia Newton-John and her friend and pen pal of over thirty years, HRH Prince Philip. Liona reveals her love affairs, spiritual journeys, personal and musical struggles, and greatest triumphs. Writing with candour and passion, she gives a behind-the-scenes tour of her fascinating world.

Technology and the Stylistic Evolution of the Jazz Bass traces the stylistic evolution of jazz from the bass player's perspective. Historical works to date have tended to pursue a 'top down' reading, one that emphasizes the influence of the treble instruments on the melodic and harmonic trajectory of jazz. This book augments that reading by examining the music's development from the bottom up. It re-contextualizes the bass and its role in the evolution of jazz (and by extension popular music in general) by situating it alongside emerging music technologies. The bass and its technological mediation are shown to have driven changes in jazz language and musical style, and even transformed creative hierarchies in ways that have been largely overlooked. The book's narrative is also informed by investigations into more commercial musical styles such as blues and rock, in order to assess how, and the degree to which, technological advances first deployed in these areas gradually became incorporated into general jazz praxis. Technology and the Jazz Bass reconciles technology more thoroughly into jazz historiography by detailing and evaluating those that are intrinsic to the instrument (including its eventual electrification) and those extrinsic to it (most notably evolving recording and digital technologies). The author illustrates how the implementation of these technologies has transformed the role of the bass in jazz, and with that, jazz music as an art form.

Bert Weedon's Play in a Day remains one of the world's most successful guitar methods. It is as much of a legend as the stars who have learned from it, including Eric Clapton, Mike Oldfield, Paul McCartney, George Harrison, John Lennon, Sting, Brian May, Pete Townshend, and many others!

Play in a Day is easy to use and includes plenty of tips for selecting the right guitar, the correct amplifier, how to hold your instrument, and plenty of exercises and tunes to play!

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihat A-rter.

The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass instrument. From the mid-1960s and throughout the 1970s, a melismatic and inconsistent approach towards the bass role ensued, which contributed to a major change in how the electric bass was used in performance and perceived in the sonic landscape of mainstream popular music. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, the book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982 as a prime source. Through interviews with players from this era, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass. This highly original book will be of interest not only to bass players, but also to popular musicologists looking for a way to instigate methodological and theoretical discussions on how to develop popular music analysis.

A complete guide to the 3-finger bluegrass styles. Basic right-hand patterns through many advanced techniques are covered. Includes 45 tablature arrangements from elementary to advanced, plus information on how to buy a banjo, playing in groups, and an annotated discography. The Banjo Newsletter says this book is "highly recommended without reservation." Songs include: Ballad of Jed Clampett * Banks of the Ohio * Devil's Dream * Little Maggie * Lonesome Road Blues * Rabbit in the Log * Six Mile Creek * Will the Circle Be Unbroken * Worried Man Blues * and many more.

This is the basic manual for banjo players at any level. Covers all the fundamentals of strumming, hammering-on, and pulling-off. Includes folk and traditional songs all with melody line, lyrics, and banjo accompaniment, and solos in standard notation and tablature.

“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).

Playing with Ease is a book about ergonomic technique for the guitar, as well as other instruments. Renowned classical guitarist David Leisner offers an introduction to the basic anatomy of movement, advice on relieving unnecessary tension, pioneering ideas about engaging large muscles, and tips for practicing and concert preparation.

We are living in an emerging technoculture. Machines and gadgets not only weave the fabric of daily life, but more importantly embody philosophical and religious values which shape the contemporary moral vision-a vision that is often at odds with Christian convictions. This book critically examines those values, and offers a framework for how Christian moral theology should be formed and lived-out within the emerging technoculture. Brent Waters argues that technology represents the principal cultural background against which contemporary Christian moral life is formed. Addressing contemporary ethical and religious issues, this book will be of particular interest to students and scholars exploring the ideas of Heidegger, Nietzsche, Grant, Arendt, and Borgmann.

Contents: The Adieu * Agitation * Boat-Song * The Brook * Confidence * Consolation (Still, Still With Thee) * Contemplation * Delirium * The Departure * Duet, Op. 38, No. 6 * Elegy * The Evening Star * Faith * The Fleecy Clouds * The Flight * Folk-Song * Funeral March * Homeless * Hope * Hunting Song * The Joyous Peasant * Lost Happiness * Lost Illusions * Lullaby * May Breezes * Meditation * Morning Song * On the Seashore * Passion * The Poet's Harp * Regrets * Restlessness * Retrospection * The Return * Reverie * Sadness of Soul * The Shepherd's Complaint * The Sighing Wind * Song of the Pilgrim * Song of the Traveller * Spinning-Song * Spring Song * Sweet Remembrance * Tarantella * Unrest * Venetian Boat Song No. 1 * Venetian Boat-Song #2 * Venetian Boat-Song #3 * The Wanderer.

(Guitar Method). This Berklee Workshop, featuring over 20 solos and duets by Bach, Carcassi, Paganini, Sor and other renowned composers, is designed to acquaint intermediate to advanced pick-style guitarists with some of the excellent classical music that is adaptable to pick-style guitar. With study and practice, this workshop will increase a player's knowledge and proficiency on this formidable instrument.

(Vocal Piano). Our piano/vocal songbook features all 11 R&B tunes off the breakout record from this soulful British siren. Includes the infectious megahit "Rehab," the title track, and: Addicted * Just Friends * Love Is a Losing Game * Some Unholy War * Tears Dry on Their Own * Wake Up Alone * You Know I'm No Good * more

(Faber Piano Adventures ). Level 3A introduces 3/8 and 6/8 time signatures and the triplet. Students learn the chromatic scale, the 7th, one-octave arpeggios, and explore the key of D major. Contents include: Amazing Grace * Campbells are Coming * Cool Walkin' Bass * Cossak Ride * Echoes of the Harp * Eine Kleine Nachtmusik * Ice Dancing * Joshua Fought the Battle of Jericho * Land of the Silver Birch * Looking-Glass River * Lunar Eclipse * March Slav * and more.

The perfect companion to the 'Guitar Chords' book, 'Advanced Guitar Chords' is a handy resource for guitarists who feel they are able to take the next step. The simple and clean layout provides 360 chords shown as chord boxes, covering chords that are played further up the neck and in 3rd position, along with more extensive provision of augmented and diminished chords. Ideal for playing genres such as jazz, this no-nonsense, easy-to-carry, spiral-bound book will fit into a gig bag, flight case or handbag with the minimum of fuss and will help musicians become more complete guitarists.

(Faber Piano Adventures ). Major and minor pentascales; intervals through the 6th; C. G, and F major scales. Contents include: Almost Like a Dream * America * American Fiddle Tune * Beach Party * Beethoven's Fifth Symphony Theme * Blues Train * The Boogie Machine * Brahms' Lullaby * Can-Can * Cathedral Chimes * Chord Jumps * Classical Dance * Cross-Hand Arpeggios * El Matado.

(Ukulele). Ukulele for Kids is a fun, easy course that teaches children to play ukulele faster than ever before. Popular songs such as "Yellow Submarine," "The Hokey Pokey," "This Land Is Your Land," "Rock Around the Clock," "You Are My Sunshine" and "Barbara Ann" keep kids motivated, and the clean, simple page layouts ensure their attention remains focused on one concept at a time. The method can be used in combination with a teacher or parent. The accompanying CD contains tracks for demonstration and play-along. Lessons include: selecting your uke; parts of the uke; holding the uke; hand position; reading music notation and counting; notes on the strings; C, F, C7, Am, G, B-flat, and Gm chords; strumming and picking; and more