The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard," a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Etudes" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.

(Piano Solo Personality). This folio matches the album that, for the first time, compiled all of Einaudi's best known music in a single collection. Islands also includes the new tracks "The Earth Prelude" and "High Heels" as well as two new remixes of "Lady Labyrinth" and "Eros," plus tracks from critically acclaimed albums including Le Onde and I Giorni .

The Classical Guitar Collection contains 48 classical guitar solos from classical greats such as Mozart, Grieg, Purcell and J.S. Bach. This collection features many of Julian Bream's classic arrangements of well-known guitar masterpieces for Intermediate to Advanced level guitar students.

A new memoir from internationally renowned musician Liona Boyd. Few people's lives are as romantic and adventurous as Liona Boyd's has been. She has performed around the world, sold millions of albums, won five Juno awards, serenaded numerous heads of state, and, for eight years, dated Prime Minister Pierre Trudeau. Continuing her story in a new memoir, Liona recounts how she lost her ability to perform, details her divorce, and chronicles the emotional roller-coaster ride that followed. After six years of searching for answers, reinventing her technique, and learning to sing, she returned to Canada and a new career, creating five new albums as a singer, songwriter, and guitarist. Liona shares the joys of composing and recording her own music and her cast of international friends, who include singer and actress Olivia Newton-John and her friend and pen pal of over thirty years, HRH Prince Philip. Liona reveals her love affairs, spiritual journeys, personal and musical struggles, and greatest triumphs. Writing with candour and passion, she gives a behind-the-scenes tour of her fascinating world.

Bert Weedon's Play in a Day remains one of the world's most successful guitar methods. It is as much of a legend as the stars who have learned from it, including Eric Clapton, Mike Oldfield, Paul McCartney, George Harrison, John Lennon, Sting, Brian May, Pete Townshend, and many others!

Play in a Day is easy to use and includes plenty of tips for selecting the right guitar, the correct amplifier, how to hold your instrument, and plenty of exercises and tunes to play!

Technology and the Stylistic Evolution of the Jazz Bass traces the stylistic evolution of jazz from the bass player's perspective. Historical works to date have tended to pursue a 'top down' reading, one that emphasizes the influence of the treble instruments on the melodic and harmonic trajectory of jazz. This book augments that reading by examining the music's development from the bottom up. It re-contextualizes the bass and its role in the evolution of jazz (and by extension popular music in general) by situating it alongside emerging music technologies. The bass and its technological mediation are shown to have driven changes in jazz language and musical style, and even transformed creative hierarchies in ways that have been largely overlooked. The book's narrative is also informed by investigations into more commercial musical styles such as blues and rock, in order to assess how, and the degree to which, technological advances first deployed in these areas gradually became incorporated into general jazz praxis. Technology and the Jazz Bass reconciles technology more thoroughly into jazz historiography by detailing and evaluating those that are intrinsic to the instrument (including its eventual electrification) and those extrinsic to it (most notably evolving recording and digital technologies). The author illustrates how the implementation of these technologies has transformed the role of the bass in jazz, and with that, jazz music as an art form.

(Faber Piano Adventures ). The 2nd Edition Primer Theory Book provides important reinforcement and creative application of basic theory concepts. Students will enjoy note-naming with StoryRhymes, exploring improvisation, and engage with eye-training and ear-training activities all within a fun-filled context tied thematically to the Primer Lesson Book pieces.

(Yorktown). Designed for use as a method book, this volume allows the teacher to vary the approach according to the needs of the student. The book can also be used as a source of carefully graded pieces, for use with any first-year method.

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihat A-rter.

Now guitarists can have all three volumes of this classic guitar method in one convenient book!

Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3.

Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass instrument. From the mid-1960s and throughout the 1970s, a melismatic and inconsistent approach towards the bass role ensued, which contributed to a major change in how the electric bass was used in performance and perceived in the sonic landscape of mainstream popular music. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, the book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982 as a prime source. Through interviews with players from this era, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass. This highly original book will be of interest not only to bass players, but also to popular musicologists looking for a way to instigate methodological and theoretical discussions on how to develop popular music analysis.

(Guitar Method). Here's your complete guide to getting your guitars to play and sound their best In a convenient 6 x9 size, this full-color edition features step-by-step instructions and photos that teach you how to adjust the action, truss rod, bridge saddles, nut, intonation and more on electric and acoustic guitars. Basic electronic repairs are covered as well. If you've been timid about "looking under the hood" of your guitar but don't want to keep spending money at the repair shop, this book will get you started on the road to becoming your own guitar repair person

From the former editor of Guitar One magazine, here is a daily dose of vitamins to keep your chops fine tuned! Musical styles include rock, blues, jazz, metal, country, and funk. Techniques taught include alternate picking, arpeggios, sweep picking, string skipping, legato, string bending, and rhythm guitar. These exercises will increase speed, and improve dexterity and pick- and fret-hand accuracy. The accompanying CD includes all 365 workout licks plus play-along grooves in every style at eight different metronome settings.

Playing with Ease is a book about ergonomic technique for the guitar, as well as other instruments. Renowned classical guitarist David Leisner offers an introduction to the basic anatomy of movement, advice on relieving unnecessary tension, pioneering ideas about engaging large muscles, and tips for practicing and concert preparation.

(Guitar Method). Guitarists of all levels will find a wealth of practical music knowledge in this special book and CD package. Veteran guitarist and author Tom Kolb dispels the mysteries of music theory using plain and simple terms and diagrams. The accompanying CD provides 94 tracks of music examples, scales, modes, chords, ear training, and much more

We are living in an emerging technoculture. Machines and gadgets not only weave the fabric of daily life, but more importantly embody philosophical and religious values which shape the contemporary moral vision-a vision that is often at odds with Christian convictions. This book critically examines those values, and offers a framework for how Christian moral theology should be formed and lived-out within the emerging technoculture. Brent Waters argues that technology represents the principal cultural background against which contemporary Christian moral life is formed. Addressing contemporary ethical and religious issues, this book will be of particular interest to students and scholars exploring the ideas of Heidegger, Nietzsche, Grant, Arendt, and Borgmann.

A collection of Joni Mitchell's finest songs, arranged for piano, voice and guitar.

(Guitar Method). This Berklee Workshop, featuring over 20 solos and duets by Bach, Carcassi, Paganini, Sor and other renowned composers, is designed to acquaint intermediate to advanced pick-style guitarists with some of the excellent classical music that is adaptable to pick-style guitar. With study and practice, this workshop will increase a player's knowledge and proficiency on this formidable instrument.