Growing from a small custom shop in the early 1970s to the only new brand to have challenged the traditional Big Three of American acoustic guitars (Gibson Guild and Martin) Taylor has effectively changed the marketplace for acoustic steel-string guitars and influenced every other maker of acoustic stringed instruments.THBut Taylor's influence in the guitar market goes far beyond the guitars themselves. Having pioneered the use of modern building techniques a such as utilizing CNC machines UV-finishing etc. a the company has been an undisputed leader when it comes to innovation. Taylor's latest efforts are concentrated on wood conservation and again the company is setting the example that the industry is following.THEThe Taylor Guitar BookE combines a historical story line with useful hands-on information about model changes over the years a to help readers learn how to identify and date a Taylor a and features shop and factory photos (both historical and current) as well as full-color images of guitars.

A carefully graded series of exercises, solos, duets, and chord studies which are an ideal supplement to the Mel Bay Modern Guitar Method Grade 1 and to the note-reading section of Mel Bay's Guitar Class Method. Studies are included for each string, and the keys of C, A minor, G, and E minor are presented. Guitar Studies Grade 1, in addition, will be a valuable aid to any beginning guitar student and the content will augment and enhance learning regardless of the basic instructional text being used. In notation only.

(Faber Piano Adventures ). Major and minor pentascales; intervals through the 6th; C. G, and F major scales. Contents include: Almost Like a Dream * America * American Fiddle Tune * Beach Party * Beethoven's Fifth Symphony Theme * Blues Train * The Boogie Machine * Brahms' Lullaby * Can-Can * Cathedral Chimes * Chord Jumps * Classical Dance * Cross-Hand Arpeggios * El Matado.

This book brings together, for the first time, nine pieces from ABRSM's Grade 5 Guitar syllabus from 2019. The pieces - two solos and one duet chosen from each of lists A, B and C - have been carefully selected to offer an attractive and varied range of styles, creating an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Recordings of all 30 pieces on the Grade 5 syllabus are available. These can be purchased as part of the Guitar Exam Pieces with CD package or as audio downloads (see www.abrsmdownloads.org for more details). ABRSM also offers a range of apps to support musical learning, available from www.abrsm.org/apps. Support material for ABRSM Guitar exams [GEPs with CD] [Scales] [Specimen sight-reading] [Specimen aural tests]

We are living in an emerging technoculture. Machines and gadgets not only weave the fabric of daily life, but more importantly embody philosophical and religious values which shape the contemporary moral vision-a vision that is often at odds with Christian convictions. This book critically examines those values, and offers a framework for how Christian moral theology should be formed and lived-out within the emerging technoculture. Brent Waters argues that technology represents the principal cultural background against which contemporary Christian moral life is formed. Addressing contemporary ethical and religious issues, this book will be of particular interest to students and scholars exploring the ideas of Heidegger, Nietzsche, Grant, Arendt, and Borgmann.

This songbook contains every song recorded by The Smiths specially arranged in the original keys. Each song includes chord symbols, guitar chord boxes and complete lyrics.

“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).

The perfect companion to the 'Guitar Chords' book, 'Advanced Guitar Chords' is a handy resource for guitarists who feel they are able to take the next step. The simple and clean layout provides 360 chords shown as chord boxes, covering chords that are played further up the neck and in 3rd position, along with more extensive provision of augmented and diminished chords. Ideal for playing genres such as jazz, this no-nonsense, easy-to-carry, spiral-bound book will fit into a gig bag, flight case or handbag with the minimum of fuss and will help musicians become more complete guitarists.

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihat A-rter.

Jazz Guitar Styles is an instruction book designed for the guitarist who already knows the fundamentals but wishes to explore the "classic" style of swing-era guitar. It offers a clear, concise introduction to the basics of jazz guitar, built on the student's basic knowledge of forming chords and basic picking patterns. Jazz Guitar Styles opens this world to any guitarist who has a basic knowledge of guitar technique and willingness to learn.

The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use beginner's guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to teach you the basics of the classical style and technique. The accompanying CD features all the pieces in the book for demonstration and play along. Includes pieces by Beethoven, Bach, Mozart, Schumann, Giuliani, Carcassi, Bathioli, Aguado, Tarrega, Purcell, and more. Includes all the basics plus info on PIMA technique, two- and three-part music, time signatures, key signatures, articulation, free stroke, rest stroke, composers, and much more. Does NOT include tablature.

(Yorktown). Designed for use as a method book, this volume allows the teacher to vary the approach according to the needs of the student. The book can also be used as a source of carefully graded pieces, for use with any first-year method.

(Fake Book). This super collection features 366 more well-known songs arranged for ukulele from the 1950s through today, by artists such as Carole King, Elton John, the Bee Gees, Stevie Wonder, the Beatles, Paul Simon, Bob Dylan, Michael Jackson and others, plus favorites from movies, Broadway, Motown and more Just like the first Daily Ukulele book, all arrangements feature melody, lyrics and ukulele chord grids in uke-friendly keys. A special "Ukulele 101" section, a chord chart, and vintage ukulele-themed photos round out the fun. Tunes include: Ain't No Sunshine * Anticipation * Bubbly * Calendar Girl * Come Monday * Falling Slowly * Hallelujah * I Got You Babe * Lean on Me * Moondance * Route 66 * Sweet Caroline * We Are the World * Y.M.C.A. and scores more The Daily Ukulele: Leap Year Edition offers ukulele fun all year long even on February 29th

(Guitar Educational). Since its appearance in Guitar World in 1990, Vai's intensive guitar regimen has been the Holy Grail for serious players. Here is the lesson that shaped a generation of guitarists. Vai sat down with guitarist/transcriber Dave Whitehill and outlined his practice routine for the January 1990 issue of Guitar World . Never before had a guitarist given such an in-depth explanation of his musical exercise regimen. It became a must-have for guitarists. Many of the players interviewed in GW have cited it as an influence on their development as guitarists. Here's a chance to experience the workout in its original form and to learn some of the things Vai has done to develop his formidable chops and remarkable music vocabulary. In this book, Steve Vai reveals his path to virtuoso enlightenment with two challenging guitar workouts one 10-hour and one 30-hour which include scale and chord exercises, ear training, sight-reading, music theory, and much more. These comprehensive workouts are reprinted by permission from Guitar World magazine.

As the follow-up to his best-selling book Shredding Bach, master shredder German Schauss covers yet another all-time great musician. Niccolo Paganini, whose lifestyle and fame were similar to that of a modern rockstar, was undoubtedly one of the greatest virtuosos that ever lived. His skills were so advanced that many believed he had made a pact with the devil. Paganini's practice schedule (15 hours a day), combined with a genetic connective tissue disorder that gave him "impossible" reach and flexibility with his fingers, resulted in extremely demanding and exciting compositions for shredders of any era. Paganini's works, which showcase his extraordinary skills, are perfect for the heavy metal style and will stretch your playing to the limits. The accompanying CD features all of the examples recorded at multiple speeds to help you practice and get you on your way to mastering Paganini's challenging compositions.

Specifically designed to teach jazz basics to students with 1 or 2 years playing experience, but with no prior experience playing jazz. Great for individual or classroom use. Teaches the basics of swing style in a step-by-step approach using well-known songs. Improvisation is made easy starting with simple 2-measure phrases. Scales and basic theory are introduced in a simple and easy to understand approach. 2 CD's are included with recordings of all exercises and arrangements. Other features: 7 full band arrangements, sample solos, jazz history and people.