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Books > Arts & Architecture > History of art / art & design styles
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Bauhaus
(Hardcover)
Michael Siebenbrodt, Lutz Schoebe
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R1,091
Discovery Miles 10 910
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Ships in 12 - 17 working days
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Lost Futures looks in detail at the wide range of buildings
constructed in Britain between 1945 and 1979. Although their bold
architectural aspirations reflected the forward-looking social
ethos of the postwar era, many have since been either demolished or
altered beyond recognition.Photographs taken at the time of their
completion are accompanied by expertly researched captions that
examine the buildings' design, creation, the ideals they embodied
and the reasons for their eventual destruction. Lost Futures covers
many building types, from housing to factories, commercial spaces
and power stations, and presents the work of both iconic and
lesser-known architects. The author charts the complex reasons that
led to the loss of these projects' ambitious futures, and assesses
whether some might one day be recaptured.
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Cubism
(Hardcover)
Guillaume Apollinaire, Dorothea Eimert
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R913
Discovery Miles 9 130
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Ships in 12 - 17 working days
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Ethan Allen and HGTV may have plenty to say about making a home
look right, but what makes a home feel right? In House Thinking,
journalist and cultural critic Winifred Gallagher takes the reader
on a psychological tour of the American home. By drawing on the
latest research in behavioral science, an overview of cultural
history, and interviews with leading architects and designers, she
shows us not only how our homes reflect who we are but also how
they influence our thoughts, feelings, and actions.
How does your entryway prime you for experiencing your home?
What makes a bedroom a sensual oasis? How can your bathroom
exacerbate your worst fears? House Thinking addresses provocative
questions like these, enabling us to understand the homes we've
made for ourselves in a unique and powerful new way. It is an
eye-opening look at how we live . . . and how we could live.
Enter The Madman's Gallery - the perfect gift book for any art
lover. Discover an eccentric exploration through the curious
history of art, to find the strangest paintings, sculptures,
drawings and other artistic oddities ever made. From the author of
the bestseller The Madman's Library (SundayTimes Literature Book of
the Year 2020, Radio 4 Book of the Week) comes an extraordinary new
illustrated collection. This unique exhibition gathers more than a
hundred magnificent works, each chosen for their striking beauty,
weirdness and captivating story behind their creation. Obscure and
forgotten treasures sit alongside famous masterpieces with secret
stories to tell. Here are Doom paintings, screaming sculptures,
magical manuscripts, impossible architecture, dog-headed saints,
angel musketeers and the first portrait of a cannibal. Stolen art,
outsider art, ghost art, revenge art, and art painted at the bottom
of the sea take their place alongside scandalous art, forgeries and
hoaxes, art of dreams and nightmares, and cryptic paintings yet to
be decoded. Discover the remarkable Elizabethan portraits of men in
flames, the mystery of the nude Mona Lisa, the gruesome ingredients
of lost pigments, the werewolf legion of the Roman army, and the
Italian monk who levitated so often he's recognised as the patron
saint of aeroplane passengers. From prehistoric cave art to
portraits painted by artificial intelligence, The Madman's Gallery
draws on a remarkable depth of research and variety of images to
form a book that surprises at every turn, and ultimately serves to
celebrate the endless power and creativity of human imagination.
'...a feast of artistic curiosities' - The Telegraph 'What that
last book did for bibliophiles, this new, beautifully produced and
elegantly written anthology does for art lovers ... The research
that has gone into this is prodigious, but Brooke-Hitching loves
storytelling even more than scholarship, and he has a gift for it.'
- The Spectator 'Extraordinary' - Artists & Illustrators
Defining Decadence The legacy of Gustav Klimt A century after his
death, Viennese artist Gustav Klimt (1862-1918) still startles with
his unabashed eroticism, dazzling surfaces, and artistic
experimentation. This monograph gathers all of Klimt's major works
alongside authoritative art historical commentary and privileged
access to the artist's archive with some 179 letters, cards,
writings, and other documents. With top quality illustration,
including new photography of the celebrated Stoclet Frieze, the
book follows Klimt through his prominent role in the Secessionist
movement of 1897, his candid rendering of the female body, and his
lustrous "golden phase" when gold leaf brought a shimmering tone
and texture to such beloved works as The Kiss and Portrait of Adele
Bloch-Bauer I, also known as The Woman in Gold. Through luminous
spreads and carefully curated details, the monograph traces the
repertoire of Japanese, Byzantine, and allegorical stimuli that
informed Klimt's flattened perspectives, his symbolic vocabulary,
and his mosaic-like textures. Drawing upon contemporary critics and
voices, the book also examines the art world's polarized reception
to Klimt's pictures as much as his own stylistic trajectory. From
his landscape painting to erotic works to the controversial ceiling
for the Great Hall of the University of Vienna, we see how Klimt's
admixture of tradition and daring divided the press and public,
becried by some as a pornographer, hailed by others as a modern
maestro.
The paintings are grouped under various headings to take the reader
through specific visual experiences beginning with some of the
artist's tools, colour palettes and showing the development of
texture. Seascapes and shorelines are the first stop, going through
to the moors,hills and beyond.
Hey, kids! If you liked learning the basics of three-dimensional drawing from Mark Kistler in his books Draw Squad and Imagination Station, you'll love his new book, Drawing in 3-D with Mark Kistler. Featuring a fun, action-filled tale about a family of lovable characters struggling through a series of breathtaking discoveries and hilarious adventures, Drawing in 3-D with Mark Kistler is all you need -- along with a sharpened pencil, a ready imagination, and Mark Kistler's Drawing in 3-D Wacky Workbook -- to draw cool creatures and awesome objects such as: - Atomic Androids, Big Bug-Eyed Birds, and Colossal Castles
- Daring Driving Dogs, Early Egyptian Sphinx, and Kissing Kangaroos
- Magnificent Macaroni, Peaceful Pelicans, and Zapping Zombies
...as well as your own favorite fantasies and imagined adventures!
The award-winning, highly acclaimed Artificial Hells is the first
historical and theoretical overview of socially engaged
participatory art, known in the US as "social practice." In recent
decades, the art gallery and the museum have become a place for
participatory art, where an audience is encouraged to take part in
the artwork. This has been heralded as a revolutionary practise
that can promote new emancipatory social relations. What was it is
really? In this fully updated edition, Claire Bishop follows the
trajectory of twentieth-century art and examines key moments in the
development of a participatory aesthetic. This itinerary takes in
Futurism and Dada; the Situationist International; Happenings in
Eastern Europe, Argentina and Paris; the 1970s Community Arts
Movement; and the Artists Placement Group. It concludes with a
discussion of long-term educational projects by contemporary
artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer
and Paul Chan. Bishop challenges the political and aesthetic
ambitions of participatory art this practise. She not only
scrutinizes the emancipatory claims, but also provides an
alternative to the ethical (rather than artistic) criteria invited
by such artworks. In response Artificial Hells calls for a less
prescriptive approach to art and politics, and for more compelling,
troubling and bolder forms of participatory art and criticism.
Natalia Vlasenko (PhD) is a well-known lecturer at Moscow State
University of Culture and Arts. She is passionate about the
education of students and teaching them how to discuss their own
culture in the English language. Empowering students to spread
information about the Russian culture, in English, has gained her
an impressive reputation. This book gives an overview of various
aspects of Russian culture as well as insight into prominent
figures and will be of interest to all students, especially those
studying the Arts.
"Martin Bailey has written some of the most interesting books on
Vincent's life in France, where he produced his greatest work" -
Johan van Gogh, grandson of Theo, the artist's brother Studio of
the South tells the story of Van Gogh's stay in Arles, when his
powers were at their height. For Van Gogh, the south of France was
an exciting new land, bursting with life. He walked into the hills
inspired by the landscapes, and painted harvest scenes in the heat
of summer. He visited a fishing village where he saw the
Mediterranean for the first time, energetically capturing it in
paint. He painted portraits of friends and locals, and flower still
life paintings, culminating in the now iconic Sunflowers. He rented
the Yellow House, and gradually did it up, calling it 'an artist's
house', inviting Paul Gauguin to join him there. This encounter was
to have a profound impact on both of the artists. They painted side
by side, their collaboration coming to a dramatic end a few months
later. The difficulties Van Gogh faced led to his eventual decision
to retreat to the asylum at Saint-Remy. Based on extensive original
research, the book reveals discoveries that throw new light on the
legendary artist and give a definitive account of his fifteen
months in Provence, including his time at the Yellow House, his
collaboration with Gauguin and its tragic and shocking ending.
After many visits to Wales to photograph some of the castles I
decided to produce this book, I selected 20 castles, not the
biggest or grandest, to represent the spirit of these old
structures. Steve Howe, a local writer, researched and wrote a
potted history of each castle, I think between us we have created
not only a picture book but also a history book.
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