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Books > Arts & Architecture > History of art / art & design styles
Milestones in Musical Theatre tracks ten of the most significant moments in musical theatre history, from some of its earliest incarnations, especially those crafted by Black creators, to its rise as a global phenomenon. Designed for weekly use in musical theatre courses, these ten chosen snapshots chart the development of this unique art form and move through its history chronologically, tracking the earliest operettas through the mid-century Golden Age classics, as well as the creative explosion in directing talent which reshaped the form, and moves toward inclusivity which have recast its creators. Each chapter explores how the musical and its history have been deeply influenced by a variety of factors, including race, gender and nationality, and examines how each milestone represents a significant turning point for this beloved art form. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political and artistic development of foundational subject areas. This book is ideal for diverse and inclusive undergraduate musical theatre history courses.
Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475-1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply "Il Divino" ("the divine one"). This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist's extraordinary figuration and celebrated style of terribilita (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor. Through the power hubs of Renaissance Italy, we take in his major commissions and phenomenal capacity for compositional schemes, whether the famous Medici library in Florence, or the extraordinary 500-square-meter ceiling (1508-1512) in the Vatican's Sistine Chapel. From the towering David to the aching grief and faith of The Pieta and the vivid drama of the Sistine Chapel's Last Judgment, this is a succinct, dependable reference to a true giant of art history and to some of the most famous artworks in the world. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
"[...] this is a book to pick up and dream about having a dragon curled up on your lap by the fire in these winter nights." - SFcrowsnest Anne Stokes is a phenomenally popular artist in the field of gothic and magical fantasy, with fans all over the world. Her roots in design and illustration have led to supremely well-crafted paintings that have been licensed for use on all manner of merchandise and her followers eagerly await each new piece. This long-overdue book showcases Anne's oeuvre in all its glory, accompanied by illuminating text about Anne and her inspirations, techniques and processes. The book is divided into thematic sections covering the full range of subjects that she has portrayed: her early work (like that for Dungeons & Dragons), the dark and the gothic, dragons, unicorns, fairies, mermaids and all that is mystical and magical. From the dark allure of Summon the Reaper to the opalescent beauty of Stargazer, this is a real treat for all fans and anyone who loves fantasy and stunning art in general.
Today, known for its black and white portraits covering entire buildings, Hendrik Beikirch today presents the Siberia project, a project in the continuity of Tracing Morocco started in 2014. The intensity of these powerful foreign faces recalls a familiarity that can be experienced anywhere in the world. Beikirch takes these studies of humanity with him on his travels and permeates them as traces of personified life in new contexts. The project is the result of Beikirch's meeting with this distant immensity that is Siberia. From this project was born the book Siberia, which gives an overview of all the works created, paintings, and 10 murals carried out all over the world. Text in English, French and Russian.
THE SUNDAY TIMES BESTSELLER 'A burst of springtime joy' Daily Telegraph 'A springboard for ideas about art, space, time and light' The Times 'Lavishly illustrated' Guardian David Hockney reflects upon life and art as he experiences lockdown in rural Normandy On turning eighty, David Hockney sought out rustic tranquility for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.
A revealing collection of quotations from world-renowned artist Damien Hirst Hirst-isms is a collection of quotations-bold, surprising, often humorous, and always insightful-from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde. Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst's early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist. Select quotations from the book: "The less I feel like an artist, the better I feel." "I like it when people love my art. I like it when people hate my art. I just don't want them to ignore my art." "Painting's like the most fabulous illusion, because there's nothing at stake. Except yourself." "I'm interested in the confusion between art and life, I like it when the world gets in the way." "Sometimes you have to step over the edge to know where it is."
As the 587 colourful images in this magnificent volume reveal, animals were a constantāand delightfulāpresence in illuminated manuscripts throughout the Middle Ages. They were illustrated not only in bestiariesāthe compendiums of animal fact and fable that were exceedingly popular in the 12th and 13th centuriesābut in every sort of manuscript, sacred and profane, from the Gospels to the Romance of the Rose. This book is arranged in manner of a proper bestiary, with essays on the medieval lore and iconography of one hundred creatures alphabetised by their Latin names, from the alauda, or lark, whose morning song was thought to be a hymn to Creation, to the vultur, whose taste for carrion made it a symbol of the sinner who indulges in worldly pleasures. The selection includes a number of creatures that would now be considered fantastic, including the griffin, the manticore, and of course the fabled unicorn.
The essential companion to discover the styles, architecture, form, significance and historical impact of castles from all over the world. How to Read Castles is a travel-size primer that takes a strictly visual approach to castle architecture, building up your vocabulary of castle types, styles and materials, and showing you how these aspects can be recognised across architectural features from the floor-plan and moat, to the towers and crenulations. Focusing on the 10th-16th century period, and crusading across the globe from a Welsh motte-and-bailey to a Japanese hirajiro, this is both an architectural reference and a visitor's guide showing you how to read the stories embedded in every castle's stones. Castles once dominated the landscape as seats of power and symbols of wealth and status, providing a means of control over borders, passes, routes and rivers. Armed with this book you will be able to unpick their histories and see how they shaped the land around them. From rugged coastline defences to soaring mountain fortresses, this book takes you on an international journey of discovery, exploring some of the most inspiring and impressive architecture history has ever seen.
A BBC RADIO 4 BOOK OF THE WEEK 'A great, thrusting codpiece of a book. It is big, bombastic and richly brocaded... A jewel in its own right' The Times 'Evokes the painter and his world as vividly as a Holbein masterpiece. Beautifully written and illustrated, this book is a must for lovers of Tudor history' Tracy Borman Full of insight... This is a gorgeous book, to which I am sure I shall return again and again' Dan Jones Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius: a humanist, satirist, political propagandist, and contributor to the history of book design as well as a religious artist and court painter. The rich layers of symbolism and allusion that characterise his work have proved especially fascinating to scholars. Franny Moyle traces and analyses the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror.
A Financial Times Book of the Year 2022 A penetrating analysis of the work of one of the most influential painters in the history of modern art by one of the world's most respected art historians. For more than a century the art of Paul Cezanne was held to hold the key to modernity. His painting was a touchstone for Samuel Beckett as much as Henri Matisse. Rilke revered him deeply, as did Picasso. If we lost touch with his sense of life, they thought, we lost an essential element in our self-understanding. If These Apples Should Fall: Cezanne and the Present looks back on Cezanne from a moment - our own - when such judgments may seem to need justifying. What was it, the book asks, that held Cezanne's viewers spellbound? At the heart of Cezanne lies a sense of disquiet: a homelessness haunting the vividness, an anxiety underlying the appeal of colour. T. J. Clark addresses this strangeness head-on, examining the art of Pissarro, Matisse and others in relation to it. Above all, he speaks to the uncanniness and beauty of Cezanne's achievement.
This book reveals that Pablo Picasso wasn't simply a figurehead of the Modern Age. He grew up in the 19th century: the extraordinary mixture of values that was fin de siecle Europe penetrated deep into his personality, remaining with him through his life. While he was the quintessential Modern in so many ways, he was also a Victorian, and this duality explains the complexity of his genius. He was simultaneously looking forwards and backwards, and feeding off the efforts of others, before developing his own idioms for depicting the contemporary world. The young artist recognised that society was increasingly in a process of transformation, not in a transitory or temporary way, but permanently, under the inexorable pressures of modernisation. He realised that the emergence of Modern art through the last quarter of the century was a product of this transformation. Throughout his life, Picasso would feel the tension between modernity and the histories it replaced. He would also struggle with the role of the individual, and subjectivity, in this new environment. Each chapter shows how the young artist embraced successive styles at large in the art world of his time. By the age of 14 well capable of drawing in a highly competent Beaux Arts mode, he drew in a Classicist manner of redolent of Ingres, or early Degas. He then moved through various forms of Impressionism, Symbolism, and Post-Impressionism, before arriving in his early twenties at his first wholly individual style, the Blue period, albeit that all these earlier sources were still evident. The Rose period followed, after which the artist began a truly seminal period of experimentation which culminated in the development of Cubism. By 1910, Cubism had become a fully mature vision, practiced by a wide range of artists. It was to provide the springboard for much Modern art across the disciplines, and it positioned Picasso as perhaps the single most important artist of the new century.
Expressing stories of Native American survival and resistance, Reclaiming Home: Contemporary Seminole Art explores the work of 12 contemporary artists of the Seminole diaspora. This stunning volume illustrates how Seminole and mixed-heritage artists combine traditional skills and techniques - knowledge passed down to them from elders, family members, and ancestors - with innovative modes of expression and varied materials, including photo-based and digital collage techniques, performance, video, installation art, and mixed media. Their work engages concepts of hybridity and image-making and highlights social issues impacting Native communities today, from environmental protection to public health imperatives. Accompanied by critical and personal essays by leading scholars as well as artists' statements and an interview, Reclaiming Home: Contemporary Seminole Art proposes contemporary works of art as powerful expressions of Native sovereignty.
A beautifully illustrated exploration of the art of calligraphy in Hebrew, from the Sacred Scrolls to modern Hebrew graffiti. Calligrapher and scribe Izzy Pludwinski is in love with letters, and this love shines through in this ground-breaking book. Here you will find examples of writing and design from Biblical times to the present day that showcase the art of lettering as well as the beauty inherent in the forms themselves. Individual chapters look at historical manuscripts and their influence, traditional calligraphy and lettering, aleph-bets and individual letters, abstract and decorative calligraphy, the use of Hebrew calligraphy in fine art and street art, with a final a section on scripts from sacred objects. With more than 200 illustrations that span the history of the Hebrew alephbet over three millennia, this book will engage, delight, and surprise.
An award-winning study of England's unique and peculiarly insular variant of modernism. While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that 'the modern' need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus emigre, Laszlo Moholy-Nagy, was beguiled into taking photographs for Betjeman's nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.
This collection aims to map a diversity of approaches to the artform by creating a 360Ā° view on the circus. Three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circusā role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDownāCircus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.
This powerful and insightful work offers a bold celebration of the innovative, brilliant artists reclaiming the idea of 'women's work'. In the history of western art, decorative and applied arts - including textiles and ceramics - have been separated from the 'high arts' of painting and sculpture and deemed to be more suitable for women. Artists began to reclaim and redefine these materials and methods, energizing them with expressions of identity and imagination. Women's Work tells the story of this radical change, highlighting some of the modern and contemporary artists who dared to defy this hierarchy and who, through, experimentation and invention, transformed their medium. The work of these women has helped underscore the ongoing value of these art forms within the history of art, championing 'women's work' as powerful mediums worthy of celebration. With biographical entries on each artist featured, as well as beautiful images of their artworks, Women's Work raises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.
Thanks to Procreate, designing characters for the entertainment industry can be done on the iPad. In this book for newcomers to the software, several renowned and experienced designers demonstrate how they do it, sharing not only their professional tips and tricks, but also how the traditional character design process translates to Procreate. Whether you sketch or paint, draw from reality, or dream up new concepts, you will become fluent in using Procreate for all stages of character design. The thorough Getting Started section spotlights the specific Procreate tools, such as Brushes, Layers, and Adjustments, that bring your characters to life. Perfecting color and nuance of hair, skin, eyes and fabric of your characters is vital, and the Quick Tips section lets you quickly locate and manipulate the tools you need. Take the opportunity to observe and practice the techniques as part of a real-world workflow, as professional character designers demonstrate in seven step-by-step Projects how to use Procreate's tools to successfully evolve a character from initial thumbnails to final hero pose. Whether or not you have used Procreate before, Beginner's Guide to Procreate: Characters ensures your character ideas and concepts become fully realized creations on the iPad screen.
Over the past two decades contemporary African art has taken its rightful place on the world stage. Today, African artists work outside the confines of limiting categories and outdated perceptions; they produce art that is as much a reflection of Africa's tumultuous past as it is a vision of its boundless future. African Art Now is an expansive overview featuring some of the most interesting and innovative artists working today. Far-reaching in its scope, this book celebrates the diversity and dynamism of the contemporary African art scene across the continent today. Featuring the work of Njideka Akunyili Crosby, Michael Armitage, Amoako Boafo, Cassi Namoda, Cinga Samson, Zina Saro-Wiwa and many more.
Machine Dazzle, to my mind, [is] a true theatrical genius who has created some of the most inventive costumes and sets I have ever seen. Hilton Als Machine Dazzle is the much in-demand designer and artist behind popular cabaret, drag, and performance stars such as Taylor Mac and transgender icon Mx. Justin Vivian Bond. For the first time, his over-the-top stage creations, made for himself and others, are collected in one volume alongside stage environments, ephemera, and photos from his fascinating career. In Machine Dazzle s world, costumes are transformative objects with world-making capacity. The artist s queer maximalism encapsulates a more is better attitude to making and creating which looks to counter elitist notions that spectacle and extravagance are vapid. For him these associations are embraced as queer for their affirmation of hybridity over purity and the rejection of hierarchies of every kind, cultural and otherwise. On the occasion of a major exhibition at the Museum of Arts and Design, curator Elissa Auther brings together a rich collections of essays and reminiscences from fellow performers, historians and cultural critics that consider every aspect of Machine Dazzle s rich body of work.
A biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter's animated presence captured with energy and immediacy. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals's life, but also of the artistic, social, political, and religious worlds in which he lived and worked.
Rob Kesseler works in the liminal space between fine art, design, craft and science. He moves easily between disciplines to engage fully with the art and science of the world around us. From ceramics to furniture and drawing to photography, Up Close presents his most thought-provoking and beautiful works in a creative collage, arranged thematically, mixing images and texts that have inspired him, especially the exotic forms and luscious colours of the plant world.
The Routledge Companion to Art and Activism in the Twenty-First Century brings together a wide range of geographical, cultural, historical, and conceptual perspectives in a single volume of new essays that facilitate a deeper understanding of the field of art activism as it stands today and as it looks towards the future. The book is a resource for multiple fields, including art activism, socially engaged art, and contemporary art, that represent the depth and breadth of contemporary activist art worldwide. Contributors highlight predominant lines of inquiry, uncover challenges faced by scholars and practitioners of activist art, and facilitate dialogue that might lead to new directions for research and practice. The editors hope that the volume will incite further conversation and collaboration among the various participants, practitioners, and researchers concerned with the relationship between art and activism. The audience includes scholars and professors of modern and contemporary art, students in both graduate and upper-level undergraduate programs, as well as artists, curators, and museum professionals. Each chapter can stand on its own, making the companion a flexible resource for students and educators working in art history, museum studies, community practice/socially engaged art, political science, sociology, and ethnic and cultural studies.
1. The book is the first comprehensive review of the 95-year development of Chinese animation. 2. All students and scholars of film studies, especially Chinese animation would benefit from this volume. 3. This book would be a useful reference to learn about the developmental trajectory of Chinese animation. |
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