Hey, kids!

If you liked learning the basics of three-dimensional drawing from Mark Kistler in his books Draw Squad and Imagination Station, you'll love his new book, Drawing in 3-D with Mark Kistler. Featuring a fun, action-filled tale about a family of lovable characters struggling through a series of breathtaking discoveries and hilarious adventures, Drawing in 3-D with Mark Kistler is all you need -- along with a sharpened pencil, a ready imagination, and Mark Kistler's Drawing in 3-D Wacky Workbook -- to draw cool creatures and awesome objects such as:

• Atomic Androids, Big Bug-Eyed Birds, and Colossal Castles
• Daring Driving Dogs, Early Egyptian Sphinx, and Kissing Kangaroos
• Magnificent Macaroni, Peaceful Pelicans, and Zapping Zombies

...as well as your own favorite fantasies and imagined adventures!

Colours of Art takes the reader on a journey through history via 80 carefully curated artworks and their palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success. Colour allows artists to express their individuality, evoke certain moods and portray positive or negative subliminal messages. And throughout history the greatest of artists have experimented with new pigments and new technologies to lead movements and deliver masterpieces. But as something so cardinal, we sometimes forget how poignant colour palettes can be, and how much they can tell us. When Vermeer painted The Milkmaid, the amount of ultramarine he could use was written in the contract. How did that affect how he used it? When Turner experimented with Indian Yellow, he captured roaring flames that brought his paintings to life. If he had used a more ordinary yellow, would he have created something so extraordinary? And how did Warhol throw away the rulebook to change what colour could achieve? Structured chronologically, Colours of Art provides a fun, intelligent and visually engaging look at the greatest artistic palettes in art history - from Rafael's use of perspective and Vermeer's ultramarine, to Andy Warhol's hot pinks and Lisa Brice's blue women. Colours of Art offers a refreshing take on the subject and acts as a primer for artists, designers and art lovers who want to look at art history from a different perspective.

This book reinterprets architecture in Beijing during the reigns of the Kangxi (1661-1722), Yongzheng (1723-1735) and Qianlong (1736-1795) emperors in the eighteenth century. More specifically, it views the building processes of the four churches and the Western palaces in the Yuanming Yuan garden as an example of cultural dialogue in the context of the Enlightenment. The study is based firstly on archival sources from different institutions from around the globe, using Big Data to manage them. Secondly, it places increased emphasis on architectural remains, preserved both in international collections as well as at archaeological sites. To take advantage of these remains, some were recorded using close-range photogrammetry. Digital sunlight analyses of the buildings' interiors were also carried out. From these emerging technologies, as well as written sources, it becomes possible first to reinterpret Beijing as an imperial capital where religious tolerance and cosmopolitanism were increasing, and second to re-evaluate the entire Yuanming Yuan Garden complex as a miniature version of Beijing. This approach makes for easier subsequent comparisons with other imperial capitals of the time, such as London, Paris and Istanbul. As such, this study reveals a largely neglected chapter in the global history of architecture, while simultaneously offering a crucial re-examination of the existing architectural remains.

Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later. Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone. Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair. Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.

The definitive art book for the remastered Spyro Reignited Trilogy, for fans young and old. In 2018 Toys for Bob Studios thrilled fans world wide by releasing Spyro Reignited Trilogy, a faithful remaster encompassing all three titles from the beloved Spyro trilogy introduced in 1998. The Art of Spyro is a meticulously crafted compendium filled with in-depth behind-the-scenes content, insightful quotes from top illustrators in the industry, anecdotes from the game developers, and a dazzling assortment of incredible concept art, some of which has never been seen by the public. It is a must-have for art lovers, games, fans... and the fun-loving adventurer in all of us.

"Art+ NYC" is anart-lover s guide to New York City that combines a crash course in 20th- and 21st-centuryarthistory with in-depth bios of nine celebrated New York City artists: Jackson Pollock, Andy Warhol, Cindy Sherman, Yoko Ono, Mark Rothko, Jeff Koons, Donald Judd, Roy Lichtenstein, and Robert Rauschenberg. Each segment is written by a leading art writer from publications such as "Art in America," "Flaunt," and the "New York Times." Filled with useful information for both locals and tourists, "Art + NYC" includes comprehensive neighborhood-by-neighborhood gallery and museum listings, along with studios and other artsy places of interest. In addition, sidebars include the hotels and restaurants that are steeped with history artist hangouts, residences, and events of infamy. Also included is an extensive index of paintings, sculptures, and public art by New York City artists; detailed maps for 13 neighborhoods; a Q&A with a curator, gallerist, or artist for each NYC neighborhood; and a museum, gallery, and studio directory."

THE INSTANT SUNDAY TIMES BESTSELLER 'The women of the Middle Ages, so often silent and inconspicuous in our histories, find voice, agency and justice in this brilliant book' - Alice Roberts, bestselling author of Ancestors: A Prehistory of Britain in Seven Burials 'Beautifully written, wonderfully free-ranging and gloriously original, Femina makes us look into the mists of history in new, exciting and provocative ways. A joyous read' - Peter Frankopan, bestselling author of The Silk Roads __________________ The middle ages are seen as a bloodthirsty time of Vikings, saints and kings: a patriarchal society which oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the 'dark' ages were anything but. Oxford and BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burnt, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated. Only now, through a careful examination of the artefacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women like Jadwiga, the only female King in Europe, Margery Kempe, who exploited her image and story to ensure her notoriety, and the Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England. See the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.

From Russia to Poland and Romania, and from the Czech Republic to Yugoslavia and East Germany, Contemporary Art in Eastern Europe is an ambitious attempt to chart the changing realities of the eastern half of Europe as seen through the eyes of artists, critics, photographers and curators. If the Iron Curtain and the antagonisms of the Cold War era had often kept the richness and diversity of Eastern European art hidden from the rest of the world, the contemporary era has been a witness to its unparalleled creative explosion and fruitful dialogue with the global art scene. The work featured in this book explores the correlations between shifts in the political, cultural, economic and geographical realities of Eastern Europe and the region's contemporary art. The artists in this book revisit the region's past to envision a better future, reaching challenging conclusions and producing some of the most powerful and inspiring art being produced today. The book features essays from respected writers in the field and profiles the most influential artists producing work in and from the region today, including Marina Abramovic, Christo, Krzysztof Wodiczko, Zofia Kulik, Komar and Melamid, IRWIN, Natalia Lach-Lachowicz, Alexander Brodsky, Ewa Partum, NSK, Group OHO, Stano Filko, Laibach, KwieKulik, Post Ars, Weekend Art, Zbigniew Libera, Marjetica Potrc, and Mladen Stilinovic. The following countries are covered in this anthology: Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, East Germany, Estonia, Hungary, Latvia, Lithuania, Macedonia, Moldova, Poland, Romania, Russia, Slovak Republic, Slovenia and Yugoslavia. Contemporary Art in Eastern Europe is the third title in the ARTWORLD series following Contemporary Art in the Middle East and Contemporary Art in Latin America.

This fascinating, absorbing, and beautifully illustrated work tells the story of one small London street which played host to some of the greatest artistic and intellectual minds of the Victorian era. Quiet and unassuming on first glance, Tite Street in Chelsea, West London was nevertheless one of the most influential and important streets in the cultural life of the capital during the 19th and 20th centuries. Playing host to the likes of Oscar Wilde,John Singer Sargent, James Whistler and Radclyffe Hall, the rich cultural history of this street is explored in characterful and captivating detail by acclaimed art historian Devon Cox. This brilliant and lively biography gets inside the lives of those who lived here, creating a vivid image of one small street which became the beating heart of London's artistic life. Throughout its turbulent existence, Tite Street mirrored the world around it. From the Aesthetic movement and its challenge to Victorian values, through the Edwardian struggle for women's suffrage, to the bombs of the Blitz in the 1940s, it remained home to innumerable artists and writers, socialites and suffragettes, musicians and madmen. With beautiful and insightful writing, Cox paints a vibrant picture of a street where artists and intellectuals flocked, exploring the connections, rivalries and competing artistic visions of the great minds who lived and thrived here. The Street of Wonderful Possibilitiesreveals this complex history, tying together private and professional lives to form a colourful tapestry of art and intrigue, illuminating their relationships to each other, to Tite Street and to a rapidly modernising London at the fin de siecle.

For many people the greatest artist, and the quintessential Renaissance man, Leonardo da Vinci (1452-1519) was a painter, architect, theatre designer, engineer, sculptor, anatomist, geometer, naturalist, poet and musician. His Last Supper in Milan has been called the greatest painting in Western art. Illegitimate, left-handed and homosexual, Leonardo never made a straightforward career. But from his earliest apprenticeship with the Florentine painter and sculptor Andrea Verrochio, his astonishing gifts were recognised. His life led him from Florence to militaristic Milan and back, to Rome and eventually to France, where he died in the arms of the King, Francis I. As one of the greatest exponents of painting of his time, Leonardo was celebrated by his fellow Florentine Vasari (who was nevertheless responsible for covering over the great fresco of the Battle of Anghiari with his own painting). Vasari's carefully researched life of Leonardo remains one of the main sources of our knowledge, and is printed here together with the three other early biographies, and the major account by his French editor Du Fresne. Personal reminiscences by the novelist Bandello, and humanist Saba di Castiglione, round out the picture, and for the first time the extremely revealing imagined dialogue between Leonardo and the Greek sculptor Phidias, by the painter and theorist Lomazzo, is published in English. An introduction by the scholar Charles Robertson places these writings and the career of Leonardo in context. Approximately 50 pages of colour illustrations, including the major paintings and many of the astonishing drawings, give a rich overview of Leonardo's work and mind.

AH-HA! I SEE IT NOW!

Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha! of creativity.

Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on.

Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways.

Through simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving.

You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps:

* First insight
* Saturation
* Incubation
* Illumination (the Ah-Ha!)
* Verification

Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.

Kelmscott Manor is forever linked with the name of William Morris, pioneer conservationist and utopian socialist, designer and father of the Arts and Crafts tradition. The manor played a crucial role in shaping his thought: at the climactic moment of his futuristic novel, News from Nowhere, Morris lifts the latch of the Manors garden gate and finds his personal holy grail. Morris was drawn by the organic relationship between Kelmscott and its landscape: the linkage of stone walls and roof tiles to the geology and the soil, and the honest toil of the people to the agricultural cycle . The fruits of the Kelmscott Landcape Project established in 1996 by the Society of Antiquaries of London, the owners of Kelmscott Manor today, this book is a multi-faceted examination of Kelmscotts history. Archaeology, from prehistory to the present day, the architectural development of the Manor before and after Morris knew it, and the art that the village and Manor have inspiredall received rich, illustrated coverage. The result is a vivid portrait of a Thames-side village transformed by its association with Morris, a book which demonstrates the rich connections between culture and landscape in a particular place.