*THE NEW YORK TIMES BESTSELLER* *ONE OF TIME MAGAZINE'S MUST-READ BOOKS OF 2019* *WITH NEW & EXCLUSIVE AFTERWORD* 'Addictive ... a jaw-dropping read' STYLIST 'Explosive ... Definitely one for the beach' ELLE 'Paints a fascinating picture of an eccentric egomaniac who rails against all authority ... gripping stuff' SUNDAY TIMES ___________ How does it feel to be betrayed by your closest friend? A close friend who turns out to be the most prolific grifter in New York City... This is the true story of Anna Delvey (real name Anna Sorokin), the fake heiress whose dizzying deceit and elaborate con-artistry deceived the Soho hipster scene before her ruse was finally and dramatically exposed. After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday ... and Anna footed almost every bill. But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed. This is the incredible story of how Anna Sorokin conned the high-rollers of the NYC social scene and convinced her close friend of an entirely concocted fantasy, the product of falsified bank documents, bad cheques and carefully edited online photos. Written by Rachel DeLoache Williams, the Vanity Fair photography editor who believed Anna's lies before helping the police to track her down (fittingly, deciphering Anna's location using Instagram), this is Catch Me If You Can with Instagram filters. Between Anna, Fyre Festival's Billy McFarland (Anna even tried to scam Billy) and Elizabeth Holmes, whose start-up app duped the high and mighty of Silicon Valley, this is the year of the scammer.

The shocking history of the espionage and infiltration of American media during WWI and the man who exposed it. A man who was not who he claimed to be... Russia was not the first foreign power to subvert American popular opinion from inside. In the lead-up to America's entry into the First World War, Germany spent the modern equivalent of one billion dollars to infiltrate American media, industry, and government to undermine the supply chain of the Allied forces. If not for the ceaseless activity of John Revelstoke Rathom, editor of the scrappy Providence Journal, America may have remained committed to its position of neutrality. But Rathom emerged to galvanize American will, contributing to the conditions necessary for President Wilson to request a Declaration of War from Congress-all the while exposing sensational spy plots and getting German diplomats expelled from the U.S. And yet John Rathom was not even his real name. His swashbuckling biography was outrageous fiction. And his many acts of journalistic heroism, which he recounted to rapt audiences on nationwide speaking tours, never happened. Who then was this great, beloved, and ultimately tragic imposter? In The Imposter's War, Mark Arsenault unearths the truth about Rathom's origins and revisits a surreal and too-little-known passage in American history that reverberates today. The story of John Rathom encompasses the propaganda battle that set America on a course for war. He rose within the editorial ranks, surviving romantic scandals and combative rivals, eventually transitioning from an editor to a de facto spy. He brought to light the Huerta plot (in which Germany tied to push the United States and Mexico into a war) and helped to upend labor strikes organized by German agents to shut down American industry. Rathom was eventually brought low by an up-and-coming political star by the name of Franklin Delano Roosevelt. Arsenault tracks the rise and fall of this enigmatic figure, while providing the rich and fascinating context of Germany's acts of subterfuge through the early years of World War I. The Imposter's War is a riveting and spellbinding narrative of a flawed newsman who nevertheless changed the course of history.

A thoroughly entertaining and darkly humorous roundup of history's notorious but often forgotten female con artists and their bold, outrageous scams-by the acclaimed author of Lady Killers. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us as a culture. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best-or worst. In the 1700s in Paris, Jeanne de Saint-Remy scammed the royal jewelers out of a necklace made from six hundred and forty-seven diamonds by pretending she was best friends with Queen Marie Antoinette. In the mid-1800s, sisters Kate and Maggie Fox began pretending they could speak to spirits and accidentally started a religious movement that was soon crawling with female con artists. A gal calling herself Loreta Janeta Velasquez claimed to be a soldier and convinced people she worked for the Confederacy-or the Union, depending on who she was talking to. Meanwhile, Cassie Chadwick was forging paperwork and getting banks to loan her upwards of $40,000 by telling people she was Andrew Carnegie's illegitimate daughter. In the 1900s, a 40something woman named Margaret Lydia Burton embezzled money all over the country and stole upwards of forty prized show dogs, while a few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. And since the death of the Romanovs, women claiming to be Anastasia have been selling their stories to magazines. What about today? Spoiler alert: these "artists" are still conning. Confident Women asks the provocative question: Where does chutzpah intersect with a uniquely female pathology-and how were these notorious women able to so spectacularly dupe and swindle their victims?

"Marcius writes with genuine narrative power. Her depth of research provides insights into this historical escape that we can't get anywhere else " --Anthony Flacco, New York Times and international bestselling author A gripping, true-crime debut of imprisonment, escape, and survival from New York Daily News crime reporter Chelsia Rose Marcius. On June 6, 2015, inmates Richard Matt and David Sweat escaped from Clinton Correctional Facility, New York State's largest maximum security prison. The media was instantly obsessed with the story: aided by a prison seamstress, who smuggled hacksaw blades, chisels, and drill bits inside the facility via a vat of raw hamburger meat, the two convicted murderers sliced their way through steel cell walls, meandered through a maze of tunnels, climbed out of a manhole, and walked off into the night. Only a handful of inmates had successfully broken out of Clinton since the facility opened in 1845, and not many had made the attempt. Barbed wire, stone walls, and the wilderness of the Adirondacks have all served as physical and psychological barriers to freedom. This seemingly impossible Shawshank-esque escape had the makings of a Hollywood film, and the public hung on to every twist as the story developed. After nearly three weeks on the run, U.S. Customs and Border Patrol agent Christopher Voss shot and killed Matt on June 26, 2015. Two days later New York State Police Sgt. Jay Cook shot Sweat twice in the back. He survived. While we have come to learn how Matt and Sweat pulled off perhaps the most elaborate modern day prison break, no reporter, except Chelsia Rose Marcius, has talked directly to Sweat to ask the most important question in the case: Of all the inmates who dream of escape, why was he the one who could make it happen? "The details Marcius has amassed are comprehensive and stunning and serve to heighten the impact of her story. This is first-rate journalism, written about a crime and a criminal from the inside out." --Stephen Singular, New York Times bestselling author

A perfect life. A perfect lie. When Nancy Cooper moved from Canada to Cary, North Carolina with her new husband Brad, their future was bright: living in one of the most picturesque towns in the US, the couple mingled with neighbors, attended parties, and raised two daughters. Then, on July 14th, 2008, the facade came crashing down when Nancy's strangled body was found in a storm pond. Nancy's husband claimed that she had gone for a jog and never come back. But as the police investigation deepened, and as Brad was brought to trial for murdering his wife, a complex web of affairs and lies was uncovered involving multiple residents of Cary's idyllic neighborhoods. At the heart of it stood the Coopers' soured marriage, Nancy's threat to leave with the children, and her own cold-blooded murder. It would take a mountain of damning evidence before justice was served.

The infamous literary hoax that fooled the art world On January 8 1960, artist Nat Tate set out to burn his entire life's work. Four days later he jumped off a Staten Island ferry, killing himself. His body was never found. When William Boyd published his biography of Abstract Expressionist Nat Tate, tributes poured in from a whole host of artists and critics in the New York art world. They toasted the troubled genius in a Manhattan launch party attended by David Bowie and Gore Vidal. But Nat Tate never existed. The book was a hoax. Will Boyd's biography of a fake artist is a brilliant probe into the politics of authenticity and reputation in the modern art scene. It is a playful and intelligent insight into the fascinating, often cryptic world of modern art.

An enthralling exploration of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, and Peter Nevraumont, an award-winning book producer, have teamed up to create this anti-history of the world, in which Michelangelo fakes a cupid; the holy foreskin is venerated; arctic explorers search for an entrance into a hollow Earth; a woman is elected Pope; and people can survive on only air and sunshine. Told chronologically, HOAX begins with the first documented announcement of the end of the world from 365 AD and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the art world, journalism, and archeology.

Why do serial killers gravitate towards certain kinds of occupation? Jobs with minimum oversight or ties, the opportunity to leave the radar and that bring them into proximity with potential victims and whilst hiding in plain sight. Why also do they target certain types of victim?Through his wide knowledge of the topic honed at one of Britain's leading centres for criminological studies, Adam Lynes demonstrates how theory, practice, profiling and behaviour intertwine to identify the kind of people we should fear (and especially if we fall within certain categories of vulnerable people). The book also looks at those personality-types most likely to become serial killers.From the text: "It is apparent that driving as a form of occupational choice is a "popular" form of employment for British serial murderers. In an effort to determine why this may be, [the] case studies of eight British serial murderers [in the book] demonstrate just how such an occupation can impact upon these offenders' criminal behaviour ...These findings may prove to be of benefit to scholars of serial murder, and to those who attempt to apprehend them." From Britain's serial killing centre of excellence.Looks in depth at eight of Britain's serial killer drivers, dealing with some of the most notorious crimes of modern times. A fresh and uniquely interesting perspective. Demonstrates the links between mobility, transience, recognisance, predatory behaviour and acting out murderous fantasy. Will be used for a range of courses on the subject.

Piltdown was an archaeological site in Sussex where, in 1908 and 1912, human, ape and other mammal fossils were found together. Widely accepted as a creature who had a human cranium and an ape's jaw, the Piltdown 'Man' was, however, exposed as a fraud in 1953. Dr Weiner carefully reveals his own theories which led to this exposure and describes the controversies and difficulties which beset the scientific evaluation of the discovery. This new edition contains a foreword and afterword by Professor Chris Stringer, of the Natural History Museum.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.