"Marcius writes with genuine narrative power. Her depth of research provides insights into this historical escape that we can't get anywhere else " --Anthony Flacco, New York Times and international bestselling author A gripping, true-crime debut of imprisonment, escape, and survival from New York Daily News crime reporter Chelsia Rose Marcius. On June 6, 2015, inmates Richard Matt and David Sweat escaped from Clinton Correctional Facility, New York State's largest maximum security prison. The media was instantly obsessed with the story: aided by a prison seamstress, who smuggled hacksaw blades, chisels, and drill bits inside the facility via a vat of raw hamburger meat, the two convicted murderers sliced their way through steel cell walls, meandered through a maze of tunnels, climbed out of a manhole, and walked off into the night. Only a handful of inmates had successfully broken out of Clinton since the facility opened in 1845, and not many had made the attempt. Barbed wire, stone walls, and the wilderness of the Adirondacks have all served as physical and psychological barriers to freedom. This seemingly impossible Shawshank-esque escape had the makings of a Hollywood film, and the public hung on to every twist as the story developed. After nearly three weeks on the run, U.S. Customs and Border Patrol agent Christopher Voss shot and killed Matt on June 26, 2015. Two days later New York State Police Sgt. Jay Cook shot Sweat twice in the back. He survived. While we have come to learn how Matt and Sweat pulled off perhaps the most elaborate modern day prison break, no reporter, except Chelsia Rose Marcius, has talked directly to Sweat to ask the most important question in the case: Of all the inmates who dream of escape, why was he the one who could make it happen? "The details Marcius has amassed are comprehensive and stunning and serve to heighten the impact of her story. This is first-rate journalism, written about a crime and a criminal from the inside out." --Stephen Singular, New York Times bestselling author

The nihilists are right, admits philosopher Loyal Rue. The universe is blind and aimless, indifferent to us and void of meaning. There are no absolute truths and no objective values. There is no right or wrong way to live, only alternative ways. There is no correct reading of a text or a picture or a dance. God is dead, nihilism reigns. But, Rue adds, nihilism is a truth inconsistent with personal happiness and social coherence. What we need instead is a new myth, a noble lie. Only a noble lie can save us from the psychological and social chaos now threatened by the spread of skepticism about the meaning of life and the universe.
In By the Grace of Guile, Loyal Rue offers a wide ranging look at the importance of deception in nature and in human society, concluding with an argument for a noble lie to replace the religious beliefs rejected by modern thought. Most of the book is a provocative apology for deception, illuminating its role in the shaping of history, evolution, personality, and society. Ranging from the Bible and Greek philosophy, to Saint Augustine and Montaigne, to Galileo, Kirkegaard, and Freud, Rue shows that it may be more accurate to describe the history of our culture as a flight from deception than as a quest for truth. He turns then to the natural world to reveal how deception works at every level of life, ranging from plants that mimic dung, carrion, or prey to lure insects that then spread pollen, to a remarkable African insect (Acanthaspis petax) that bedecks itself with dead ants and enters the ant colony undetected to binge at will. Moreover, he points out that psychological research has shown that strategies of deception and self-deception are essential to our personal well-being, that we sometimes shore up our self-esteem by deceptive means, by leaving others in a state of ignorance, by manipulating others into a state of false belief, by suppressing information from consciousness, and by fabricating or distorting our own sense of reality. And he argues that social coherence is achievable only within certain optimal limits of deception--the social fabric would be threatened by an overabundance of lies and false promises, of course, but it would also collapse if everyone were perfectly honest all the time. Finally, he argues that society is caught up in a Kulturkampf with nihilists promoting intellectual and moral relativism and realists defending objective and universal truths. The noble lie, says Rue, would introduce a third voice, one which first agrees with the nihilists that universal myths are pretentious lies, but then insists, against the nihilists, that without such lies humanity cannot survive.
The challenge, he concludes, is ultimately an aesthetic one: it remains for the artists, poets, novelists, musicians, filmmakers, and other masters of illusion to seduce us into an embrace with a noble lie. We need a new myth that tells us where we have come from, what our nature is, and how we should live together--a story with the courage and presumption to say how things really are and what really matters.

An award-winning author reveals the real-life Da Vinci Code fraud that rocked the establishment. An ancient manuscript is discovered claiming that Jesus was married to Mary Magdalene. The religious world is thrown into turmoil. It sounds like the plot of a conspiracy thriller, and is one of the biggest scandals of modern scholarship. In 2012, Dr Karen King, a star professor at Harvard Divinity School, announced a blockbuster discovery at a scholarly conference just steps from the Vatican: she had found an ancient fragment of papyrus in which Jesus called Mary Magdalene 'my wife'. The tattered manuscript made international headlines. Biblical scholars were in an uproar, but King had impeccable credentials as a world-renowned authority on female figures in the lost Christian texts from Egypt known as the Gnostic gospels. As Ariel Sabar began to investigate the mysteries surrounding the papyrus, he embarked on an indefatigable globe-spanning hunt that ultimately uncovered the forgery and the identity of the forger, reckoning with fundamental questions about the nature of truth and the line between faith and reason.

This is-for the first time-the full and unedited story behind the sick life and mysterious death of Jeffrey Epstein that is being called one of the most significant scandals in American history He was the billionaire financier and close confidant of presidents, prime ministers, movie stars and British royalty, the mysterious self-made man who rose from blue-collar Brooklyn to the heights of luxury. But while he was flying around the world on his private jet and hosting lavish parties at his private island in the Caribbean, he also was secretly masterminding an international child sex ring-one that may have involved the richest and most influential men in the world. The conspiracy of corruption was an open secret for decades. And then in the summer of 2019, it all came crashing down. After his arrest on sex trafficking charges in July 2019, it seemed Epstein's darkest secrets would finally see the light. But hopes for true justice were shattered on August 10, when he was found dead in his cell at the Metropolitan Correctional Center, New York. The verdict: suicide. The timing: convenient, to say the least. Now, Epstein: Dead Men Tell No Tales delivers bombshell new revelations, uncovers how the man President Trump once described as a "terrific guy" abused hundreds of underage girls at his mansions in Palm Beach and Manhattan... all while entertaining the world's most powerful men-including President Clinton, Prince Andrew, and Donald Trump himself. How much did they know about his perversions? And did they take part? How might they have helped him to continue his abuse, and to escape justice for it? What responsibility might they have for his sudden, shocking death? And is there a shocking spy and blackmail story at the heart of the scandal? The answers to these questions and more will be explored in Epstein: Dead Men Tell No Tales with groundbreaking new reporting, never-before-seen court files, and interviews with new witnesses and confidants. Combining the very best investigative reporting from investigative journalists Dylan Howard, Melissa Cronin and James Robertson-who have been covering the case for close to a decade-will send shockwaves through the highest levels of the establishment.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.

The Restoration of the Stuart monarchy in 1660 changed the lives of English republicans for good. Despite the Declaration of Breda, where Charles II promised to forgive those who had acted against his father and the monarchy during the Civil War and Interregnum, opponents of the Stuart regime felt unsafe, and many were actively persecuted. Nevertheless, their ideas lived on in the political underground of England and in the exile networks they created abroad. While much of the historiography of English republicanism has focused on the British Isles and the legacy of the English Revolution in the American colonies, this study traces the lives, ideas and networks of three seventeenth-century English republicans who left England for the European continent after the Restoration. Based on sources from a range of English and continental European archives, Gaby Mahlberg explores the lived experiences of these three exiles - Edmund Ludlow in Switzerland, Henry Neville in Italy, and Algernon Sidney - for a truly transnational perspective on early modern English republicanism.

One day in November 1958, the celebrated historian Hugh Trevor-Roper received a curious letter. It was an appeal for help, written on behalf of a student at Magdalen College, with the unlikely claim that he was being persecuted by the Bishop of Oxford. Curiosity piqued, Trevor-Roper agreed to a meeting. It was to be his first encounter with Robert Parkin Peters: plagiarist, bigamist, fraudulent priest and imposter extraordinaire.

The Professor and the Parson traces the strange career of one of Britain's most eccentric criminals. Motivated not by money but by a desire for prestige, Peters' lied, stole and cheated his way to academic positions and religious posts from Cambridge to New York, Singapore and South Africa. Frequently deported, and even more frequently discovered, his trail of destruction included seven marriages (three of which were bigamous), an investigation by the FBI and a disastrous appearance on Mastermind.

Based on Trevor-Roper's own detailed 'file on Peters', The Professor and the Parson is a witty and charming account of eccentricity, extraordinary narcissism and a life as wild and unlikely as any in fiction.

Piltdown. Even today the name sends a shiver down the collective spine of the scientific community, for this was the most dramatic and daring fraud ever perpetrated upon the world of science and academia. Between 1908 and 1912, a series of amazing discoveries relating to what appeared to be the earliest human were made close to the little village of Piltdown in Sussex. These remains belonged to the developmental 'missing link' between man and ape. The basic principles of evolution, first propounded by Charles Darwin some fifty years before, now appeared as indisputable fact. The Manchester Guardian ran the first headline: 'THE EARLIEST MAN?: REMARKABLE DISCOVERY IN SUSSEX. A SKULL MILLIONS OF YEARS OLD' it screamed, adding that the discovery was 'one of the most important of our time'. The news spread quickly around the world, with many voicing their eagerness to examine the find. Few archaeological discoveries have the capacity to be front-page news twice over, but 'Piltdown Man' is a rare exception. Forty-one years after he first became famous, the 'Earliest Englishman' was again hot news. It was late November 1953, and the world was about to discover that Piltdown Man had been a hoax. Not just any hoax mind, the London Star declared it to be 'THE BIGGEST SCIENTIFIC HOAX OF THE CENTURY'.

Ebenezer Scrooge's cry of 'Humbug!' is well known throughout the English-speaking world. But what did he mean? In this entertaining book, P. T. Barnum (1810-91), defines 'humbug' as 'glittering appearances by which to suddenly arrest public attention, and attract the public eye and ear'. A showman himself and the creator of 'The Greatest Show on Earth', Barnum was famous for his own tricks, and describes here some of the most fascinating and outrageous examples perpetrated in his time. He explores the cases of Mr Warren, who wrote an advertisement in enormous letters on the pyramids of Giza, and the Fox daughters, who caused a stir among spiritualists in New York when they held seances with tapping spirits - in fact their own cracking knee joints. First published in 1866, this tour of Victorian humbug, fraud, superstition and quackery will appeal to social historians and readers interested in nineteenth-century popular culture.

The infamous literary hoax that fooled the art world On January 8 1960, artist Nat Tate set out to burn his entire life's work. Four days later he jumped off a Staten Island ferry, killing himself. His body was never found. When William Boyd published his biography of Abstract Expressionist Nat Tate, tributes poured in from a whole host of artists and critics in the New York art world. They toasted the troubled genius in a Manhattan launch party attended by David Bowie and Gore Vidal. But Nat Tate never existed. The book was a hoax. Will Boyd's biography of a fake artist is a brilliant probe into the politics of authenticity and reputation in the modern art scene. It is a playful and intelligent insight into the fascinating, often cryptic world of modern art.

An enthralling exploration of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, and Peter Nevraumont, an award-winning book producer, have teamed up to create this anti-history of the world, in which Michelangelo fakes a cupid; the holy foreskin is venerated; arctic explorers search for an entrance into a hollow Earth; a woman is elected Pope; and people can survive on only air and sunshine. Told chronologically, HOAX begins with the first documented announcement of the end of the world from 365 AD and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the art world, journalism, and archeology.

'My favourite author has done it again. Numbers Don't Lie is by far his most accessible book to date, and I highly recommend it to anyone who is curious about the world. I unabashedly recommend this book to anyone who loves learning' Bill Gates Is flying dangerous? How much do the world's cows weigh? And what makes people happy? From Earth's nations and inhabitants, through the fuels and foods that energize them, to the transportation and inventions of our modern world - and how all of this affects the planet itself - in Numbers Don't Lie, Professor Vaclav Smil takes us on a fact-finding adventure, using surprising statistics and illuminating graphs to challenge lazy thinking. Smil is on a mission to make facts matter, because after all, numbers may not lie, but which truth do they convey? 'Smil's title says it all: to understand the world, you need to follow the trendlines, not the headlines. This is a compelling, fascinating, and most important, realistic portrait of the world and where it's going' Steven Pinker 'The best book to read to better understand our world. It should be on every bookshelf!' Linda Yueh 'There is perhaps no other academic who paints pictures with numbers like Smil' Guardian Vaclav Smil is Distinguished Professor Emeritus at the University of Manitoba. He is the author of over forty books on topics including energy, environmental and population change, food production and nutrition, technical innovation, risk assessment and public policy. No other living scientist has had more books (on a wide variety of topics) reviewed in Nature. A Fellow of the Royal Society of Canada, in 2010 he was named by Foreign Policy as one of the Top 100 Global Thinkers. This is his first book for a more general readership.

Why do serial killers gravitate towards certain kinds of occupation? Jobs with minimum oversight or ties, the opportunity to leave the radar and that bring them into proximity with potential victims and whilst hiding in plain sight. Why also do they target certain types of victim?Through his wide knowledge of the topic honed at one of Britain's leading centres for criminological studies, Adam Lynes demonstrates how theory, practice, profiling and behaviour intertwine to identify the kind of people we should fear (and especially if we fall within certain categories of vulnerable people). The book also looks at those personality-types most likely to become serial killers.From the text: "It is apparent that driving as a form of occupational choice is a "popular" form of employment for British serial murderers. In an effort to determine why this may be, [the] case studies of eight British serial murderers [in the book] demonstrate just how such an occupation can impact upon these offenders' criminal behaviour ...These findings may prove to be of benefit to scholars of serial murder, and to those who attempt to apprehend them." From Britain's serial killing centre of excellence.Looks in depth at eight of Britain's serial killer drivers, dealing with some of the most notorious crimes of modern times. A fresh and uniquely interesting perspective. Demonstrates the links between mobility, transience, recognisance, predatory behaviour and acting out murderous fantasy. Will be used for a range of courses on the subject.

Piltdown was an archaeological site in Sussex where, in 1908 and 1912, human, ape and other mammal fossils were found together. Widely accepted as a creature who had a human cranium and an ape's jaw, the Piltdown 'Man' was, however, exposed as a fraud in 1953. Dr Weiner carefully reveals his own theories which led to this exposure and describes the controversies and difficulties which beset the scientific evaluation of the discovery. This new edition contains a foreword and afterword by Professor Chris Stringer, of the Natural History Museum.

The "Canadian Oxford Dictionary" defines hoax as a "humorous or malicious deception," and hex as "a magic spell." In "Hoaxes and Hexes," Barbara Smith explores these intriguing reflections of human nature, showing our curious desire to believe in the impossible and explain the inexplicable. Here are tales of swindlers, charlatans and imposters, among them the flamboyant 19th-century financier known as Lord Gordon-Gordon; David Walsh, author of the horrendous Bre-X gold-mine hoax of the 1990s; and the eccentric Josef Papp, who claimed to have crossed the Atlantic in a homemade submarine. The persistent power of hexes is recorded in stories of cursed places-including a strange haunting in the Cypress Hills and a deadly Lake Superior lighthouse-and weird coincidences, such as the legendary Hollywood hex on Oscar-winning actresses. Whether you believe in the power of hoaxes or hexes, these bizarre stories show them to be a fascinating part of our history.

"An engrossing account of wine fraud and forgery . . . Hellman clearly knows his stuff."--The Wall Street Journal "[Hellman] presents . . . the macho, competitive, one-upmanship world of the collectors, an atmosphere that perhaps contributed to their gullibility in the high-rolling economy of the early 2000s."--The New York Times "Heady, intoxicating . . . shines a light on the esoteric and intriguing world of ultrarare, ultrafine wines."--Foreword, starred review "In Vino Duplicitas is a cautionary tale of how we can let the romance of wine get the better of us. . . . None of us are immune."--Washington Post Few gain entry to the privileged world of ultrafine wines, where billionaires flock to exclusive auction houses to vie for the scarce surviving bottles from truly legendary years. But Rudy Kurniawan, an unknown twentysomething from Indonesia, was blessed with two gifts that opened doors: a virtuoso palate for wine tasting, and access to a seemingly limitless (if mysterious) supply of the world's most coveted wines. After bursting onto the scene in 2002, Kurniawan quickly became the leading purveyor of rare wines to the American elite. But in April 2008, his lots of Domaine Ponsot Clos Saint-Denis red burgundy--dating as far back as 1945--were abruptly pulled from auction. The problem? The winemaker was certain that this particular burgundy was first produced only in 1982. Journalist Peter Hellman was there, and he would closely investigate as a singular cast of characters--including a Kansas-born billionaire and self-proclaimed "hoarder," a dignified Burgundian winemaker, a wine-loving young prosecutor, and a crusty FBI agent who prepared for the case by reading French Wine for Dummies--worked to unravel the biggest con in wine history. Whether driven by the love of wine or of justice, all were asking the same question: Was the mild-mannered Kurniawan himself a dupe? Or had one young man--with little experience and few connections--ensnared the world's top winemakers, sellers, and drinkers in a web of deceit?