Why do serial killers gravitate towards certain kinds of occupation? Jobs with minimum oversight or ties, the opportunity to leave the radar and that bring them into proximity with potential victims and whilst hiding in plain sight. Why also do they target certain types of victim?Through his wide knowledge of the topic honed at one of Britain's leading centres for criminological studies, Adam Lynes demonstrates how theory, practice, profiling and behaviour intertwine to identify the kind of people we should fear (and especially if we fall within certain categories of vulnerable people). The book also looks at those personality-types most likely to become serial killers.From the text: "It is apparent that driving as a form of occupational choice is a "popular" form of employment for British serial murderers. In an effort to determine why this may be, [the] case studies of eight British serial murderers [in the book] demonstrate just how such an occupation can impact upon these offenders' criminal behaviour ...These findings may prove to be of benefit to scholars of serial murder, and to those who attempt to apprehend them." From Britain's serial killing centre of excellence.Looks in depth at eight of Britain's serial killer drivers, dealing with some of the most notorious crimes of modern times. A fresh and uniquely interesting perspective. Demonstrates the links between mobility, transience, recognisance, predatory behaviour and acting out murderous fantasy. Will be used for a range of courses on the subject.

The infamous literary hoax that fooled the art world On January 8 1960, artist Nat Tate set out to burn his entire life's work. Four days later he jumped off a Staten Island ferry, killing himself. His body was never found. When William Boyd published his biography of Abstract Expressionist Nat Tate, tributes poured in from a whole host of artists and critics in the New York art world. They toasted the troubled genius in a Manhattan launch party attended by David Bowie and Gore Vidal. But Nat Tate never existed. The book was a hoax. Will Boyd's biography of a fake artist is a brilliant probe into the politics of authenticity and reputation in the modern art scene. It is a playful and intelligent insight into the fascinating, often cryptic world of modern art.

Piltdown was an archaeological site in Sussex where, in 1908 and 1912, human, ape and other mammal fossils were found together. Widely accepted as a creature who had a human cranium and an ape's jaw, the Piltdown 'Man' was, however, exposed as a fraud in 1953. Dr Weiner carefully reveals his own theories which led to this exposure and describes the controversies and difficulties which beset the scientific evaluation of the discovery. This new edition contains a foreword and afterword by Professor Chris Stringer, of the Natural History Museum.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.