Why do serial killers gravitate towards certain kinds of occupation? Jobs with minimum oversight or ties, the opportunity to leave the radar and that bring them into proximity with potential victims and whilst hiding in plain sight. Why also do they target certain types of victim?Through his wide knowledge of the topic honed at one of Britain's leading centres for criminological studies, Adam Lynes demonstrates how theory, practice, profiling and behaviour intertwine to identify the kind of people we should fear (and especially if we fall within certain categories of vulnerable people). The book also looks at those personality-types most likely to become serial killers.From the text: "It is apparent that driving as a form of occupational choice is a "popular" form of employment for British serial murderers. In an effort to determine why this may be, [the] case studies of eight British serial murderers [in the book] demonstrate just how such an occupation can impact upon these offenders' criminal behaviour ...These findings may prove to be of benefit to scholars of serial murder, and to those who attempt to apprehend them." From Britain's serial killing centre of excellence.Looks in depth at eight of Britain's serial killer drivers, dealing with some of the most notorious crimes of modern times. A fresh and uniquely interesting perspective. Demonstrates the links between mobility, transience, recognisance, predatory behaviour and acting out murderous fantasy. Will be used for a range of courses on the subject.

The infamous literary hoax that fooled the art world On January 8 1960, artist Nat Tate set out to burn his entire life's work. Four days later he jumped off a Staten Island ferry, killing himself. His body was never found. When William Boyd published his biography of Abstract Expressionist Nat Tate, tributes poured in from a whole host of artists and critics in the New York art world. They toasted the troubled genius in a Manhattan launch party attended by David Bowie and Gore Vidal. But Nat Tate never existed. The book was a hoax. Will Boyd's biography of a fake artist is a brilliant probe into the politics of authenticity and reputation in the modern art scene. It is a playful and intelligent insight into the fascinating, often cryptic world of modern art.