The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.

The infamous literary hoax that fooled the art world On January 8 1960, artist Nat Tate set out to burn his entire life's work. Four days later he jumped off a Staten Island ferry, killing himself. His body was never found. When William Boyd published his biography of Abstract Expressionist Nat Tate, tributes poured in from a whole host of artists and critics in the New York art world. They toasted the troubled genius in a Manhattan launch party attended by David Bowie and Gore Vidal. But Nat Tate never existed. The book was a hoax. Will Boyd's biography of a fake artist is a brilliant probe into the politics of authenticity and reputation in the modern art scene. It is a playful and intelligent insight into the fascinating, often cryptic world of modern art.

The "Canadian Oxford Dictionary" defines hoax as a "humorous or malicious deception," and hex as "a magic spell." In "Hoaxes and Hexes," Barbara Smith explores these intriguing reflections of human nature, showing our curious desire to believe in the impossible and explain the inexplicable. Here are tales of swindlers, charlatans and imposters, among them the flamboyant 19th-century financier known as Lord Gordon-Gordon; David Walsh, author of the horrendous Bre-X gold-mine hoax of the 1990s; and the eccentric Josef Papp, who claimed to have crossed the Atlantic in a homemade submarine. The persistent power of hexes is recorded in stories of cursed places-including a strange haunting in the Cypress Hills and a deadly Lake Superior lighthouse-and weird coincidences, such as the legendary Hollywood hex on Oscar-winning actresses. Whether you believe in the power of hoaxes or hexes, these bizarre stories show them to be a fascinating part of our history.