The infamous literary hoax that fooled the art world On January 8 1960, artist Nat Tate set out to burn his entire life's work. Four days later he jumped off a Staten Island ferry, killing himself. His body was never found. When William Boyd published his biography of Abstract Expressionist Nat Tate, tributes poured in from a whole host of artists and critics in the New York art world. They toasted the troubled genius in a Manhattan launch party attended by David Bowie and Gore Vidal. But Nat Tate never existed. The book was a hoax. Will Boyd's biography of a fake artist is a brilliant probe into the politics of authenticity and reputation in the modern art scene. It is a playful and intelligent insight into the fascinating, often cryptic world of modern art.

'My favourite author has done it again. Numbers Don't Lie is by far his most accessible book to date, and I highly recommend it to anyone who is curious about the world. I unabashedly recommend this book to anyone who loves learning' Bill Gates Is flying dangerous? How much do the world's cows weigh? And what makes people happy? From Earth's nations and inhabitants, through the fuels and foods that energize them, to the transportation and inventions of our modern world - and how all of this affects the planet itself - in Numbers Don't Lie, Professor Vaclav Smil takes us on a fact-finding adventure, using surprising statistics and illuminating graphs to challenge lazy thinking. Smil is on a mission to make facts matter, because after all, numbers may not lie, but which truth do they convey? 'Smil's title says it all: to understand the world, you need to follow the trendlines, not the headlines. This is a compelling, fascinating, and most important, realistic portrait of the world and where it's going' Steven Pinker 'The best book to read to better understand our world. It should be on every bookshelf!' Linda Yueh 'There is perhaps no other academic who paints pictures with numbers like Smil' Guardian Vaclav Smil is Distinguished Professor Emeritus at the University of Manitoba. He is the author of over forty books on topics including energy, environmental and population change, food production and nutrition, technical innovation, risk assessment and public policy. No other living scientist has had more books (on a wide variety of topics) reviewed in Nature. A Fellow of the Royal Society of Canada, in 2010 he was named by Foreign Policy as one of the Top 100 Global Thinkers. This is his first book for a more general readership.

Piltdown was an archaeological site in Sussex where, in 1908 and 1912, human, ape and other mammal fossils were found together. Widely accepted as a creature who had a human cranium and an ape's jaw, the Piltdown 'Man' was, however, exposed as a fraud in 1953. Dr Weiner carefully reveals his own theories which led to this exposure and describes the controversies and difficulties which beset the scientific evaluation of the discovery. This new edition contains a foreword and afterword by Professor Chris Stringer, of the Natural History Museum.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.

The "Canadian Oxford Dictionary" defines hoax as a "humorous or malicious deception," and hex as "a magic spell." In "Hoaxes and Hexes," Barbara Smith explores these intriguing reflections of human nature, showing our curious desire to believe in the impossible and explain the inexplicable. Here are tales of swindlers, charlatans and imposters, among them the flamboyant 19th-century financier known as Lord Gordon-Gordon; David Walsh, author of the horrendous Bre-X gold-mine hoax of the 1990s; and the eccentric Josef Papp, who claimed to have crossed the Atlantic in a homemade submarine. The persistent power of hexes is recorded in stories of cursed places-including a strange haunting in the Cypress Hills and a deadly Lake Superior lighthouse-and weird coincidences, such as the legendary Hollywood hex on Oscar-winning actresses. Whether you believe in the power of hoaxes or hexes, these bizarre stories show them to be a fascinating part of our history.