Collecting 100 full-color pages and featuring 48 different Japanese manga and anime artists, Black Tights features some of the best illustrators in Japan. With stockings as their primary themes, WIDE focuses on thighs. Overseen by cover artist and art director, Yom, audiences have been captivated by their character designs in the 2019 anime short, Miru Tights.

The Neolithic period, when agriculture began and many monuments - including Stonehenge - were constructed, is an era fraught with paradoxes and ambiguities. Students of prehistory have long found the highly theoretical interpretations of the period perplexing and contradictory. Starting in the Mesolithic and carrying his analysis through to the late Bronze Age, Richard Bradley sheds light on this complex period and the changing consciousness of these prehistoric peoples. The book studies the importance of monuments tracing their history from their first creation to over 6000 years later. Part one discusses how monuments first developed and their role in developing a new sense of time and space among the inhabitants of prehistoric Europe. Other features of the prehistoric landscape - such as mounds and enclosures - across continental Europe are also examined. Part two studies how such monuments were modified and reinterpreted to suit the changing needs of society through a series of detailed case studies.

Based on a fresh reading of primary sources, Lindy Grant's comprehensive biography of Abbot Suger (1081-1151) provides a reassessment of a key figure of the twelfth century. Active in secular and religious affairs alike - Suger was Regent of France and also abbot of one of the most important abbeys in Europe during the time of the Gregorian reforms. But he is primarily remembered as a great artistic patron whose commissions included buildings in the new Gothic style. Lindy Grant reviews him in all these roles - and offers a corrective to the current tendency to exaggerate his role as architect of both French royal power and the new gothic form.

The Neolithic period, when agriculture began and many monuments - including Stonehenge - were constructed, is an era fraught with paradoxes and ambiguities. Students of prehistory have long found the highly theoretical interpretations of the period perplexing and contradictory. Starting in the Mesolithic and carrying his analysis through to the late Bronze Age, Richard Bradley sheds light on this complex period and the changing consciousness of these prehistoric peoples. The book studies the importance of monuments tracing their history from their first creation to over 60000 years later. Part one discusses how monuments first developed and their role in developing a new sense of time and space among the inhabitants of prehistoric Europe. Other features of the prehistoric landscape - such as mounds and enclosures - across continental Europe are also examined. Part two studies how such monuments were modified and reinterpreted to suit the changing needs of society through a series of detailed case studies.

The articles in Naked Truths demonstrate the application of feminist theory to a diverse repertory of classical art: they offer topical and controversial readings on the material culture of the ancient Mediterranean. This volume presents a timely, provocative and beautifully illustrated re-evaluation of how the issues of gender, identity and sexuality reveal 'naked truths' about fundamental human values and social realities, through the compelling symbolism of the body.

In The Enlightenment's Animals Nathaniel Wolloch takes a broad view of changing conceptions of animals in European culture during the long eighteenth century. Combining discussions of intellectual history, the history of science, the history of historiography, the history of economic thought, and, not least, art history, this book describes how animals were discussed and conceived in different intellectual and artistic contexts underwent a dramatic shift during this period. While in the seventeenth century and the first half of the eighteenth century the main focus was on the sensory and cognitive characteristics of animals, during the late Enlightenment a new outlook emerged, emphasizing their conception as economic resources. Focusing particularly on seventeenth-century Dutch culture, and on the Scottish Enlightenment, Wolloch discusses developments in other countries as well, presenting a new look at a topic of increasing importance in modern scholarship.

The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are:
* Carolee Schneemann
* Annie Sprinkle
* Karen Finley
* Robbie McCauley
* Ana Mendieta
* Ann Magnuson
* Sandra Bernhard
* Spiderwoman
Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolonial and queer theory, Schneider analyses artistic and pop cultural depictions of the explicit body in late commodity capitalism.
The Explicit Body in Performance is complemented by extensive photographic illustrations and artistic productions of postmodern feminist practitioners. The book is a fascinating exploration of how these artists have wrestled with the representational structures of desire.

eBook available with sample pages: 0203421078

"The site is the result of a careful study of the river-banks, and commands so many views of varied beauty, that all the glories of the Hudson may be said to circle it." H. W. French, Art and Artists in Connecticut, 1879

In 1609, Henry Hudson sailed up the river that now bears his name. The exhibition and its accompanying publication Glories of the Hudson: Frederic Edwin Church's Views from Olana mark the quadricentennial of his discovery by highlighting Frederic Church's sketches of the prospect from his hilltop home overlooking the river. Church made his first sketch of the Hudson River and Catskill Mountains from Red Hill the south end of the property that became his home, Olana in 1845, on a sketching expedition suggested by his teacher Thomas Cole. Returning to the Hudson Valley in 1860 as the nation's most famous and best-paid artist, Church settled on a farm on the lower slope of the Sienghenbergh, securing for himself and his new wife a splendid vantage point for studying, sketching, and painting the river.

Church continued to add land to his property, attaining new and varied vistas of the river, and crowned the estate with a Persian-inspired house designed to frame splendid views of the Hudson River and Catskill Mountains. Church never tired of his views of the river, documenting his passion for the Hudson in paintings, oil sketches, and drawings. From Olana, he observed the transformations wrought by the changing seasons, weather, and light, capturing chilly winter snows, brilliant sunsets, and passing storms in sketches executed with a few brushstrokes or autumn colors and clear winter light in more finished easel paintings. The best of these are reproduced here, in eighty-three illustrations, sixty-nine in full color, some of them published for the first time. The essay by Evelyn D. Trebilcock and Valerie A. Balint, the introduction by Kenneth John Myers, and the foreword by John K. Howat together provide an absorbing narrative of the development of the Hudson River School and its most successful artist.

The Olana Partnership, Hudson, New York, and New York State Office of Parks, Recreation and Historic Preservation, Albany, New York, organized Glories of the Hudson: Frederic Edwin Church's Views from Olana, held from May 23 to October 12, 2009"

An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.

Identifying a beautiful image in nature is easy, but capturing it is often challenging. To truly seize the essence of a photograph shot out of the studio and in the world requires an artistic eye and impeccable set of photographic techniques. John and Barbara Gerlach have been teaching photographers how to master the craft of photographing nature and the outdoors through their workshops and best-selling books for more than twenty years. Now, equipped with brand new images to share and skills to teach, this celebrated photo team is sharing their latest lessons in the second edition of Digital Nature Photography. Notable revisions in this new edition include introducing the concepts of focus stacking and HDR, as well as expanded discussions of multiple exposure, wireless flash, RGB histograms, live view, shutter priority with auto ISO, hand-held shooting techniques, and the author's equipment selections. The inspiring imagery in this book covers a broader range of subjects than before including ghost towns, the night sky, animals, and sports, in addition to the classic nature photographs we expect from this very talented author team. This book is a comprehensive guide to one of the broadest subjects in photography, explained and dymystified by two respected masters.

One of the world s most respected writers on art investigates the very different ways painting has given form to the afterlife.

The idea of heaven on earth haunts the human imagination. The day will come, saybelievers, when the pain and confusion of mortal life will give way to a transfiguredcommunity. Such a vision of the world seems indelible. Even politics, some reckon, hasnot escaped from the realm of the sacred: its dreams of the future still borrow theirimagery from the prophets. In Heaven on Earth, T.J. Clark sets out to investigate thevery different ways painting has given form to the dream of God s kingdom come. Hegoes back to the late Middle Ages and Renaissance to Giotto in Padua, Bruegel facingthe horrors of religious war, Poussin painting the Sacraments, Veronese unfolding thehuman comedy. Was it to painting s advantage, is Clark s question, that in an age ofenforced orthodoxy (threats of hellfire, burnings at the stake) artists could reflect onthe powers and limitations of religion without putting their thoughts into words?

At the heart of the book stands Bruegel s ironic but tender picture of The Landof Cockaigne, and also Veronese s inscrutable Allegory of Love. The story ends withPicasso s Fall of Icarus, made for UNESCO in 1958, which already seems to signal perhaps to prescribe an age when all futures are dead.

An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.

eBook available with sample pages: HB:041511084X

A collection of sixteen essays on the discourse of autoeroticism from the sixteenth century to the present. These essays bring the sexual imagination and erotic autonomy into the field of cultural history. Illuminating and innovative.

Last year (1925) the Olaus Petri Endowment greatly honoured the author by inviting him to deliver a few lectures on Origen at the University of Upsala. It was agreed that they should be published and we now offer them to the public exactly as they were delievered. There could be no question of expounding the entire thought of Origen in eight conferences. We have been compelled to pass over more than one important doctrine - for instance, his ideas on the Gnosis. Still less was it possible to set forth in these lectures the enormous mass of documents upon which our exposition of the theology of Origen is based.

Say no to silicone: The greatest natural breasts of our times Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes's The Outlaw and Frederick's of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World's Largest Natural Breasts. The 420 pages of this book contain the most beautiful and provocative black and white and color photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best. The editor: Dian Hanson is a twenty-five-year veteran of men's magazine publishing. She began her career at Puritan magazine in 1976 and went on to edit a variety of titles, including Partner, Oui, Hooker, Outlaw Biker, and Juggs magazines. In 1987 she took over the ?60s title Leg Show and transformed it into the world's best-selling fetishpublication. Most recently, she authored TASCHEN's Terryworld, Tom of Finland: The Comic Collection and History of Men's Magazines six-volume set.

This book seeks to put the bodies back into modern art. In a series of thematic historical studies, Mirzoeff argues that the perfect body of modern art theory can only exist in visual form. Studies include the work of Picasso, Manet and Madonna.

In First Things Mary Jacobus combines close readings with theoretical concerns in an examination of the many forms taken by the mythic or phantasmic mother in literary, psychoanalytic and artistic representations. She carefully explores the ways in which the maternal imaginary informs both unconscious processes and signifying practices at all levels. Her fierce analysis of specific texts and paintings raises questions about the the symbolic and biological maternal body and how they relate to each other in literary and psychoanalytic terms. The invocation of writings by Kleist, Wollstonecraft, Mary Shelley, Malthus and de Sade, along with analysis of French revolutionary iconography and Realist and Impressionist paintings by Eakins and Morisot, make this wide-ranging text a truly interdisciplinary study.

Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.

For centuries, erotic art has brought together the intense passions of both artistic expression and human sexuality. This volatile mixture continues to draw a full spectrum of reactions, from ecstasy to outrage. Above all, it provokes an unquenchable curiosity that lures us into the mysterious realm of forbidden art. Featured here, in beautiful color, are over 500 works of erotic art. Through drawings, paintings, and sculpture, these visions of erotica span diverse countries, cultures, centuries, and lifestyles. Whether it is controversial, humorous, lovely, deviant, mythical, or even instructional, each piece was created within the boundaries of its own social context, and provides a candid, thought-provoking glimpse into another time and place.

More than 350 beautiful color photographs and a descriptive text depict 18th to mid-20th century Mexican devotional art including danced masks, devils and angels, santos, milagritos, retablos, and ex-votos. These religious items were used in ceremonies both at home and church, and include wood carvings, as well as clay, stone, metal, and paper items. Seven essays include a major new work by historian and scholar Gloria Fraser Giffords, who, along with Tom Pirazzini, edited the essays. Other essays are by Philip Wrench, Roberto G. Cruz Floriano, Janet Brady Esser, Martha J. Egan, and Joanna Stuhr cover ing the history, symbolism, and uses of Mexican devotional art, as well as the methods of manufacture. For historians, folk art connoiseurs, and those who have an interest in Mexican culture, this is an essential and welcome new volume.

Billy Showell is a well-respected contemporary artist whose watercolour flower portraits have earned her the respect of watercolour artists all over the world. Worked to the same degree of accuracy as traditional botanical paintings, Billy's compositions are given a more contemporary twist, combining her unique eye for design with her love of flowers. In this book, 40 flower portraits are presented, arranged in alphabetical order, each one accompanied by small studies, details, step-by-step instructions and the colour mixes used to accomplish the finished work. At the start of the book there are useful sections on the materials and equipment needed and the main techniques used, including wet-into-wet, colour blending, lifting out, layering glazes, dry brushing and colour mixing, and at the end of the book Billy gives her own unique slant on composition and discusses the importance of creating a sketchbook. Whether you love to paint, or simply love flowers, this book will delight and inspire you.