The walls of medieval churches were brightly painted with religious imagery and colourful patterns, and although often shadows of their former selves, these paintings are among the most enigmatic art to survive the Middle Ages. This beautifully illustrated book is an ideal introduction to this fascinating subject. It tells the stories behind the paintings and explains their purpose, the subjects they showed, how they were made and by whom, and what happened to these works of art during and after the enormous upheavals of the Reformation. It also compares and contrasts religious and domestic wall paintings and explores modern approaches to their conservation and care. A comprehensive gazetteer provides an invaluable guide to where the best British examples can be seen. Roger Rosewell is a Fellow of the Society of Antiquaries and a leading expert on medieval wall paintings. He is also the Features Editor of Vidimus, the online magazine about medieval stained glass and a professional lecturer and photographer. Educated at St Edmund Hall, Oxford University, he has also written Stained Glass and The Medieval Monastery for Shire.

Bodies mangled, limbs broken, skin flayed, blood spilled: from paintings to prints to small sculptures, the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ's Passion and its aftermath, but the martyrdoms of saints, stories of justice visited on the wicked, and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body's desecration. Contributors to this volume interpret pain, suffering, and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists, but also as serving larger social functions within European society. Taking advantage of the frameworks established by scholars such as Samuel Edgerton, Mitchell Merback, and Elaine Scarry (to name but a few), Death, Torture and the Broken Body in European Art, 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social, political, and devotional contexts. Though the art works discussed are centuries old, the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force, coercion (including torture), and execution, and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform.

This volume contains the Syriac text of one of Dionysius bar Salibi's polemical writings, that against the Jews, based on a manuscript now located at the Harvard Semitic Museum. An English translation was promised by the editor, but never appeared.

"If you're a lover of wildlife imagery, this is worth adding to your wishlist" -Amateur Photographer "...an amazing new photobook on the giants of the animal kingdom..." -Examiner USA "This is the type of book that makes a handsome gift for any wildlife lover. But you'll want to look at every photo before giving it away." -Inhabitat "This book marvelously lives up to its title, not just in size... but in subject matter: big animals, from lions to sharks to grizzly bears, all stunningly photographed by two highly accomplished wildlife photographers who decided to combine their work for this wondrous portfolio." -Air Mail When we encounter an animal in nature, it triggers something in us; we feel a certain emotion in the presence of the other creature: amazement, adoration, fascination, and indeed, in some situations, fear and apprehension. But a brush with a deer, wild boar, or hare is no comparison to a rendezvous with a grizzly, lion, shark, or pod of whales. Amos Nachoum and Marko Dimitrijevic have experienced this hundreds of times in their combined 70 years as wildlife photographers. Now, for the first time, they are combining their award-winning photographs with previously unpublished photographs of the world's largest animals in one book. The two photographers, who are also friends, tell us what it is like to be out in the wild and look the world's biggest animals right in the eye. The structure of the book's chapters is arranged based on human emotions such as amazement, admiration, fear, and love. In their book, Nachoum and Dimitrijevic bring us closer to the giant animals of our planet, and allow us to share what these two men feel during these encounters, helping us learn about ourselves when we do so. Text in English and German.

This monograph explores the history of the Coptic tradition of John's gospel, considering when these ancient Egyptian witnesses are profitable for determining the earliest readings of their Greek source text. The standard critical edition of the Greek New Testament cites the Coptic versions no fewer than 1,000 times in John's gospel. For these citations, that edition references six dialectally distinct Coptic translations: the Achmimic, Bohairic, Lycopolitan (Subachmimic), Middle Egyptian Fayumic, Proto-Bohairic, and Sahidic versions. In addition to examining these, this project considers newly published texts from the Fayumic and Middle Egyptian traditions. Apart from a pivotal article on Coptic and New Testament textual criticism by Gerd Mink in 1972, Coptological research has progressed with only limited contact with Greek textual criticism. The discovery of various apocryphal Christian texts in Coptic translations has further diverted attention from Greek textual criticism. This project contributes to this subject area by applying recent advances in Coptology, and exploring the various facets of the Coptic translations. In particular, the monograph investigates (1) translation technique, (2) Greek-Coptic linguistic differences, (3) the reliability of the Coptic manuscript tradition, (4) the relationships between the Coptic versions, and (5) relevant contributions from the scholarly community. John's gospel is extant in more Coptic dialectal versions than any other biblical text. As a result, the gospel offers unique insight into the nature of the ancient Egyptian Christian communities.

James Cameron's epic blockbuster Titanic enjoyed a wave of popularity like few other films, touching profoundly the hearts and imaginations of millions the world over. Why? What was it about this movie that resonated so deeply with young and old, rich and poor, men and women alike? In her thought-provoking book, Teresa L. Major opens our eyes to the deeper truths behind the movie's success, truths larger than the movie itself, the truths for which every human heart hungers. The love of Rose and Jack reflects that greatest of all loves, the love of Christ for His Church. God's love for us is so unstoppable that He uses even the secular elements of our current culture to convey His everlasting truths. Teresa L. Major and her husband Jim currently reside in Denver with their twelve children.

A beautifully designed organiser to keep all your information for contacts, co-workers, family and friends in one place. This stylish and elegantly designed address book has plenty of space to record names, addresses, telephone numbers and email addresses for everyone you need to stay in touch with. With colour-coded alphabetical sections, a silk ribbon marker and beautiful floral images throughout from the world-famous RHS Lindley Library, this decorative address book makes the perfect gift!

Learn how to paint birds in watercolour without even trying! Using a simple ten-step process, learn how to draw a basic outline starting with simple shapes, then add washes of colour and fine details to complete your work. Arranged in three chapters based on skill level, this book features 25 lovely projects, each showing you how to paint a bird in ten steps. There are paint swatches for every bird, showing you the colours you need to mix for each step and the finished painting serves as a reference to guide you. It couldn't be easier! Also included is a useful techniques section at the beginning, and clever painting tips from the author throughout the book. With birds as diverse as an Atlantic puffin, a barn owl, a hummingbird and a bald eagle, there is plenty to choose from and practise with, to develop your skills.

This book traces the history of the Annunciation, exploring the deep and lasting impact of the event on the Western imagination. Waller explores the Annunciation from its appearance in Luke's Gospel, to its rise to prominence in religious doctrine and popular culture, and its gradual decline in importance during the Enlightenment.

This book, considered a classic of Christian devotional literature, was written by young Scottish Puritan HENRY SCOUGAL (1650-1678), professor of divinity at Aberdeen University, in the form of a letter to a friend who has lost his faith. In clear, supportive, inspirational language, Scougal discusses: . religion and the natural divine life . how the Savior exemplifies divine love . the difficulties and duties of Christian life . and more. Seekers after spiritual succor continue to find soulful sustenance and encouragement in this work more than two centuries after it was first published.