Johor: 300 Early Postcards will present a series of postcard galleries showing various aspects of the Peninsular Malaysian state of Johor from the late 19th century to the mid-20th century, in particular the changing landscapes and townscapes. The book will be a richly informative visual guide to a formative period in Johor's history. The postcards presented in the book will be drawn from the vast postcard collection of Dr Cheah Jin Seng, the author of Malaya: 500 Early Postcards, Penang: 500 Early Postcards, Perak: 300 Early Postcards, Selangor: 300 Early Postcards and Singapore: 500 Early Postcards.

A biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter's animated presence captured with energy and immediacy. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals's life, but also of the artistic, social, political, and religious worlds in which he lived and worked.

The Birds of America is one of the best known natural history books ever produced and also the most valuable - a complete set sold at auction in December 2010 for GBP7.3 million, which is a world record for a book. First published in double elephant size (approximately a metre tall) in the first half of the nineteenth century, it is famous for its stunning life-size illustrations of birds set within landscaped backgrounds. The book was issued inparts over 11 years and only around 200 completed sets were ever produced. Less than 120 of these survive today, locked away in museums, galleries and private collections around the world. To create this edition of Audubon's masterpiece, the Natural History Museum's own original edition was disbound and each of the 435 beautiful hand-coloured prints was specially photographed. The artworks are accompanied by the scientific descriptions that were used in the original The Birds of America and there is also a new introduction by David Allen Sibley.

Melanie Klein was a Viennese psychoanalyst who extended the work of Sigmund Freud in significant and innovative ways. She lived and worked in the UK from 1926 until her death in 1959. During her life she was a controversial and divisive figure and has remained so since her death; conflict between the Freudian and Kleinian strands of psychoanalysis dominated the history of psychoanalysis in the latter half of the twentieth century. The reasons why she polarised opinion are multiple and complex; partly they were related to her psychoanalytic ideas and how she expressed them but they were also intrinsic to her personality. In 2016, a pair of delicate low relief sculptures of Melanie Klein in profile were re-discovered, having been hidden away for some eighty years, and have been subsequently identified as the work of the sculptor Oscar Nemon. Roger Amos was asked to write a brief article about these sculptures for publication on the Melanie Klein Trust website. During his research, he discovered that Klein had destroyed two significant works of art depicting herself: one a bust by the same sculptor as the low relief profiles, Oscar Nemon, and the other a portrait by William Coldstream. This beautifully illustrated book is the first comprehensive review of all attempts to portray Klein during her lifetime, from her earliest childhood until her old age, including the work of painters, sculptors, and portrait photographers. It reviews the history of each artistic project and the relationship between Klein and the artist involved, locating them in a narrative of Klein's life. The complex and interrelated reasons why she chose to destroy some of the representations of herself but kept others are identified and discussed. Through an understanding of the subject/artist relationship, Amos illuminates Klein's professional life in the world of psychoanalysis. A must-read for all scholars and professionals working in the field of psychoanalysis, psychotherapy and psychodynamic counselling, plus those with an interest in Melanie Klein or aesthetics, this enjoyable read shines a never-before seen light on to the world of Melanie Klein.

Catherine the Great's audacious power grab in 1762 marked a watershed in imperial Russian history. During a momentous 34-year reign, her rapacious vision and intellectual curiosity led to vast territorial expansion, cultural advancement, and civic, educational and social reform. In this pioneering book, Rosalind Blakesley reveals the remarkable role women artists played in her pursuit of these ambitions. With challenging commissions for an elite cast of Russian patrons, their work underscores the extent to which cultural enrichment co-existed with the empress's imperial designs. Catherine's acquisitions propelled renowned artists to new heights. The history paintings that she purchased from Angelica Kauffman brought the Swiss artist to the attention of keen new patrons, while Elisabeth Louise Vigee Le Brun found in Russia safe refuge from the horrors of revolutionary France. Just as important were Catherine's relationships with lesser-known artists. The young sculptor Marie-Anne Collot made the arduous journey from Paris to St Petersburg to assist on the equestrian monument to Peter the Great and enthralled Russian society with her portrait busts, while Grand Duchess Maria Fedorovna, wife of Catherine's troubled son Paul, sculpted cameos which the empress sent to distinguished correspondents abroad. With stories of extraordinary artistic endeavour intertwined with the intrigue of Catherine's personal life, Women Artists in the Reign of Catherine the Great uncovers the impact of these and other artists at one of Europe's most elaborate courts.

A collection of beautiful full size reproductions of botanical watercolours of South African wild flower illustrations by Lady Cynthia Tait.

The characteristics of watercolour naturally complement botanical art and this beautiful book shows you how to make the most of this versatile medium. It starts by guiding you through the complexities of painting flowers, with advice on materials and colour mixing, using colour to achieve translucency and clarity, building confidence with step-by-step examples and the importance of observation and botancial accuracy. It then creates detailed and beautiful compositions for the more experienced botanical artist. This new book has ideas and tips on composition and how to include animal life and is structured by season to include a range of flowers and plants.

Where's Bob? On a mountaintop? In a wooded forest? Maybe a TV studio? Find the world's favorite painting instructor in more than a dozen unique settings within this original search-and-find activity book. Where's Bob? includes 15 full-color illustrated scenes to search for Bob Ross in sites reminiscent of his paintings, such as at a riverbank, the seaside, or woods, as well as settings inspired by the artist's life experiences, including a TV studio and shopping mall. The book also invites you to find items like Peapod the squirrel, Bob's paint palette, and his paintbrush within the illustrations. Happy searching!

The Armenian Church Synaxarion is a collection of saints' lives according to the day of the year on which each saint is celebrated. Part of the great and varied Armenian liturgical tradition from the turn of the first millennium, the first Armenian Church Synaxarion represented the logical culmination of a long and steady development of what is today called the cult of the saints. This volume, the first Armenian-English edition, is the eighth of a twelve-volume series - one for each month of the year - and is ideal for personal devotional use or as a valuable resource for anyone interested in saints.

An Accordion Book doesn’t open, it unfolds. One side is filled with beautiful watercolour images of an animal: sometimes in motion, sometimes at rest. The other is filled with text – poems, descriptions, invocations – inspired by the same animal.Together they work as spells to summon the animal’s spirit. Jackie Morris has painted them using antique watercolours, some from boxes which hadn't been opened for over 150 years, woken from their slumber with a single drop of water.Fox and Otter are the first two Accordions in a series that will go on to include Hare,Owl,Hound and Cat among many others.

The walls of medieval churches were brightly painted with religious imagery and colourful patterns, and although often shadows of their former selves, these paintings are among the most enigmatic art to survive the Middle Ages. This beautifully illustrated book is an ideal introduction to this fascinating subject. It tells the stories behind the paintings and explains their purpose, the subjects they showed, how they were made and by whom, and what happened to these works of art during and after the enormous upheavals of the Reformation. It also compares and contrasts religious and domestic wall paintings and explores modern approaches to their conservation and care. A comprehensive gazetteer provides an invaluable guide to where the best British examples can be seen. Roger Rosewell is a Fellow of the Society of Antiquaries and a leading expert on medieval wall paintings. He is also the Features Editor of Vidimus, the online magazine about medieval stained glass and a professional lecturer and photographer. Educated at St Edmund Hall, Oxford University, he has also written Stained Glass and The Medieval Monastery for Shire.

This title is the IP Book Awards 2007 Gold Medal winner for Outstanding Book of the Year - Most Original Concept. Never before seen SEM images are unique to the book. It will appeal to scientists, artists and photographers alike. The extraordinary beauty and structure of pollen grains invisible to the naked eye. This book is the result of the shared fascination of an artist and a scientist with the perfect design of organisms too small to be seen without a microscope. Pollen is ubiquitous; its tiny forms have fascinated the scientifically curious since the seventeenth century. Its tiny grains are enclosed beyond the accessible beauty of the flower until the moment of release, when they are carried by wind, water or animal vectors to achieve their purpose, which is procreation. A clear explanation of the structure and form of pollen, the remarkable events from pollination to fertilization, and the many ways in which pollen impacts unseen on our lives is interwoven with a dazzling array of original images created especially for the book.