The Flora Collection contains 50 stunning colour postcards selected from the vast collection of original botanical artworks held at the the Library of the Natural History Museum, London. Stored in a chunky keepsake box with an internal ribbon, this collection represents the fascinating history of plants and flowers through exquisite botanical prints to keep, send or frame. Printed on high quality card, the set showcases many of the best-loved plant families including cacti, daffodils, iris, magnolia, poppies, roses, tulips and waterlilies. Featuring the work of some of the greatest botanical artists and explorers of all time, The Flora Collection is a delightful box set to share or savour.

Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence-and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aisha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.

This dazzling collection showcases the very best of the British Wildlife Photography Awards, presenting over 150 of the winning, commended and shortlisted images from the 2017 competition. Featuring a range of photography from world-leading professionals as well as inspired amateurs, it is a book that captures the magnificent diversity of the British Isles. British Wildiife Photography Awards is divided into the competition's fifteen categories, from Animal Portraits through to the Young People's Awards. Every photograph is beautifully reproduced in a large format, with detailed technical information alongside the photographer's personal account, to appeal to both photographers and natural historians.

"Steven has an Irish monk's attentiveness to the fragility, mystery, and hidden beauties of things." -Peter Leithart, First Things The book is a gathering together of all of Kenneth Steven's poems concerning the island of Iona through the years. These comprise poems that have been published in journals both at home and abroad, and broadcast on BBC Radio. A lengthy introduction tells the story of the forging of those first links with Iona, and those that have come through adult years. This is a book both for those who know and love the island, and for those who may yearn to visit but have not yet had the chance. It's essentially a love song to a precious and an extraordinary place that has been the author's spiritual home from earliest childhood days.

This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. The film has proved to be of great interest to scholars working on the interface between the Bible and popular culture, not only because it was heralded as the first of a new generation of biblical blockbusters, but also because of its bold, provocative, and yet unusually nuanced approach to the interpretation and use of the Noah tradition, in both its biblical and extra-biblical forms. The book's chapters, written by both well-established and up-and-coming scholars, engage with and analyze a broad range of issues raised by the film, including: its employment and interpretation of the ancient Noah traditions; its engagement with contemporary environmental themes and representation of non-human animals; its place within the history of cinematic depictions of the flood, status as an 'epic', and associated relationship to spectacle; the theological implications of its representation of a hidden and silent Creator and responses to perceived revelation; the controversies surrounding its reception among religious audiences, especially in the Muslim world; and the nature and implications of its convoluted racial and gender politics. Noah as Antihero will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.

David Moessner proposes a new understanding of the relation of Luke's second volume to his Gospel to open up a whole new reading of Luke's foundational contribution to the New Testament. For postmodern readers who find Acts a 'generic outlier,' dangling tenuously somewhere between the 'mainland' of the evangelists and the 'Peloponnese' of Paul-diffused and confused and shunted to the backwaters of the New Testament by these signature corpora-Moessner plunges his readers into the hermeneutical atmosphere of Greek narrative poetics and elaboration of multi-volume works to inhale the rhetorical swells that animate Luke's first readers in their engagement of his narrative. In this collection of twelve of his essays, re-contextualized and re-organized into five major topical movements, Moessner showcases multiple Hellenistic texts and rhetorical tropes to spotlight the various signals Luke provides his readers of the multiple ways his Acts will follow "all that Jesus began to do and to teach" (Acts 1:1) and, consequently, bring coherence to this dominant block of the New Testament that has long been split apart. By collapsing the world of Jesus into the words and deeds of his followers, Luke re-configures the significance of Israel's "Christ" and the "Reign" of Israel's God for all peoples and places to create a new account of 'Gospel Acts,' discrete and distinctively different than the "narrative" of the "many" (Luke 1:1). Luke the Historian of Israel's Legacy combines what no analysis of the Lukan writings has previously accomplished, integrating seamlessly two 'generically-estranged' volumes into one new whole from the intent of the one composer. For Luke is the Hellenistic historian and simultaneously 'biblical' theologian who arranges the one "plan of God" read from the script of the Jewish scriptures-parts and whole, severally and together-as the saving 'script' for the whole world through Israel's suffering and raised up "Christ," Jesus of Nazareth. In the introductions to each major theme of the essays, this noted scholar of the Lukan writings offers an epitome of the main features of Luke's theological 'thought,' and, in a final Conclusions chapter, weaves together a comprehensive synthesis of this new reading of the whole.

"Gartel has so superbly captured...the essence of erotic desire. In an age of sex being turned into merely a forbidden behavior and a troublesome medical condition, Gartel has rallied and preserved sexual teasing, seduction, and allure into its rightful pleasurable position by his commendable artistic photographic journaling. In my thirty years as a Sexologist, it is nice to see sex education, preservation, and permission for sexual expression and fun so alive in his work." -Dr. Gil Eriksen, Director of Research at the Institute for Reality Studies Renowned digital media artist Laurence M. Gartel records the world of Fetish in his own inimitable style. As an artist he brings his own creative input and adds his twist to the storyline, becoming a participant through the creative process of working with the imagery. This book is loaded with Gartel's provocative art, including 103 set pieces plus many of the posters and other graphic art for which Gartel has received such acclaim. This work will entertain and confront, as all great art will do. And in the end the reader will be left to ponder the creative mind that brought these images into being. An aesthetic and erotic adventure awaits.

Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share 'selfies' in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before. With 97 illustrations in colour

Award-winning artist Angela Gaughan shares with you a life time's worth of experience in art. This book provides an insight into the distinctive techniques Angela Gaughan uses to achieve her amazingly detailed, life-like wildlife paintings. It is an inspirational guide to painting in acrylics; both for experienced artists who are interested in Angela's methods, and those wishing to improve their skills. Sumptuous colour is at the heart of Angela's vivid, beautiful art work. Her unique techniques combine the advantages of acrylics and oils. In this inspirational book, Angela shares with you a lifetime's worth of experience in art. Learn her unique approach to using acrylics to produce depth and character in your own wildlife artwork, and follow the step-by-step demonstrations as you build up your skills. The book begins with detailed coverage of the materials, tools and media Angela uses. Chapters on colour and light, gathering reference, and composition build upon Angela's working method guiding you through her stages of working, from using photographic references, through completing a tonal drawing, to using transparent washes and opaque colours to create a full painting. The instructional techniques then connect into substantial chapters on colour, composition and finish off with masterwork techniques to help more advanced artists push their artwork further.

Elinor De Wire has been writing about lighthouses and their keepers since 1972. During that time she found that hundreds of lighthouse animals wandered into her research notes and photo collection. This book is the story of all these cold-nosed, whiskered, wooly, hoofed, horned, slithery, buzzing, feathered, and finned keepers of the lights. Where else would a dog learn to ring a fogbell; a cat go swimming and catch a fish for its supper; or a parrot cuss the storm winds rattling its cage? Who other than a lightkeeper would swim a cow home, tame a baby seal, adopt an orphan alligator, send messages via carrier pigeons, or imagine mermaids coming to visit? The Lightkeepers' Menagerie gathers together animal stories from lighthouses all around the world, tales of happiness and sadness, courage and cowardice, tragedy and comedy, even absurdity. Sometimes, fur, feathers, and fins tell the best tales.

This title was first published in 2000: In their stunning simplicity, George Romney's portraits of eighteenth-century gentry and their children are among the most widely recognised creations of his age. A rival to Reynolds and Gainsborough, Romney was born in 1734 on the edge of the Lake District, the landscape of which never ceased to influence his eye for composition and colour. He moved in 1762 to London where there was an insatiable market for portraits of the landed gentry to fill the elegant picture galleries of their country houses. Romney's sitters included William Beckford and Emma Hart, later Lady Hamilton. An influential figure, one of the founding fathers of neo-classicism and a harbinger of romanticism, Romney yearned to develop his talents as a history painter. Countless drawings bear witness to ambitious projects on elemental themes which were rarely executed on canvas. Richly illustrated, this is the first biography of Romney to explore the full diversity of his oeuvre.

Best known in the States for his work on the Warren icon, Vampirella, Sanjulian has been rightly called 'an artist's artist' for his brilliant sense of composition and use of colour - it's the kind of thing civilians just enjoy, while fellow illustrators make furious mental notes for future reference. Now, for the first time, we get to see the planning, the research, and the magic that goes into Sanjulian's flawless creations. It also features a full colour gallery of Sanjulian's favourite paintings, as well as an introduction by the equally legendary Jim Warren.

The Book of the Tree is a celebration of trees in art featuring works by some of the world's leading artists, photographers and illustrators.

"The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way." William Blake

From stately old oaks to beautiful forests and woods, trees have provided a source of inspiration for artists throughout history.

This charming gift book presents a selection of some of the most beautiful artworks inspired by trees. Interspersed throughout the illustrations are short texts about the artists and their interest in particular trees, from Egon Shiele's delicate watercolours of chestnut trees, to Rousseau's exotic forests, Claire Cansick's vivid woodlands and Hockney's tree-lined groves.

The Book of the Tree presents a wonderful collection of arboreal art that revels in the enduring beauty of our trees, woodlands and forests. It is the perfect gift for art-lovers, tree-lovers and nature-lovers.

"Forget ordinary stationery! teNeues, the luxury German publisher, transforms notecards, journals, puzzles and even clipboards into works of art, with its latest lineup highlighting paintings by celebrated names such as Vincent Van Gogh, Frida Kahlo, Jean-Michel Basquiat and Claude Monet." - Life & Style Magazine Gustav Klimt (1862-1918) was an Austrian symbolist painter and a founding member of the Vienna Secession movement. His paintings, characterised by luxurious, radiant colour, mosaic-like patterns, abstract floral motifs, and expressive lines, are among the most popular and celebrated works of the Art Nouveau style. Our QuickNotes boxed notecards are full colour, collectable greeting / notecards that are blank inside and can be used to convey personal greetings, thank-yous and invitations. This QuickNotes notecard box holds 20 full colour cards with and 20 classic white envelopes. 4 notecard styles are included, all wrapped up in a keepsake box with magnetised lid.

From domestic cats and dogs to wild lions and giraffes, best-selling artist and author Jean Haines shows the reader how to bring a vitality of life to their animal artwork. Known for the vibrant colours and exciting, innovative painting techniques that she brings to her work, Jean's latest book invites beginners and more experienced artists alike to share a journey through painting animals from around the world. Painting animals requires a delicacy of touch. Jean starts with simple monochrome artworks and progresses on to more vivid paintings that incorporate exciting textural effects. Using lessons from nature to help bring the reader closer to the animals, Jean shows how to portray the animal's spirit and bring vitality to the reader's artwork. Suitable for all abilities, from first-time painters to experienced artists, Jean shares all the materials and unique techniques she uses, and provides a wealth of expert tips and advice inspired by the animals themselves, helping the reader to progress and find their own path. Scattered throughout the book are dozens of Jean's wonderful paintings, showcasing a veritable Noah's Ark of different animals to inspire the reader on their artistic journey.