Fill your home with gorgeous flowers every day with this beautifully designed book. The Flower Garden brings to life over 50 varieties of flower with exquisite botanical illustrations. The innovative paper design allows you to press each illustration out of the page, transforming your book into a lovely object for you to display. Sunflowers, lilies, frangipani and birds of paradise are brought into your home and described in lyrical detail by botanist Michael Scott. This stunning bunch of blooms is the perfect gift for any lover of flowers to treasure for years to come. To see how your Paperscapes book transforms, check out the video below (just above the reviews) or have a look at the Paperscapes author page.

'Take a view', the Landscape Photographer of the Year competition, is the brainchild of Charlie Waite, one of today's most respected landscape photographers. Together with AA Publishing, he created this prestigious competition and award with a total prize fund exceeding GBP20,000, plus an eight-week exhibition at the National Theatre. Britain's heritage is celebrated by people around the world and entries are welcome from everyone, whether resident in the UK or simply visiting, as long as the image is from the British Isles. This book showcases the best pictures from amateur and professional photographers alike, from the sixth annual competition. Following the recent announcement by Take A View that that the winner of the Landscape Photographer of the Year Awards 2012, David Byrne, has been disqualified, a decision based on the extent of the digital manipulation techniques used in his entry, AA Publishing would like to reassure readers of their commitment to responsible and quality publishing. The book: Landscape Photographer of the Year: Collection 6, which contains the winning entries from the 2012 awards, was published by AA Publishing on October 31st in the best of faith. Prepared by the publishers long before the winners were announced to the public, the book is produced to the highest quality standards. Due to the book being printed and distributed before the decision to change the overall winner was made by the judges, the current version of the hardback book on sale contains the former winning image by David Byrne, while the newly announced winning image by Simon Butterfield appears on page 127. The next print run of the hardback copy of Landscape Photographer of the Year: Collection 6 will include Simon Butterfield's image at the start of the book, replacing David Byrne's disqualified image. The eBook version of the book has already been corrected to include the new winning image. AA Publishing have posted information on both Amazon and on the AA Publishing website to inform buyers of the changes to this year's awards that has affected the content of the book as well as alerting the companies who handle the distribution of the books.

'This is botanical illustration at the highest level.' - The Artist Christabel King is the foremost botanical artist at the Royal Botanical Gardens at Kew, world leaders in the study and preservation of plant species. Here she shares her passion for depicting plants, both in scientific illustrations and in looser botanical art. This inspiring guide covers everything you need to know: choose a subject and create a vibrant composition; accurately sketch, shade and colour leaves, flowers, cacti and more; finally, press and preserve your own treasured specimens. A chapter on travel drawing gives a flavour of the author's worldwide experience, and there are many of her beautiful plates from the prestigious Curtis's Botanical Magazine. There is a helpful section on suitable subjects for beginners and a glossary of terms, to get you started in the beautiful art of botanical illustration.

Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.

Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be 'read' and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial 'types'. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them.

Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino's writings offers a new perspective on Bernini's art and artistry and allow us to understand the visual arts in papal Rome as a 'making manifest' of the fundamental truths of faith. Pallavicino's views on art and its effects differ fundamentally from the perspective developed in Bernini's biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino's writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.

Thomas Bewick wrote A History of British Birds at the end of the eighteenth century, just as Britain fell in love with nature. This was one of the wildlife books that marked the moment, the first 'field-guide' for ordinary people, illustrated by woodcuts of astonishing accuracy and beauty. But it was far more than that, for in the vivid vignettes scattered through the book Bewick drew the life of the country people of the North East - a world already vanishing under the threat of enclosures. In Nature's Engraver: The life of Thomas Bewick, Jenny Uglow tells the story of the farmer's son from Tyneside who revolutionised wood-engraving and influenced book illustration for a century to come. It is a story of violent change, radical politics, lost ways of life and the beauty of the wild - a journey to the beginning of our lasting obsession with the natural world. Nature's Engraver won the National Arts Writers Award in 2007. Jenny Uglow is the author of, among others, A Gambling Man: Charles II and the Restoration, which was shortlisted for the 2010 Samuel Johnson Prize, Lunar Men and In These Times. 'The most perfect historian imaginable' Peter Ackroyd

Whether your favourite medium is digital, traditional, or a mix of both, Stockholm-based Feefal will have used it to explore her unique world of anthropomorphised figures, animals in dream-like settings, and cool-girl magic. Her spooky-cute style has been a constant throughout her career, amassing 870K dedicated Instagram followers who not only adore her art, but are always keen to know the stories and inspiration behind it. Now for the first time, Feefal has written a beautifully produced book, her work printed on high-quality paper, providing the chance to not only show what she does, but also how. 3dtotal Publishing excels at helping artists to communicate both the motivations behind their unique creativity, and the technical tips and tricks they use. Feefal shares the early influences that put her on the path to becoming the professional character designer she is today, including those of her Swedish-Japanese upbringing. In doing so, the ideas behind paintings such as Lamp Shade Lady, Understanding the Hahahaki Disease (a fictional ailment caused by unrequited love) and Momento Mori are explained. With galleries of curated classics intertwined with step-by-step tutorials and fascinating insights into her creative process, Feefal's work is as intriguing as it is spellbinding.

Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others.

For two-and-a-half millennia these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike. Psalm 1 is about the Law; at the heart of Psalm 2 is the Anointed One ('Messiah'), and together they serve as a Prologue to the rest of the Psalter. They have frequently been read as one composite poem, with the Temple as one of the motifs uniting them. So three themes-Jewish and Christian disputes, the interrelationship of these psalms, and the Temple-are interwoven throughout this reception history analysis. The journey starts in ancient Judaism, moves on to early Christianity, then to rabbinic and medieval Judaism, and so to Christian commentators from the early Middle Ages to the Reformation. The journey pauses to look at four important modes of reception-liturgical use, visual exegesis, musical interpretation, and imitation in English literature. Thirty-eight colour plates and numerous musical and poetic examples bring the work to life. The journey continues by looking at the debates about these psalms which have occupied scholars since the Enlightenment, and ends with a chapter which surveys their reception history in the light of the three key themes.

In 1788, nearly fifteen-hundred people on eleven sailing ships came ashore at Port Jackson in Australia after a gruelling eight month journey from England. This collection of vessels later became known as the First Fleet, and those who sailed in them were the community who established the first European colony in Australia. The Art of the First Fleet depicts the natural history of this extraordinary land, the people and culture of the local indigenous population and the events that marked these initial formative years. The collection, now housed in the Natural History Museum, provides an invaluable record of the wildlife and environment, people and events, as seen through the eyes of the colonists who laid the foundations for the European settlement of Australia. The artists' drawings of the people and culture of the Eora people, the local indigenous population of the area, provide the only lasting visual record of their lives. While images of plants and animals were not always technically accurate, they made a significant contribution to the development of science, allowing experts in Britain to be able to identify and name a large number of new species. They remain an invaluable record of the artists' attempts to make sense and order of this new land.

-- Twenty of the most notorious Florida pirates from the 1500s to the present
-- Meet Sir Francis Drake, Black Caesar, Blackbeard, Jean Lafitte, Jose Gaspar
-- Piracy continues today, though the cargo is more likely to be drugs or other contraband instead of gold and silver
-- A lively read for adults and older children

This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media photos, collage, video, and assembled objects, as opposed to words and rhythm both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.

5 simple step-by-step instructions teach you how to draw all kinds of animals Perfect for beginner artists of all ages-both kids and adults! Practices pages included alongside each drawing If you're aspiring to be an artist, this book will help you learn fast! Do you want to learn the secrets of becoming a great artist? All it takes is following the five simple steps within the pages of this book! Connect shapes, follow the lines, and before you know it, you'll be developing your artistic talent. Each of the sixty images included has step-by-step, easy-to-follow directions to help you learn to create each of these cool illustrations. Whether it is a dog, cat, lion, tiger, bear, giraffe, lizard, or owl you'll quickly become a pro at drawing them all with ease. You can either trace the images using the original image or hone in on your freehand skills by using the facing practice page included after each sheet of instructions. There is even a colored sample to give you an idea how to put the finishing fluorescent touches on your illustrations! How to Draw Animals also has the added bonus of more than 30 scenic background pages that leave room for you to doodle images and practice your newly acquired skills. Each coloring image provides space for you to sketch an image from the dozens of animals that you've learned from this book. Sharpen your pencils and get ready to spring your illustrations to life. This book will teach you how embrace your inner Picasso and have fun doing it!

This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ. The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ. The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print (R), connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful. Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus' teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word's occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print (R)

In the history of art, animals were the very first subject, as evidenced by the nearly 20,000 year old cave paintings at Lascaux. The human impulse to depict and capture the essence of animals underscores the importance of animals to human lives. For some artists, the evolutionary link between humans and other mammals is most compelling, and their choice of mammals as subject speaks to each artist's personal concerns. From traditional works to the fantastical, from sporting art to kitsch, the nearly 100 U.S. and international artists included hope to combine their own magic with the natural spirit of animals in their work. Over 500 of their pieces are represented here in stunning, full-color photographs. This elegant collection honors the artistic connection and age-old totemic relationship between animal and human. Herein lies the conversation between the spirit of the animal and the mind of the maker.

A significant publication of original writing on Lucian Freud, including interviews with leading contemporary artists, marking the 100th anniversary of his birth Lucian Freud (1922-2011) was one of the greatest figurative painters of the twentieth century. With an unflinching eye and an uncompromising commitment to his work, he created masterpieces that continue to inspire contemporary artists to the present day. Spanning nearly 70 years, Freud's career has often been overshadowed by his biography and celebrity. This book re-examines his paintings through a broad series of original approaches. Texts by a variety of rising and established international writers explore topics ranging from the compositional echoes of old master paintings in Freud's works, to the contextualization of his practice within the class struggles of 1980s Britain. Throughout the book, leading contemporary painters such as Tracey Emin and Chantal Joffe give insightful testimony to the relevance of Freud today. Marking the 100th anniversary of Freud's birth, this publication accompanies the first major exhibition of his work in 10 years. Presenting fresh perspectives on his paintings, it introduces Freud to a new generation of scholars and enthusiasts - demonstrating his lasting international importance. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London October 1, 2022-January 22, 2023 Thyssen-Bornemisza Museum, Madrid February 14-June 18, 2023

Susan Herbert's delightful feline reimaginings of famous scenes from art, theatre, opera, ballet and film have won her a devoted following. This unprecedented new compilation of her best paintings provides an irresistible introduction to her feline world. An array of cat characters take the starring roles in a variety of instantly recognizable settings. The masterpieces of Western art retain their distinctive styles while being cleverly filled with furry faces and pussycat tails. Cats then take to the stage in Shakespearean dramas and lavishly staged opera productions. The final stop is Hollywood, where cats are cast in everything from big-budget epics to cult classics, emulating the timeless glamour of the golden age of cinema. From Botticelli's Birth of Venus through Puccini's Tosca to James Dean and Lawrence of Arabia, Susan Herbert's brilliantly observed feline dramatis personae are a joy to discover.

Anatomy for Artists is an extensive compendium of high quality, detailed photography and drawings, showing the human figure in a variety of shapes, sizes and poses that can be used as a solid foundation for all character art.This thorough and detailed library of visual resources will consist of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human figure. Whether you're a traditional sculptor, oil painter or 3D digital artist, the resources within this book will prove to be useful and informative and will help you improve the quality and accuracy of your own art.

In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk.

In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources - including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs - Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.