'Take a view', the Landscape Photographer of the Year competition, is the brainchild of Charlie Waite, one of today's most respected landscape photographers. Together with the AA, he has created this prestigious competition and award with a total prize fund exceeding GBP 20,000, plus an eight-week exhibition at the National Theatre and publication of "Landscape Photographer of the Year", the full-colour book of best entries. Britain's heritage is celebrated by people around the world and entries are welcome from everyone, whether resident in the UK or simply visiting, as long as the image is from the British Isles. This book showcases the best pictures from amateur and professional photographers alike, from the fifth annual competition.

Dante's Divine Comedy is widely considered to be one of the most significant works of literature ever written. It is renowned not only for its ability to make truths known but also for its power to make them loved. It captures centuries of thought on sin, love, community, moral living, God's work in history, and God's ineffable beauty. Like a Gothic cathedral, the beauty of this great poem can be appreciated at first glance, but only with a guide can its complexity and layers of meaning be fully comprehended. This accessible introduction to Dante, which also serves as a primer to the Divine Comedy, helps readers better appreciate and understand Dante's spiritual masterpiece. Jason Baxter, an expert on Dante, covers all the basic themes of the Divine Comedy, such as sin, redemption, virtue, and vice. The book contains a general introduction to Dante and a specific introduction to each canticle (Inferno, Purgatorio, and Paradiso), making it especially well suited for classroom and homeschool use.

How can we grasp the significance of what Jesus Christ did for us? Might literature help us as we seek to understand the Christian faith? J.R.R. Tolkien's The Lord of the Rings has generated much discussion about the relationship between Christianity and literature. It is well known that Tolkien disliked allegory. Yet he acknowledged that his work is imbued with Christian symbolism and meaning. Based on the inaugural Hansen Lectureship series delivered by Philip Ryken, this volume mines the riches of Tolkien's theological imagination. In the characters of Gandalf, Frodo, and Aragorn, Ryken hears echoes of the threefold office of Christ-his prophetic, priestly, and royal roles. Guided by Ryken, readers will discover that they can learn much about the one who is the true prophet, priest, and king through Tolkien's imaginative storytelling. Based on the annual lecture series hosted at Wheaton College's Marion E. Wade Center, volumes in the Hansen Lectureship Series reflect on the imaginative work and lasting influence of seven British authors: Owen Barfield, G. K. Chesterton, C. S. Lewis, George MacDonald, Dorothy L. Sayers, J. R. R. Tolkien, and Charles Williams.

From Renaissance fresco painters to contemporary graphic novel artists, the ability to draw clothed figures from one's imagination has always been crucial to artists - and exceptionally difficult to attain. With over 220 illustrations, The Art of Drawing Folds: An Illustrator's Guide to Drawing the Clothed Figure reveals the logic and patterns in folds, enabling the reader to more easily predict the behavior of cloth when creating folds in their own drawings and paintings. Addressing folds in clothing systematically, the author provides a clear, concise approach to the analysis, classification and visualization of convincingly naturalistic folds. Starting with the nature of fabric and its geometry, this book methodically explores the reasons for fold behavior based on the construction of clothing and the shapes and actions of the human figure. An essential guide and reference for animators, illustrators, storyboard artists, comic-book artists, 3D modelers, sculptors, fashion designers and students, The Art of Drawing Folds simplifies one of the most complex and important aspects of drawing the clothed figure.

A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers-and settlers-into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos to the immersive environments of Kent Monkman's dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' engagement not only with land and landscape but also with the history of representation itself.

Through 140 drawings, thought experiments, recipes, activist instructions, gardening ideas, insurgences and personal revolutions, artists who spend their lives thinking outside the box guide you to a new worldview; where you and the planet are one. Everything here is new. We invite you to rip out pages, to hang them up at home, to draw and scribble, to cook, to meditate, to take the book to your nearest green space. Featuring Olafur Eliasson, Etel Adnan, Alexis Pauline Gumbs, Jane Fonda & Swoon, Judy Chicago, Black Quantum Futurism Collective, Vivienne Westwood, Cauleen Smith, Marina Abramovic, Karrabing Film Collective, and many more.

Focusing on images of or produced by well-to-do nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-A -vis the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By contrast, the essays collected in Women, Femininity and Public Space in European Visual Culture, 1789-1914 demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting. In examining the relationship between affluent women, femininity and the public, the essays gathered here consider works by an array of artists that includes canonical ones such as Mary Cassatt and FranAois Gerard as well as understudied women artists including Louise Abbema and Broncia Koller. The essays also consider works in a range of media from fashion prints and paintings to private journals and architectural designs, facilitating an analysis of femininity in public across the cultural production of the period. Various European centers, including Madrid, Florence, Paris, Brittany, Berlin and London, emerge as crucial sites of production for genteel femininity, providing a long-overdue rethinking of modern femininity in the public sphere.

Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ's post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.

The jewel-like watercolours of renowned Irish botanical artist Wendy Walsh portray a personal selection of about 100 plants that grow wild in Ireland or are cultivated in Irish gardens. Presented in 33 thematic sections,Walsh's subjects range from well-loved and distinctive native plants to exotic species introduced from the New World and Asia, unusual plants that grow in some of the most extreme environments in Ireland, and striking hybrids created by plant breeders. Lively and accessible horticultural descriptions by distinguished botanist E. Charles Nelson accompany the paintings, celebrating the story of each plant along with its natural beauty. The great gardens, famous plantsmen, fascinating journeys and natural phenomena that have shaped the flora of Ireland spring to life in Dr Nelson's engaging text. This elegant and unconventional guide will kindle the imagination of any plant lover or admirer of the Irish landscape.

As we approach the bicentennial, in 2017, of the birth of Henry David Thoreau, there is considerable debate and confusion as to what he may, or may not have, contributed to American life and culture. Almost every American has heard of Thoreau, but only a few are aware that he was deeply engaged with most of the important issues of his day, from slavery to "Manifest Destiny" and the rights of the individual in a democratic society. Many of these issues are still affecting us today, as we move toward the second quarter of the twenty-first century. By studying how various American artists have chosen to portray Thoreau over the years since the publication of Walden in 1854, we can gain a clear understanding of how he has been interpreted (or misinterpreted) throughout the years since his death in 1862. But along the way, we might also find something useful, for our times, in the insights that Thoreau gained as he wrestled with the most urgent problems being experienced by American society in his day.

50 of Donna's favorite projects in one gorgeous book

Donna Dewberry flowers are beautiful to behold, and they are beautifully simple to create. You can achieve the same loveliness using her easy-to-master One-Stroke painting techniques. Inside, you'll see how--step by simple step. Pages are abloom with Donna's favorite flowers (soon to be your favorites, too ), fabulous landscapes, and garden projects to make your outside space a happier place.

An intro chapter covers all the basics, from selecting your tools and loading your brush, to fundamental brushstrokes, palette knife painting techniques, and instructions for painting a variety of beautiful backgrounds. Then follow along step by step to create:

• 38 flowers--cottage garden blooms, spring bulb flowers, wildflowers, herbs, exotics, floral motifs and more.
• 7 beautiful outdoor projects, including an address sign, a trio of butterfly houses, and a patio clock.
• 5 fast and fabulous landscapes, from wildflower fields to a tropical paradise.

The first institutional presentation with works by Sven Druhl took place in 2002 under the title Die Aufregung at the Museum Morsbroich in Leverkusen. The rooms in which the museum presented the then young positions have been used by the Kunstverein Leverkusen Schloss Morsbroich e. V. for many years. Sven Druhl, who is known for his artistic adaptations and remixes, has now returned to this location with his new landscape paintings, which are based purely on virtual models. In the place where his artistic career began, the artist is now showing paintings and bronzes from the past six years. Text in English and German.

Throughout history, especially from the 18th century to the beginning of World War II, artists have produced a remarkable wealth of graphic representations of fruit. This volume includes paintings by American artists, including the Peale family, Grant Wood, and Thomas Hart Benton, engravings and lithographs by major printmaking companies like Currier and Ives, botanical illustrations, and excerpts from vintage nursery catalogs. Find hundreds of illustrations, chosen to arouse physical and aesthetic appetites. These include still lifes, photographs, and amusing antique postcards, as well as expert botanical and historical information. Fruit you know and some you may not are illustrated here in unique works of art or artifacts. They include standards like apples, cherries, and grapes, tropicals such as bananas, mangoes and avocados, biblical fruits, including pomegranates, dates, and olives, and rare delicacies like medlars, persimmons, prickly cactus pears, and pawpaws. Fruit has never looked this good.

The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean - Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.

We owe a great debt to Jean Baptiste Marc Bourgery (1797-1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published. Bourgery began work on his magnificent atlas in 1830 in cooperation with illustrator Nicolas Henri Jacob (1782-1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise's eight volumes was not published in its entirety until five years after his death. The eight volumes of Bourgery's treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob's spectacular hand-colored lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research. Unsurpassed to this day, the images offer exceptional anatomical insight, not only for those in the medical field but also for artists, students, and anyone interested in the workings and wonder of the human body.

Featuring more than 600 sketches depicting a diverse assortment of animals drawn in classic cartoon styles, Draw Like an Artist: 100 Cartoon Animals is a must-have drawing and visual reference book. For student and aspiring artists, illustrators, character designers, and more, this modern step-by-step drawing guidebook demonstrates fundamental art concepts like proportion and anatomy as you learn to draw a wide array of cartoon-style animals and their poses and expressions, all shown from a variety of perspectives. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Artist and author Keilidh Bradley's expert drawing technique will make this a go-to sourcebook for cartoonists, artists, and designers for years to come. Draw Like an Artist: 100 Cartoon Animals is a library essential for any artist interested in learning the fundamental techniques for drawing animals in classic cartoon styles. The books in the Draw Like an Artist series are richly illustrated visual references for learning how to draw classic subjects through hundreds of step-by-step images created by expert artists and illustrators.

Rousham in Oxfordshire was one of the first landscape gardens created in England and is, still, one of the most influential. Designed by William Kent in the late 1730s for the Cottrell-Dormer family (who are its owners today) it has become a place of pilgrimage for landscape architects and garden designers worldwide as well as garden lovers. Its magical glades and sculptural set-pieces have long intrigued Francis Hamel, who has lived and worked there for 25 years. Since the beginning of 2020 he has composed an extraordinary collection of paintings that capture the gardens and their magic. With essays by Tom Stuart-Smith, Joanna Kavenna and Christopher Woodward, the reader is led down its mysterious pathways; from tree-shaded walks peopled with statues of Pan, Venus and other immortals to sun-dappled meadows carpeted with wild flowers. It is just as Kent left it- a secret garden that is open to all.

Art and the Artist in the Contemporary Israeli Novel presents studies of eight contemporary works of Israeli fiction by eight major Israeli novelists. It deals with a society where drama, lived in reality but also in the mind, is a central moving force. What this book shows is the ways these texts deal with the themes of creativity and the creation of a work of art and with the way art and artists are portrayed in a culture that is often perceived as being otherwise preoccupied. The book involves close and painstaking readings of these novels and travels along a broad spectrum of themes. It also shows how these texts engage in dialogue with texts of the Jewish tradition, on the one hand, and, on the other hand, with each other. Two major points of the book are its emphasis on the work as literary art and the way the same themes often find their way into the varied works created by this literary generation. The book notes two tendencies among Israeli writers: that there is a great "urge to tell" their story and the story of Israel; and that to make clear not only what is "happening" in these novels but also what is "going on" in their works of art, the novelist take the leisurely route of "literary emerging"- slowly but surely leading the reader to see how art emerges from the most prosaic of events. Despite its easygoing tone, the book still claims to be a serious book, dealing with serious issues, both ethical and metaphysical. One of the cases this book endeavors to make is that one of the main goals of contemporary Israeli writers is to insert their works of art-via a midrashic mode of writing in which previous texts are constantly being re-written and being made modern-as links in the great chain of the Jewish textual tradition. These novels often refer back to biblical tales and to rabbinic ways of reading them. But they also demonstrate how the writers themselves and their books and are also a part of that tradition. Most of all, however, these writers are supremely aware that they are artists and that they have a particular responsibility to their art.

This book reveals how art and sex promoted the desire for the genetically perfect body. Its eight chapters demonstrate that before eugenics was stigmatized by the Holocaust and Western histories were sanitized of its prevalence, a vast array of Western politicians, physicians, eugenic societies, family leagues, health associations, laboratories and museums advocated, through verbal and visual cultures, the breeding of 'the master race'. Each chapter illustrates the uncanny resemblances between models of sexual management and the perfect eugenic body in America, Britain, France, Communist Russia and Nazi Germany both before and after the Second World War. Traced back to the eighteenth-century anatomy lesson, the perfect eugenic body is revealed as athletic, hygienic, 'pure-blooded' and sexually potent. This paradigm is shown to have persisted as much during the Bolshevik sexual revolution, as in democratic nations and fascist regimes. Consistently posed naked, these images were unashamedly exhibitionist and voyeuristic. Despite stringent legislation against obscenity, not only were these images commended for soliciting the spectator's gaze but also for motivating the spectator to act out their desire. An examination of the counter-archives of Maori and African Americans also exposes how biologically racist eugenics could be equally challenged by art. Ultimately this book establishes that art inculcated procreative sex with the Corpus Delecti - the delectable body, healthy, wholesome and sanctioned by eugenicists for improving the Western race.

'Take a view', the Landscape Photographer of the Year competition, is the brainchild of Charlie Waite, one of today's most respected landscape photographers. Together with AA Publishing, he created this prestigious competition and award with a total prize fund exceeding GBP20,000, plus an eight-week exhibition at the National Theatre. Britain's heritage is celebrated by people around the world and entries are welcome from everyone, whether resident in the UK or simply visiting, as long as the image is from the British Isles. This book showcases the best pictures from amateur and professional photographers alike, from the sixth annual competition. Following the recent announcement by Take A View that that the winner of the Landscape Photographer of the Year Awards 2012, David Byrne, has been disqualified, a decision based on the extent of the digital manipulation techniques used in his entry, AA Publishing would like to reassure readers of their commitment to responsible and quality publishing. The book: Landscape Photographer of the Year: Collection 6, which contains the winning entries from the 2012 awards, was published by AA Publishing on October 31st in the best of faith. Prepared by the publishers long before the winners were announced to the public, the book is produced to the highest quality standards. Due to the book being printed and distributed before the decision to change the overall winner was made by the judges, the current version of the hardback book on sale contains the former winning image by David Byrne, while the newly announced winning image by Simon Butterfield appears on page 127. The next print run of the hardback copy of Landscape Photographer of the Year: Collection 6 will include Simon Butterfield's image at the start of the book, replacing David Byrne's disqualified image. The eBook version of the book has already been corrected to include the new winning image. AA Publishing have posted information on both Amazon and on the AA Publishing website to inform buyers of the changes to this year's awards that has affected the content of the book as well as alerting the companies who handle the distribution of the books.

The Arts have always been vital in teaching, and are the primary bases for religious communication: paleolithic cave paintings and artefacts long predate many scriptural sources. This major new series is designed to provide and understanding of the world's religions through the various art forms associated with religious practice and experience - whether the visual arts, dance, drama or music. In focusing on the importance of the art form in religious teaching and its role outside galleries and museums, this distinctive series moves beyond the traditional realms of religious art literature. Given the fact that mass literacy is largely a modern 'western phenomenon', this series responds to an obvious gap in religious communication, alongside its traditional textual sources. Thus, the Religion and the Arts series presents a unique synthesis of ideas, literature and themes, to emphasise the very varied relationship between diverse religions and the art which both informs the cultures themselves and is also a vivid expression of their systems of beliefs.