This handsome boxed set of notecards features art based on the wild and edible seaweeds of Ireland. The set contains six stunning designs, two of each. Rich colors and bold graphic shapes give a modern edge to a classic subject with timeless naturalist appeal. The box top is textured to evoke the printmaking paper of the original art.

This title was first published in 2000: In their stunning simplicity, George Romney's portraits of eighteenth-century gentry and their children are among the most widely recognised creations of his age. A rival to Reynolds and Gainsborough, Romney was born in 1734 on the edge of the Lake District, the landscape of which never ceased to influence his eye for composition and colour. He moved in 1762 to London where there was an insatiable market for portraits of the landed gentry to fill the elegant picture galleries of their country houses. Romney's sitters included William Beckford and Emma Hart, later Lady Hamilton. An influential figure, one of the founding fathers of neo-classicism and a harbinger of romanticism, Romney yearned to develop his talents as a history painter. Countless drawings bear witness to ambitious projects on elemental themes which were rarely executed on canvas. Richly illustrated, this is the first biography of Romney to explore the full diversity of his oeuvre.

5 simple step-by-step instructions teach you how to draw all kinds of animals Perfect for beginner artists of all ages-both kids and adults! Practices pages included alongside each drawing If you're aspiring to be an artist, this book will help you learn fast! Do you want to learn the secrets of becoming a great artist? All it takes is following the five simple steps within the pages of this book! Connect shapes, follow the lines, and before you know it, you'll be developing your artistic talent. Each of the sixty images included has step-by-step, easy-to-follow directions to help you learn to create each of these cool illustrations. Whether it is a dog, cat, lion, tiger, bear, giraffe, lizard, or owl you'll quickly become a pro at drawing them all with ease. You can either trace the images using the original image or hone in on your freehand skills by using the facing practice page included after each sheet of instructions. There is even a colored sample to give you an idea how to put the finishing fluorescent touches on your illustrations! How to Draw Animals also has the added bonus of more than 30 scenic background pages that leave room for you to doodle images and practice your newly acquired skills. Each coloring image provides space for you to sketch an image from the dozens of animals that you've learned from this book. Sharpen your pencils and get ready to spring your illustrations to life. This book will teach you how embrace your inner Picasso and have fun doing it!

A cosy and delightful book - a real joy to behold.' Daily Mail 'A gorgeous book to be treasured' BBC Countryfile A beautifully illustrated guide to nature through the seasons by much-loved printmaker Angela Harding. The cover of this stunning book has an exclusive triptych printed on the reverse - a perfect collector's item This stunning work, the first book that is solely dedicated to Angela's art, is a celebration of her beautiful prints, and a glimpse into her detailed and meticulous process. A Year Unfolding is a journey through Angela's year in nature watching the seasons unfold in front of her from her studio in Rutland, and giving the reader detail into how nature transforms and evolves over the course of the year. A Year Unfolding also tells the stories behind some of Angela's most popular images, giving context to Angela's celebrated work, as well as new art created specifically for the book. The beautiful illustrations and evocative imagery of the prose make this the perfect book for Angela's fans and readers and art lovers everywhere. Angela has created the covers for many bestselling books, including The Salt Path and The Wild Silence by Raynor Winn, October, October by Katya Balen, English Pastoral by James Rebanks, Christmas is Murder by Val McDermid and RSPB Birds among many others.

Award-winning urban sketcher and best-selling author Stephanie Bower presents a spectacular, all-new collection of sketchers and their art from 39 countries in a city-to-city tour around the world. The remarkable work of the vibrant, international urban sketching community was first documented in The Art of Urban Sketching by Gabriel Campanario. In the ten years since its release, sketching on location has grown into nothing less than a worldwide phenomenon. A visual feast of more than 700 images from over 150 sketchers, The World of Urban Sketching unveils the latest developments and innovations in the creative and rewarding pursuit of on-location drawing and painting. New Artwork. Discover the stunning and informative work of both established and emerging urban sketchers, from Seattle to Santiago, from Singapore to Sydney. New Techniques. Consider new styles and approaches in color and linework, including digital, through artists' tips and step-by-step demonstrations. New Stories. Learn what inspires sketchers, even during a pandemic, and get invaluable insights into creating artwork on location through artists' observations and advice. Whether you draw during your travels or in your own backyard, the beautiful work in The World of Urban Sketching will expand your skills and inspire you to pick up a pencil and sketch your world!

There can be many obstacles to faith. As Art Lindsley says, "Lewis knew what it was like not to believe. He struggled with many doubts along the way to faith. Since he was an ardent atheist until age thirty-one, Lewis's experience and education prepared him to understand firsthand the most common arguments against Christianity." As a scholar and teacher of literature at Oxford, Lewis confronted many questions: Aren't all religions just humanly invented myths? Doesn't evil in the world indicate an absence of any personal or loving God? Why should what is true for one person be true for me, especially when it comes to religion? How can anyone claim that one religion is right? Why follow Jesus if he was just another good moral teacher? This book provides a readable introduction to Lewis's reflections on these and other objections to belief in Jesus Christ and the compelling reasons why Lewis came to affirm the truth of Christianity. Art Lindsley is a helpful and reliable guide to the voluminous and sometimes challenging writings of Lewis for both seekers and those who want to grasp their own faith more deeply.

Artist Roger Bansemer gets an unexpected invitation to dive two and a half miles down into the Atlantic to the site of one of the most famous shipwrecks in history. Armed with his artist's eye and insight, he embarks on an expedition on a Russian research ship to the "Titanic. In this compelling journal, Bansemer's writing and stunning visual work bring us into the adventure, relaying the colorful characters on the expedition, the history and past grandeur of the "Titanic, and the aching beauty of the ship's underwater remains. "Titanic, as everyone knows, sank when it hit an iceberg on its maiden voyage in 1912. It was not seen again until the mid-80s when technological advances led to the development of sub-mersibles capable of diving to that depth. Bansemer became the 112th person to dive to the "Titanic, the sixth person under the stern, and the first artist to have painted Titanic on site. This book chronicles his journey in a mixture of paintings, photos, and digitally-painted images. Bansemer's fascination with painting people, especially the salty, nautical types, finds full expression. Meet buddy Lowell and diving partner Ralph; various Russian crewmen including Bird Man Pierre, Pirate Skippy, the cooks, the "cowboy" who "rides" the submersible; "Keldysh Captain Gorbach; and many others. Bansemer captures them all in their most characteristic poses. The star is always the "Titanic, majestic even at the bottom of the sea. Bansemer pays tribute to the many people who went down with her, acknowledging her role as their memorial resting place. This book, Roger Bansemer's written and painted journal of his journey to "Titanic, is also offered in their memory.

This beautifully illustrated book is the first practical step-by-step guide to using coloured pencils in botanical painting and is written by Ann Swan, one of the top exponents of the genre. Water-soluble and oil-based coloured pencils are becoming increasingly popular for botanical painting as they are easier to use than traditional watercolour and are more forgiving, yet they produce the same stunning effects. They are especially suitable for the accuracy needed to paint in the botanical style of illustration. In this book Ann Swan gives helpful advice on all aspects of working with coloured pencils, including the techniques you will have to master - underpainting, layering and burnishing. She also demontrates how to mix and build up colour, and how to add those finishing touches that will complete your painting successfully. Several full step-by-step demonstrations are included to show how these techniques are put into practice. The book concludes with a gallery of coloured pencil works by the author, students of botanical painting and other professional botanical painters, providing a wonderful source of reference and inspiration.

Color Manhattan the way you want to see it... Color your journey through the city that never sleeps. Color elaborately Hand drawn pen and ink illustrations of the most iconic destinations in the Big Apple-from Times Square to Central Park, down through 5th Avenue and across to the Brooklyn Bridge, enjoy the treasures this city has to offer. Each page contains facts about the Empire State, so regardless if you're a native New Yorker or a first time visitor to the Statue of Liberty, you'll have your own relaxing coloring experience for years to come.

A window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.

Erotic encounters have been celebrated by artists from the beginning of time. This irresistible volume presents 120 of the most engagingly erotic paintings, sculptures, prints, and drawings from diverse eras and cultures, coupled with revealing commentaries about their sexual and aesthetic content. Organised unlike any other collection of erotic images, The Art of Arousal traces the course of a sensual relationship. It begins by examining the elements of eroticism, and then progresses from flirtation and seduction through kisses and other foreplay before ultimately arriving at consummation and blissful exhaustion. The irrepressible Dr. Ruth explores every element of sexuality in these provocative works of art, including the pleasures of looking, creative fantasising, and the effects on male and female pleasure of the various positions depicted. All the works in this book have been chosen to meet two essential criteria: everyone portrayed must be having a good time, and each image must satisfy the high aesthetic standards of Dr. Ruth and an art historian friend, who writes with witty scholarship about the artistic and biographical aspects of these remarkable images. Now available in a revised edition that includes stimulating new works by contemporary creators, The Art of Arousal is the perfect gift for your lover who loves art.

Girl With Two Fingers is an edited day to day account of life as a subject of eight portraits by Lucian Freud. '...diaries and letters are a form of time travel. They transport the future reader back to the moment the words were written.' In 1999, a young woman writer returns to London from living in Paris, having been hit by a bus. The accident is a wake-up call: what should she do with her life, how to continue writing? Having known Lucian Freud over a decade, and having previously declined to have a portrait painted by him, she writes asking if he still needs someone to work from Something to do while thinking what to do next. Writer and painter meet for dinner and an after hours visit to the National Gallery, and agree to start painting the following week. The studio in Holland Park is unchanged, except everyone's ten years older. The puppy, Pluto, is an old girl now. The writer has travelled, written, grown up.'Now I look for the adult in me, instead of the child.' She keeps a diary, as she always has, until it becomes too much of a chore. After a few weeks, she begins to write to an imaginary confidante instead. 'Every thing, be it glamorous or mundane, has a particularity of its own. Seeing and recording that particularity is what a writer does. And it's a form of protest. Because it's the loudest voice that tells you how to see, and the smallest voice that sees and hears the most.' As an act of independence she rejects the offered chair and stands for her picture, standing up to the artist. She records, 'For now, my place on the planet is in this studio, my small space the shapes of my feet carved into the floor.' The writer's under no illusion that the picture will be flattering. 'I'm simply a body for him to paint, one of many bodies. And a face. Another one of many.' She won't connect to the finished image.'I'm not going to recognise myself, or connect with this image. It'll just be a work of art.' But writer and painter do connect. This becomes a painting relationship, one picture leads to seven more. Leading to night time phone calls and the painter saying 'I'm beginning to depend on you.' 'It feels a bit like Shakespeare's The Tempest up here. The studio our island. Lucian as Prospero, with 'art to enchant'. The shopper as Ariel, and me as a stand-in Miranda.' But not everybody's happy with this painting relationship. And it's proving too much for the subject herself. Despite being committed to the painter's work, she's keen to regain her freedom. 'I think he knows I'm starting to want to break free. That's a kind of magnetic energy for him.' Face to face: writer and painter, woman and man, the seer and the seen. And the unseen. Because that's the joy of writing: it's seeing what can't be depicted in paint. On a trip to New York May 2000, standing unnoticed in a gallery between two of the portraits of herself, the writer looks in to the pictures she's - depicted as - looking out from, and asks if the images are more about the painter than the painted: '...his view, his space, his paint, his colours, his brushes, his language, his desire to control and portray. His feelings. His life events. And the distortions, the freuding, are his signature. They are autobiographical naked portraits of Lucian. Hiding in plain sight.' 'The stories that bring a fixed portrait into being are much more fun than the finished thing itself.' 'What's lovely about (a friend),' says Lucian 'and you do it too, is you describe people by what they say.' 'What do you mean?' 'Well you repeat what it was they said.' Beautifully written, poignant and evocative, testament to the world of the studio, witness to the act of portraiture. 'Historically, men make images of women. Men tell us how to see and understand those images. They narrate them. And then they market what they have made. So the images of women are about men.' Girl With Two Fingers is the female gaze, a detailed subject's account of the making of eight works of art.

Perceptions of the Body and Sacred Space in Late Antiquity and Byzantium seeks to reveal Christian understanding of the body and sacred space in the medieval Mediterranean. Case studies examine encounters with the holy through the perspective of the human body and sensory dimensions of sacred space, and discuss the dynamics of perception when experiencing what was constructed, represented, and understood as sacred. The comparative analysis investigates viewers' recognitions of the sacred in specific locations or segments of space with an emphasis on the experiential and conceptual relationships between sacred spaces and human bodies. This volume thus reassesses the empowering aspects of space, time, and human agency in religious contexts. By focusing on investigations of human endeavors towards experiential and visual expressions that shape perceptions of holiness, this study ultimately aims to present a better understanding of the corporeality of sacred art and architecture. The research points to how early Christians and Byzantines teleologically viewed the divine source of the sacred in terms of its ability to bring together - but never fully dissolve - the distinctions between the human and divine realms. The revealed mechanisms of iconic perception and noetic contemplation have the potential to shape knowledge of the meanings of the sacred as well as to improve our understanding of the liminality of the profane and the sacred.

All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain's 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever 'finished', or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.

Collecting 100 full-color pages and featuring 48 different Japanese manga and anime artists, Black Tights features some of the best illustrators in Japan. With stockings as their primary themes, WIDE focuses on thighs. Overseen by cover artist and art director, Yom, audiences have been captivated by their character designs in the 2019 anime short, Miru Tights.

Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects, and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early-modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture. Coinciding with the five hundredth anniversary of Francis I's accession, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France. -- .

The must-have guide for all artists who draw the human figure!

This small, portable book presents a unique perspective on the human body for artists to study and implement in their drawing work. In this book, artist and teacher Michel Lauricella simplifies the human body into basic shapes and forms, offering profound insight for artists of all kinds, sparking the imagination and improving one’s observational abilities. Rather than going the traditional route of memorizing a repertoire of poses, Lauricella instead stresses learning this small collection of forms, which can then be combined and shaped into the more complex and varied forms and postures we see in the living body.

Geared toward artists of all levels—from beginners through professionals—this handy, pocket-sized book will help spark your imagination and creativity. Whether your interest is in figure drawing, fine arts, fashion design, game design, or creating comic book or manga art, you will find this helpful book filled with actionable insights.

(Publisher's Note: This book features an “exposed” binding style. This is intentional, as it is designed to help the book lay flat as you draw.)

A Dog A Day began life with a Facebook post in 2013: 'My name is Sally Muir and this is a new gallery where I will add a dog drawing/painting every day, adding up to a massive 365 day dogfest.' As the Facebook page grew in popularity, so did Sally's dog portraits, leading to commissions, exhibitions at prominent galleries, and dog sketching events at venues including Anthropologie - who went on to commission an incredibly successful collection of dog-a-day crockery and textile-based household accessories. Drawing on artworks from the site, A Dog A Day is a lovingly curated collection and celebration of dogs. Containing 365 beautiful artworks of dogs of all shapes and sizes (big, small, pedigree, cross breed), the book includes a range of exciting mediums from loosely worked sketches, lithographs and potato prints to finished oil paintings. Delightfully packaged, this is the perfect gift for all dog lovers.

These delightful Halloween decorations are eye-popping examples of the best made, including pristine pieces from the Beistle Company archives, shown in over 395 color photographs. The text presents comprehensive information for collectors, including detailed descriptions and little-known-facts, release and production dates, materials, makers' marks, and values. Party games, hats, and masks appear as well as lanterns, shades, and die-cuts. They seem to jump off the pages to excite you. Lots of wonderful suggestions are made throughtout the book for interesting uses for displaying the decorations today. Their artistic beauty will make you smile, remembering youthful Halloween stories, and want to add to your own collection.

Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. The study begins with an overview of ancient archaeology in order to identify nascent religious ideologies in various Neolithic Cultures and early Chinese historical eras including the Shang dynasty (1300-1050 BCE) and Zhou Dynasty(1000-221 BCE) up until the era of the First Emperor (221-210 BCE) Part Two treats Confucianism as a religious tradition examining its scriptures, images, temples and rituals. Adopted as the state ideology in the Han dynasty, Confucian ideas permeated society for over two thousand years. Filial piety, ethical behavior and other principles shaped the pictorial arts. Part Three considers the various schools of Daoist belief and their expression in art. The ideas of a utopian society and the pursuit of immortality characterize this religion from its earliest phase. Daoism has an elaborate pantheon and ritualistic art, as well as a secular tradition best expressed in monochrome ink painting. Part Four covers the development of Buddhist art beginning with its entry into China in the second century. Its monuments comprised largely of cave temples carved high in the mountains along the frontiers of China and large metropolitan temples provide evidence of its evolution including the adoption of savior cults of the Buddha of the Western Paradise, the Buddha of the Future, the rise of Ch an (Zen) and esoteric Buddhism. In their development, these various religious traditions interacted, sharing art, architecture, iconography and rituals. By the twelfth century a stage of syncretism merged all three traditions into a popular religion. All the religions are reviving after their extirpation during the Cultural Revolution. Using historical records and artistic evidence, much of which has not been published, this study examines their individual and shared manner of worshipping the divine forces."

Each year between 1819 and 1825, John Constable (1776-1837) submitted a monumental canvas to the Royal Academy of Arts in London for display in the annual Exhibition. These so-called six-footers vividly captured the life of the River Stour in Suffolk, where Constable grew up and where he returned to paint each year. The Leaping Horse, the last of these, now a major work in the Academy's collection, is the subject of this fascinating new book. Humphreys explores Constable's often avant-garde working methods, as well as his struggle to gain full acceptance within the art establishment of the early nineteenth century. With reproductions of his full-scale preliminary sketches as well as brand new photography of the painting itself, this book is the ideal companion for art lovers who seek a deeper appreciation of Constable's iconic depictions of the English countryside.