"Her stunning images push boundaries and feature portraits of a wonderfully diverse selection of strong, bold people of all ages, races, and body types." - Loeidela Photographie "Inspirational, feminine and colourful..." - Flair Mode Magazin "...[pays] homage to all these forms of beauty that our society struggles to recognize".-Costanza Spina, Lense Alexandra Sophie is a French artist and renowned fashion and fine art photographer. Her work is described as sensual, fresh, and feminine, often entwining humans with nature. Alexandra Sophie's powerful and award-winning photographic work narrates stories on being human, the human being in environmental contexts - interwoven through floral themes - and explores identity through subjects such as sexuality, feminism, and interrogations on what constitutes the "normal" frontier. Alexandra's award-winning photography has gained international recognition, featuring collaborations and covers with high-fashion clientele, such as Swarovski, Cacharel, Vogue, Vanity Fair, Elle, and Harper's Bazaar UK, among many others; in 2018 Forbes named her as one to watch in its 30Under30 Europe profile. This highly illustrated book, which will include a preface written by Nathalie Colin (former Creative Director at Swarovski), comprises a lavish and rich portfolio of Alexandra's photographic portraits that is inspirational, beautiful, contemporary, and colourful. Her stunning images push boundaries and feature portraits of a wonderfully diverse selection of strong, bold people of all ages, races, and body types.

The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siecle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt's Manette Salomon (1867), Emile Zola's Therese Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and "Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and Rachilde's L'Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the "artist-animal," an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.

A spiritually uplifting and beautiful designed visual memoir by the hugely popular photographer on Instagram, Joe Greer, combining thoughtful essays and more than 100 gorgeous landscape photos-half fan favorites, and half never-before-seen. "Each photograph really does come down to a split second when you decide to freeze that moment in time. . . . You ask yourself what the story is that you want to tell, and let the rest unfold: Click."-from the introduction Joe Greer never imagined he would become a photographer. Raised in Florida by an aunt and uncle after his mother's death when he was four, Joe had a seemingly normal childhood, spending summers at church camp and dreaming of going to college. But nearly fifteen years later, the ground shifted beneath his feet when he discovered a family secret that would impact the rest of his life. Trying to make sense of that revelation and what it meant for his future, Greer set his sights on becoming a pastor at Spokane's Moody Bible Institute. There, he discovered Instagram-and a passion for photography. His pictures of the lush, wild beauty of the Pacific Northwest landscape attracted a large following that has grown to more than three quarters of a millions fans and continues to expand. The Lay of the Land is Joe's story in words and pictures. In this stunning compendium, he reflects on the trauma of his early life and what photography has taught him: how to find his light; how to slow down; how to appreciate the world around him, a reverence for the nature world that that both nurtures and amplifies his creativity and faith; how to love-his photography led him to his wife, Madison-and how to heal. For Joe, photography has been a way to find purpose, better understand his faith, and express himself. Though he began with landscapes, meeting his wife sparked a new love of portraiture, and he turned to making photos of street scenes that explored his complicated feelings about family. A love letter to the natural world, to faith, and to finding your calling in the most unexpected places, The Lay of the Land is a window into the beautiful mind and heart of one of the internet's favorite photographers. Moving and inspiring, it is a creative and spiritual journey that offers lessons on life and living. As Greer reminds us all, whatever it is you want, it's up to you to make the moment (and the photograph).

A window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.

Draw Like an Artist: 100 Flowers and Plants is a must-have visual reference for student artists, botanical illustrators, urban sketchers, and anyone seeking to improve their realistic drawing skills. This comprehensive book features 600-plus step-by-step sketches depicting a vast array of beautiful botanicals, florals, plant structures, and more. Each begins with simple shapes and lines and builds on those forms, adding details like flower centers, leaf veins, and petal shading, and ending with a finished drawing. Helpful drawing tips are also included. Designed as a contemporary guidebook for artists who want to draw botanical forms, Draw Like an Artist: 100 Flowers and Plants shows flower blossoms, leaves, and plants from a variety of perspectives. By following the guides, artists will become more skilled and confident in their ability to draw any flower or greenery. Among the botanicals featured are: Tropical florals such as plumeria, protea, and African violet Hanging and vine blooms, including wisteria and morning glory Birch, white oak, gingko, and maple leaves Plants with interesting shapes, such as cactus, zebra grass, and bamboo Author Melissa Washburn is a skilled illustrator whose clear and elegant drawing style will make this a go-to sourcebook for years to come. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

A colourful, illustrated celebration of wild plants around the world, and why we should love them not loathe them, with 50 graphic illustrations by Paul Farrell. To call a plant a weed is doing it a real injustice. It's simply a wild plant that is not deliberately cultivated, growing where it is not wanted. By this definition, virtually any plant outside a carefully tended garden is a weed. The intolerance of weeds is a mark of how we have turned our backs on nature and urbanized our land and lives. In this enlightening survey, illustrator Paul Farrell uncovers the wild beauty in weeds and explains the benefits of rewilding ourselves a little. Weeds can be medicine, food, and an important aid for wildlife. One person's weed is another's wild beauty. Paul's brilliant modernist illustration style shows us dandelions, thistles and feverfew in a whole new light. Each of the 50 weeds featured is accompanied by a quirky history and its uses in medicine, cooking, arts and even industry. Sample contents: US/Canada weeds: Dandelion; Daisy; Groundsell; Chickweed; Nettle; Wild carrot; Sumac. UK/Europe weeds: Foxglove; Deadly nightshade; Yarrow; Rosebay willowherb; Herb Robert; Scarlet Pimpernel; Violet; Wood Sorrel; Red valerian; Common knapweed

This book analyzes the philosophical origins of dualism in portraiture in Western culture during the Classical period, through to contemporary modes of portraiture. Dualism - the separation of mind from body - plays a central part in portraiture, given that it supplies the fundamental framework for portraiture's determining problem and justification: the visual construction of the subjectivity of the sitter, which is invariably accounted for as ineffable entity or spirit, that the artist magically captures. Every artist that has engaged with portraiture has had to deal with these issues and, therefore, with the question of being and identity.

The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.

Drawing and Painting People - A Fresh Approach is about confident and defiant art. Written by a practising artist and tutor, it contains inspiring examples, thought-provoking insights and practical advice about how to become more expressive and adventurous with your work. It is a book for people who are serious about painting and want to develop work that is personal and exceptional in quality. An unpretentious, non-academic approach to painting and drawing Avoiding 'painting by numbers' Strategies for independent working, building confidence and taking risks Examples from notable artists The body as an inspiring muse

Botanical Art Techniques is a beautifully illustrated and comprehensive guide to one of the most delicate art forms. From the experts at the American Society of Botanical Artists, this essential reference features how-to tutorials for all the major techniques: pen and ink, watercolor, coloured pencil, egg tempera, oil, acrylic, gouache, silverpoint, and etching. The tutorials move from basic and introductory to advanced, so the reader can build on their skills as they progress. Additional information includes a detailed overview of the necessary materials, basic information about the principles of composition, and advice on how to develop a personal style. Filled with 900 photographs, Botanical Art Techniques is a must-have for creative people everywhere.

The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.
Coming out of this dedicated movement, "Portrait Painting Atelier" is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters' technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features.
Richly illustrated with the work of preeminent masters such as Millet, Gericault, and van Gogh, as well as some of today's leading portrait artists--and featuring seven detailed step-by-step portrait demonstrations--"Portrait Painting Atelier" is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

Were humans created, or did they evolve? This debate continues to rage between science and religion. In "Creation or Evolution?, " author Michael Ebifegah examines these two worldviews within the framework of science..

He examines the constraints of science as an explanatory framework for the origin of species and compares the contemporary world to a hypothetical world under the influence of evolutionary processes and agency. Additionally, he considers the irrelevance of the earth's age to the creationist/evolutionist controversy. He stresses that knowledge of the intersection between the origin of life and the origin of species is required to establish the latter..

Ebifegah augments the natural selection discussion in light of Fodor and Piattelli-Palmarini's work and addresses science's limitations in deploying similarity/dissimilarity arguments in the debate about creationism versus evolutionism. Finally, he focuses on the lack of historical evidence to justify an evolutionary worldview.

"Creation or Evolution?" discusses how the M-theory and Charles Darwin's paradigm of evolution by natural selection are outside the limits of science. Ebifegah shows that we must look beyond the inadequacy of such theories and address the validity of science as the sole avenue of inquiry.

Where are you? Life is uncertain. Skyscrapers crash and so do stock markets. Bodies get broken, and so do relationships. Our health declines and marriages fail. Ground Zero brings us to places where we see how little is in our control, and how God still gives people a second chance to bounce back in life.

The Lark Ascending, Ralph Vaughan Williams' 'pastoral romance for orchestra' was premiered on 14 June, 1921. Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape we celebrate as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment - not an unaffected idyll - that forged a nation's musical personality, and its dissenting traditions.

On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and The Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape.

In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting-especially a landscape painting-replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant's account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential sixth to fourteenth-century theorists and art historians and connoisseurs, the first part explains and discusses qiyun and its conceptual development from a notion mainly applied to figure painting to one that also plays an enduring role in the aesthetics of landscape painting. In the light of Kant's account of genius, the second part examines a range of issues regarding the role of the mind in creating a painting replete with qiyun and the impossibility of teaching qiyun. Through this comparison with Kant, Hu demystifies the uniqueness of qiyun aesthetics and also illuminates some limitations in Kant's aesthetics.

A significant publication of original writing on Lucian Freud, including interviews with leading contemporary artists, marking the 100th anniversary of his birth Lucian Freud (1922-2011) was one of the greatest figurative painters of the twentieth century. With an unflinching eye and an uncompromising commitment to his work, he created masterpieces that continue to inspire contemporary artists to the present day. Spanning nearly 70 years, Freud's career has often been overshadowed by his biography and celebrity. This book re-examines his paintings through a broad series of original approaches. Texts by a variety of rising and established international writers explore topics ranging from the compositional echoes of old master paintings in Freud's works, to the contextualization of his practice within the class struggles of 1980s Britain. Throughout the book, leading contemporary painters such as Tracey Emin and Chantal Joffe give insightful testimony to the relevance of Freud today. Marking the 100th anniversary of Freud's birth, this publication accompanies the first major exhibition of his work in 10 years. Presenting fresh perspectives on his paintings, it introduces Freud to a new generation of scholars and enthusiasts - demonstrating his lasting international importance. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London October 1, 2022-January 22, 2023 Thyssen-Bornemisza Museum, Madrid February 14-June 18, 2023

With over 70 original illustrations, printmaker Angela Harding invites you to look at how the light changes the world around us, and how that changes us in its turn. "I, like many other people, find great inspiration in the way mornings, evenings or bright midday light changes the way we see the things around us. The bouncing light of a cloud-filled storm sky can change a seascape through a palette of blues, greys, and turquoises. The cool summer moonlight that crosses my back garden sends long shadows that change the mood of the garden from homely to unfamiliar. And whether it's the low light of an English February afternoon or the sharp, bright mid-morning light of the Cornish seaside, the light and dark we experience affects our moods. "But life is busy, and I am guilty as anyone of being too preoccupied by daily life to just stop and look. This book is a collection of illustrations from those moments when I have stopped and looked; when a particular encounter with nature has been highlighted by the time of day or the time of night, becoming a strong image long remembered and one that I wish to illustrate. "I hope you enjoy this journey through 24 hours of my collected memories of the nature that surrounds me."

Modern approaches to Roman imperialism have often characterized Romanzation as a benign or neutral process of cultural exchange between Roman and non-Roman, conqueror and conquered. Although supported by certain types of literary and archaeological evidence, this characterization is not reflected in the visual imagery of the Roman ruling elite. In official imperial art, Roman children are most often shown in depictions of peaceful public gatherings before the emperor, whereas non-Roman children appear only in scenes of submission, triumph, or violent military activity. Images of children, those images most fraught with potential in Roman art, underscore the contrast between Roman and non-Roman and as a group present a narrative of Roman identity. As Jeannine Diddle Uzzi argues in this 2005 study, the stark contrast between images of Roman and non-Roman children conveys the ruling elite's notions of what it meant to be Roman.

Art As Witness is an invitation for professors, researchers, clergy, educators, students, and activists to creatively integrate the arts in theology and religious studies for a practical theology of arts-based research that prioritizes public witness. This methodology challenges the traditional written word as being the privileged norm, arguing that this emerging research genre is an excellent, viable, and necessary option for research that supports, promotes, and publicizes liberating theology for the marginalized, victimized, and oppressed. It includes a detailed case study of "Art Inside Karnes," the all-volunteer arts-based ministry of presence the author facilitated inside a for-profit immigrant family detention center that became the Power of Hope traveling art exhibit for education, advocacy, and public witness. This primer covers practical ethical, legal, and political matters; includes pedagogical examples for how to use arts-based research for student assessment in theology and religious studies; and provides an overview of arts options, including literary genres, visual arts, fabric arts, theater, filmmaking, and new media with digital content. Art as Witness features 40 illustrations, several case studies, and multiple contributing theologian-artists who engage the arts in themes that include immigration, HIV/AIDS, biblical studies, political protest, gender equity, gun law reform, racial justice, and more.

This work talks about an animator and concept artist for gaming companies featured in hits like "Starcraft", "Diablo" and "World of Warcraft". That's all well and good for a day job, but when the sun goes down, Maxx's mind drifts off to nastier realms, filled with bizarre creatures, foul aliens and oh yes, drop dead gorgeous girls.

For missionaries in the twenty-first century, change is necessary in order for them to continue to be strong and viable. "Growing Missionaries Biblically" takes a fresh look at Christian missions and proposes a comprehensive, biblical missionary training program for short- and longterm missions. Its objective is to produce an effective, cross cultural ministry for Africa and, with some modifications, globally. The goal is to provide a postimperial, post-colonial model for training missionaries by looking to biblical guidance on the subject.

Author Dr. R. Zarwulugbo Liberty is a native of Liberia, Africa, with biblical, theological, and practical insights for prospective and seasoned missionaries and their supporters. The information he provides can successfully launch and sustain these missionaries in the course of their mission work. In order to accomplish his goals, he proposes the use of bicultural missionaries.

A bicultural missionary is one who has studied both his own culture and the culture of the people to be served. This missionary will not equate his or her culture with Christianity and will know and understand the practices of the culture he or she serves that can easily be incorporated and assimilated into Christianity. "Growing Missionaries Biblically" proposes a vital curriculum for missionary preparation for cross-cultural missionary service.

The story of four modern American Catholics who made literature out of their search for God
In the mid-twentieth century four American Catholics came to believe that the best way to explore the questions of religious faith was to write about them-in works that readers of all kinds could admire. "The Life You Save May Be Your Own" is their story-a vivid and enthralling account of great writers and their power over us.
Thomas Merton was a Trappist monk in Kentucky; Dorothy Day the founder of the Catholic Worker in New York; Flannery O'Connor a "Christ-haunted" literary prodigy in Georgia; Walker Percy a doctor in New Orleans who quit medicine to write fiction and philosophy. A friend came up with a name for them-the School of the Holy Ghost-and for three decades they exchanged letters, ardently read one another's books, and grappled with what one of them called a "predicament shared in common."
A pilgrimage is a journey taken in light of a story; and in "The Life You Save May Be Your Own" Paul Elie tells these writers' story as a pilgrimage from the God-obsessed literary past of Dante and Dostoevsky out into the thrilling chaos of postwar American life. It is a story of how the Catholic faith, in their vision of things, took on forms the faithful could not have anticipated. And it is a story about the ways we look to great books and writers to help us make sense of our experience, about the power of literature to change-to save-our lives.