Godefridus Schalcken: A Late 17th-century Dutch Painter in Pursuit of Fame and Fortune is the first book in English dedicated to the entire artistic output of seventeenth-century Dutch artist Godefridus Schalcken (1643-1706). It examines the artist's paintings and career trajectory against the background of his ceaseless pursuit of fame and fortune. Combining a comprehensive analysis of Schalcken's artistic development and style with our increasing biographical knowledge, it provides an authoritative overview of Schalcken's ample production as an artist. It also integrates his art into the circumstances of his life in relation to his ambitious career aspirations, exploring how economic conditions, a concomitantly oversaturated art market, talent and ambition, demographics, and even sheer luck all played a role in Schalcken's great professional success. Since Schalcken's art, like that of all Dutch painters, provides a plethora of information about seventeenth-century culture-its predilections, its prejudices, indeed, its very mind-set-the book inevitably links his work to the broader socio-cultural contexts in which it was created.

These poems reflect a journey from a past delineated by racism, trauma and violence towards a present life of peace and intense natural beauty. Permeated with nostalgia and loss; songs of an immigrant community alienated in their own land, but pierced with fierce hope, faith in redemption, and a determination that we should all belong.

Delving into a hitherto unexplored aspect of Irish art history, Painting Dublin, 1886-1949 examines the depiction of Dublin by artists from the late-nineteenth to the mid-twentieth century. Artists' representations of the city have long been markers of civic pride and identity, yet in Ireland such artworks have been overlooked in favour of the rural and pastoral. Framed by the shift from city of empire to capital of an independent republic, this book examines artworks by Walter Osborne, Rose Barton, Jack B. Yeats, Harry Kernoff, Estella Solomons and Flora Mitchell, encompassing a variety of urban views and artistic themes. While Dublin is already renowned for its representation in literature, this book will demonstrate the many attractions it held for Ireland's artists, offering a vivid visualisation of the city's streets and inhabitants at a crucial time in its history. -- .

A SUNDAY TIMES BESTSELLER 'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.' DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated... Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford's exchanges are infused with their deep knowledge of the history of art ... This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you' Lynn Barber,The Spectator 'Designed to underscore [Hockney's] original message of hope, and to further explore how art can gladden and invigorate ... meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

Whether you need to draw a cat, a flying squirrel, or a sea horse, How to Draw Almost Every Animal is your ultimate go-to guide! Not sure how to start your drawing of a flamingo or slippery slug? Boggled by how to draw an antelope, an armadillo, or a cheetah? How to Draw Almost Every Animal is here to help! Need to draw a hippopotamus? A lazy, brown dog? A quick, red fox? Then this collection of over 75 adorable animals to draw and doodle is just the book for you! This teaching tool does more than just show you completed pictures of the animals. Each illustration is broken down with step-by-step diagrams and helpful tips to truly teach you how to draw. Plus, we've included extra images to teach you how to draw animals relaxing in their natural habitats and on the move. A helpful how-to section includes valuable coloring tips and techniques for mastering fur and feather, spots, stripes, scales, spines, and everything else animals are covered in. Each book in the Almost Everything series offers readers a fun, comprehensive, and charmingly illustrated visual directory of ideas to inspire skill building in their creative endeavors.

Creating Professional Characters: Develop Spectacular Designs from Basic Concepts is an inspiring and informative exploration of how popular professional character designers take the basic concept of a character in a production brief and develop these ideas into an original, high-quality design. Suitable for student and professional character designers alike, this book focuses on how to approach your character designs in ways that ensure the target audience and production needs are met while still creating fun, imaginative characters. This visually appealing book includes twenty thorough tutorials guiding you through the design and decision making processes used to create awesome characters. Replicating the processes used in professional practice today, this book demonstrates the types of brief a professional designer might receive, the iterative design process used to explore the brief, the influence of production feedback on the final design, and how final designs are presented to clients. This detailed, enlightening book is an excellent guide to creating incredible imaginative characters suitable for your future professional projects.

The Baule people of the Ivory Coast are renowned for their refined sculptural work of masks and figures. This book is the first to focus exclusively on an antithetic aspect of Baule culture-rough zoomorphic sculptures representing monkeys. These awe-inspiring bowl-bearing figures evoke invisible powers and serve their communities through the mediation of diviners. Investigating the creation, forms, and usage of the sculptures, the authors shed light on the cultural and ritual contexts in which they operated. Beautifully illustrated with over 55 full-page color images of works in public and private collections, this important publication also includes many unpublished field photographs. Distributed for Mercatorfonds

Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch-among other artists, novelists, and film directors-utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a 'secular' context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.

Art has always been inspired by the wildlife around us. Since earliest times we have been continually fascinated by both wildlife and the challenge of representing it. This book sets the scene of how wildlife has been portrayed in art and guides the reader through the principles of practical drawing and painting wildlife. It covers recommended equipment, techniques, fieldcraft, composition and anatomy, and offers help for those wishing to exhibit their work.

Religion and Technology into the Future: From Adam to Tomorrow's Eve examines the broad significance of the current trends and accomplishments in technology (AI/robots) against the long history of the human imagination of making sentient beings. It seeks to enrich our understanding of the present as it is trending into the future against the richly relevant and surprisingly long past. Creatively considered in some depth are a wide range of specific examples drawn especially from contemporary film and television, as well as from cosmology, ancient mythology, biblical literature, classical literature, folklore, evolution, popular culture, technology, and futurist studies. This book is distinctive, in part, in drawing on a wide range of resources demonstrating the indispensable interrelationship among these disparate materials. Science, technology, economics, and philosophy are seamlessly interwoven with history, gender, culture, religion, literature, pop culture, art, and film. Written for general as well as academic readers, it offers fascinating and provocative insights into who we are and where we are going.

High above the pleasure palaces of the French Riviera is the Alpine Extension of the Maginot Line. These little-known bunkers were built in the 1930s to protect against Mussolini. But things didn't quite turn out at the French expected . . . Now, they are marooned and crumbling in some of the most beautiful, remote parts of the Alps. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came. Bunker Research is for adventurers, architects, historians, mountain lovers and urban explorers. Follow this disquieting journey, told in stunning photos and prose, up peaks, along ridges and down valleys, searching for the hidden history of modernism in the mountains. The second edition follows the long-sold-out limited first printing, which won 'Best Self-Published Book' at the British Book Design & Production Awards 2016. If features 10 pages of new photos.

These 200+ images show you the spectacular views from hundreds of New York Citys finest residences. Everyone loves an amazing view, and some pay millions for a property with views across Central Park, the East River, the Hudson River, or the Midtown skyline. In the jungle of glass, stone, and steel that is New York City, it is impossible to overstate the value of an incredible view. Tauber, a Manhattan-based independent photographer, shot these images over the last decade while shooting New York Citys finest properties for real estate firms, architects, interior designers, developers, and magazines. This collection reflects the shimmering pull of New York City views through the seasons, from morning light over Central Park to twilight over the Hudson.

As human and machine agency become increasingly intermingled and digital media is overlaid onto the urban landscape, The machinic city argues that performance art can help us to understand contemporary urban living. Dias analyses several performance art interventions from artists such as Blast Theory, Rafael Lozano-Hemmer and Rimini Protokoll, which draw from a rich history of avant-garde art movements to create spaces for deliberation and reflection on urban life and to speculate on its future. While cities are increasingly controlled by autonomous processes mediated by technical machines, Dias analyses the performative potential of the aesthetic machine, as it assembles with media, capitalist, human and urban machines. The aesthetic machine of performance art in urban space is examined through its different components - design, city and technology actants. This unveils the unpredictable nature and emerging potential of performance art as it unfolds in the machinic city, which consists of assemblages of efficient and not-so-efficient machines. -- .

Although a century and a half of Christian proselytizing has only led to the conversion of about one percent of the Japanese population, the proportion of writers who have either been baptized or significantly influenced in their work by Christian teachings is much higher. The seventeen authors examined in this volume have all employed themes and imagery in their writings influenced by Christian teachings. Those writing between the 1880s and the start of World War II were largely drawn to the Protestant emphasis on individual freedom, though many of them eventually rejected sectarian affiliation. Since 1945, on the other hand, Catholicism has produced a number of religiously committed authors, led by figures such as Endo Shusaku, the most popular and influential Christian writer in Japan to date. The authors discussed in these essays have contributed in a variety of ways to the indigenization of the imported religion.

A launching pad for your spiritual journey, this inspiring book provides clear, specific, and practical guidelines for becoming a Christian who lives like Christ. Christians today live in a world that is activity heavy and relationship light. The result is spiritual emptiness. We struggle to know what God wants from us and for us . . . and we're unsure what a real relationship with God really looks like. But that was never God's idea. HIS idea of faith is not about rules or religion-- it's about relationship. That's where God tells us to start. In Romans 12, God gives us a clear picture of what Christians should look like at the root level. If you're ready to move from "in" to "all in," then you're ready to become a Romans 12 Christian. The next steps of your journey toward true spirituality start here.

This book explores the extent to which artists of sixteenth-century Europe were influenced by ideas of religious reform. Analysing the content of major works by eight prominent artists, noted reformation scholar John Dillenberger argues that these artists' productions provide a fascinating map of the evolution and influence of major theological currents of their time.

In Building the Body of Christ, Daniel C. Cochran argues that monumental Christian art and architecture played a crucial role in the formation of individual and communal identities in late antique Italy. The ecclesiastical buildings and artistic programs that emerged during the fourth and fifth centuries were designed to facilitate liturgical worship and ritual, not only reflecting Christianity's changing status within the Roman Empire but also actively shaping those who used them. Emphasizing the importance of materiality and the body in early Christian thought and practice, Cochran shows how bishops and their supporters employed the visual arts to present a Christian identity rooted in the sacred past but expressed in the present through church unity and episcopal authority. He weaves together archaeological and textual evidence to contextualize case studies from Rome, Aquileia, and Ravenna, showing how these sites responded to the diversity of early Christianity as expressed through private rituals and the imperial appropriation of the saints. Cochran shows how these early ecclesiastical buildings and artistic programs worked in conjunction with the liturgy to persuade individuals to adopt alternative beliefs, practices, and values that contributed to the formation of institutional Christianity and the "Christianization" of late antique Italy.

Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.

This handsome boxed set of notecards features art based on the wild and edible seaweeds of Ireland. The set contains six stunning designs, two of each. Rich colors and bold graphic shapes give a modern edge to a classic subject with timeless naturalist appeal. The box top is textured to evoke the printmaking paper of the original art.

From millennia-old cave art to world-famous internet sensations, dogs have inspired artists to strive to capture their loyal personalities and antics for as long as they've been our furry friends. This joyous collection celebrates dogs in art, spanning eras, styles and continents, from the brushes of masters such as Manet, Toulouse-Lautrec, Sargent, Gauguin, Klee, Picasso and more.

This is a long-awaited reissue of Remnant's classic study of misericords (medieval church carvings) in the United Kingdom. First published in 1969, A Catalogue of Misericords in Great Britain provides a complete listing of misericords from parish churches throughout the UK. The book also features an informative chapter on the iconography of misericords from M. D. Anderson (Lady Trenchard Cox), well known for a number of authoritative books on medieval carving and mythology. The 48 illustrations cover both some of the better known misericords throughout the country, and a number of carvings of outstanding interest from smaller churches.

In this book the author explores the work of the fifth-century BC Athenian vase-painter, Sotades, one of the most familiar names in vase painting. Previous scholarship has dealt mainly with questions of attribution, style, and iconographic interpretation, but Dr Hoffman concentrates on inherent meaning: what does the imagery of these decorated vases really signify? He argues that, contrary to widely held conceptions, there is an underlying unity of meaning in Greek vases and their imagery, a unity rooted in the religious beliefs and ritual practices of the society from which they spring. Each chapter discusses a specific aspect of the artist's iconology, placing it in the context of fifth-century BC Greek philosophical and religious thought.