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Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Oriental art
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The Aesthetics of Qiyun and Genius - Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes (Hardcover)
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The Aesthetics of Qiyun and Genius - Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes (Hardcover)
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In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese
Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an
interpretation of the notion of qiyun, or spirit consonance, in
Chinese painting, and considers why creating a painting-especially
a landscape painting-replete with qiyun is regarded as an art of
genius, where genius is an innate mental talent. Through a
comparison of the role of this innate mental disposition in the
aesthetics of qiyun and Kant's account of artistic genius, the book
addresses an important feature of the Chinese aesthetic tradition,
one that evades the aesthetic universality assumed by a Kantian
lens. Drawing on the views of influential sixth to
fourteenth-century theorists and art historians and connoisseurs,
the first part explains and discusses qiyun and its conceptual
development from a notion mainly applied to figure painting to one
that also plays an enduring role in the aesthetics of landscape
painting. In the light of Kant's account of genius, the second part
examines a range of issues regarding the role of the mind in
creating a painting replete with qiyun and the impossibility of
teaching qiyun. Through this comparison with Kant, Hu demystifies
the uniqueness of qiyun aesthetics and also illuminates some
limitations in Kant's aesthetics.
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