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Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900

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Neo-Impressionism and Anarchism in Fin-de-Siecle France - Painting, Politics and Landscape (Paperback) Loot Price: R1,707
Discovery Miles 17 070
Neo-Impressionism and Anarchism in Fin-de-Siecle France - Painting, Politics and Landscape (Paperback): Robyn Roslak

Neo-Impressionism and Anarchism in Fin-de-Siecle France - Painting, Politics and Landscape (Paperback)

Robyn Roslak

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Loot Price R1,707 Discovery Miles 17 070 | Repayment Terms: R160 pm x 12*

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In Neo-Impressionism and Anarchism in Fin-de-Siecle France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elisee Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

General

Imprint: Routledge
Country of origin: United Kingdom
Release date: September 2016
First published: 2007
Authors: Robyn Roslak
Dimensions: 234 x 156 x 18mm (L x W x T)
Format: Paperback
Pages: 232
ISBN-13: 978-1-138-24839-7
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
Books > Social sciences > Politics & government > Political ideologies > Anarchism
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes > General
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LSN: 1-138-24839-8
Barcode: 9781138248397

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