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Neo-Impressionism and Anarchism in Fin-de-Siecle France - Painting, Politics and Landscape (Hardcover, New Ed)
Loot Price: R4,308
Discovery Miles 43 080
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Neo-Impressionism and Anarchism in Fin-de-Siecle France - Painting, Politics and Landscape (Hardcover, New Ed)
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In Neo-Impressionism and Anarchism in Fin-de-Siecle France, Robyn
Roslak examines for the first time the close relationship between
neo-impressionist landscapes and cityscapes and the anarchist
sympathies of the movement's artists. She focuses in particular on
paintings produced between 1886 and 1905 by Paul Signac and
Maximilien Luce, the neo-impressionists whose fidelity to
anarchism, to the art of landscape and to a belief in the social
potential of art was strongest. Although the neo-impressionists are
best known for their rational and scientific technique, they also
heeded the era's call for art surpassing the mundane realities of
everyday life. By tempering their modern subjects with a decorative
style, they hoped to lead their viewers toward moral and social
improvement. Roslak's ground-breaking analysis shows how the
anarchist theories of Elisee Reclus, Pierre Kropotkin and Jean
Grave both inspired and coincided with these ideals. Anarchism
attracted the neo-impressionists because its standards for social
justice were grounded, like neo-impressionism itself, in scientific
exactitude and aesthetic idealism. Anarchists claimed humanity
would reach its highest level of social and moral development only
in the presence of a decorative variety of nature, and called upon
progressive thinkers to help create and maintain such environments.
The neo-impressionists, who primarily painted decorative
landscapes, therefore discovered in anarchism a political theory
consistent with their belief that decorative harmony should be the
basis for socially responsible art.
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