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The Pathos of the Cross - The Passion of Christ in Theology and the Arts-The Baroque Era (Hardcover)
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The Pathos of the Cross - The Passion of Christ in Theology and the Arts-The Baroque Era (Hardcover)
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The Baroque period was in some senses the beginning of modern
Western scientific and intellectual culture, the early budding of
the Enlightenment. In the light of a new scientific and historical
consciousness, it saw the rise of deism and the critique of
traditional forms of Christianity. Secular values and institutions
were openly or surreptitiously replacing the structures of
traditional Christian society. At the same time, it was a time of
religious renewal and of the reaffirmation of tradition. In sacred
art, it was the age of of Bernini, Rubens, Van Dyck, Velazquez, and
Rembrandt; in church music, the period of Monteverdi, Scarlatti,
Handel, Telemann, and Bach. The pathos of Christ's crucifixion -
its power to evoke strong emotions of pity and compassion - was a
central element in Baroque theology and spirituality. The sacred
arts of the period reflect the centrality of this theme. Many of
the works of the period retain their ability to move us emotionally
and spiritually centuries later - even though the theology they
represent has been challenged and frequently rejected. This volume
traces the ways in which Roman Catholic and Protestant theologies
of the period continued to proclaim the centrality of cross of
Christ to human salvation. In a parallel movement, it illustrates
how musical and artistic works of the period were both inspired and
informed by these theologies, and how they moved beyond them in an
aesthetic mediation of faith.
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