An illustrated exploration of the artist, Rembrandt van Rijn, his life and context, with a gallery of 300 of his finest works. This is a fascinating biography that explores his early years, his personal life and the historical context of the early 17th century. It analyzes his creative progress and the artistic influences that led him to develop his work from the grand Baroque to a less exuberant style.

Larry Hama (b. 1949) is the writer and cartoonist who helped develop the 1980s G.I. Joe toyline and created a new generation of comic book fans from the tie-in comic book. Through many interviews with Hama, this volume reveals that G.I. Joe is far from his greatest feat as an artist. At different points in his life and career, Hama was mentored by comics' legends Bernard Krigstein, Wallace Wood, and Neal Adams. Though their impact left an impression on his work, Hama has created a unique brand of storytelling that crosses various media. For example, he devised the character Bucky O'Hare, a green rabbit in outer space that was made into a comic book, toy line, video game, and television cartoon-with each medium in mind. Hama also discusses his varied career, from working at Neal Adams and Dick Giordano's legendary Continuity to editing a humor magazine at Marvel, developing G.I. Joe, and enjoying a long run as writer of Wolverine. This volume also explores Hama's life outside of comics. He is an activist in the Asian American community, a musician, and an actor in film and stage. He has also appeared in minor roles on the television shows M*A*S*H and Saturday Night Live and on Broadway. Editor and historian Christopher Irving compiles six of his own interviews with Hama, some of which are unpublished, and compiled others that range through Hama's illustrious career. The first academic volume on the artist, this collection gives a snapshot of Hama's unique character-driven and visual approach to comics' storytelling.

This book contains writings of 10 luminous Korean-American teenagers, who are already playing leadership roles in their high schools and communities. Grace Jungmin Ko, the editor, was selected for the prestigious New Jersey State Governor's School in Engineering for 2010 summer. Also, Editor Ko has conducted productive research in dentistry at Harvard University School of Dental Medicine. Furthermore, Grace Jungmin Ko is a gifted artist and had her Solo Art Show at Closter Art Gallery in the fall of 2010. This book contains pictures (in color) of Grace's art works with her own explanations. Grace Jungmin Ko desires to follow in her father's footsteps and become a dental scholar and dentist. Grace's father owns the biggest dental hospital in South Korea. This book contains biographical account of Dr. Chol Su Ko, Grace's father, and his rise to greatness in the Korean world of dentistry.Kenny Yoon, a junior at Horace Mann School in New York, is a part of the gifted music program at The Julliard School. Kenny describes how he came to play violin and how he hopes to bring joy to people through music.Edward Kim is a talented swimmer, who aspires to attend West Point (US Military Academy). He is currently a sophomore at Ridgewood High School and hopes to make the US Olympic Team in swimming.Ami Park, who attends a Korean Buddhist monastery, describes her identity and her effort to bring joy to the world as an entertainer and a future movie star.This book contains touching accounts of struggles and achievements. It is an important primary source material for understanding Korean teenage experience in the United States. Thus, this book is valuable for Korean Studies and Ethnic Studies.Harvard University Dental School Professor Myung W. Brian Chang, DDS, FACP, states: "I wish that Jung Min and other Korean-American Teenagers' future dreams will come true." Yale University Medical School Professor Seung Lee, M.D., Ph.D. FASN, writes: "Jung Min has been instrumental in gathering together a collection of true life stories for this volume that gives a picture of the amazing pool of Korean young leaders."(This book also contains over 100 color photographs of contributing authors.)

From Spain comes this striking collection of paintings reflecting a sensibility lying at the core of Spanish gay culture. The artist excells at a photorealist style - homoerotic, thoughtful and moodful, these paintings with their blend of subtle coloration are totally about today.

Covers the brief but groundbreaking career of the self-proclaimed 'anarchitect' Gordon Matta-Clark (1943-1978), one of the most influential American artists of the 1970s. The immense ambition and scale of Gordon Matta-Clark's projects, and their fearless reimagining of the urban landscape, challenged city-dwellers to reconsider the very notion of built structure and the fragility of seemingly unassailable edifices. Matta-Clark's first interventions took place in abandoned, derelict structures, upon which he performed his famous 'building cuts' and 'intersects'. First published in 2008 (for a show at SMS Contemporanea in Siena), and organised thematically and chronologically, this substantial volume looks at these and other bodies of work, such as the Food restaurant, the performances, the 'estates' and the artist's pursuit of alternative economical housing. The catalogue also includes a filmography and critical essays, plus an interview done by Judith Russi Kirshner in 1978. Text in English and Italian.

"Published to accompany a landmark exhibition of the art of J.M.W. Turner, this publication will highlight Turner's contemporary imagery, the most exceptional and distinctive aspect of his work throughout his career. Rather than making any claims for Turner's protomodernist credentials, it will explore what constituted modernity, and what it meant to be a modern artist, in his lifetime. Turner's career spanned revolution and the Napoleonic War, Empire, the explosion of finance capitalism, the transition from sail to steam and from manpower to mechanisation, political reform and scientific and cultural advances that transformed society and shaped the modern world. While historians have long recognised that the industrial and political revolutions of the late eighteenth century inaugurated farreaching change and modernisation, these were often ignored by artists as they did not fit into established categories of pictorial representation. This exhibition and its accompanying publication will show Turner updating the language of art and transforming his style and practice to produce revelatory, definitive interpretations of modern subjects."

This second volume from Titan Books is a collection of world-renowned visionary artist John Harris' unique paintings captures breath-taking, otherworldly vistas on a massive scale. The Art of John Harris II: Into the Blue is the third collection (second collection published by Titan) of world-renowned visionary artist John Harris' unique paintings that capture future worlds on a massive scale, from vast landscapes and towering cities to breath-taking vistas. Readers will get a unique insight into the creative process behind the worlds depicted in the paintings as Harris takes them on a journey from sketch to finished painting, as well as his striking covers for a variety of esteemed science fiction authors, including John Scalzi, Ben Bova, Jack McDevitt, Orson Scott Card, Ann Leckie and many more.

As adults in a fast-paced modern world, many can hardly afford to enjoy the simplest things in life today. With data and technology being at the forefront of our increasingly digital lifestyles, it is becoming almost impossible to make time for pure creativity, imagination, and freedom of expression - unless we start allowing our minds to wander fearlessly into the unknown and celebrate the art of doing nothing, whenever we can. LOST IN REVERIE sets out to capture the magic and mystique of dreamscapes, from the comforting to the unsettling and everything else in between. The book will comprise art and illustration featuring intriguing concepts and styles that explore the realms between the real and surreal; becoming a means of escape from the dreariness of everyday and a beautiful reminder to never stop dreaming.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Kiss is a prime example of Klimt's 'Golden Phase', in which he began to feature especially sumptuous ornamentation on a regular basis in his paintings. The couple in this artwork represent the mystical union of spiritual and erotic love, and the connection of life and the universe. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

This is the first edited collection of essays entirely devoted to the women of the Pre-Raphaelite movement. Inspired by the Pre-Raphaelite Sisters exhibition and conference of 2019-20, the individual essays present new research into the wide-ranging creativity of the Pre-Raphaelite women. Artistic subjects include Evelyn De Morgan's goldwork paintings and her experiments with automatic writing. Barbara Leigh Smith Bodichon, Mary Seton Watts and Eleanor Fortescue-Brickdale are also examined. Elizabeth Siddal's relationship with her sister-in-law Christina Rossetti is explored, as is her appropriation of the Pre-Raphaelite principle of "truth to nature". Women's writing is addressed, extracting Georgiana Burne-Jones from the memoir of her husband and reassessing the book of fairy tales she planned with Siddal. Fashion history informs an analysis of the sartorial practices of Jane Morris and Siddal, while the influence exerted by the Siddal-Rossetti relationship on a prominent Czech artist demonstrates how women initiated the spread of Pre-Raphaelite ideals in Europe. More personalised accounts of engaging with and recovering women in history include the painstaking genealogical research undertaken by the great-grandson of model Fanny Eaton and the curation of a Siddal exhibition at Wightwick Manor. This book is essential reading for anyone interested in the Pre-Raphaelites.

Bridget Riley, one of the leading abstract painters of her generation, holds a unique position in contemporary art. She has developed and extended the range of her interests ever since her first success in the 1960s, creating a body of work which is both consistent and highly varied. This volume, now fully revised and updated, reveals the mind behind this remarkable aachievement, drawing together the most important texts and interviews of the last fifty years. Riley's writings show a passionate engagement with her subjects and a great insight paired with a freshness of approach and an exceptional clarity of expression. Quite apart from providing a key to understanding her own work, this book is a fascinating document reflecting the issues and problems facing an artist in the 21st century.

In mythology, art history and religious iconography, the apple has been imbued with every imaginable human desire. It has been a symbol of love and beauty, of temptation, of immortality, peace, death and poison, of sin and redemption. From Adam and Eve to the trials of Heracles, to the art of Cezanne and Magritte, to Newton's theory of gravity, the death of Alan Turing and the growth of Steve Jobs, the apple resonates throughout western culture. It is Snow White, William Tell, it is The Beatles and the Viking gods, it is even the American frontier. Now, Barnaby Barford offers a celebration of this fruit, exploring its impact on the history of humankind. Apples have become a recent feature of Barford's eye-catching installations, whether ripe and healthy or in a state of decay. The Apple is Everything guides the reader through Barford's work and ideology.

This book examines Theodore Gericault's images of black men, women and children who suffered slavery's trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Gericault's depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Gericault's own oeuvre, this study explores the fetters of slavery that Gericault challenged-alongside a growing number of abolitionists-overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.

Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeer's Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer's work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer's life that Binstock brings to bear on Vermeer's art for the first time; he also offers new interpretations of several key documents pertaining to Vermeer that have been misunderstood. Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer's oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind of visual comparison of his complete output. Like Poe's purloined letter, Vermeer's secrets are sometimes out in the open where everyone can see them. Benjamin Binstock shows us where to look. Piecing together evidence, the tools of art history, and his own intuitive skills, he gives us for the first time a history of Vermeer's work in light of Vermeer's life. On almost every page of Vermeer's Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art. Perhaps the most arresting revelation of Vermeer's Family Secrets is the final one: in response to inconsistencies in technique, materials, and artistic level, Binstock posits that several of the paintings accepted as canonical works by Vermeer, are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the book's many pleasures.

Gerhard Richter is widely regarded as one of the most important painters at work today. He is as well known for his figurative works as he is for his abstract paintings, often combining elements of both in ground-breaking ways. Gerhard Richter: Panorama is the first and most complete overview of Richter's whole career. Where previous monographs have focused on a single aspect of his work, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity. It includes his photo-paintings, abstracts, landscapes and seascapes, portraits, colour charts, glass and mirror works, sculptures, drawings and photographs, providing the definitive account of Richter's colossal artistic achievements. Alongside his celebrated abstractions, early black-and-white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, this new edition of Panorama includes over forty paintings made between 2000 and 2015, studio photographs and archival images, alongside texts by an array of international critics and curators.With more than 300 illustrations, and an interview with the artist by Nicholas Serota, Director of Tate, this landmark publication remains the most comprehensive survey of one of the world's most pre-eminent contemporary artists

A singular thinker and an uncompromising seeker after artistic truth, Cezanne channelled a large part of his wide-ranging intellect and ferocious wit into his letters. This translation by Alex Danchev is based on a thorough re-examination of Cezanne's correspondence with family, friends and major figures from the literary and art worlds. Danchev's great achievement is to allow readers in English to hear Cezanne's voice for the first time in his own idiomatic, idiosyncratic style. And he sounds rather different from the Cezanne we thought we knew - richer, wittier, wiser, more philosophical, more irascible, above all more fully human. The letters offer fresh perspectives on his artistic vision, politics, friendships, psychology, philosophy, literary tastes and classical frame of reference. They provide an intimate insight into the preoccupations and personality of a legend.