Although Salvador Dali's characteristically provocative behavior and bizarre pictorial language made him an outlier in high society, his body of work reflects his century's most important innovations and concerns. This introduction to Dali's work features dozens of exquisite reproductions as it traces the artist's development, life and career. Readers will learn how he was influenced by contemporaries Miro, Ernst, and de Chirico as well as by Raphael and Gaudi. It explores his early adoption of Surrealism, his fascination with the subconscious, and his antipathy toward war. It illustrates how Dali's return to the Catholic church and his interest in nuclear and atomic physics was manifested in his paintings; how he experimented in film and, later, even created holograms. By making Dali's often perplexing art accessible to audiences of every level, this engaging introduction helps readers understand why he remains one of the most influential-and imitated-artists of all time.

Winner: Mountain Literature (Non Fiction) The Jon Whyte Award, Banff Mountain Book Competition 2019 Waymaking is an anthology of prose, poetry and artwork by women who are inspired by wild places, adventure and landscape. Published in 1961, Gwen Moffat's Space Below My Feet tells the story of a woman who shirked the conventions of society and chose to live a life in the mountains. Some years later in 1977, Nan Shepherd published The Living Mountain, her prose bringing each contour of the Cairngorm mountains to life. These pioneering women set a precedent for a way of writing about wilderness that isn't about conquering landscapes, reaching higher, harder or faster, but instead about living and breathing alongside them, becoming part of a larger adventure. The artists in this inspired collection continue Gwen and Nan's legacies, redressing the balance of gender in outdoor adventure literature. Their creativity urges us to stop and engage our senses: the smell of rain-soaked heather, wind resonating through a col, the touch of cool rock against skin, and most importantly a taste of restoring mind, body and spirit to a former equanimity. With contributions from adventurers including Alpinist magazine editor Katie Ives, multi-award-winning author Bernadette McDonald, adventurers Sarah Outen and Anna McNuff, renowned filmmaker Jen Randall and many more, Waymaking is an inspiring and pivotal work published in an era when wilderness conservation and gender equality are at the fore.

Even during the artist's lifetime, contemporary art lovers considered Rembrandt van Rijn to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt: The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates precisely why the artist, from a very early age, was praised by prominent connoisseurs. He argues that Rembrandt, from his very first endeavors in painting, embarked on a journey past all the foundations of the art of painting that, according to (up until now misinterpreted) contemporary written sources, were considered essential in the seventeenth century. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes in course that can't simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist's, van de Wetering reveals how Rembrandt became the best painter the world had ever seen. Gorgeously illustrated throughout, this groundbreaking exploration reconstructs Rembrandt's closely guarded theories and methods, shedding new light both on the artist's exceptional accomplishments and on the practice of painting in the Dutch Golden Age. Published in association with Amsterdam University Press.

In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. Includes: Jerusalem; Songs of Innocence and of Experience; All Religions are One; There is No Natural Religion; The Book of Thel; The Marriage of Heaven and Hell; Visions of the Daughters of Albion; America a Prophecy; Europe a Prophecy; The Song of Los Milton a Poem; The Ghost of Abel; On Homers Poetry and] On Virgil; Laocoon; The First Book of Urizen; The Book of Ahania; The Book of Los.

Rubens was fascinated by the classical world and the exploits of the ancients celebrated on surviving sculptures, sarcophagus reliefs, engraved gems and coins. When he set out for Italy as a young artist in 1600, he was following in the footsteps of many Flemish artists before him, but Rubens drawings after the Antique have a range and thoroughness unique of their kind. They are catalogued here in detail.;Rome was the focus of Rubens' two lengthy stays in Italy, and he was particularly attracted to the private collections, where in the seclusion of the palaces and courtyards of enthusiastic collectors he could draw sculpture groups over and over in detail and from different angles. Like his brother Philip and other European collectors of their acquaintance, Rubens was a dedicated antiquarian, and his drawings were often made with specific projects in mind, like his Roman Itinerary, a planned Gem Book, and his series on Famous Greek and Roman Men. Rubens drawings of classical statues are still of great value for archaeologists, because they show the early 17th-century condition of a sculpture and they are sometimes the only record of a work of art now lost.;Rubens displays the full range and subtlety of his techniques in his response to classical art. When sketching marble statues, he tended to use black chalk on rough white paper and applied the accents in white, thus softening the contours of the stone and enhancing the gradual nuances of light and shade. He rendered the tauter contours and high gloss of bronzes and engraved gems by exploiting the very different properties of pen and ink. His capacity to bring life to the artefacts he drew can be seen by contrast with the many copies of his sketches that exist.;Made as they are largely at the beginning of his career, Rubens's drawings after the Antique are evidence of his determination to master models before proceeding to draw figures from life. All that he learnt from his classical models of physique, pose and composition, Rubens transformed into a personal expression that informs the gestures, costume and decoration in paintings throughout his life.

Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and articulated by contemporary and later writers, including Michel Leiris, Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus engages with energising tensions and debates that informed Giacometti's work, including his association with both surrealism and existentialism, his production of both 'high' art and decorative objects, and his concern with both formal issues, such as scale and material, and with the expression of philosophical and poetic ideas. This multifaceted collection of essays confirms Giacometti's status as one of the most fascinating artists of the twentieth century.

By uniquely treating Gerhard Richter's entire oeuvre as a single subject, Darryn Ansted combines research into Richter's first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter's East German murals, early work, lesser known paintings, and destroyed and unfinished pieces buttress this major re-evaluation of Richter's other well known but little understood paintings. By placing the reader in the artist's studio and examining not only the paintings but the fraught and surprising decisions behind their production, Richter's methodology is deftly revealed here as one of profound yet troubled reflection on the shifting identity, culture and ideology of his period. This rethinking of Richter's oeuvre is informed by salient analyses of influential theorists, ranging from Theodor Adorno to Slavoj Zizek, as throughout, meticulous visual analysis of Richter's changing aesthetic strategies shows how he persistently attempts to retrace the border between an objective reality structured by ideology and his subjective experience as a contemporary painter in the studio. Its innovative combination of historical accuracy, philosophical depth and astute visual analysis will make this an indispensible guide for both new audiences and established scholars of Richter's painting.

Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A translated transcription of the inventory is included as an appendix.

As featured in The New York Times, T Magazine, and The Tonight Show Starring Jimmy Fallon The phenomenally creative musician and filmmaker David Byrne presents new artwork that explores daily life in surprising ways, with unique reflections on shared human experiences - a book for our time from a highly influential artist Through striking and humorous figurative drawings, the iconic artist and musician David Byrne depicts daily life in intriguing ways. His illustrations, created while under quarantine, expand on the dingbat, a typographic ornament used to illuminate or break up blocks of text, to explore the nuances of life under lockdown and evoke the complex, global systems the pandemic cast in bright light. Edited and designed by Alex Kalman in close collaboration with Byrne, this unique book reflects on shared experiences and presents history as a story that is continually undergoing revision.

Winner of the 2009 OBest Interior DesignO prize sponsored by the Arizona Book Publishing Association In the Grand Canyon and on the icy flanks of Mount Everest, deep in rainforests and deserts, underwater and at the mouths of live volcanoes - Tony Foster paints his expansive watercolors at the edges of the world. Presented here with personal accounts of his journeys, they are an exultant testament to the power of art and the richness and fragility of our planet. Explorer-artist Tony Foster has been trekking into and living in the world's wildernesses for the past twenty-five years in order to make his monumental paintings, often under extreme and demanding conditions. These monumental works, containing written narratives, symbolic souvenirs, clues, and observations, are a celebration of some of the planet's most extraordinary places and of time spent studying and experiencing them. His exhibitions have been shown in many major museums and galleries, including the Smithsonian Institution, Yale Center for British Art, California Academy of Sciences, the Royal Watercolour Society, and the Royal Geographical Society. This is the first comprehensive retrospective volume of his work. In addition to selections from Tony Foster's diaries, the book includes contributions by James K. Ballinger, Graham Beal, John Halkes, Duncan Robinson, Stephen Sparks, Mark Trahant, and Annie and Bill Vanderbilt."

Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859-1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America's great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.

Josef Albers' groundbreaking series Homage to the Square comprises roughly two thousand oil paintings. His continuous reflections and refinements for more than 25 years inspired numerous young minimal and conceptual artists in their search for a reduced formal language. This outstanding catalogue explores the secret of Albers' subtle aesthetic and unearths its preconditions: What is the significance of the square? How does his impression of color and its use as a material change during this period? Featuring studies on paper, archival materials, as well as essays by internationally leading Albers experts, Margit Rowell and Donal Judd, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.

Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeer's Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer's work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer's life that Binstock brings to bear on Vermeer's art for the first time; he also offers new interpretations of several key documents pertaining to Vermeer that have been misunderstood. Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer's oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind ofvisual comparison of his complete output. Like Poe's purloined letter, Vermeer's secrets are sometimes out in the open where everyone can see them. Benjamin Binstock shows us where to look. Piecing together evidence, the tools of art history, and his own intuitive skills, he gives us for the first time a history of Vermeer's work in light of Vermeer's life.

On almost every page of Vermeer's Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art. Perhaps the most arresting revelation of Vermeer's Family Secrets is the final one: In response to inconsistencies in technique, materials, and artistic level, Binstock posits thatseveral of the paintings accepted as canonical works by Vermeer, are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the book's many pleasures.

Sung closely examines William Blake's extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.

Waiting at the Shore chronicles the extraordinary life of the Spanish artist Luis Quintanilla, championed by Ernest Hemingway, John Dos Passos, Elliot Paul, and many other American and European writers and artists. In 1912, at the age of 18, he ran off to Montmartre where, under the influence of his fellow countryman Juan Gris, he began his artistic career as a Cubist. Returning to Madrid before the war he befriended prominent Spaniards, including Juan Negrin, the Premier during the Spanish Civil War. In April 1931 he and Negrin participated in the peaceful revolution which ousted the monarchy and installed the Second Spanish Republic. When civil war broke out Quintanilla helped lead troops on Madrid's Montana Barracks, which saved the capital for the Republic. "Because great painters," as Hemingway put it, "are scarcer than good soldiers," the Spanish government [Negrin] ordered Quintanilla out of the army after the fascists were stopped outside Madrid. The artist completed 140 drawings of the various fronts of the war which were exhibited at New York's Museum of Modern Art, with a catalogue by Hemingway. After the Republic lost the war Quintanilla was forced into an exile which lasted several decades. Living in New York and in Paris he strove to perfect his art, shunning the modernist vogues of the time. Although a celebrity when he first arrived in the United States he eventually fell into obscurity. This volume, which is heavily illustrated, brings him out of the shadows of neglect, and provides the compelling story of an artist who led not just an extraordinary life but left a legacy of paintings and drawings which, in both their skill and great imaginative variety, should be known to all art lovers.

Genius. Anti-artist. Charlatan. Impostor! Since 1914 Marcel Duchamp has been called all of these. No artist of the 20th century has aroused more passion and controversy, nor exerted a greater influence on art, the very nature of which Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works that transformed traditional artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original and important books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation. With 172 illustrations in colour

Jorge and Lucy Orta operate not only as artists, but as a social activists, community mediators and educators. Famed for work such as 'Refuge Wear', which crosses boundaries between fashion, architecture and sculpture, Lucy and Jorge address concerns which are both contemporary and topical homelessness, for example but which also tap into primordial traditions and cultures, such as nomadism. Jorge+Lucy Orta Pattern Book: An Introduction to Collaborative Practices explores projects by Jorge and Lucy Orta, which have been co-produced with community groups in locations as diverse as Johannesburg, Melbourne and Nottingham. The book serves both purely aesthetic as well as participatory purposes and can be used as a resource for the reader to set up their own workshops and education programs; it includes detachable pattern sheets the reader can use as a starting point in the creation of their own projects. This beautifully illustrated book will captivate a diverse audience of artists, fashion designers, engineers, architects, community workers, and teachers.

'For millions of children, Dick Bruna's books are the first they will encounter. They don't know how lucky they are' Michael Bond This latest instalment in The Illustrators on Dutch artist Dick Bruna (1927-2017) takes readers behind the scenes of the creation of some of the world's most endearing children's characters. Offering a deeper appreciation of the artistry and skills behind the international icon Miffy, fellow illustrator Bruce Ingman also reveals Bruna's lesser-known work, including his striking book and poster designs. A glimpse into his studio in Utrecht reveals a man of many media, including drawing, painting, collage and photography. All the elements of Bruna's extensive body of work, spanning book covers, posters, stamps and merchandise, are given due significance in this illuminating study of his reputation and success. By the time of Bruna's retirement, Miffy had become an industry in her own right and Bruna an international star far beyond the sphere of children's books. Ingman shows us how the simple complexity of Bruna's work appeals to children, artists and designers alike, capturing the imagination across ages and artistic disciplines.

Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary -- sensuous flowers, bleached bones against red sky and earth -- had a stunning, profound, and lasting influence on American art in this century.

O'Keeffe's personal mystique is as intriguing and enduring as her bold, brilliant canvases. Here is the first full account of her exceptional life -- from her girlhood and early days as a controversial art teacher...to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz...to her seclusion in the New Mexico desert, where she lived until her death.

And here is the story of a great romance -- between the extraordinary painter and her much older mentor, lover, and husband, Alfred Stieglitz.

Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia O'Keeffe is a twentieth-century legend. Her dazzling career spans virtually the entire history modern art in America.

With the complexity of his artistic expression, Armin Mueller-Stahl is an exceptional figure in the art of the 21st century. The different artistic activities of the painter, musician, actor, and writer influence each other. Thus, the actor's particular interest in exploring and empathizing with different character traits implies a high affinity for drawing and painting the subtle nuances of human faces and the traits hidden within them. This illustrated volume presents Mueller-Stahl's most recent series Judische Freunde und Weggefahrten. The portraits of famous personalities from the FRG, the GDR and the USA are both character studies and personal homages. They invite the viewer to take a stroll through the artist's eventful, great life.